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Jeff Shaara dazzled readers with his bestselling novels Gods and Generals, The Last Full Measure, and Gone for Soldiers. Now the acclaimed author who illuminated the Civil War and the Mexican-American War brilliantly brings to life the American Revolution, creating a superb saga of the men who helped to forge the destiny of a nation.
From the Paperback edition.
March 5, 1770
He had been in Boston for nearly eighteen months, had come ashore with the rest of His Majesty's Twenty-ninth Regiment after a miserable journey down from Halifax. The troops had been summoned to the boats by their commander, General Thomas Gage, had been told only that they were going to the Massachusetts colony to maintain the peace. Few had any idea how that peace might be threatened, and nearly all saw the journey as an escape from the lonely isolation of the king's most northern port. When they finally marched out of the cramped warships, they moved into a town where the people did not welcome them, did not provide homes or hospi- tality. Now, after nearly two years, the conflicts between the citizens of Boston and the soldiers had become more than the unpleasant argument, the occasional barroom brawl. The discipline of the troops had begun to slip; men became frustrated by the hostility around them, the taunts and minor assaults, and when the officers were not close, many of the soldiers had begun to strike back. The citizens had responded to the anger of the troops with anger of their own, and gangs of young men armed with clubs and the occasional saber began to patrol the dark alleys outside the pubs and meeting places of the soldiers. The fights were more numerous now and were sometimes bloody. While the local magistrates were quick to arrest and prosecute, both sides protected their own, and no one had any illusion that the law could protect the innocent. Inspired by the newspapermen, who presented each incident in passionate detail, playing up the seething hostility, the citizens were more and more restless, fueling the growing anger toward the British troops. To many civilians, this military occupation was oppressive, and even those most loyal to the policies of London recognized that the presence of the troops was dangerous; with the right spark, the minor disturbances could explode into a bloody disaster. His name was Hugh White, and he had served in the Twenty-ninth Regiment for nearly three years. He had little ambition, had no particular designs on promotion, considered the corporal above him to be a far better soldier. He rarely spoke to the officers, was not a face or a name that anyone would ever single out. But today, he had been singled out, given a job that most in his company would dread. The duty was not for punishment of some indiscreet act. It was simply his turn. And so he stood guard in front of the Custom House, shivering against the sharp cold in a small wooden guardhouse, standing sentry to a place that would rarely attract attention.
He moved around as much as the cramped space would allow, touched the walls on three sides of him, felt the rough cold wood. His fingers were numb, and he flexed them, then pushed one hand hard inside his coat. He glanced out beyond the guardhouse and saw only a few citizens moving quickly through the cold, ignoring him. He cast a glance down toward his hidden hand bulging in his coat, flexed his fingers again, worried about being seen. He thought of the drill the week before, the sergeant scolding the men to keep their decorum, maintain their dignity, especially on guard duty. That meant hands by your side. He eased his head outside the guardhouse, looked toward the door- way of the Custom House, saw no one, felt relief. Perhaps even that old sergeant would understand, he thought. It's just too cold. He put his other hand inside the rough wool, pulled his arms up tight. He blew out a sharp breath, thinking that if he stood up stiff the way they told him to, his fingers would probably fall off.
The musket leaned up against the wall close beside him, a light glaze of frost on the black steel. The guardhouse was really only a narrow box, not much larger than an upright coffin. But it kept away the awful bite of the wind, the sharp cold that blew deep into your bones.
Early that morning, the assignment of guard duty had made him smile, and if the others laughed and teased him, he had only thought of relieving the boredom of the barracks. Now he imagined what the others were doing, playing cards, the profane talk. His father had warned him of the bad influences, and he could still see his mother's tear-stained face, watching as her boy marched away to join this army. She didn't want me to go, he thought. They expected me to work that land, he thought, still expect me to just come home and be a farmer, like them. They don't know anything else. He remembered the look on their faces when he had come home, the brief visit before the Twenty-ninth had boarded the great ship to sail west. He had stood tall, waited as his father moved around him, inspecting the uniform, even touching the dull red coat, could still see his mother's shock, her young boy now grown into this soldier. Their response had disappointed him. They had not seemed as proud as he had expected, seemed more worried instead, gave him more sharp scolding to keep himself clean, to avoid the awful deadly temptations that only a parent fears. I wish they could see me now, he thought. This is important, guarding the Custom House.
