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Robert B. Parker's Revelation (Virgil Cole/Everett Hitch Series #9)
     

Robert B. Parker's Revelation (Virgil Cole/Everett Hitch Series #9)

2.0 1
by Robert Knott
 

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Itinerant lawmen Virgil Cole and Everett Hitch return to confront an escaped criminal in the grittiest entry yet in Robert B. Parker’s New York Times bestselling series.
 
Territorial marshals Virgil Cole and Everett Hitch figured things had finally settled down in Appaloosa when Boston Bill Black’s murder charge was dropped.

Overview

Itinerant lawmen Virgil Cole and Everett Hitch return to confront an escaped criminal in the grittiest entry yet in Robert B. Parker’s New York Times bestselling series.
 
Territorial marshals Virgil Cole and Everett Hitch figured things had finally settled down in Appaloosa when Boston Bill Black’s murder charge was dropped. But all that changed when Augustus Noble Driggs was transferred to a stateside penitentiary just across the border from Mexico. Square-jawed, handsome, and built like a muscled thoroughbred stallion, Driggs manages to intimidate everyone inside the prison walls, including the upstart young warden.

In a haunting twist of fate, Driggs and a pack of cold-blooded convicts are suddenly on the loose—and it’s up to any and all territorial lawmen, including Cole and Hitch, to capture the fugitives and rescue the woman kidnapped during their escape. But nothing is ever quite what it seems with the ever-elusive Driggs. Finally free, he’s quickly on his own furious hunt for a hidden cache of gold and jewels—and for the men who betrayed him and left him for dead.

With an unlikely and unconventional Yankee detective by their side, Cole and Hitch set off on a massive manhunt. As horses' hooves thunder and guns echo deadening reports, Driggs discovers one of the lawmen on his trail is none other than a fellow West Point graduate he'd just as soon see dead. Ruthless and willing to leave a bloody path of destruction in his wake, Driggs seeks vengeance at any cost.

Editorial Reviews

From the Publisher
“Knott nails the terse, wise-guy dialogue....Just damngood reading and painfully suspenseful.”—Booklist

“Robert Knott knows how to create atmospheric scenes…the key ingredient in a great western thriller.”—Mystery Tribune

“A classic plot and plenty of 8-gauge shotgun showdowns best enjoyed by those who've followed Cole and Hitch's previous adventures.”—Kirkus Reviews
 
“Rapid-fire dialogue and quick-paced action.” –Historical Novels Review

Praise for Robert B. Parker’s Blackjack

“Knott...adds a new wrinkle here with a damn fine mystery running parallel to the western story....Fine reading for western fans.”—Booklist
 
“This is the most satisfying of Knott’s Cole-Hitch tales, with a shocking double-twist ending.”—The Sacramento Bee
 
“Westerns need atmosphere as much as story, and Knott has a knack for six-gun verisimilitude, sketching the land and summer heat, the horses and the shopkeepers. Knott’s especially good with the prototypical Old West marshal, Virgil Cole, ‘perfectly present in the here and now,’ every inch stoic lawman....His tale gallops along without confusing readers new to the series....A darn good way to pass an afternoon.”—Kirkus Reviews

Library Journal
09/15/2016
Itinerant lawmen Virgil Cole and Everett Hitch join a manhunt for the swaggeringly intimidating Augustus Nobel Driggs, who's broken out of jail. Ninth in the best-selling series.
Kirkus Reviews
2017-01-23
Knott (Robert B. Parker's Blackjack, 2016, etc.) continues Parker's Western series, this time sending U.S. Territorial Marshal Virgil Cole and Deputy Marshal Everett Hitch in pursuit of killers fleeing from an Arizona Territory prison.The escapees from rugged and isolated Cibola prison have scattered, but as the marshals saddle up and head out from Appaloosa, Hitch thinks he glimpses the baddest of the bad, a brilliant megalomaniac named Driggs. As the tale unfolds, there's back story revealing a connection between Hitch and Driggs. With another escaped homicidal maniac with the personality of "a pissed-off griz" roaming the backcountry, Cole can't dally over worries about his longtime lover, Allie French. An eccentric but seemingly pleasant fellow named Vandervoort has brought big money to Appaloosa, and Allie's opened Mrs. French's Fine Dresses to join in the boom. With hints that Driggs is a deviant sexual sadist, Allie's shop plays into the story's end. Sand, saddles, and six-guns make a Western, but the setting here is only about half an inch deep. Neither protagonist nor villain is given a special affection for horses, magnificent open spaces, or other staples of Old West tales. The story is in the chase, from mines to exotic hot springs resorts, bad men and a few good men meeting their maker. The dialogue sometimes gallops, with conversations so abbreviated as to make Clint Eastwood sound like a chatterbox: "Been a bunch of it of late," I said. "More than," Virgil said. "That time of the year," I said. "Is." Knott has fun by repeatedly dropping in oddball collective nouns—a cete of badgers, gaggle of geese, and murder of crows. A classic plot and plenty of 8-gauge shotgun showdowns best enjoyed by those who've followed Cole and Hitch's previous adventures.

