Richard III (Sourcebooks Shakespeare Series)
  • Richard III (Sourcebooks Shakespeare Series)
  • Richard III (Sourcebooks Shakespeare Series)

Richard III (Sourcebooks Shakespeare Series)

4.2 17
by William Shakespeare
     
 

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This remarkable edition features a newly edited text of Richard III based on one of the earliest printed texts of the play, along with detailed notes and performance annotations. An integrated audio CD showcases the deeper understanding and enjoyment from the power of performance.

Hear...Read...See:
— Hear recordings of great contemporary and

…  See more details below

Overview

This remarkable edition features a newly edited text of Richard III based on one of the earliest printed texts of the play, along with detailed notes and performance annotations. An integrated audio CD showcases the deeper understanding and enjoyment from the power of performance.

Hear...Read...See:
— Hear recordings of great contemporary and historical performances of key scenes from the play.
— Read and see how a modern cast approaches the play, from interviews with the actors.
—See inside the stage experience through production notes and photos from stage productions and movie adaptations

Narrated by Sir Derek Jacobi

Edited by William Proctor Williams

Product Details

ISBN-13:
9781402207785
Publisher:
Sourcebooks
Publication date:
07/15/2007
Series:
Sourcebooks Shakespeare Series
Edition description:
BOOK & CD
Pages:
384
Product dimensions:
6.00(w) x 8.00(h) x 1.20(d)

Read an Excerpt

Act 1, Scene 1

Enter Richard Duke of Gloucester, solus.

RICHARD Now is the winter of our discontent Made glorious summer by this son of York,
And all the clouds that loured upon our house In the deep bosom of the ocean buried.
Now are our brows bound with victorious wreaths,
Our bruisèd arms hung up for monuments,
Our stern alarums changed to merry meetings,
Our dreadful marches to delightful measures.
Grim-visaged war hath smoothed his wrinkled front;
And now, instead of mounting barbèd steeds To fright the souls of fearful adversaries,
He capers nimbly in a lady's chamber To the lascivious pleasing of a lute.
But I, that am not shaped for sportive tricks,
Nor made to court an amorous looking glass;
I, that am rudely stamped, and want love's majesty To strut before a wanton ambling nymph;
I, that am curtailed of this fair proportion,
Cheated of feature by dissembling nature,
Deformed, unfinished, sent before my time Into this breathing world scarce half made up,
And that so lamely and unfashionable That dogs bark at me as I halt by them.
Why I, in this weak piping time of peace,
Have no delight to pass away the time,
Unless to spy my shadow in the sun And descant on mine own deformity.
And therefore, since I cannot prove a lover To entertain these fair well-spoken days,
I am determinèd to prove a villain,
And hate the idle pleasures of these days.
Plots have I laid, inductions dangerous,
By drunken prophecies, libels and dreams,
To set my brother Clarence and the King In deadly hate the one against the other;
And if King Edward be as true and just As I am subtle, false, and treacherous,
This day should Clarence closely be mewed up,
About a prophecy, which says that G Of Edward's heirs the murderer shall be.
Dive thoughts down to my soul, here Clarence comes.
Enter Clarence, guarded, and Brakenbury.

Meet the Author

William Proctor Williams is Professor of English Emeritus at Northern Illinois University and Senior Lecturer in English at the University of Akron. He has received numerous grants and awards including a National Endowment for the Humanities research grant, a Senior Fulbright Research Fellowship, and in 2003-2004 was the Myra and Charlton Hinman Fellow at the Folger Shakespeare Library. He is currently at work on The New Variorum Edition of Titus Andronicus, a critical edition of The Works of Cosmo Manuche, and a study of Dr. Zachariah Pasfield who licensed books for the press from 1600 until 1610.

David Bevington is the Phyllis Fay Horton Distinguished Service Professor in Humanities at the University of Chicago. A renowned text scholar, he has edited several Shakespeare editions including the Bantam Shakespeare in individual paperback volumes, The Complete Works of Shakespeare and Troilus and Cressida. He teaches courses in Shakespeare, Renaissance Drama and Medieval Drama.

Peter Holland is the McMeel Family Chair in Shakespeare Studies at the University of Notre Dame. One of the central figures in performance-oriented Shakespeare criticism, he has also edited many Shakespeare plays, including A Midsummer Night's Dream for the Oxford Shakespeare series.

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Richard III (Pelican Shakespeare Series) 4.2 out of 5 based on 1 ratings. 17 reviews.
Guest More than 1 year ago
Shakespeare showcases his mastery of the English language in Richard III. The dialogue is typical of Shakespearean dilogue: it is filled with puns and similes, metaphors and imagery. One cannot go wrong with Shakespeare's Richard III; I have just finished reading it, and I will re-read it today! It is a masterpiece!!
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I want s3x :)
Anonymous More than 1 year ago
Lets go