River of the Brokenheartedby David Adams Richards
From David Adams Richards, winner of The Giller Prize and the Governor General's Award, comes a/i>
"My father Miles King once told me that some are damned by blood, by treason, by chance or circumstance, some even by the stars themselves or, as Shakespeare denying that said, by ourselves. This in a way is a journey back in time to see how I was damned."
From David Adams Richards, winner of The Giller Prize and the Governor General's Award, comes a story of one woman's resolute and determined struggle in overcoming small town prejudice and deceit.
Janie McCleary and her husband George King run one of the first movie theatres in the Maritimes. Their marriage is deemed scandalous -- he is Church of England, she is Irish Catholic -- but it is not until George dies in the 1920s that the town, led by unscrupulous Joey Elias, turns against Janie. A woman in a world of men, she soon finds herself nearly hounded out of business.
But not only does she survive, she prospers. Within a year she is wealthy, but ostracized. More and more reclusive, a victim of double-dealing and overt violence, she trusts no one outside her family. Loyalty, even unto ruin, becomes the code of Janie's small family.
Spanning generations, River of the Brokenhearted explores the matriarch's life as a pioneer before the age of feminism, and her legacy as it unfolds in the lives of her son and grandchildren. In the end the specter of Janie is raised again in the granddaughter, Ginger -- brilliant, funny, tempestuous, as fiery in spirit as Janie ever was, but who makes her way in an even more dangerous world.
Written with aching compassion and masterful sophistication, River of the Brokenhearted muses on the tyranny of memory and history, and peers into the heartsof these extraordinary characters. There he finds an alchemy of venality and goodwill, of deceit and brotherliness, of marked cruelty and true love.
Once again, David Adams Richards has brought us a work of astonishing grace, rooted on the great river of New Brunswick, and firmly universal in scope.
- Arcade Publishing
- Publication date:
- Product dimensions:
- 6.50(w) x 9.62(h) x 1.50(d)
Read an Excerpt
The graves of the Drukens and the McLearys are spread across the Miramichi River valley. If you go there you might find them -- “run across them” is not the exact phrase one might want to use for graves -- in certain villages and towns. I don't think we have hamlets here, but if we do, then in certain hamlets as well.
What is revealing about these graves is their scarcity. The scant way they are impressed upon the soil, dispersed here and there about the river. A river that stretches 250 miles from the heart of our province, a river of lumbering and fish and of forests running tangled to the water's edge. Our ancestors came and founded communities, and over time abandoned them for the greater lumbering towns of Newcastle and Chatham, so that only graves are left. One might go years without stumbling upon one, and when one finally does, an immediate reaction might be to say: “Why in Christ is old Lucy Druken buried way out here?”
I suppose some of the brightest of my relatives have lain forgotten for decades in the woods, forgotten even by their own descendants, in fields that have become orchards or mushroomed into forests again, the descendants having moved on, first to the towns and then west to the cities of Montreal or Toronto, or south to the great and frantic United States. The graves' occupants unremembered. Yet in what love and sorrow might they have been placed?
Two hundred years have passed to find what is left of us still here. Last October I came back from the train station in the debilitating gloom of a rain-soaked autumn day. He had demanded the key that morning, when I said I was leaving.
Hespoke to me in his slightly limey way -- being the only memory he ever retained of his father, and so the thing he held onto, come hell or high water, for a memory gone over sixty years. A limey with a Miramichi brogue.
“Yes -- well, then -- you can just give me the key, can you not -- leave it here” His hand shook as he pointed to the table. “And we will think no more of it; I will not even call you a traitor -- just remember I could not leave people in the lurch -- as much as I wanted to -- if they were lurching I'd stay!” he said turning away at that moment.
I found it hanging upon a string outside the winter door, waiting. I came into our small house, with the broken mirror in the foyer, to find him sitting in his straight-backed chair in the absolute middle of the small den, equidistant from the memorabilia of both British and Irish roots -- the cross of Saint George and a broken Irish bagpipe, staring out at me in perplexity, his hair now thin against his fine head, his tie done up very properly, hankie in his breast pocket, dark high socks and well-polished shoes on his feet. Each shoe tied with a small bowed lace, which never really did anything but make my heart go out to him -- especially when I realized it took upward of fifteen minutes to get each shoe on. He was drinking some mixture of aftershave and vermouth -- a pleasant enough concoction, he said, to starve off his “dearth” of gin gimlet he might on occasion -- at two in the morning, or five in the afternoon–go searching for. I told him I did not have anything on me -- no Scotch or rum.
“Do you know,” he said to me, “you are absolutely right, my lad. I have been thinking of giving it all up.”
“What up?” I say, turning away so he will not see the gin I have tucked in my tweed jacket.
“This place -- this house -- sell it and go away! Is that a gin cap I spy --”
“Where?” I say, looking about the room. Trying to make no sudden moves, I pick up a cushion and hold it against my pocket.
“That cap?” He clears his throat.
“Why, my son, the cap on the gin bottle -- you have glided a cushion over it.”
“Glided a cushion?”
“Is it glided -- I'm not sure --?”
His fingers tremble just slightly. He is looking around for something -- a cigarette, I suppose.
I take the gin out, hold it before me like a newborn infant.
“Yes -- there it is -- you are a saviour -- I always knew you were -- and foolish me in the process of changing my will -- wondering who to leave all of this to” -- he waved his hand abstractly. “You just went out to get me some gin --”
I go into the kitchen, get the glasses and pour out our libation.
“Gin's the drink,” he says, smacking his lips and looking at the two glasses to see if they are perfectly symmetrical. He takes his, shakes just a bit getting it to his lip and, confident his immediate plight is over, downs it in a draught.
“You found the key all right?” he says.
I came back once to find 223 newborn baby chickens in the house. I believe it occurred when he upset a crate of chicks somewhere in his travels. He was imprinted on them and they followed him home. He came in the house, the front door left ajar, picked up the letter opener to open his increasingly oppressive pile of bills, and saw 223 little yellow chicks staring at him. He opened the door and told them to go. They did not. He then tried to hide them in the dresser drawers, and keep this from me when I came in.
“Do not say one damn thing about what you see in this house,” he said.
I found them walking the halls, sitting on his lap, as he pretended not to notice. In fact, he remained until I bundled them up and took them away, ruefully dismissive of us all.
“I will not go,” I say to him after our gin.
“And why not?” he asks. “Why won't you go wherever it is you are wanting to -- go?”
“Because you're my father and someone needs to stay with you.”
“Oh -- well then -- I see -- very noble of you -- Wendell my boy. Lets drink to nobility.”
I guess I can drink to that as much as anyone.
My father Miles King once told me that some are damned by blood, by treason, by chance or circumstance, some even by the stars themselves, or as Shakespeare, denying that, said, by ourselves. This in a way is a journey back in time to see how I was damned.
My name is Wendell King, and I have looked for these forgotten places, and found them in their quietude and hope, and have gone to the archives, reading old tracts, deeds, family history, searching out what I can, to try to dislodge the secrets that have plagued my father's life.
Meet the Author
David Adams Richards has won numerous awards for his fiction and nonfiction. He lives in Toronto with his wife, Peggy, and their sons, John Thomas and Anton.
and post it to your social network
Most Helpful Customer Reviews
See all customer reviews >