The Rise and Fall of Ancient Egypt

( 22 )



?Magisterial . . . [A] rich portrait of ancient Egypt?s complex evolution over the course of three millenniums.??Los Angeles Times
The Washington Post ? Publishers Weekly
In this landmark volume, one of the world?s most ...

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“Magisterial . . . [A] rich portrait of ancient Egypt’s complex evolution over the course of three millenniums.”—Los Angeles Times
The Washington Post • Publishers Weekly
In this landmark volume, one of the world’s most renowned Egyptologists tells the epic story of this great civilization, from its birth as the first nation-state to its absorption into the Roman Empire. Drawing upon forty years of archaeological research, award-winning scholar Toby Wilkinson takes us inside a tribal society with a pre-monetary economy and decadent, divine kings who ruled with all-too-recognizable human emotions. Here are the legendary leaders: Akhenaten, the “heretic king,” who with his wife Nefertiti brought about a revolution with a bold new religion; Tutankhamun, whose dazzling tomb would remain hidden for three millennia; and eleven pharaohs called Ramesses, the last of whom presided over the militarism, lawlessness, and corruption that caused a political and societal decline. Filled with new information and unique interpretations, The Rise and Fall of Ancient Egypt is a riveting and revelatory work of wild drama, bold spectacle, unforgettable characters, and sweeping history.
“With a literary flair and a sense for a story well told, Mr. Wilkinson offers a highly readable, factually up-to-date account.”—The Wall Street Journal
“[Wilkinson] writes with considerable verve. . . . [He] is nimble at conveying the sumptuous pageantry and cultural sophistication of pharaonic Egypt.”—The New York Times

