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Overview

In Richard III, Shakespeare invites us on a moral holiday. The play draws us to identify with Richard and his fantasy of total control of self and domination of others. Not yet king at the start of the play, Richard presents himself as an enterprising villain as he successfully plans to dispose of his brother Clarence. Richard achieves similar success in conquering the woman he chooses to marry. He carves a way to the throne through assassination and executions.

The authoritative edition of Richard III from The Folger Shakespeare Library, the trusted and widely used Shakespeare series for students and general readers, includes:

-The exact text of the printed book for easy cross-reference
-Hundreds of hypertext links for instant navigation
-Freshly edited text based on the best early printed version of the play
-Newly revised explanatory notes conveniently linked to the text of the play
-Scene-by-scene plot summaries
-A key to the play’s famous lines and phrases
-An introduction to reading Shakespeare’s language
-An essay by a leading Shakespeare scholar providing a modern perspective on the play
-Fresh images from the Folger Shakespeare Library’s vast holdings of rare books
-An annotated guide to further reading

Essay by Phyllis Rackin

The Folger Shakespeare Library in Washington, DC, is home to the world’s largest collection of Shakespeare’s printed works, and a magnet for Shakespeare scholars from around the globe. In addition to exhibitions open to the public throughout the year, the Folger offers a full calendar of performances and programs. For more information, visit Folger.edu.

Product Details

ISBN-13: 9781476788500
Publisher: Simon & Schuster
Publication date: 10/14/2014
Series: Folger Shakespeare Library
Sold by: SIMON & SCHUSTER
Format: eBook
Pages: 432
Sales rank: 311,020
File size: 8 MB

About the Author

About The Author
William Shakespeare was born in April 1564 in the town of Stratford-upon-Avon, on England’s Avon River. When he was eighteen, he married Anne Hathaway. The couple had three children—an older daughter Susanna and twins, Judith and Hamnet. Hamnet, Shakespeare’s only son, died in childhood. The bulk of Shakespeare’s working life was spent in the theater world of London, where he established himself professionally by the early 1590s. He enjoyed success not only as a playwright and poet, but also as an actor and shareholder in an acting company. Although some think that sometime between 1610 and 1613 Shakespeare retired from the theater and returned home to Stratford, where he died in 1616, others believe that he may have continued to work in London until close to his death.

Barbara A. Mowat is Director of Research emerita at the Folger Shakespeare Library, Consulting Editor of Shakespeare Quarterly, and author of The Dramaturgy of Shakespeare’s Romances and of essays on Shakespeare’s plays and their editing.

Paul Werstine is Professor of English at the Graduate School and at King’s University College at Western University. He is a general editor of the New Variorum Shakespeare and author of Early Modern Playhouse Manuscripts and the Editing of Shakespeare and of many papers and articles on the printing and editing of Shakespeare’s plays.

Date of Death:

2018

Place of Birth:

Stratford-upon-Avon, United Kingdom

Place of Death:

Stratford-upon-Avon, United Kingdom

Read an Excerpt

Chapter 1
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Excerpted from "Richard III"
by .
Copyright © 1998 William Shakespeare.
Excerpted by permission of Penguin Publishing Group.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Table of Contents

Richard III - William Shakespeare - Edited by Mark Eccles Charles Lamb: Letter to Robert Lloyd, from Cooke's 'Richard the Third', and from On the Tragedies of Shakespeare, Considered with Reference to Their Fitness for Stage Representation
A. P. Rossiter: Angel with Horns: The Unity of 'Richard III'
Robert Ornstein: 'Richard III'
Mark Eccles: 'Richard III' on Stage and Screen

NEWLY ADDED ESSAYS: Coppelia Kahn: 'Myself Alone': Richard III and the Dissolution of Masculine Identity

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