He hadn't even been inside the building, but he knew the rumors. There was supposed to be a huge vault filled with silver, the customs duties paid by the ships as they brought their goods into the port from England or from the islands far to the south. He hoped it was true, had no reason to doubt the importance of his duty, was proud of his responsibility, guarding the king's currency. If those chaps back in the barracks knew how much this post means to the king, they wouldn't laugh, they'd be out here, doing the duty. He glanced at the musket, then out again to the wide street, the hard-packed ice and snow, heard the stiff breeze whistling through the cracks in the crude wooden walls of the guardhouse. He wanted to drift away, tried to imagine the scene: Private White, holding away the bandits with his bayonet, ordering the riffraff to move away, and his mind spoke out, the voice loud and firm, In the name of the king . . .
He shivered now, and the image would not stay. He wriggled his fingers again, glanced toward the street once more. The locals didn't much care for them, he knew. He wasn't educated in politics; few of the private soldiers were. They had been surprised at the hostility from many of the citizens, and when they had marched away from the ships, they had been told that they would have to camp on Boston Common, since there were no open doors for them in private homes. But camping outdoors in tents could be deadly through the New England winter, and the commanders had struggled frantically to find accommodations. Finally, those in the town whom the officers called Tories and who did not seem so resentful of the troops began to open their doors, leasing buildings and warehouses, some even renting out their own homes. Now two winters had passed, and the duty was mostly monotonous, painfully boring. He had spent much of his time simply standing at drill in the common, marching in formation, parading in line down the side streets. He stamped his cold feet and wondered why so many of these people hated the British so. All we do is march around.
Many of the soldiers had begun to seek part-time work in the town, some spending their off-duty hours working jobs that would ease the boredom and provide a little more cash than their low army pay. But there was resentment for that as well, the citizens protesting that the troops were taking valuable jobs badly needed by the men of Boston. It was not long before the resentment turned violent. He had seen some of the fights, most inspired by strong drink, a sudden and accidental confrontation in an alley or outside a pub. But the violence had continued to grow, the fights larger, and men on both sides had seemed to organize just a bit, small gangs of citizens and troops, both looking for some satisfaction, some way to relieve the constant hos- tility. He had seen the man with the bloody wound, three nights ago, the first real wound he had ever seen. He thought of the man-John Rodgers, another young private-his skull split open. The anger in the barracks had brought the officers in, stern words, threats of punishment. But even the soldiers who had not been a part of the fights knew that there would be more violence.
He had endured the insults himself, knew better than to walk the streets alone, even off duty, out of uniform. He still didn't understand the anger. We're just keeping the peace. He said the words again in his mind, the first orders he had heard, even before they left the ship. Keep the peace.
He moved his legs, stepped in place, tried to relieve the numbness in his feet. He leaned out past the protection of the guardhouse, felt a stiff breeze on his face, pulled back inside. It's pretty peaceful tonight. Too cold for the officers, that's certain. They're all inside, probably eating their hot food. He could see the main guard building, and down the street the headquarters for His Majesty's forces. He felt a rumble in his stomach, began to think of the supper that waited for him back in the barracks. He could use a cup of tea right now. He tried to imagine the steam rolling up on his face, but the wind suddenly blew hard against the guardhouse, and now he could hear something else, voices, shouts. He leaned outside again, saw a group of men moving in the street, turning toward the Custom House. He watched them, counted maybe a dozen, then saw more men coming around a corner a block down the street. He had been warned about the gangs, all the troops understanding that they were targets for the bands of rough young men. He shivered again, made two tight fists inside his coat, watched the men moving across the street, coming closer to the Custom House. Now the voices were clear, and he saw one man point at him, felt his heart jump in his chest. They began to move straight toward the guardhouse, straight toward him. He pulled his hands from his coat, reached down, gripped the musket, leaned it up on his shoulder. Make a good show, he thought. No one will get past. They will not dare. He watched them move closer, realized they were young, teens perhaps, saw one bend down, scooping up the snow, rolling an icy ball in his hands. There were more shouts, and suddenly the boy threw the snowball at the guardhouse. White flinched, heard the dull smack against the wall, felt his heart pounding, said aloud, "Move along now. This is no place for play."