Winner of the 2011 PEN Hessell Tiltman Prize

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Editorial Reviews

From the Publisher
“A magnificent, illuminating and refreshingly readable overview of the entire phenomenon of ancient Egypt.”—The Washington Post
“Magisterial . . . [A] rich portrait of ancient Egypt’s complex evolution over the course of three millenniums.”—Los Angeles Times
“With a literary flair and a sense for a story well told, Mr. Wilkinson offers a highly readable, factually up-to-date account.”—The Wall Street Journal
“[Wilkinson] writes with considerable verve. . . . [He] is nimble at conveying the sumptuous pageantry and cultural sophistication of pharaonic Egypt.”—The New York Times
“Engrossing . . . Readers will find it hard to put down. . . . This book will serve as a standard for general readers and college students alike.”—Library Journal (starred review)
“Absolutely divine . . . a thorough, erudite and enthusiastic gallop through an astonishing three thousand years.”—The Sunday Times
Michiko Kakutani
…Mr. Wilkinson…writes with considerable verve, and his narrative provides an acute understanding of how the Egyptian brand of divine kingship evolved over the centuries, how its pharaohs used their mastery of the architectural and decorative arts to glorify themselves (and cement their historical reputations) and how intertwined the monarchy's power became with religion and the military. Mr. Wilkinson is nimble at conveying the sumptuous pageantry and cultural sophistication of pharaohnic Egypt…In addition [he] provides an intriguing account of how archaeologists and historians have pieced together portraits of ancient Egypt's kings…
—The New York Times
Steve Donoghue
"It is extremely difficult to engage with a culture so remote in time and place from our own," writes veteran Egyptologist Toby Wilkinson in the opening pages of his new book, The Rise and Fall of Ancient Egypt, and hundreds of authors have discovered that difficulty and retreated, baffled, into pseudo-myth and half-hearted mysticism. Luckily, Wilkinson isn't one of those authors. His 2007 book, Lives of the Ancient Egyptians, was an immensely engaging work of informed archaeological reconstruction, and his latest is even better: This a magnificent, illuminating and refreshingly readable overview of the entire phenomenon of ancient Egypt.
—The Washington Post
Publishers Weekly
Cambridge University Egyptologist Wilkinson (Lives of the Ancient Egyptians) offers a revisionist view of the ugly life hidden by the splendors and dazzling treasures of pharaonic Egypt. He shows in rich detail that it was a brutal society where life was cheap, royal power absolute and established through fear and coercion. Wilkinson finds unequivocal evidence in royal tombs like that of First Dynasty king Djer (c. 2900 B.C.E.), surrounded by 318 buried retainers, probably victims of human sacrifice. Even if construction workers for Khufu's Great Pyramid at Giza ("the ultimate projection of absolute power") were reasonably fed and housed, they were virtual, if not literal, slaves, drafted to perform the perilous work. Later the fanatical, heretic king Akhenaten built a new model city with grand temples where mountains of food were offered to a sun god while his people were starving and severely overworked. The Ptolemies' punitive economic policies unleashed a peasants' revolt that fatally weakened their empire. This is a penetrating and authoritative overview of a violent ancient civilization often revered by contemporary scholars and enthusiasts. 24 pages of color photos; 44 b&w photos; 12 maps. (Mar.)
Library Journal
For decades introductory courses on ancient Egypt have featured Alan Gardiner's Egypt of the Pharaohs and John A. Wilson's The Culture of Ancient Egypt. Wilkinson (development director & fellow, Clare Coll., Univ. of Cambridge) now provides a comprehensive survey incorporating the most recent discoveries and theories. Unlike his predecessors, Wilkinson does not end with the fall of the last native Egyptian dynasty but includes a fascinating study of the Ptolemaic period. The narrative is so engrossing that lay readers will find it hard to put down, while those who want more will find extensive endnotes that further explore topics, along with citations. The author has opted to use forms "most closely approximating the original usage" for the names of ancient sites (exceptions include Memphis and Thebes.) Even though the modern name is given in parenthesis after the first usage, this can confuse the nonspecialist. A place name equivalency table or cross-referenced index would have helped. VERDICT Despite that reservation, this book will serve as a standard for general readers and college students alike who seek to be immersed in the 3000-year pageant of Egyptian civilization. Highly recommended for Egyptophiles and all public and academic libraries.—Edward K. Werner, St. Lucie Cty. Lib. Syst., Ft. Pierce, FL
Kirkus Reviews

Illuminating history of ancient Egypt, focused on the establishment of the first nation-state and the autocratic rulers who both glorified and abused power.

Egyptologist Wilkinson (Lives of the Ancient Egyptians, 2007, etc.) does a tremendous job of condensing a wealth of material into a tidy volume for the armchair historian and general reader. His thesis is that ancient Egypt set the model relationship between ruler and subject based on "coercion and fear" that would be repeated down to our own times. More than 1,000 years before the great flowering of pharaonic power as evidenced by the pyramids at Giza, the cattle herders had migrated to the fertile Nile Valley and the farmers of the valley had organized into three kingdoms, over which the conquering ruler Narmer first united the regions of Upper and Lower Egypt (lower meaning North, upper signifying South, because of the way the Nile rose). The first leaders of the Egyptian nation-state enlisted an effective use of iconography to assert power, in depictions of godlike leaders in headdress and mace smiting enemies and slaves. This creation of absolute power, the clever manipulation of a written record (hieroglyphics), the exploitation of natural resources, the use of forced labor and the disregard for human life were all hallmarks of the great pharaonic age, and gradually sapped its strength and stability. But not before 3,000 years, which Wilkinson groups into the three traditional kingdoms: Old Kingdom, which consolidated the ideal of divine kingship and closed with civil war; the Middle Kingdom, which saw a flowering of literary texts and craftsmanship, international trade and conquest; and the New Kingdom, eclipsed by invasions and the eventual conquest by Persia and Macedonia. Wilkinson's impressive depth of knowledge allows him to sift the historical and archaeological records of a staggering 30-plus dynasties, producing a vigorous survey of this unparalleledcivilization.

An essential work of Egyptian scholarship with lessons for our time.

