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Richard Strauss: Josephs-Legende; Rosenkavalier; Die Frau ohne Schatten (Orchestral Suites)

Editorial Reviews

All Music Guide - Uncle Dave Lewis
Naxos' Richard Strauss: Josephs-Legende; Rosenkavalier features JoAnn Falletta and the Buffalo Philharmonic in three suites Strauss cobbled together in his last years from earlier stage works. While this contains the authentic suite Strauss compiled from "Der Rosenkavalier" in 1945, far more commonly heard and recorded is a suite assembled by conductor Artur Rodzinski in the 1930s that is rather more effective than this one from the composer. It doesn't linger quite so long in the middle and cuts to the chase in regard to the waltzes. Strauss compiled his suite to "Die Frau ohne Schatten" because he despaired that the opera -- one of his favorites -- would never get a ...
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Editorial Reviews

All Music Guide - Uncle Dave Lewis
Naxos' Richard Strauss: Josephs-Legende; Rosenkavalier features JoAnn Falletta and the Buffalo Philharmonic in three suites Strauss cobbled together in his last years from earlier stage works. While this contains the authentic suite Strauss compiled from "Der Rosenkavalier" in 1945, far more commonly heard and recorded is a suite assembled by conductor Artur Rodzinski in the 1930s that is rather more effective than this one from the composer. It doesn't linger quite so long in the middle and cuts to the chase in regard to the waltzes. Strauss compiled his suite to "Die Frau ohne Schatten" because he despaired that the opera -- one of his favorites -- would never get a fair hearing owing to its poor initial reception in 1919. Strauss could never have guessed that "Die Frau ohne Schatten" would become so popular as it has in the years since his death; however, as a result, the orchestral suite he extracted from it remains little known. Neither the ballet nor the corresponding suite to "Josephs-Legende" has caught on; ballet just simply wasn't Strauss' strong suit, given that the fluid, developmentally driven arc of his music doesn't lend itself well to the footfalls required by choreography. Nevertheless, of the three pieces offered on Naxos' Richard Strauss: Josephs-Legende; Rosenkavalier, the "Symphonic Fragment from Josephs-Legende" fares the best. Falletta's handling of Strauss tends toward the sheen, glassy surfaces of the early sections of the "Alpine Symphony" and Buffalo responds to this aesthetic exactly; it's a beautiful sound and the orchestra is marvelously in tune, but the music seems oddly restrained when it comes to anything requiring weight and power. You can hear the crescendos, but you don't feel anything, and that's a key element in post-romantic music; when it surges, the listener needs to surge with it. Here, it is more like an already bright sky getting brighter. On the other hand, these works are seldom programmed with one another; usually one only encounters them as add-ons to other things or included in big boxed sets of Strauss' works. If one has an interest in the orchestral potpourris that Strauss extracted from his major stage works, then Naxos' Richard Strauss: Josephs-Legende; Rosenkavalier isn't a bad choice, it's just not a very enthralling one.
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Product Details

  • Release Date: 9/29/2009
  • Label: Naxos
  • UPC: 747313204175
  • Catalog Number: 8572041
  • Sales rank: 255,981

Tracks

Disc 1
  1. 1 Der Rosenkavalier, suite from the opera for orchestra, o.Op. 145 (TrV 227d, AV 145) - Richard Strauss & Buffalo Philharmonic Orchestra (23:55)
  2. 2 Die Frau ohne Schatten (The Woman Without a Shadow), symphonic fantasy from the opera, o.Op. 146 (TrV 234a, AV 146) - Richard Strauss & Buffalo Philharmonic Orchestra (20:48)
  3. 3 Josephs Legende, symphonic fragment from the ballet, o.Op. 148 (TrV 231a, AV 148) - Richard Strauss & Buffalo Philharmonic Orchestra (23:48)
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Album Credits

Performance Credits
JoAnn Falletta Primary Artist
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