The faces were all looking at him, and he expected to see smiles, the playfulness of boys, but there was something new, unexpected, anger, and now more snowballs began to fly. The boys moved closer, their aim more true, and he felt a splatter of snow against his chest. The laughter came, but they did not move away, the fun was not over.
White stepped outside the cover of the guardhouse, felt his own anger rising, looked at the faces, the voices jeering, calling out to him. One boy suddenly lunged closer, and White watched his hands, expecting something, another snowball, but the boy said, "What kind of man are you? A filthy lobster-back!"
White tried to ignore the boy, glanced again at the door of the Custom House, saw the door open slightly, faces peering out, the door closing again. White began to move toward the steps at the doorway, but the boy jumped in front of him, close, reached out and grabbed at the uniform, began to shout, "Dirty lobster-back," and White swung the musket around, the butt striking the boy's face. The boy fell backward, a sharp cry, and now there was silence from the mob as White stared at the boy. My God, stop this. He moved up the steps of the Custom House, close to the doorway, saw the young faces watching him, could see out past the mob now, more men coming forward, older men, some in suits, staying back, watching. He felt his hands shaking, tried to grip the musket, shouted, "Leave this place! Move away!"
The injured boy was crying, shrieking, "You dirty scoundrel! I'll see you dead!"
The voices began to answer, more curses, the boys moving closer again. The snowballs resumed, hitting the door of the Custom House, and suddenly something dark flew past his head, a thick piece of wood, making a sharp cracking sound against the wooden door behind him. He shouted again, "Back! Stay back!"
He could feel his hands shaking, the icy numbness giving way to a rising wave of fear. The jeers from the mob were growing louder, and the officer's words suddenly came to him again: Keep the peace. He clamped the musket under one arm, his hands still shaking, reached inside the cartridge box at his waist. He felt the stiff paper with his numb fingers, fought through the pounding in his chest, the training taking hold, the fear giving way to the deliberate motion. He tore at the tip of the paper cartridge, poured powder into the pan at the breech, clamped down the lock. He set the butt of the musket down on the step, slowly slid the cartridge into the barrel of the musket, prodded it down the long barrel with the ramrod. Now he pulled out the bayonet, slid it hard on the barrel, a sharp twist, and lowered the barrel, pointed it out toward the crowd. His heart was racing, and he felt a surge of strength, the fear growing into raw excitement. He expected to see the fear in their faces, the respect for the soldier with the loaded musket, the great strength of the army, but the voices were louder still, and now another stick struck the door behind him. He could see more sticks, the crowd moving slowly forward, one voice shouting, "Shoot us! Go ahead, shoot us! You coward! Shoot us and be damned!"
He gripped the musket hard, still felt his hands trembling violently, the cold now deep in his chest. He wanted to say something, anything, to move them away. At that moment, he saw a man moving up to one side, well dressed, a familiar face, and the man said, "Soldier, easy now. Do you mean to shoot?"
"I will fire . . . if they assault me!"
The man came up the steps, said, "Easy, young man. Take care. There need be no killing here."
White glanced at the man's calm face. White nodded, felt a wave of relief, felt suddenly protected, heard a second voice, that of an older man, say, "Move away! Don't molest this sentry! There is no fight here!"
The mob began to quiet, some of the boys backing away, the curses now slowing. He took a deep breath, thought, Yes, move away. Let this end. Thank God.
Then there was a new sound, from a church tower, the sudden tolling of a bell echoing through the streets. Another bell began, farther away. The faces began to turn away, looking toward the sound, the fire bell. The voices began again, but the sounds were different. Far down the street, more men began to emerge, and he could hear shouting, one word flowing from place to place: "Fire!"