Product Details

ISBN-13:
9781410496904
Publisher:
Gale Group
Publication date:
02/08/2017
Series:
Virgil Cole and Everett Hitch Series , #9
Edition description:
Large Prin
Sales rank:
1,031,948
Product dimensions:
5.50(w) x 8.50(h) x (d)

Read an Excerpt

1

Augustus Noble Driggs was lying inside the small stone room on a bunk, thinking about Jesus and whatnot. He was in the Tomb. That's what the inmates called it. It was late in the evening and he was alone here, in the Tomb, in the odd April cold. He was watching gray vapors drift up from a small lantern beside his bunk that offered up rising battalions of ghostly dancers who twisted and swirled, then disappeared before they met the Tomb's low rock ceiling.

The Tomb was solitary confinement, and the only reason Driggs was provided a lantern at all was so he could read the Bible that was left next to his bunk. It was the warden's wife's idea. She felt it a civic and moral duty-for those who could in fact read-to spread the Gospel.

The Tomb was in an isolated area separated from the main compound. This place, this penitentiary, was simply referred to by the inmates as Hell. It had another proper name when it was built, but that title was long ago forgotten and it was usually called Hell. Some referred to the massive stone structure as the Hell Hole or the Hot Box on the Hubs of Hell. The prison was meant to hold a maximum of two hundred and sixty prisoners, but it was currently overcrowded and brimming with close to three hundred. It was located in the desert-nearly one hundred miles from the closest town in every direction-and escaping Hell had proved to be near impossible. Driggs had considered escaping more then a few times but never found a way out that made any sense. Over the years a few had tried, but they all died in their attempts.

Normally this rock palace, Hell, was a sweltering-hot compound, a place where it was much easier to catch a heat-related disease than it was to catch a decent breath. But at times, when the temperature dropped, the prisoners would say, "Ol' Sam pulled the goddamn lever." Sam Satan, he was the operator, the true proprietor of Hell, and every so often he opened the gallows trapdoor that dropped in a strange, unseasonably glacial chill.

The prisoners would mostly die in the sweltering heat, of edema or syncope, of tetany, or stroke, or the galloping consumption, but the cold was also threatening. Since the place was constructed, through the consecutive hot summers and occasional cold winters, there had been more than a dozen men who couldn't tolerate the conditions and took their own lives, usually by hanging from the bars at the end of a ripped blanket snugged around the neck.

Unlike thick-walled adobe structures that kept in the cool, this place was made from stone with walls built just thin enough to allow the outside temperatures to conveniently creep inside like an unwanted guest. Then there would be stretches of time in the winter when the chill would last for weeks, sometimes months.

The earliest inmates lived in tents, shackled by ball and chain as they erected the cavernous compound that overlooked a vast desert in every direction. And after a few years of hard labor, the prisoners moved into the very cells they had built, sealing their fate.

Set high up on a rocky bluff where the harsh sun and winter gales would insult and diminish the most capable, everyone-the guards, the administration, the warden, even the governor-understood that this place was in every way damnation and most certainly the work of the Devil himself.

The week previous it had been scorching hot, but this particular night in April was for some reason freezing, and the wind brought with it some uncommon moisture. Now, miserable wetness was added to the frigid April air. It traversed through the chambers and across the rock floor tunnels of the prison compound, making a bitter cold night even colder. But Driggs was okay with it. He knew this brief bit of unseasonably cold weather was just a passing snap.

