Uh-oh, it looks like your Internet Explorer is out of date.

For a better shopping experience, please upgrade now.

Restless: A Novel

Restless: A Novel

3.8 4
by William Boyd

See All Formats & Editions

"I am Eva Delectorskaya," Sally Gilmartin announces, and so on a warm summer afternoon in 1976 her daughter, Ruth, learns that everything she ever knew about her mother was a carefully constructed lie. Sally Gilmartin is a respectable English widow living in picturesque Cotswold village; Eva Delectorskaya was a rigorously trained World War II spy, a woman who carried


"I am Eva Delectorskaya," Sally Gilmartin announces, and so on a warm summer afternoon in 1976 her daughter, Ruth, learns that everything she ever knew about her mother was a carefully constructed lie. Sally Gilmartin is a respectable English widow living in picturesque Cotswold village; Eva Delectorskaya was a rigorously trained World War II spy, a woman who carried fake passports and retreated to secret safe houses, a woman taught to lie and deceive, and above all, to never trust anyone.

Three decades later the secrets of Sally's past still haunt her. Someone is trying to kill her and at last she has decided to trust Ruth with her story. Ruth, meanwhile, is struggling to make sense of her own life as a young single mother with an unfinished graduate degree and escalating dependence on alcohol. She is drawn deeper and deeper into the astonishing events of her mother's past—the mysterious death of Eva's beloved brother, her work in New York City manipulating the press in order to shift public sentiment toward American involvement in the war, her dangerous romantic entanglement.

Now Sally wants to find the man who recruited her for the secret service, and she needs Ruth's help. Restless is a brilliant espionage audiobook and a vivid portrait of the life of a female spy. Full of tension and drama, and based on a remarkable chapter of Anglo-American history, this is listening at its finest.

Editorial Reviews

Ben Macintyre
Boyd has written a crackling spy thriller, but more than that, he has evoked the atmosphere of wartime espionage: the clubby, grubby moral accommodations, the paranoia, the tense sexuality…Boyd's first novel, A Good Man in Africa, was a glinting satire, while An Ice-Cream War combined history, comedy and tragedy to wonderful effect. Here he has used a more muted palette, with no humor, no literary embroidery and little emotion. The pared-down style, clipped and understated, perfectly fits the sepia setting.
—The New York Times
Publishers Weekly
When Ruth Gilmartin learns the true identity and the WWII profession of her aging mother, Sally Gilmartin, at the start of Boyd's elegant ninth novel (after Any Human Heart), Ruth is understandably surprised. Sally, n e Eva Delectorskaya, a Russian migr living in Paris in 1939, was recruited as a spy by Lucas Romer, the head of a secretive propaganda group called British Security Coordination, to help get America into the war. This fascinating story is well told, but slightly undercut by Ruth's less-than-dramatic life as a single mother teaching English at Oxford while pursuing a graduate degree in history. Ruth's more pedestrian existence can't really compete with her mother's dramatic revelations. The contemporary narrative achieves a good deal more urgency when Ruth's mother recruits her to hunt down the reclusive, elusive Romer. But the real story is Eva/Sally's, a vividly drawn portrait of a minor figure in spydom caught up in the epic events leading up to WWII. (Oct.) Copyright 2006 Reed Business Information.
Library Journal
In his latest novel, Boyd (A Good Man in Africa) entwines two stories. One, set in England in 1976, focuses on the everyday preoccupations of Ruth Gilmartin, a single mother who teaches English to foreigners in Oxford. Ruth's life changes when her mother, Sally, begins to reveal her past to her daughter. In the early years of World War II, Sally, whose real name is Eva Delectorskaya, was recruited as a spy by British intelligence. Sent to New York in 1941, she spread black propaganda in an attempt to coax the United States into the war. On a mission in New Mexico, Eva was betrayed and had to kill a man to survive. Unable to trust her team, she escaped to Canada and eventually returned to England, where she lives in seclusion under a new identity, waiting for her betrayer to track her down. While some readers may be annoyed by the author's stylistic tics, particularly the profusion of paired adverbs (e.g., people speak "seriously, weightily" and shrug "hopelessly, helplessly"), others will enjoy this glimpse of wartime dirty tricks. For larger public libraries.-Ron Terpening, Univ. of Arizona, Tucson Copyright 2006 Reed Business Information.
Kirkus Reviews
Atmospheric novel about an older woman whose past career as a WWII spy has come back to haunt her. Ruth Gilmartin is a single mother of one in 1976 England. On a visit to Grandma's, Ruth's mother, Sally, informs her that her real name is Eva Delectorskaya, and that she was an agent of British Intelligence during World War II. Eva hands Sally a manuscript of her story, abruptly launching the duo and the reader into the past. Boyd (Any Human Heart, 2003, etc.) seems more eager to tell Eva's story than Ruth's. Not surprisingly, as the elder Gilmartin finds herself swept into a world on the brink of war in 1939. Recruited by the swarthy and mysterious Lucas Romer, Eva is trained in spycraft and joins Romer's team, specializing in disinformation. Propaganda is Eva's stock in trade, and she has a knack for it. Still, for all her talent, she finds herself attracted to her secretive boss. Boyd has obviously read a few espionage novels. Can any young woman resist James Bond? Ruth leads a far less glamorous life. Saddled with Jochen, her inquisitive son, she teaches English as a Second Language. Her adventures occur vicariously, through the lives of the foreign students who study with her. With a nod to irony, Ruth teaches people to blend into their surroundings. At first, her mother's revelation seems to be a sign of senility. As Ruth begins to investigate, the shadows of her mother's former life reveal themselves. There is some truth to this work of fiction, and the real-life events make for a fascinating backdrop. Boyd skillfully manipulates language as easily as Eva does. He handles the plot more roughly. Ruth is clumsy albeit untrained, and the other characters in her world are ratherthinly sketched. Yet Boyd fits the puzzle together neatly in the end. A bit light on action and intrigue, but a cool, collected effort.
From the Publisher

