Rifftide: The Life and Opinions of Papa Jo Jones

Rifftide: The Life and Opinions of Papa Jo Jones

by Papa Jo Jones
     
 

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The life and times of Papa Jo Jones, gifted raconteur and one of the greatest drummers in the history of jazz

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The life and times of Papa Jo Jones, gifted raconteur and one of the greatest drummers in the history of jazz

Editorial Reviews

From the Publisher
"Jo Jones, an elegant, swinging dude, always had a style of his own. When he was with us, you could hear him, feel him—everything was right there." —Count Basie

"I first met Jo Jones at the RKO Theater in Boston when I was a teenager in the early 1940s and we were friends until he passed away. He was my first influence and my major influence. He was ‘Papa’ Jo to me before they gave him that title. He was like a father to me. For drummers of my generation, Jo was the president of the drums just like Lester Young was president of the tenor saxophone. Jo loved to talk, and when he spoke it was almost as if he was playing the drums: you’d give him your undivided attention. Rifftide conveys a fine sense of his voice and the larger than life dimensions of his personality." —Roy Haynes

"Albert Murray has helped keep the incomparable Jo Jones alive through the voice of Count Basie in Good Morning Blues and fictionally in The Magic Keys, but in Rifftide, thanks to the persistence of editor Paul Devlin, we get to hear Jo himself in all his dynamic, adrenalized, anecdotal, no-bull glory—riffing with words as heartily as he did on the hi-hat." —Gary Giddins, author of Warning Shadows and Jazz

"Rifftide is a gem of a book about one of the forgotten founding fathers of Swing. Jo Jones was more than a jazz genius—he was also one of the great characters and chroniclers of American life during the Swing Era. Based on extensive oral interviews and years of painstaking research, Rifftide is a terrific source not only for students of jazz, but also American history, African-American studies, linguistics, and sociology." —Debby Applegate, author of The Most Famous Man in America: The Biography of Henry Ward Beecher

"Papa Jo Jones is Brer Rabbit with a drum kit and opposable thumbs. In his own spellbinding voice, musical history and philosophy come alive on the page." —Mat Johnson, author of Pym

"With a pronounced irascible streak to match his heterodox approach to drumming, Papa Jo Jones (1911-85) was an ideal candidate to star in the kind of book that delights jazz fans: the straight-talking, defiantly espousing firsthand record. Anyone interested in authenticity of voice is going to be on the verge of fist-pumping the air throughout, or else exclaiming, ‘You tell it like it is, baby,’ as if partaking in a call-and-response with the book." —The New York Times

"Devlin does the rare work of presenting the intersection of musicianship and folklore in a volume that belongs in any serious jazz or African American culture collection." —Library Journal

"It is a very entertaining, thought provoking, and insightful read in better understanding such a burning talent and innovator. This is Papa Jo Jones, an American original through his riffing and unvarnished commentary on life and music." —JazzTimes Magazine

"Rifftide is rife with stories of musical ingenuity amid the racial strife of the swing era and beyond." —The Root

"Rifftide is an easy, fun read that I'll keep returning to." —Ethan Iverson

Library Journal
By doctoral student Devlin's own admission, this book is the Finnegans Wake of jazz memoirs; attempting to read it without constantly referring to the editor's notes is futile. Jones, Count Basie's mercurial and prolific drummer, sat down with jazz historian/novelist Murray (Stomping the Blues) to provide background for Count Basie's autobiography, Good Morning Blues. The resulting 14 hours of tape, while short on objective history, reveal a storyteller equal to Zora Neale Hurston. Devlin does an admirable job of organizing and annotating the material so that it gives one the impression of hearing Jones spin his tales in his own percussive and discursive style. Non sequiturs vastly outnumber relevant remarks, and Jones paints himself as the hero of a show business saga wherein he invents modern jazz drumming, makes every major artistic and financial decision for the Basie organization, and knocks out a Philadelphia policeman with one punch. VERDICT There are a lot of books that document this period with an admirable degree of accuracy, e.g., Good Morning Blues. Devlin does the rare work of presenting the intersection of musicianship and folklore in a volume that belongs in any serious jazz or African American culture collection.—John Frank, Los Angeles P.L.
Colin Fleming
Anyone interested in authenticity of voice is going to be on the verge of fist-pumping the air throughout…this tough but charming little book.
—The New York Times Book Review

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Product Details

ISBN-13:
9780816673018
Publisher:
University of Minnesota Press
Publication date:
09/21/2011
Pages:
200
Product dimensions:
5.30(w) x 8.40(h) x 0.70(d)

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