Roadkill on the Three-Chord Highway: Art and Trash in American Popular Music

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Overview

Road Kill on the Three-Chord Highway is a new collection of Colin Escott's wonderful biographies of the legends of rock, rockabilly, and country. Escott is world-renowned for telling the stories not only of the major stars but the Tex Nobodies that populate the back alleys of American music. For every struggling singer or songwriter who breaks through, there are hundreds more who labor in the shadows, victims of bad luck, bad timing, or themselves.
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Editorial Reviews

Library Journal
Rockabilly expert Escott (e.g., Hank Williams: The Biography) here promises to look at the "forgotten ones" of early rock'n'roll. He is most effective when chronicling the modest successes and crushing tribulations of rockabilly journeymen such as Sonny Burgess, Wanda Jackson, the Collins Kids, and Onie Wheeler and such country singers as Wynn Stewart and Vernon Oxford. But while the 14 profiles are uniformly well written and informative, a few of them seem forced and out of place in a book about early hit makers who quickly faded from public view. Fifties crooner and television personality Perry Como, pop singer Patti Page, rock icon Roy Orbison, and country legend Jim Reeves hardly seem to qualify as "roadkill on the three-chord highway" of rock'n'roll dreams. Despite his lack of focus, the author provides some interesting glimpses into the lives of musicians who helped form country music and rock'n'roll nearly 50 years ago. Recommended for music fans who want to expand their knowledge of rockabilly and country. Dave Szatmary, Univ. of Washington Lib., Seattle
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Product Details

  • ISBN-13: 9780415937825
  • Publisher: Taylor & Francis
  • Publication date: 7/28/2002
  • Pages: 224
  • Product dimensions: 6.10 (w) x 9.00 (h) x 0.80 (d)

Meet the Author

Rick Bragg

Colin Escott lives outside of Nashville, TN. He is the author of Tattooed on Their Tongues: Journeys through the Backrooms of American Music and Hank Williams: The Biography, and coauthor of Hank Williams: Snapshots from the Lost Highway, and Good Rockin' Tonight: The Sun Records Story. He has annotated over 500 recordings, and has won numerous awards for his writing, including a Grammy for historic documentation and an Lifetime Achievement Award from the ARSC (Association for Recorded Sound Collections), a nonprofit group dedicated to preserving the history of recorded sound.

Biography

Rick Bragg caught his first break as a journalist when the competition for his first newspaper job decided to stick with his current position in a fast-food restaurant. From there, Bragg has moved from small newspapers in Alabama to the likes of The St. Petersburg Times, the Los Angeles Times and, finally, The New York Times.

He eventually won a reputation in one newsroom as "the misery writer." His assignments: Hurricane Andrew, Miami rioting, Haiti, and Susan Smith, the South Carolina woman accused of drowning her two boys in 1994 by driving her car into a lake. In 1996, while at the Times, Bragg covered the terrorist bombing of the Alfred P. Murrah Building in Oklahoma City and won the Pulitzer Prize.

"I've really served at all stations of the cross," Bragg said in a December 2002 interview with Writer magazine. "I've been pretty much everywhere. I don't think there's a difference between writing for a newspaper or magazine and doing a chapter in a book. People who think there is something pedestrian about journalism are just ignorant. The best writers who have put pen to paper have often had a journalism background. There are these boutique writers out there who think if they are not writing their novels sitting at a bistro with their laptops, then they're not real writers. That's ridiculous."

[Bragg left The New York Times in 2003 after questions surfaced regarding his use of uncredited stringers for some of his reporting. Bragg's departure was part of a larger ethics scandal that also claimed the newspaper's top two editors.]

Bragg's memoir, All Over but the Shoutin', recounts these stations, particularly his hardscrabble youth in rural Alabama, where he was brought up by a single mother who sacrificed everything for her children.

"In his sad, beautiful, funny and moving memoir...Rick Bragg gives us a report from the forgotten heart of 'white trash' America, a sort of Pilgrim's Progress or Up from Slavery about how a clever and determined young man outwitted fate," The New York Times Book Review wrote in 1997. "The story he tells, of white suffering and disenfranchisement, is one too seldom heard. It is as if a descendant from one of the hollow-eyed children from Let Us Now Praise Famous Men had stepped out of a photograph to tell his own story, to narrate an experience that even Agee could not penetrate because he was not himself 'trash.' "

In 2001, Bragg went back a generation in his family's story and wrote about his grandfather, a hard-drinking fighter who made whiskey in backwoods stills along the Alabama-Georgia border and died at 51. His widow would rebuff her grandchildren's questions about remarrying: "No, hon, I ain't gonna get me no man...I had me one."

The Los Angeles Times called Ava's Man "a big book, at once tough and sentimental," while The New York Times said, "It is hard to think of a writer who reminds us more forcefully and wonderfully of what people and families are all about."

Bragg acknowledges that his language is stolen -- plucked from the mouths of the family members he has interviewed, filling notebooks and jotting stories on whatever was at hand -- the back of airplane tickets, for example. The biggest challenge, he would later say, was finding an order in the mess of folksy storytelling. "Talking to my people is like herding cats," he told The Kansas City Star in 2002. "You can't rely on them to walk down the road and not run into the bushes."

And, then, there would be the recollection that would come along just a little too late.

"The most agonizing thing was to finish the manuscript, know that I had pleased [the family], then have one of them say, ‘Oh, yeah, hon, I just thought of something else' -- and it would be the best story you ever heard," he told the Star.

Good To Know

Bragg brought his mother, Margaret, to New York for the Pulitzer Prize ceremony. She had never been to the city, never been on an airplane, never ridden on an escalator, and hadn't bought a dress for herself in 18 years.

In an interview with Writer, Bragg describes life as a newspaper correspondent: "If I travel for the paper, that means I fly to a city I've probably never been to, get off a plane, rent a car, drive out in bumper-to-bumper traffic heading for a little town that nobody knows the name of and can't give me directions to, and it's not on the map. When I get there, I try to get information in 15 minutes for a story I have to write in 45."

He wrote Ava's Man because his fans wanted to know more about his mother's childhood.

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    1. Hometown:
      New Orleans, Louisiana
    1. Date of Birth:
      July 26, 1959
    2. Place of Birth:
      Possum Trot, Alabama
    1. Education:
      Attended Jacksonville State University for six months in 1970; attended Harvard University, 1992-1993

Table of Contents

Introduction
Part One: The Smoother Side of Town
1. Roy Orbison: Starlight lit my Lonesomeness
2. Perry Como: R.I.P.
3. Patty Page: Oklahoma Blues
Part Two: Labor
4. Jim Reeves: Say "Yes" to Rugs
5. Mitch Torok: When Mexican Joe Gave Up the Rumba
6. Ned Miller: From a Jack to a King
Part Three: Town Hall Party
7. Skeets McDonald: You Oughta See Grandma Rock
8. Wynn Stewart: Not Such a Pretty World
9. Wanda Jackson: Did She or Didn't She
10. The Collins Kids: Brokenhearted Ricky
Part Four: Memphis, Sun Records, June 1957
11. Sonny Burgess: The Wild Man at 70
12. Ed Bruce: Mammas Don't let your Rock Boppin' Babies Grow Up to Be Cowboys
13. Onie Wheeler: Onie's Unlikely Bop Postscript
14. Vernon Oxford: Too Country for Country
Index
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