Larry McMurtry continues to write stories that connect deeply.
Reading an author exhaustively has its benefits and draw backs. Such a reader has an idea of how the story will be told while also expecting there to be a new tale in the telling. When an author revisits the same story, expanding it with each visit, the occasion for "freshness" becomes less a promise and more a (often distant) hope. Mr. McMurtry (considered by some [ME!] to be one of the United States greatest novelists) appeared to have been finished with The Last Picture Show "family" when he completed When the Light Goes, when this present book came to print it was purchased out of the reader's loyalty, with the expectation that he would be getting repeated events, spliced together, to create "depth" to the life of Duane Moore. What was found was a delightful, touching, often humorously poignant farewell to a story that began in the 1960's. This book is so good it merits comparison to Mr. McMurtry's best novel, Terms of Endearment, and that is high praise.
Duane Moore, high school roughneck, Korean War Vet, Texas Oilman, millionaire, is returning home to Thalia after his most recent wife decided to live with her French lover. He finds "home" to be as typical as he left it - a closed minded, "mean, oil patch town" whose quiet history is being disrupted by its future incarnation is as a rescue preserve for African Black Rhinos. It turns out this "Rhino Ranch" is a mere back drop for the telling of the end of Duane's life. By the time Duane dies (this is NOT a plot spoiler) it is anticlimactic, giving color to the life he lived that ran its due course; the reader is left with the warm feeling that Duane did not stop living. He just moved on.
The book could be considered a novella, as the chapters are short and there are many blank spaces at the end of many of the chapters. The characters dance across the pages of this book, an expected characteristic of Mr. McMurtry's writing. K. K. Slater, trust-fund billionaire, who is the primary funding source for the Rhino project; Boyd Cotton, cowboy "top hand" who now rides herd on rhinos and the African antelope who keep them company; Casey Kincaid, a spoiled, sex-driven secretary; Double Aught, the Black Rhino bull who seems to appear and disappear at will are but a few of the people-pictures who populate the modern Thalia. All of these characters are interesting, even though many of them appear for only a few pages in the book.
Readers would be well served if they had a familiarity with the story before picking up this section, as many of the under tales from previous novels are mentioned and add much to the present story. However, this is a good read in itself. Reading the proceeding four novels will possibly cause an addiction to McMurtry to be formed, so the literates are forewarned. This is a novel with a lot of "adult" language and situations; these play to the character development and are not gratuitous. It is a story of good-byes following 100 years of living, loving and being in "place."
There is much autobiography in this tale, as is true of all engaging writing. Mr. McMurtry is aging, has experienced heart attacks, by-pass surgery and seems to be saying "good-bye" to what he has known and holds dear. I am glad he has invited me to be a part of such a lengthy, exciting, varied journey through his imagination. I also hope this is not his last novel.
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