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Product Details

  • ISBN-13: 9780553384901
  • Publisher: Random House Publishing Group
  • Publication date: 1/8/2013
  • Edition description: Reprint
  • Pages: 656
  • Sales rank: 255,553
  • Product dimensions: 6.00 (w) x 9.20 (h) x 1.80 (d)

Meet the Author

Toby Wilkinson graduated with a first class honors degree in Egyptology from Downing College, University of Cambridge, winning the university’s Thomas Mulvey prize. He is the recipient of the Lady Wallis Budge Junior Research Fellowship in Egyptology, a Leverhulme Trust Special Research Fellowship, and an Honorary Research Fellowship in the Department of Archaeology at the University of Durham. He is currently at Clare College in the University of Cambridge. Wilkinson has published seven books and numerous articles, and has appeared on radio and television as an expert on ancient Egyptian civilization (especially the early periods). He is the recipient of the Antiquity Prize for the best journal article and is a member of the international editorial board of the Journal of Egyptian History.

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Read an Excerpt



The first king of Egypt

In a tall glass case in the entrance hall of the Egyptian Museum in Cairo stands an ancient slab of fine-grained greenish-black stone, about two feet high and no more than an inch thick. Shaped like a shield, it is carved on both sides in low relief. The scenes, though still crisp, are difficult to make out in the diffuse, hazy light that filters down through the dusty glazed dome in the museum ceiling. Most visitors barely give this strange object a second glance as they head straight for the golden riches of Tutankhamun on the floor above. Yet this modest piece of stone is one of the most important documents to survive from ancient Egypt. Its place of honor at the entrance to the Egyptian Museum, the world's greatest treasure- house of pharaonic culture, underlines its significance. This stone is the object that marks the very beginning of ancient Egyptian history.

The Narmer Palette, as it is known to Egyptologists, has become an icon of early Egypt, but the circumstances of its discovery are clouded with uncertainty. In the winter of a.d. 1897-1898, the British archaeologists James Quibell and Frederick Green were in the far south of Egypt, excavating at the ancient site of Nekhen (modern Kom el-Ahmar), the "city of the falcon" (classical Hierakonpolis). The nineteenth century was still the era of treasure seeking, and Quibell and Green, though more scientific in their approach than many of their contemporaries, were not immune from the pressure to discover fine objects to satisfy their sponsors back home. So, having chosen to excavate at Nekhen, a site eroded by countless centuries and largely devoid of major standing monuments, they decided to focus their attentions on the ruins of the local temple. Though small and unimpressive by comparison with the great sanctuaries of Thebes, this was no ordinary provincial shrine. Since the dawn of history, it had been dedicated to the celebration of Egyptian kingship. The local falcon god of Nekhen, Horus, was the patron deity of the Egyptian monarchy. Might the temple, therefore, yield a royal treasure?

The two men worked away, and their initial results were disappointing: stretches of mud brick wall; the remains of a mound, faced in stone; a few worn and broken statues. Nothing spectacular. The next area to be investigated lay in front of the mound, but here the archaeologists encountered only a thick layer of clay that resisted systematic excavation. The city of the falcon seemed determined to keep its secrets. But then, as Quibell and Green struggled their way through the clay layer, they came upon a scatter of discarded ritual objects, a motley collection of sacred paraphernalia that had been gathered up and buried by the temple priests some time in the remote past. There was no gold, but the "Main Deposit"-as the archaeologists optimistically called it-did contain some interesting and unusual finds. Chief among them was a carved slab of stone.