The sounds grew close, men suddenly moving out from a side street behind the Custom House, the word echoing all through the crowd, "Fire!"
Now the crowd pushed toward the Custom House, some moving toward him, some lining up on the street. In front of him, the crowd came to life again, the faces turning toward him, and the curses rose once more: "Dirty scoundrel! Lobster-back!"
He felt the fear coming back, the icy grip in his chest. He could hear sounds above him, men at the windows; he wanted to shout at them, but there were no words. His face still watched the crowd, and now the sticks were raised again, the snow and ice striking the walls around him, a sharp stab suddenly in his chest, the heavy stick punching him. He looked out over the heads of the men closest to him, could see the main guard building, fought the fear, suddenly shouted, "Turn out the guard! Turn out the guard!"
The people nearest to him began to move up the short steps, one man reaching out, grabbing at the musket. White jerked the gun to one side, swept the tip of the bayonet back and forth, forcing the men back. One boy shouted close to him, "Shoot us, then!"
White pressed his back hard against the door, still waving the bayonet toward the crowd, and said, "Damn you! I will shoot!"
At that instant, there were new sounds, and he turned, saw a line of red emerging through the crowd, saw the tips of bayonets. The man who led the soldiers held a sword high, the coat brighter red, the man's chest crossed with bright yellow, the uniform of an officer, a familiar face. White said, "Sir! Captain Preston! Sir . . ."
He wanted to say more, to thank the officer, felt the sudden flood of relief. The crowd seemed to pull away, the mass of men and boys watching as the soldiers repeated what White had done, loading their muskets. Preston moved up onto the steps, said, "It's all right, Private. Fall in. Take position with the troops."
White stepped quickly toward the line of soldiers, saw eight men, all huge, the handpicked elite, the grenadiers, all grim-faced. White moved among them, and the soldiers turned in quick rhythm, muskets held waist high, pointing toward the crowd. White stood between two of the men, felt their strength, their power. The fear was gone, the excitement filling him, and he thought, Now we will see. Now this mob will know.
He felt the snowball hit his stomach, and at once the sticks were flying again, the shouts coming as before. Behind the mob, more men were pressing forward, some still shouting, "Fire!"
Beyond, the bells still called to the town, the pealing growing louder, the sounds echoing, blending with the shouts of the mob. Captain Preston stepped out in front of the soldiers, glanced at White, then out at the crowd, said aloud, "We will march away from here! You will let us pass!"
There was a chorus of new voices, one man in front shouting, "Or you will shoot us? Go ahead, then! And damn you to hell!"
Preston looked back at the soldiers, waved his hand toward the wall of the Custom House, said, "Form here. Flanks anchored against the wall!"
The men moved back, White following the flow. Those on each end of the line positioned themselves close to the front wall of the Custom House, the others facing out in a short semicircle. Now Preston paced slowly in front of the troops, said to the crowd, "You will disperse! In the name of King George, I order you to return to your homes!"
White stood behind Preston, heard muttered curses from the soldiers on either side of him, their own anger building. Preston turned, said in a low voice, "None of that! We will move these people away! Do your duty!"
The crowd began to surge forward again, hands began to reach for the muskets. Preston shouted again, "Disperse!"
There were answers now, many voices, snowballs, more sticks. White saw something flash in the crowd, the bright brass of a saber. Suddenly a man lunged forward at the troops, grabbed one musket by the barrel, tried to pull it away from the soldier, who wrestled with his attacker. Another man stepped close, struck out at a bayonet with a long stick, knocking the musket from the soldier's hands. More men surged forward, tried to grab the musket, the soldier now on the ground, fists striking back. White fought the urge to help the soldier, held his musket straight toward the crowd, watched the faces, heard the voices louder still, the words flowing over the troops, the calls to fire, the screams of the mob, men powered by anger, hostility boiling into raw hatred, the sounds of the bells bursting in his ears, and now White looked to the side, saw the fallen soldier on his knees, pushing a man back, picking up the musket, screaming something White did not understand, a raw animal sound, and there was a blinding flash as the musket fired. White felt his heart leap, saw a man in the crowd go down, heard something from Preston, words, one word, "No . . ."
