Rethinking the New Medievalism

Overview

In the early 1990s, Stephen Nichols introduced the term "new medievalism" to describe an alternative to the traditional philological approach to the study of the romantic texts in the medieval period. While the old approach focused on formal aspects of language, this new approach was historicist and moved beyond a narrow focus on language to examine the broader social and cultural contexts in which literary works were composed and disseminated. Within the field, this transformation of medieval studies was as ...

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Rethinking the New Medievalism

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Overview

In the early 1990s, Stephen Nichols introduced the term "new medievalism" to describe an alternative to the traditional philological approach to the study of the romantic texts in the medieval period. While the old approach focused on formal aspects of language, this new approach was historicist and moved beyond a narrow focus on language to examine the broader social and cultural contexts in which literary works were composed and disseminated. Within the field, this transformation of medieval studies was as important as the genetic revolution to the study of biology and has had an enormous influence on the study of medieval literature. Rethinking the New Medievalism offers both a historical account of the movement and its achievements while indicating—in Nichols’s innovative spirit—still newer directions for medieval studies.

The essays deal with questions of authorship, theology, and material philology and are written by members of a wide philological and critical circle that Nichols nourished for forty years. Daniel Heller-Roazen’s essay, for example, demonstrates the conjunction of the old philology and the new. In a close examination of the history of the words used for maritime raiders from Ancient Greece to the present (pirate, plunderer, bandit), Roazen draws a fine line between lawlessness and lawfulness, between judicial action and war, between war and public policy. Other contributors include Jack Abecassis, Marina Brownlee, Jacqueline Cerquiglini-Toulet, Andreas Kablitz, and Ursula Peters.

Johns Hopkins University Press

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Editorial Reviews

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The present volume in many ways celebrates and continues Nichols's ideas and influence in the past 25 years, but it does much more than that. As Bloch (French and Romance philology, Columbia Univ.) puts it in his introduction, the essays "contain many elements belonging to the New Philology-an attention to the material conditions of the medieval work, especially to the givens of manuscript culture, a questioning of authorship and authority, an interrogation of the integrity of medieval texts, recognition of the relation between the verbal and the visual."... Nichols's discussion of the challenges and opportunities for new philology in the digital age will be required reading in graduate seminars on digital humanities.
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Product Details

  • ISBN-13: 9781421412405
  • Publisher: Johns Hopkins University Press
  • Publication date: 3/27/2014
  • Pages: 288
  • Sales rank: 1,281,137
  • Product dimensions: 6.20 (w) x 9.00 (h) x 1.00 (d)

Meet the Author

R. Howard Bloch is chair of the Department of French and Romance Philology at Columbia University. He is author of several books, including Medievalism and the Modernist Temper, cowritten with Stephen Nichols, and published by Johns Hopkins. Alison Calhoun is a new faculty fellow and visiting assistant professor of French at Indiana University. Jacqueline Cerquiglini-Toulet is a professor of French literature at the Sorbonne. Joachim Küpper is a professor of philology at Freie Universität Berlin. Jeanette Patterson is a new faculty fellow of French and Italian at Princeton University.

Johns Hopkins University Press

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