There was no doubt about what sort of object they had found. A shallow, circular well in the middle of one side showed it to be a palette, a grindstone for mixing pigments. But this was no workaday tool for preparing cosmetics. The elaborate and detailed scenes decorating both sides showed that it had been commissioned for a much loftier purpose, to celebrate the achievements of a glorious king. Beneath the benign gaze of two cow goddesses, a representation of the monarch himself-shown in the age-old pose of an Egyptian ruler, smiting his enemy with a mace-dominated one side of the palette. The archaeologists wondered who he was and when he had reigned. Two hieroglyphs, contained within a small rectangular panel at the very top of the palette, seemed to provide the answer, spelling out the monarch's name: a catfish ("nar" in the Egyptian language) and a chisel ("mer"): Narmer. Here was a king previously unknown to history. Moreover, the style of the carvings on the Narmer Palette pointed to a very early date. Subsequent research showed that Narmer was not just an early king; he was the very first ruler of a united Egypt. He came to the throne around 2950, the first king of the First Dynasty. In the mud of Nekhen, Quibell and Green had stumbled upon ancient Egypt's founding monument.

While Narmer may be the first historical king, he is not the beginning of Egypt's story. The decoration of his famous palette shows the art of the Egyptian royal court and the iconography of kingship already in their classical forms. However, some of the palette's stranger motifs, such as the intertwined beasts with long serpentine necks and the bull trampling the walls of an enemy fortress, hark back to a remote prehistoric past. On his great commemorative palette, Narmer was explicitly acknowledging that the cornerstones of Egyptian civilization had been laid long before his own time.

The desert blooms

As the Narmer Palette demonstrates on a small scale and for an early date, the Egyptians achieved a mastery of stone carving unsurpassed in the ancient, or modern, world. Diverse and abundant raw materials within Egypt's borders combined with great technical accomplishment to give the Egyptians a highly distinctive medium for asserting their cultural identity. Stone also had the advantage of permanence, and Egyptian monuments were consciously designed to last for eternity. The origin of this obsession with monumentality was in the Western Desert, near the modern border between Egypt and Sudan. The remote spot is known to archaeologists as Nabta Playa. Today, a paved main road carves through the desert only a mile or two away, bringing construction traffic to Egypt's New Valley project. But until very recently, Nabta Playa was as far away from civilization as it was possible to get. Its main distinction was as a pit stop on the cross- country route between the desert springs of Bir Kiseiba and the shores of Lake Nasser. The flat bed of an ancient, dried-up lake-or playa-together with a nearby sandy ridge, certainly make Nabta an ideal spot for an overnight camp. There is, however, much more to the site than a casual first glance would suggest. Scattered throughout the landscape are large stones-not naturally occurring boulders but megaliths that had been hauled from some distance away and set up at key points around the edge of the playa. Some stand in splendid isolation, as sentinels on the horizon; others form a linear alignment. Most remarkable of all, on a slight elevation a series of stones has been set out in a circle, with pairs of uprights facing each other. Two pairs are aligned north to south, while two more point toward the midsummer sunrise.

Previously unknown and entirely unexpected, Nabta Playa has emerged from obscurity as the ancient Egyptian Stonehenge, a sacred landscape dotted with carefully placed stone structures. Scientific dating of the associated sediments has revealed a startlingly early date for these extraordinary monuments, the early fifth millennium b.c. At that time, as in even earlier periods, the Sahara would have been very different from its current arid state. On an annual basis, summer rains would have greened the desert-filling the seasonal lake, and turning its shores into lush pasture and arable land. The people who migrated to Nabta Playa to take advantage of this temporary abundance were seminomadic cattle herders who roamed with their livestock across a wide area of the eastern Sahara. Large quantities of cattle bones have been excavated at the site, and traces of human activity can be found scattered over the ground: fragments of ostrich eggshells (used as water carriers and, when broken, for making jewelry), flint arrowheads, stone axes, and grindstones for processing the cereals that were cultivated along the lakeshore. With its seasonal fertility, Nabta offered semi-nomadic people a fixed point of great symbolic significance, and over generations they set about transforming it into a ritual center. Laying out the stone alignments must have required a large degree of communal involvement. Like their counterparts at Stonehenge, the monuments of Nabta show that the local prehistoric people had developed a highly organized society. A pastoral way of life certainly needed wise decision-makers with a detailed knowledge of the environment, close familiarity with the seasons, and an acute sense of timing. Cattle are thirsty animals, requiring a fresh supply of water at the end of each day's wandering, so judging when to arrive at a site such as Nabta and when to leave again could have been a matter of life and death for the whole community.

