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Riddles in the Sand

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Editorial Reviews

All Music Guide - William Ruhlmann
Jimmy Buffett scored four consecutive gold or platinum albums in the second half of the 1970s, but the first half of the 1980s has not been so friendly for him, in record stores at least. On tour, things have gone fine. So, with Riddles in the Sand, Buffett seems to have determined to take another shot at the country market, hooking up with producers Jimmy Bowen and Tony Brown plus Buffett's touring keyboardist and frequent songwriting partner Michael Utley and returning to Nashville. The idea seems to have been to devote the first side of the LP to country-related fare, with the second side remaining in Buffett's familiar soft rock/Caribbean mode. Outside songwriting ...
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Editorial Reviews

All Music Guide - William Ruhlmann
Jimmy Buffett scored four consecutive gold or platinum albums in the second half of the 1970s, but the first half of the 1980s has not been so friendly for him, in record stores at least. On tour, things have gone fine. So, with Riddles in the Sand, Buffett seems to have determined to take another shot at the country market, hooking up with producers Jimmy Bowen and Tony Brown plus Buffett's touring keyboardist and frequent songwriting partner Michael Utley and returning to Nashville. The idea seems to have been to devote the first side of the LP to country-related fare, with the second side remaining in Buffett's familiar soft rock/Caribbean mode. Outside songwriting certainly produces potential country hits. Any good country singer could do something with typical Nashville formula fare like "She's Going Out of My Mind" written by Mac McAnally, whose songs Buffett has covered before and "Bigger Than the Both of Us." "Who's the Blonde Stranger?," written by Utley, Josh Leo, and Will Jennings, sounds like another product of a Nashville songwriting session, albeit one probably intended to tailor material to Buffett's lightly comic, tropical vacation persona. Side two, entirely written by Buffett, Utley, and Jennings, has more of the singer's idiosyncratic identity, but that turns out not to be too far from a Nashville style. He likes to twist clich├ęs and affect a devil-may-care attitude, as he does notably on "Burn That Bridge" chorus: "We'll burn that bridge when we come to it". Although Buffett started out trying to make it as a country singer, he eventually carved out his own niche. Maybe it's a marketing move to try country again, or maybe he never gave up the Music City dream. But why be a second-rate Nashville star when you can be the Man from Margaritaville?
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Product Details

  • Release Date: 10/25/1990
  • Label: Mca
  • UPC: 076731109527
  • Catalog Number: 31095
  • Sales rank: 25,646

Album Credits

Performance Credits
Jimmy Buffett Primary Artist, Guitar, Vocals
Larry Lee Vocals
Wendy Waldman Vocals
Max Betton Drums, Saxophone
Sam Clayton Percussion
Thomas Flora Vocals
Emory Gordy Bass
Robert Greenidge Drums
John Jarvis Synthesizer, Keyboards
Mac McAnally Vocals
Greg "Fingers" Taylor Harmonica
Mike Utley Keyboards
Reggie Young Guitar
Billy Joe Walker Guitar
Technical Credits
Jimmy Bowen Producer, Engineer, Engineering
Tony Brown Producer
Michael Utley Producer
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Customer Reviews

Average Rating 5
( 1 )
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Sort by: Showing 1 Customer Reviews
  • Anonymous

    Posted October 1, 2010

    JIMMY BUFFETT RULES

    I GREW UP LISTING TO BUFFETT THAT'S JUST ABOUT ALL MY DAD LISTEN TO AND I WOULD BE THERE RIGHT BY HIS SIDE WHILE HE WAS PLAYING THEM OLD 33 RECORDS JUST SINGING RIGHT ALONG WITH HIM WITH THEM GREAT JIMMY BUFFETT SONGS AND BECOMING A FUTURE PARROT HEAD WAY TO GO BUFFETT YOUR GREAT.

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Sort by: Showing 1 Customer Reviews