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These indispensable new books of Bob Dylan criticism carry on important critical traditions. Dettmar's (Is Rock Dead?) compilation of critical essays and reviews, like The Bob Dylan Companion: Four Decades of Commentary and Studio A: The Bob Dylan Reader, among others, is being marketed as a classroom text to support the growing number of college courses offered on Dylan. Its 17 essays are divided between "Perspectives" (e.g., Dylan and religion, Dylan and gender, Dylan as a performer) and "Landmark Albums." In this latter section, an unexpected choice is Infidels(1983), ably critiqued by novelist Jonathan Lethem. The historian Eric Lott writes on Love and Theft(2001), a wickedly appropriate match-up since Dylan took his album title from Lott's book of the same name.
In his fourth book on Dylan, Heylin provides an encyclopedic account of every song written by Dylan, from his juvenile efforts in the late 1950s to songs from Planet Waves in 1973; a second volume is promised. The songs are arranged chronologically, according to the date written, and range in length from a few sentences to several pages. The longer entries are not surprising-e.g., "Like a Rolling Stone" gets eight pages, and "Blowin' in the Wind" gets five. The book's great value is the discovery of many songs that Dylan either never performed or exist only on hard-to-find bootlegs. For each of the 300 songs, the first known performance and studio versions are cited, and Heylin offers analysis from his close reading of Dylan's life and career. This fascinating book is a perfect companion to Heylin's Bob Dylan: The Recording Sessions, 1960-1994 and will have the samehypnotic effect on Dylan fans as Michael Gray's The Bob Dylan Encyclopedia. Like the Cambridge Companion, it is highly recommended for academic libraries.
—Thomas A. Karel
"One of the most important volumes in the already groaning Bookshelf of Bob" —Houston Press
True to form, Heylin digs deep—way deep—into the songs, mixing cold hard facts with illuminating anecdotes." —Mark Smith, managing editor, Acoustic Guitar
"A magnum opus that anyone curious about, fascinated by, and devoted to His Master's Voice will want to read and ponder." —Jonathan Cott, author, Dylan, and editor, Bob Dylan: The Essential Interviews
"An exhaustive look at one of the 20th century's best and prolific songwriters uncovers tons of info about these timeless tracks." —Cleveland Scene
"An excellent supplement to a good Dylan biography . . . including Heylin's highly empirical Behind the Shades." —Arkansas Democrat-Gazette
"Comprehensive . . . obviously written very lovingly." —PopMatters.com
"Revolution in the Air, like its precursor, Ian McDonald’s Revolution in the Head about the Beatles' recordings, is an invaluable guide to have by your side as you traverse this monstrous body of work." —NUVO
Posted February 18, 2012
Clinton Heylin brings his encyclopedic knowledge of Bob Dylan' to tell us the story behind every song. One of our our premier "Dylanologists" digs deep into each song, both known and unknown, from 1957-1973. Heylin amplifies on what Dylan was doing that got the results we call the Dylan Canon. This is good stuff for hardcore fans. For example, he describes the time, place and circumstances that resulted in "It's A Hard Rains A'Gonna Fall." it's not the usual story we've been told in the past. This book will expand your knowledge of Bob Dylan and his work enormously.