The purpose of the standing stones and the "calendar circle" seems to have been to predict the arrival of the all-important rains that fell shortly after the summer solstice. When the rains arrived, the community celebrated by slaughtering some of their precious cattle as a sacrifice of thanks, and burying the animals in graves marked on the ground with large, flat stones. Under one such mound, archaeologists found not a cattle burial but a huge sandstone monolith that had been carefully shaped and dressed to resemble a cow. Dated, like the calendar circle, to the early fifth millennium b.c., it is the earliest known monumental sculpture from Egypt. Here are to be found the origins of pharaonic stone carving-in the prehistoric Western Desert, among wandering cattle herders, a millennium and more before the beginning of the First Dynasty. Archaeologists have been forced to rethink their theories of Egypt's origins.

On the other side of Egypt, in the Eastern Desert, equally remarkable discoveries have been made, confirming the impression that the arid lands bordering the Nile Valley were the crucible of ancient Egyptian civilization. Thousands of rock pictures pecked into the sandstone cliffs dot the dry valleys (known as wadis) that crisscross the hilly terrain between the Nile and the Red Sea hills. At some locations, usually associated with natural shelters, overhangs, or caves, there are great concentrations of pictures. One such tableau, by a dried-up plunge pool in the Wadi Umm Salam, has been likened to the Sistine Chapel. Its images constitute some of the earliest sacred art from Egypt, prefiguring the classic imagery of pharaonic religion by as much as a thousand years. Like their sculpture-loving counterparts at Nabta Playa, the prehistoric artists of the Eastern Desert seem also to have been cattle herders, and pictures of their livestock-and the wild animals they hunted out on the savanna-feature heavily in their compositions. But instead of using megaliths to signify their deepest beliefs, they exploited the smooth cliff faces offered by their own environment, turning them into canvases for religious expression. Gods traveling in sacred boats, and ritual hunts of wild animals, are key themes in the pharaonic iconography first attested in the Eastern Desert rock art. The inaccessible and inhospitable character of the region today belies its pivotal role in the rise of ancient Egypt.

Gathering speed

Ongoing survey and excavation at sites across the Western and Eastern deserts is revealing a pattern of close interaction between desert and valley peoples in prehistory. Rather unexpectedly, the semi- nomadic cattle herders who roamed across the prehistoric savanna seem to have been more advanced than their valley-dwelling contemporaries. But in a lesson for our own times, the cattle herders' vibrant way of life was made extinct by environmental change. Beginning in about 5000, the climate of northeast Africa began to undergo a marked shift. The once predictable summer rains that for millennia had provided cattle herders with seasonal pasture away from the Nile became steadily less reliable. Over a period of a few centuries, the rain belt moved progressively southward. (Today the rains, when they fall at all, fall over the highlands of Ethiopia.) The savannas to the east and west of the Nile began to dry out and turn to desert. After little more than a few generations, the desiccated land was no longer able to support thirsty herds of cattle. For the herders, the alternative to starvation was migration-to the only permanent water source in the region, the Nile Valley.

Here, the earliest settled communities, along the edge of the floodplain, had been established in the early fifth millennium b.c., broadly contemporary with the megalith builders of Nabta Playa. Like the cattle herders, the valley dwellers had also been practicing agriculture, but in contrast to the seasonality of rainfall in the arid regions, the regime of the Nile had made it possible to grow crops year-round. This would have given the valley dwellers the incentive and the wherewithal to occupy their villages on a permanent basis. The way of life the valley dwellers developed is known to Egyptologists as the Badarian culture, after the site of el-Badari, where this lifestyle was first recorded. The local vicinity was ideally suited to early habitation, with the juxtaposition of different ecosystems-floodplain and savanna-and excellent links to a wider hinterland. Desert routes led westward to the oases, while a major wadi ran eastward to the Red Sea coast. It was through these avenues that the Badarian way of life was strongly influenced by the early desert cultures.