Quickly there came more shots, the soldiers losing all control, the fear and the anger giving way. White felt the growing horror, but then the crowd was there, close in front, the screams and curses, the violence flowing over all of them. He saw someone holding a thick piece of wood, waving it over his head, the man still moving forward, and White raised the musket to his shoulder, fought through the roar of sound in his ears, the church bells, the muskets now blasting smoke and fire on either side of him, the sounds of terror from the crowd. He gripped the musket hard, held it tight to his shoulders, the fear in his heart giving way to the madness now washing over them all. The man stalked toward him, brandishing the stick as some deadly club, shouting words, angry awful sounds. White watched him move close, and then the man stopped, stared at the muzzle of the musket, seemed suddenly calm, looked at White's face, deep into his eyes, and the sounds gave way to the man's words, soft through the chiming of the church bells. White could not hold back, the terror and the anger too strong, and as he pulled the trigger, he heard the man say, "You cannot kill us all. . . ."
We live in what we must assume to be the modern age, our attention consumed by our immediate surroundings, our immediate needs, the efforts required to simply keep up with extraordinary change. But if we have learned anything during the last 225 years, it is that some things have not changed at all. Throughout the world there are still wars; national boundaries are still fragile; cultures, even our own, are subject to changes in attitude, in what we tolerate and define as right and wrong. But if we care anything of our own history, we must understand that, in this country, there is one constant, and if we are fortunate, it will never change. We are a culture defined by the integrity, decency, and independence of its people.
The story of colonial America's fight for independence from Great Britain is much more than a dry study of politics, of the heavy handed-policies of King George III toward a people emerging into their own identity. It is the story of courage, of selflessness, of men and women who dared to speak out, to protest unwise and oppressive acts by their mother country. When the protests fell on deaf ears, they would set aside their own enormous differences, joining together in a Continental Congress, combining 13 colonies into one voice, and finally, one document -- men who would literally risk their necks by standing up to the greatest political and military power in the world.
We all know the names. No student escapes the study of George Washington or the stories of characters who seem to be more myth than real: Ben Franklin, Paul Revere, Nathan Hale. In some classrooms, the studies go deeper, students learning of John Adams and Thomas Jefferson, and some might recall more than the fact that both were presidents of the United States. They were, in fact, some of the most radical revolutionaries of their time.
In this modern age, we have been taught to be cynical. Few regard government as a profession worthy of deep respect. Few heroes emerge from the sordid chaos of our political elections. In the age of push-button warfare, we rarely hear of the battlefield hero, the soldier who risks himself to save his comrades. The last generation of American soldiers who came home to a pure hero's welcome fought in the 1940s. And their number grows fewer each day. Now, if one asks teenagers who their heroes are, one hears a litany of pop culture icons, sports and rock stars.
And the cynicism has deepened. It has become fashionable in Hollywood and in the media to portray those famous names from our past in an unflattering light, to tear down or trivialize the accomplishment, replacing the mantle of the hero with the sensational and the shameful. The cynicism has led many to believe that the only connection Americans can make to their own Founders is by exposing their most salacious flaws, as though this is their only relevance to our modern time. I most adamantly disagree. That these characters were not perfect icons is testament to their humanity, which makes their story and their accomplishments all the more remarkable. It is too easy to pass judgment with the crystal clarity of hindsight, to ignore that era in which these people lived. What cannot be ignored is that, in a time of absolute chaos and crisis, when their very survival as a people was threatened, they rose to the occasion and left a mark that did much more than establish a new nation. They changed the history of the world.