Driggs was not good being on the inside, though. Being locked up in prison just did not suit him. He was not keen on authority, and as a result his insubordination kept landing him in confinement, in the Tomb. He didn't mind it, really. In some ways Driggs preferred being in the Tomb to sharing a cell with others. Especially since the prison was overcrowded. At least this way, sequestered in the Tomb, he didn't have to listen to ignorant conversations or tolerate stupid questions by the other prisoners, who were certain Driggs would know the answer to any and all.

No one really even knew Driggs. In fact, Driggs was not Driggs, not here on the inside. He was arrested, convicted, and incarcerated under the name Donnie Lonnigan. Through the years after the war, Driggs had assumed a number of names-aliases that kept him, as he preferred to be, a man unknown. From time to time throughout his past he was not above remaining in a place and blending in as a somewhat normal person among the masses, but for the most part he was a lone wolf.

Driggs was smart and everyone knew that about him. He was by no means the standard man found behind the walls of the institution. Most were common thieves, robbers of one kind or another. Some were rapists, some were on the inside for having too many wives, and some, like Driggs, were killers.

Driggs was different, though, and everyone knew it, they saw it and sensed it. Everyone looked up to Driggs. There was something about Driggs that average men did not possess. Other men felt safe with Driggs near. It was not that Driggs took up for them in any way, but it was the simple fact that he carried himself as if he meant something, as if he had a purpose, and that purpose gave the aimless others reasons to revere him. Everyone thought him mysterious-mythical, even. Some thought Driggs was an aberration, a ghost, but most felt he was in some way-though they had no real reason to believe this-their protector, their Savior, their Jesus. Not unlike Jesus, Driggs frightened the guards.

Even though they were the ones with the guns, Driggs unnerved them. It was his simple and still manner that intimidated them, his centered, relaxed frame; shoulders lowered, his long sinewy arms comfortably by his sides. And it was the way he walked. He moved unlike the normal man. He was more like a muscled Thoroughbred stallion. Not the poised ready-to-run type with ears back and head rising and falling. No. Driggs was calm and sure as he moved, always with his body squared, his hips and torso moving together, his head up high, supported by his long, muscly neck. His face was handsome and sturdy, and his hair was a shock of varying hardwood colors-blond, brown, and dark brown-that he wore at a medium length and combed back from his strong, browed forehead. He kept his keen blue-green eyes slightly hidden behind a squint that was more relaxed and natural than involuntary or intentional. His chin was square and his cheekbones were high. Driggs was the quiet type, too, answering annoying questions with a simple adjustment of his jawbone rather than words. He moved his tall, muscular frame effortlessly, as if he were not just a gallant steed but also a prescient, all-knowing predator. This unsettling power Driggs possessed prompted the warden to throw Driggs into the Tomb for simply being himself.

2

Driggs was educated, formally as well as self-taught. He was good with English, science, and math. He possessed skills far greater than his fellow students, but he also learned other needed abilities when he left the boring institutions and set out on his own. Eventually he ended up at West Point, but for many years previous he was a traveler, never staying in one place too long. Yet here, in this godforsaken place, he was going on close to four years. Driggs was a killer, no doubt about that, but he did his killing with precision. It started on the battlefield, that is where he got a taste for it, a bloodthirsty hankering. He was not just a good shot with a pistol or a long rifle, but he was also formidable in hand-to-hand combat. He learned his skills at the Point, where he graduated in the top in his class, but now he was here, living like a caged animal in the Devil's Hot Box on the Very Hubs of Hell.

Driggs heard someone, somewhere, call out with a mournful moan, "God help me!" And from someplace else within the dungeon another prisoner laughed, a loud, mad, and raspy bone-chilling laugh that was as cold as the chilly April air: "God? There is no God here, you pitiful fool." Driggs smiled to himself a little and thought about God. God . . . Jesus . . . God the Father, the Son, and the Holy Spirit. One and the same, so the Bible says.