One such influence, an interest in personal adornment, stayed with the ancient Egyptians throughout their history. Another development with long-term ramifications was the gradual stratification of society into leaders and followers, a small ruling class and a larger group of subjects. This was a system that owed much to the challenging lifestyle faced by pastoral seminomads. These external stimuli and internal dynamics began to transform Badarian society. Over many centuries, gradual changes took root and began to accelerate. The rich grew richer and began to act as patrons to a new class of specialist craftsmen. They, in turn, developed new technologies and new products to satisfy their patrons' ever more sophisticated tastes. The introduction of restricted access to prestige goods and materials further reinforced the power and status of the wealthiest in society.

The process of social transformation, once started, could not be stopped. Culturally, economically, and politically, prehistoric society became increasingly complex. Egypt was set on a course toward statehood. The final drying-out of the deserts around 3600 must have injected further momentum into this process. A sudden increase in population-when those living in the deserts migrated to the valley- may have led to greater competition for scarce resources, encouraging the development of walled towns. More mouths to feed would also have stimulated more productive agriculture. Urbanization and the intensification of farming were responses to social change but were also a stimulus to further change.

Under such conditions, communities in Upper Egypt began to coalesce into three regional groupings, each probably ruled by a hereditary monarch. Strategic factors help to explain the early dominance of these three prehistoric kingdoms. One kingdom was centered on the town of Tjeni (near modern Girga), a site where the floodplain narrowed and allowed the town's inhabitants to control river traffic. This area was also where trade routes from Nubia and the Saharan oases met the Nile Valley. A second territory had its capital at Nubt ("the golden," modern Nagada), which controlled access to gold mines in the Eastern Desert via the Wadi Hammamats on the opposite bank of the river. A third kingdom had grown up around the settlement of Nekhen, which, like Tjeni, was the starting point for a desert route to the oases (and thence to Sudan) and, like Nubt, controlled access to important Eastern Desert gold reserves, in this case the more southerly deposits reached via a wadi directly opposite the town.

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Table of Contents

Timeline xiii

Author's Note xxiii

Introduction xxv

Part I Divine Right (5000-2175 B.C.) 1

1 In the Beginning 5

2 God Incarnate 25

3 Absolute Power 40

4 Heaven on Earth 57

5 Eternity Assured 77

Part II End of Innocence (2175-1541 B.C.) 99

6 Civil War 103

7 Paradise Postponed 124

8 The Face of Tyranny 140

9 Bitter Harvest 162

Part III The Power and the Glory (1541-1322 B.C.) 179

10 Order Reimposed 183

11 Pushing the Boundaries 202

12 King and Country 222

13 Golden Age 240

14 Royal Revolution 257

Part IV Military Might (1322-1069 B.C.) 279

15 Martial Law 283

16 War and Peace 301

17 Triumph and Tragedy 323

18 Double-Edged Sword 341

Part V Change and Decay (1069-30 B.C.) 361

19 A House Divided 365

20 A Tarnished Throne 383

21 Fortune's Fickle Wheel 399

22 Invasion and Introspection 420

23 The Long Goodbye 444

24 Finis 465

Epilogue 483

Acknowledgments 487

Notes 489

Bibliography 539

Index 579

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Customer Reviews

Average Rating 3.5
( 22 )
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See All Sort by: Showing 1 – 20 of 23 Customer Reviews
  • Posted February 5, 2012

    Recommended for anyone curious about a civilization/society that spanned thousands of years

    Great mix of narrative history and detail with reference to the archaeological record. Undoubtedly controversial for its humanistic and practical take on the kings and peasants of ancient Egypt, it should become the standard primer for none specialists interested in the topic.