“An absorbing historical thriller.” —The New Yorker

“Superbly written…one of the most smoothly readable novels of the year.” —Alan Cheuse, Chicago Tribune

“[An] espionage thriller and domestic drama by one of the very best prose stylists and storytellers in the English language.” —Atlantic Monthly

“The quality of Boyd's prose and the insight he brings to the story make Restless resonate. Told in his characteristically unobtrusive and elegant tone--[Boyd] explores the very idea of spying...” —Timothy Peters, San Francisco Chronicle

“A gripping and smartly crafted spy thriller set against a fascinating and largely hidden episode in U.S.-British relations.” —John Dalton, Washington Post

Product Details

Random House of Canada, Limited
Publication date:
Product dimensions:
6.10(w) x 9.00(h) x 1.10(d)

Meet the Author

William Boyd is the author of eight novels, including A Good Man in Africa and Any Human Heart, three collections of short stories, and thirteen screenplays that have been filmed. He has been the recipient of many awards, including the 2006 Costa (formerly Whitbread) Novel Award, the Whitbread Award for Best First Novel, the John Llewellyn Rhys Prize, the James Tait Black Memorial Prize, and the Los Angeles Times Book Prize for Fiction. He lives with his wife in London and southwest France.

Customer Reviews

Average Review:

Post to your social network


Most Helpful Customer Reviews

See all customer reviews

Restless: A Novel 3.8 out of 5 based on 0 ratings. 4 reviews.
212reader More than 1 year ago
When my mother, who was born in another country, died several years ago and I was sorting through her stuff, I realized over and over again how little I knew about her. Old photos, receipts, things she saved, I had so many questions. I don't know that this was part of Boyd's intention, but "Restless" is a deft meditation on a mother and adult daughter, what's known, misconstrued, revealed, etc. Besides great characters, dialogue, relationships, set in specifically described times in the 20th century, "Restless" also has mystery and a thriller aspect to make for an interesting plot. Like any good book by an excellent author, this book defies simple categories or description.
Guest More than 1 year ago
Ruth Gilmartin is a single mother, working on her Masters thesis and teaching English as a Second Language in Oxford. Her mother, Sally, has decided to write down the story of her experiences during WW2 and give them to Ruth. This is when Ruth discovers that the woman she grew up with was actually Eva Delectorskaya - a Russian who moved to Paris and was recruited to be a spy for England in 1939 after her brother was found dead. The problem is, Eva is certain that her story didn't end there, and now she feels its time for her last job. But without her daughter Ruth's help, her mission can't be accomplished. This is the story of William Boyd's novel 'Restless'. I'm not a spy thriller type of person, but this book can't really be classified totally in that genre. Boyd's novel is more a psychological investigation into deception and self-discovery than a real spy novel. The action takes place over the unusually hot summer of 1976, while Eva's story takes place over 35 years prior to that. This gives us two stories here - Eva's past, and Ruth's present. As the story progresses, things within these women's lives also heat up. One of Ruth's students professes his affection for her, while she ends up with house-guests that might be running from trouble abroad. Sal's actions seem to become erratic while at the same time she reveals the carefully planned out steps she took to go from being Eva to the mother and grandmother she is today. Finding out that your mother has lived her life as a lie, certainly can be an eye-opening experience. This makes Ruth begin to wonder about her relationship with her mother, as well as how her own life is progressing. Finally, Boyd also uses the upsurge of protests against the Shah of Iran that took place at that time to remind us that what we thought then, is far different from what we know now. This last element is basically the main theme of this book - an analysis of the past as a means for action in the present. While all this seems complex, especially for a novel that only runs 325 pages, Boyd's prose actually has a very calm feel to it. In fact, I couldn't help thinking that this was the most evenly written book I'd ever read. The prose is carefully written in a 'matter of fact' fashion, that feels well balanced, but with almost with no emotion at all. This, of course, lends itself to the mystery feeling of the book and is a good counterpoint to the mixture of feelings that both women experience as their stories progress. In order to tell both these stories, the point of view here shifts between Ruth and her life, and Sal's story of Eva, through alternate chapters. This is a tried-and-true literary mechanic that lends itself perfectly to such parallel stories, and allows two voices to run consecutively throughout the book. Of course, this is usually done using two first person accounts, but Boyd has opted to use mostly third person in both stories. Again, this lends another air of detachment here, while also allowing us to observe these women's inner worlds as well as their physical actions. That Boyd actually gets into the hearts and minds of these two women is his way of attaching intimacy to a usually impersonal point of view. All the more remarkable here is that Boyd - being a man - has been so very able to portray two women. That's not often the case, and most writers are usually better at writing characters of their own sex. However, you don't actually get to feel very close to either of these women, and it isn't like you'll have a terribly clear picture in your mind as to what they look like. Still, Boyd has managed even without that to make us feel real empathy for these characters, which isn't all that easy to do. Moreover, the character development here can only be called graceful. It's as if things happen here almost in slow motion, and yet the ramifications of each step along the way are ones that could easily snowball out of control. I also have to say that I truly like
Anonymous More than 1 year ago
Kept my interest--hard to put down.
Anonymous More than 1 year ago