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Ben MacintyreBoyd has written a crackling spy thriller, but more than that, he has evoked the atmosphere of wartime espionage: the clubby, grubby moral accommodations, the paranoia, the tense sexuality…Boyd's first novel, A Good Man in Africa, was a glinting satire, while An Ice-Cream War combined history, comedy and tragedy to wonderful effect. Here he has used a more muted palette, with no humor, no literary embroidery and little emotion. The pared-down style, clipped and understated, perfectly fits the sepia setting.
—The New York Times