As I grew to know the characters in Rise to Rebellion, to speak for them, to move into their minds, and to bring their story to the written page, I felt a sense of fascination, of discovery, of new respect. I set out not to revise history nor to embellish myth. The story was to be honest, as told by the characters themselves through their own writings, accounts recorded by those who were there. I had experienced enough of my own cynicism to wonder if there would be much of a story to tell, that if these characters were truly worthy of the lofty perch on which my ancestors had placed them. My discovery was delightful surprise. The story of our Founding Fathers is not simply about blind patriotism, but about bravery, spirit, and heroism. But most importantly, this is the story of the people who opened the pathway to our own future. And so, it is the story of us. (Jeff Shaara)
Posted August 26, 2001
I am a high school teacher, and I can say that Rise to Rebellion is among the best and most thorough and captivating history novels I have read. It conveys the events leading up to 1776 through the eyes of the major historical figures of the time -- Franklin, Washington, Gage, Howe, Adams (both of them), King George, and so on. It's historical accuracy is accutely maintaned as the author successfully transports the reader into the social and political dynamics of the period. It will enable students and non-students alike to truly get to know the key figures in American history. A quick read, despite the nearly 500 pages.
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Posted December 23, 2011
-This is an exciting and insightful look into history that reads like a thriller novel drawing the reader into the story. And despite knowing the outcome you will find yourself wondering at the climax at the close of each chapter.
-A very unique perspective in that not just one side of the story is told. Instead, the reader is involved with most of the major players.
-This is a great book and the first half of the story. The second book that completes the story is The Glorious Cause which is just as well written.
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Posted February 1, 2011
In this book the author takes the reader from the early days of the colonies rejection to British rule through the signing of the Declaration of Independence. He covers numerous characters that were critical and some that played a supportive role in the founding of the USA, e.g., George Washington, John Adams, Benjamin Franklin, and some of the British generals. The author is very detailed in giving his view as to the thinking and emotions of the cast of characters in the book. The book was easy to follow and it provided a number of insights in the many historical figures that were active during the Revolutionary War. Highly recommend.
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Posted September 26, 2004
If you walked up to the average American standing on the street and asked them on what date The Declaration of Independence was signed the most likely answer you would get is ¿Everyone knows that, July 4th, 1776.¿ Or try asking him ¿Which hill was the Battle of Bunker Hill was fought on?¿ I¿ll give you a hint¿ it wasn¿t on Bunker Hill. The fact is that many Americans carry around these types of iconic myths regarding the era of the American Revolution. Jeff Shaara¿s fourth novel, ¿Rise to Rebellion,¿ the first of two books to cover the period of the American Revolution, dispels many of these myths. Spanning six and a half years, beginning with the Boston Massacre on March 5th, 1770 and ending with the signing of the Declaration of Independence on August 2nd, 1776, Mr. Shaara follows the lives such noted historical personalities as Benjamin Franklin, Samuel Adams, John and Abigail Adams, George Washington, Thomas Gage, Thomas Hutchinson, John Dickinson, Thomas Paine and John Hancock as they struggle to further their causes, both for and against, the independence of the American colonies from the rule of the British crown. Once again, using his father, Michael Shaara¿s, tried and true method of multiple view points we view events such as the Boston Tea Party, The Battles of Lexington & Concord, and the Battle of Bunker Hill through the eyes of the characters who participated in the actual historical events. The genius of the Shaara formula lies not only within the shifting viewpoints but in the balanced approach to the material, not only concentrating on the American point of view, but also that of the British. He also shows the military struggle between the two sides and the political and diplomatic struggles of both sides as well - most notably following Benjamin Franklin as he navigates the stormy political seas of the British Parliament and the royal court of King George III. To balance military, political, diplomatic and social history is a difficult task and yet Shaara has succeeded masterfully at it. However the one drawback of ¿Rise to Rebellion,¿ and one that I fear Jeff Shaara will never break free of, is that of the formulaic structure of the book itself. Alas it is the alternating, multiple viewpoint structure that he inherited from his father, Michael Shaara, author of the Pulitzer Prize winning, The Killer Angels. Though it works well to provide a well balanced view of the contrasting sides, it impedes the author from trying a more literary approach to his story telling. Mr. Shaara¿s novel is a sweeping, yet balanced, panorama of the people and events which gave birth to the United States of America and is worthy of its place on the bookshelf of American historical fiction
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Posted September 14, 2002
I have to admit that I have thoroughly enjoyed all of Jeff's novels, including his most recent title "Rise to Rebellion", though it was a much slower read than his previous three. As a writer of historical fiction myself, I can empathize with the difficulty in staying true to history in your novel, while trying to tie it all together into a coherent, entertaining book. Not an easy task. "Rise to Rebellion" may not be his best work, but I still feel better off for having taken the time to read it and as always, eagerly await his next installment.