    3 out of 3 people found this review helpful.

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  • Anonymous

    Posted October 1, 2011

    Not that good.

    It was really informational but very boring. I couldn't contain much of the information because I was bored out of my mind reading this book and it felt like a chore every time i went to read. Any time I was reading my mind would start to wander so it was a complete waste of time. I at least saved myself from more bordom when I quite reading at page 100 (there were over 500 pages)

    1 out of 16 people found this review helpful.

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  • Anonymous

    Posted February 16, 2015


    Is slepping

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  • Anonymous

    Posted February 16, 2015


    A man walks in

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  • Anonymous

    Posted February 6, 2015

    Beautifully written and totally absorbing.

    I've been an ancient history buff for many years and this is not the first book I've read on ancient Egypt. However, it is by far the best. While it is based on thorough research and is a totally accurate history, it reads like a novel. Ancient Egypt with all of its glories and incredible flaws really comes alive. I literally couldn't put it down.

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  • Anonymous

    Posted December 30, 2014

    Tap me.

    Shame on all you warriors rp'ers go spam on warriors books

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  • Anonymous

    Posted September 7, 2014

    Aahh ;'(

    How could he name the kits and then abandon them!!! :',( That bothers me immensly. :( (I am always sad when kits die, could it be possible another survived, and hates Blaze or sonething?)

    0 out of 1 people found this review helpful.

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  • Anonymous

    Posted September 4, 2014

    Time: The Rising

    &star<_>~The Rising <br> &starf&starf&starf&starf<_>~ Viper's Journey <p> Viper placed one paw after the other on the crisp midnight sand. He could feel the cold stretching up through him. He spotted a small opening in a rock. They would stay there til night came again. <p> Viper could feel the sun setting, the kits were soon to starve. He didn't have enough strength to haul all five kits to the center of Desert Territory, or they would all die. So he would have to choose one kit. Blaze. Blaze was the one that Grass wanted to live. <br> It pained him to think of Grass. So beautiful, so innocent... <p> Blaze squirmed. The other kits lay motionless on the cold floor. Blaze would starve to death if they didn't get to Sunshine in time. Blaze mewled. <br> Viper ran across the sand, despite the cold pain. He saw his destination up ahead. <br> A giant, jagged, sandstone rock jutted out of the ground like a yellow fang, shading a giant slab of sandstone all day. Four young kits and a yellowish gold shecat lay on the sandstone. <br> "Are you Sunshine?" The shecat was startled by Viper's random apearance. <br> "And who is asking?" The shecat meowed. <br> "Oh, I apollogize. I am Viper, Grass' mate." <br> "I see. And who is that?" She motioned to Blaze, who was squirming at the scent of mothermilk. <br> "This is our only surviving kit. Blaze. Grass asked me to take him to you before she... died." <br> "Grass is dead? A kit survived a day without milk?" <br> "Yes and yes." <br> "What were her last words?" <br> "Blaze is special." <br> "Then I shal raise Blaze as one of my own." Viper ran up to the shecat and placed Blaze with the other kits, who were a half a moon older than her. "Poor dear. Lizard, Sand, let your new brother have milk. Come now." She picked up her other two kits, a brown tabby tom with green eyes and a sandy colored shecat with brown eyes, and placed them so that Blaze got the best spot.

    0 out of 1 people found this review helpful.

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  • Anonymous

    Posted August 26, 2014


    Well done.

    0 out of 1 people found this review helpful.

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    Posted August 12, 2014

    No text was provided for this review.

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    Posted November 23, 2014

    No text was provided for this review.

  • Anonymous

    Posted July 23, 2011

    No text was provided for this review.

  • Anonymous

    Posted May 18, 2011

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  • Anonymous

    Posted May 13, 2011

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    Posted January 4, 2012

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