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| John Powell | Primary Artist |
| Bruce Dukov | Concert Master |
| Carlos Alberto de Oliveira | Percussion |
| Carlinhos Brown | Percussion, Vocals |
| George Doering | Guitar |
| Alberto Lopez | Percussion |
| Kleber Jorge | Guitar |
| Mikael Mutti | Guitar, Percussion, Keyboards |
| Nico Abandolo | Bass |
| Hollywood Studio Symphony | Performing Ensemble |
| Marco Dos Santos | Percussion |
| Nailton Bispo "Meia Noiche" Dos Santos | Percussion |
| Antonio de Sant'anna | Percussion |
| Wagner Profeta | Percussion |
| Luis Candido | Percussion |
| Leonardo Costa | Percussion |
| Jose Jesus | Percussion |
| Jose "Ce Bruno" Eisenberg | Percussion |
| Rene Camancho | Bass |
| Jermaine Clement | Guitar |
| Sergio Mendes | Original Material |
| Carlinhos Brown | Original Material, Whistle |
| Randy Kerber | Orchestration |
| Robert Townson | Executive Producer |
| Paul Mounsey | Arranger, MIDI Programming, Additional Music |
| Tom Steel | Stage Manager |
| Tom Cavanaugh | Music Business Affairs |
| Dave Metzger | Orchestration |
| Pete Anthony | Score Conductor |
| Jon Kull | Orchestration |
| Andrew Kinney | Orchestration |
| Mikael Mutti | Original Material, Whistle |
| Stephen Marsh | Mastering |
| Germaine Franco | Orchestration, Score Production Coordinator |
| Rick Giovinazzo | Orchestration |
| John Powell | Composer |
| Fernando Lee | Mastering |
| Michael John Mollo | Arranger, MIDI Programming |
| Beth Caucci | Arranger, MIDI Programming |
| John Powell | Composer, Producer, Original Material, Whistle |
| Denis St. Amand | Stage Engineer |
| John Ashton Thomas | Orchestration |
| Greg Dennen | Stage Manager |
| Dominic Lewis | Arranger, MIDI Programming, Additional Music |
| Ben Wallfisch | Orchestration |
| Victor Chaga | Arranger, MIDI Programming |
| Tim Laubner | Engineering |
Editorial Reviews
All Music Guide - James Christopher Monger
Composer John Powell's lively score for Rio is an animated comedy from the makers of Ice Age, follows the adventures of a flightless, domesticated macaw as he fights to make his way back to his small Minnesota home town after a calamitous, romance-fueled trip to Brazil that results in a kidnapping, strategically blends traditional, pastoral orchestral motifs with bursts of bossa nova. Powell, who worked on all of the Ice Age sequels, as well as King Fu Panda and How to Train Your Dragon, is no stranger to animated films, and his work here is both unobtrusive and effective, blending Midwest Americana and sunny tropicalismo into...