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Posted May 28, 2012
Posted November 27, 2011
Very impressed with the amount of research that was required to put you in the minds of these characters.
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Posted May 13, 2010
I didn't realize how little I knew about the founding of my country until I read this book. Shaara's ability to make a novel both informative and entertaining his second-to-none. Shaara makes you feel like you're with these men as they struggle to lead America to Independence. Unlike most of his novels, this one features little war and fighting, and deals more with the "rise to rebellion". I find the political intrigue and details behind what lead us to break away from Britain equally as fascinating as the war itself. But, if you want fighting, you may be a little disappointed. Told through the eyes of Benjamin Franklin, John Adams and George Washington, you gain a new appreciation for each of these men. I also found Samuel Adams and Joseph Warren to be fascinating men as well. Read about how these men had to battle and persuade their own countrymen that independence was the only course of action before they could truly battle Britain. This book will give you a new appreciation for the men who founded this country. It's hard for me to rank Shaara's books, but I'm doubtful that I'll read a series of books on any other war/conflict that will be as good as these two book on the revolution.
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Posted August 8, 2014
This was a great book. Keeps you interested, not too dry. First book of this author that I've read, will definitely check out others by him.Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
Posted May 30, 2014
Posted October 3, 2013
This is a great book for all history lovers. It gives an in depth look at the time leading up to the Revolutionary War through the eyes of some of its greatest leaders.
It is historically accurate and engaging. I have learned more from this than from any other book I've read on the subject. The characters are fantastic and portrayed
in a way that makes you feel as if you knew them. Shaara pulls you in and makes you feel like part of the story. I think this is a great read, and I highly recommend it.
Posted July 22, 2012
Posted August 29, 2009
Posted April 2, 2008
After reading about the foundation of this great nation, one can comprehend the mindstate in which our founding fathers were in when they sacrificed their liberty and freedom to start a new beginning for all who pursue freedom of mind, body and soul.Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
Posted December 11, 2006
I personally believe that this book was a bit overdone. Shaara uses so many points throught the book, that it becomes boring and quite a bit 'textbook'. His novel stated ideas and happenings that can be found in many online searches and history textbooks. I think that Shaara could have improved the book if he took some viewpoint rather than attempting to explain everything. I do not recommend this book, and I do not plan on reading any of Shaara's other works anytime soon.
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Posted November 26, 2006
I love this novel because you get to look at the revolution in a totally new view than most history novels, which only follow the battles. Witnessing the political and social aspects of the revolution was interesting and entertaining. It was a unique experiance becoming intimate with the characters that helped shape our nation. A fantastic read.Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
Posted August 3, 2006
This book is required reading for tenth grade history AP in my school. The size and small font were discouraging at first but when I started reading it, I was hooked. It's one of those books that is so good you don't want it to end.Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
Posted March 4, 2006
Time and again I am overwhelmed by this authors style of taking me not only into history but into the lives of the characters in the most personal view points. I have been drawn to reading like never before in my 44 years. Thank You Mr. Shaara.Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
Posted November 1, 2005
This book was fasinating. The events leading to the declaration of this nation's independence are formidable. The average family man who led this country from an abused country to a strong independent country, coupled with the God-given talents that surfaced when time called them forth, are extraordinary. The author brings this era to life again as he shows you the big picture and explains the smallest detail. I look forward to reading the sequel to this book, also written by Jeff Shaara, The Glorious Cause.Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
Posted July 18, 2005
I am 20 years old and feel truly inspired by this book. Shaara humanizes some of the greatest actors in our countries history (Adams, Washington, Franklin, Gage etc.) I highly reccomend this book for anyone with a desire to expand their understanding of America. Instead of mearly hearing about these great men and women secondhand, Shaara puts them there infront of you for you to be amazed. Highly dramatic and engaging this book keeps the pages turning. A side note: Even more interesting if you are familiar with the greater Boston area.Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.