Rhizosphere/Live, Paris 1982

by Richard Pinhas

Overview

Another schizophrenic Pinhas recording, although this time largely due to the addition of previously unreleased live 1982 material played by a quartet consisting of Pinhas on synthesizers and guitars, Patrick Gauthier on mini-moogs, plus bass and drums. The original Rhizosphere program consists of four Pinhas solo pieces for synthesizer, plus another with Francois Auger accompanying on drums. Both halves of this CD have their strengths and weaknesses. Pinhas' solo pieces are once again quite pleasant, but sometimes seem a little naive 20 years down the electronic road. The sounds of the moogs and A.R.P.s, the fat, cosmic chords and rippling arpeggios, the ethereal melodic fragments and spacy sci-fi effects must have seemed totally amazing at the time ("mind-blowing," in '70s parlance), but once the technology had been mastered, the sonic palette of the synthesizer became part of the standard musical vocabulary, and had much less novelty value as a listening experience. "Claire P.," dedicated to Philip Glass, is a cut above the average, with an effective approximation of Glass' relentless rhythmic pulse. "Trapeze/Interference" is also somewhat out of the ordinary with its malevolent low bass drones and generally dark, drifting mood. The title piece is probably too slight musically for the nearly 18 minutes it's given, but Auger's drums give it some punch. Pinhas might be striving here for the hypnotic effect achieved by contemporary fellow synthesists such as Klaus Schulze, but Pinhas doesn't quite capture Schulze's flow or sense of dynamics. The live set is, on the whole, more satisfying as the same simple melodic material and chord progressions used in the solo pieces acquire more textural density and energy when interpreted by the group. Pinhas' plaintive electric guitar has an emotional force not present in his keyboard work, and other group members add texture and rhythmic complexity. This is not the definitive live Heldon experience; the playing is occasionally a little ragged, but the music still provides a good aural snapshot of the Heldon sound in a concert setting. ~ Bill Tilland

Product Details

Release Date:	03/29/1995
Label:	CUNEIFORM
UPC:	0045775006123

Tracks

1. Rhizosphere Sequent
2. A Piece for Duncan
3. Claire P.
4. Trapeze/Interference
5. Rhizosphere
6. Livre 5: l'Ethique
7. Toward Belfast
8. Polywaves Intermed
9. Last Coda from the Western Wail
10. 1992: Iceland: The Fall

Album Credits

Performance Credits

Richard Pinhas   Primary Artist,Synthesizer,Moog Synthesizer,Guitar (Synthesizer),Guitar,Voices
Francois Auger   Drums
Clement Bailly   Drums,Percussion
Patrick Gauthier   Bass,Mini Moog
Bernard Paganotti   Bass

Technical Credits

Richard Pinhas   Mixing,Engineer,Treatments,Liner Notes,Electronic Processing,Composer
Phil Ross   Engineer,Assistant Engineer
Gilles Deleuze   Liner Notes
Gilles Barthoulet   Engineer
F. Gauttari   Liner Notes
Steve Feigenbaum   Reissue Coordination
Dominque Farran   Engineer
Christine Gaussot   Cover Art,Art Direction
Paula Millet   Design,Artwork,Graphic Design
Philip Glass   Engineer