A fascinating analysis of what we find fascinating.” —Kirkus Reviews
“Moments that jolt or delight us punctuate our lives. But whereas shock might be salutary in an art gallery, it can trigger blind belief in other contexts, points out cognitive scientist Jim Davies. Expounding his theory of 'compellingness foundations', Davies synthesizes research on what makes us susceptible to gripping stimuli, such as our drives to discover patterns and to find incongruity, and our attraction to hope and fear. Scepticism, he argues, can help us to build resistance to riveting ideas that turn out to be duds.” —Nature
“Davies's book is not meant to be a "how-to" manual for artists. He's not sure it's even possible to engineer a work of art based on these principles of compellingness. What the book may do, he says, is help creatives "understand the basis of their intuitions." Riveted…presents a unified theory of compellingness.” —Fast Company
“In the battle to grab attention, you should heed the musings of Jim Davies in Riveted...Davies attempts a grand unified theory of compellingness…What [Riveted] show[s] is that while media culture can be overwhelming, it also provides a great platform from which to observe the endless mysteries and absurdities of human nature.” —New Scientist
“To describe Riveted as riveting sounds cliché, but I predict that Jim Davies could be the next Malcolm Gladwell. Integrating scientific findings with compelling stories across the wide spectrum of the human experience—art, music, literature, comedy, magic, quotes, sports, conspiracy theories, gossip, religion, and science itself—Davies weaves a central theme throughout to explain what makes them all so compelling. You can read Riveted for five minutes or five hours and be enriched at multiple levels, and the book itself explains why. How recursive.” —Michael Shermer is the Publisher of Skeptic magazine, a monthly columnist for Scientific American, and the author of The Believing Brain, Why Darwin Matters, and The Science of Good and Evil
“What makes a song, a piece of art, a tabloid or even a silly romantic comedy film trailer so enthralling? What is it about these things that draw us in, even when we may (or at least should) know better? In Riveted, Jim Davies tackles this complex question by proposing a thoughtful, interdisciplinary framework to illuminate the qualities of 'compellingness,' the very attributes of riveting things that have the power to sway our beliefs and attention. By tying together psychological, anthropological, cognitive science, and evolutionary biological studies, he provides a thorough and persuasive context to help us understand how the compelling can fascinate (and sometimes manipulate) the human mind.” —Kayt Sukel, author of Dirty Minds: How Our Brains Influence Love, Sex, and Relationships
“My life's work as an experience designer has been to rivet audiences for Universal, Disney, Sanrio, Broadway as well as to train soldiers, surgeons, and other high-risk job holders for life and death situations. So I know how and what makes an audience ‘riveted,' but not until reading Jim Davies' book did I understand WHY audiences are RIVETED. This book is a delightful read through the many diverse and nuanced drivers of human experience, influences, and choices. It is a must read for anyone who is looking to influence these strange beasts we call humans and keep them captivated.” —Christopher Stapleton, Experience Designer and Creative Venture Catalyst, Simiosys
“Accessible and entertaining. Davies draws fascinating insights from a wealth of diverse material.” —Jeanette Bicknell, Ph.D., author of Why Music Moves Us
“Riveted lives up to its title as a compelling investigation into the properties of our lives, the origins of which can be traced to the kind of species we are: why we plan, imagine, invent imaginary worlds, weep and laugh in chorus, delight in puzzles and incongruities, respond to patterns, rhythms, and repetitions, cluster in groups and create outsiders, seek attractive partners, and crave status. To a better understanding of human nature, this book is a brilliant guide.” —Donald Beecher, Chancellor's Professor, Carleton University, Ottawa
06/15/2014
Why do some of us like certain kinds of music or works of art, or believe in one religion instead of another? What draws us in and keeps us riveted? Davies (cognitive science, Carleton Univ.) answers these questions using a combination of social, evolutionary, and cognitive psychological theories. He explains how our "old" and "new" brains interact and often collide with each other when reacting to certain stimuli. As humans, we like patterns and symmetry, but, at the same time, we enjoy looking at objects that surprise us and cause dissonance. It's that element of surprise that keeps us captivated. The author spends most of the book describing why we believe in the supernatural—and includes religion in that category—and warns readers that they might not like everything he has to say but asks them to keep an open mind. He also reflects on the research shown in Stuart A. Vyse's Believing in Magic: The Psychology of Superstition. VERDICT Davies's publication is quite absorbing and is recommended for all readers who seek answers as to what we find compelling and why.—Jill Morningstar, Michigan State Univ. Libs., East Lansing
2014-05-21
A multidisciplinary exploration of how and why certain ideas and experiences resonate more than others.The world around us contains a vast number of things we find compelling, from fine art to video games to scary stories.Psychology Todayblogger Davies (Institute of Cognitive Science/Carleton Univ.) orients all of these categories of riveting phenomena around what he calls a "compellingness foundations theory." Central to his framework is the idea that there are psychological and evolutionary commonalities among the reasons we find things interesting. For example, an innate instinct to be physically prepared for any potential physical conflict may explain why we enjoy watching sports; even on TV, a football game causes mirror neurons in our brains to fire, making us feel like we're taking part in the action. Similarly, we're hard-wired to be drawn to stories that instill fear or suggest conspiracy, since we might glean some information that will provide important lessons for survival. Backed by recent research across fields including psychology, anthropology and biology, the author suggests that our methods of discerning what we find compelling—and therefore more likely to remember and repeat—are largely subconscious and remarkably similar across different kinds of stimuli. Whether we delight in finding a pattern due to the fact that it reveals a regularity that might be exploited or connect with a religious narrative since it brings us hope or peace of mind, the brain is affected in similar ways. Laughter, too, is more primitive than we think, closely related to fear and relief—though a good joke, especially one with an incongruous punch line, is also powerfully compelling. Packed with cutting-edge research findings and written with clarity and brio, this book accomplishes its goal of delivering riveting content.A fascinating analysis of what we find fascinating.
