A reviewer
This is the latest installment of Neil Peart¿s books that catalogue not only his physical journey across the landscape, but also a personal journey into his thoughts, memories, and feelings. For fans of his previous books 'The Masked Rider, Ghost Rider, and Traveling Music', this book shows an increasingly tight stylistic development. There is less time spent on wandering themes or the inclusion of letters from Peart to his friends 'as there was in Ghost Rider'. Instead, Peart deftly sections the book into two different themes. Again, Peart describes his motorcycle journeys between concert stops¿this time on Rush¿s R30 World Tour in North America and Europe. While once again the primary vehicle for Peart¿s details are his motorcycle, less time is spent calculating the actual mileage and routes as was seen in his previous books. His attention now turns towards the people and the challenges of traveling across the globe, all while trying to get as many ¿passport stamps¿ from different national parks as he can. He constantly refers to the problems caused by his GPS unit 'that he nicknamed Doofus' at getting his traveling partner and him around the back roads. Peart gives extra time to capturing glimpses of the variety of lifestyles. Perhaps one of the most poignant examples is a contrast that Peart describes between two very different experiences. He describes driving through Czechoslovakian border towns where he notes what he calls the ¿darker side of the fall of Communism¿ as evidenced by the brothels that populate the roadside. This is a stark difference to his description of Skibo Castle and the Carnegie Club in Scotland, where he stayed two nights at a posh hotel complete with its own private library, scotch tastings, and gourmet dinners. The reader comes away from Peart¿s many descriptions not only with a sense of what he has seen, but also knowing that it has also been retold by someone with a keen sense of observation and a passion for translating that ability into the written word. The second theme of the book focuses mostly on the nuances of touring. Peart writes at length about his traveling arrangements, the pressures of friends and family on the road, and the routine of preparing to play night after night. He describes his feelings from each show, noting how well he thinks it went based on his satisfaction by how he feels in the tour bus after the show. With each stop, Peart throws a little jab at the big business of rock concerts. Never once does he actually call the venue by its name instead, he refers to the area by a clever nickname meant to expose the greed of mega-corporations as venue sponsors 'for example, instead of calling the arena the Verizon Wireless Amphitheater, he calls it the ¿Cellular Telephone Network Amphitheater¿'. Never at any time do the details become repetitive or mundane Peart varies them enough to keep the reader interested. With each stop on the tour, Peart reveals another aspect of life as a successful working musician 'some of them are quirky like when a mysterious fan left him a bottle of his favorite scotch outside his hotel room, and some of them are more serious like when a determined fan showed up on his tour bus after a concert without being invited'. Anyone who wants a complete look inside the touring life of one of rock music¿s most talented and well-respected musicians should read this book. Not only do you learn about what it takes to be a successful musician, but Peart teaches you about the fascinating people he has met and the places he has been.
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