He picked up the Bible lying next to the lamp and thumbed through the pages as he thought about the warden's wife. He was glad she provided the Good Book, and Driggs did not mind reading the scriptures. On the contrary, he actually got some enjoyment out of the stories. He liked the Old Testament. The stories of Noah and Moses especially, but he liked some of the new parts, too, the New Testament. He particularly appreciated one part. In fact, it was the only part he read anymore. He was drawn to the otherworldliness of it, the strangeness of it, its wildness, and he liked the way the words were put together. He understood it completely. It reminded him of the battlefield. It was as if it was written for him. He even memorized parts of it.

"'I am the Alpha and Omega,'" Driggs said out loud.

He watched the dancing vapors twisting up out of the chimney of the lamp. He put his hand over it, feeling the heat as he quietly continued reciting.

"'I heard behind me a great voice like a trumpet. And when I turned to see the voice that spoke to me I saw seven golden candlesticks. And in the midst of the seven candlesticks one was like the Son of man, clothed with a garment down to his feet, with a golden sash across his chest. His eyes were as a flame of fire and his feet were like brass as if they burned in a furnace, and his voice was the sound of raging water. In his right hand he had seven stars and coming out of his mouth was a razor sharp double-edged sword.'"

Driggs was stimulated by the words. They made him feel even more powerful than he physically was. When he read about the winds and the stars, and the horses and the dragon, he always thought of her . . . of what she smelled like, of how she might taste. The warden's wife was not just the only woman within one hundred miles in every direction, but she was also fucking attractive, Driggs thought. It was said, though she wore dresses made from the best fabrics, that she was the one who wore the breeches in the family. Driggs could tell that just by looking at her and he liked that, that she possessed power. He had seen her numerous times and he knew it was just a matter of time until he would have her. One way or the other he would take away her power. He was certain that women like that needed him to undo the need to control. He could tell by the way she looked at him from across the yard every time he was escorted to the Tomb. But Driggs was used to that, most women wanted him to do that. He had that quality, that way about him. Driggs rested the Bible on his chest, and as he thought more about the warden's wife he heard a key slip into the lock of his door. He sat up some, thinking it odd to be pulled out of the Tomb at night; that had never happened before. Then the door very slowly opened but no one came in. Driggs reached over and turned out the lamp, then moved to the foot of his bunk, closer to the door, and sat quietly. He stayed there until his eyes adjusted completely to the dark. After a moment he could see the deep blue of the night, visible above the dark silhouette of the compound walls, but he did not move, not yet. Driggs was a cautious man, he had instincts, and his instincts for the moment told him to wait. He waited and listened but heard nothing, then he moved to the door and looked out but did not step out. He stood in the doorway for a long moment, listening, but all he could hear was the wind. Then he crept out slightly. He stopped just a step past the door and looked about. He looked to his left and then to his right. He looked behind him. There was no one in sight and there were no lamps burning. All was silent and then Driggs said quietly to himself, "Fear not, I am the first and the last. I am he that lives. I was dead but behold I am alive for evermore. And I hold the keys of hell and death. I saw heaven open and I behold a white horse and he who sat upon him was called faithful and true. And in righteousness he doth judge and make war. The is the second death. And the great dragon was cast out, that old serpent called the Devil and Satan who deceived the world was cast down to earth."

3

"Three thousand people living here now in Appaloosa," I said.

"Two thousand nine hundred and something too many," Virgil said.

"Well, it's a good thing for Allie," I said.

Virgil nodded.

"Hope she can make money," I said.

"Goddamn do, too, Everett."

"Cost you a cent or two to put this together."

"Two and then some," Virgil said.

"Well, it's good, even though you can't throw a rock without hitting a human being, she don't got that much competition that she has to contend with."

"For the time being," Virgil said.

"Gives her some independence."

"Her?"

"You, too," I said.

Virgil said nothing for a moment.

"Times are changing, it seems."

I laughed out loud.

"Goddamn right about that," I said.

"Surprises are far and few between."

"Well, she's happy," I said.

"She is," Virgil said.

"Guess it could be Mrs. Cole's?"

Virgil looked to me.

"If you and Allie were married she could have called it Mrs. Cole's?" I said.

"Could have," Virgil said.

Meet the Author

Robert B. Parker was the author of seventy books, including the legendary Spenser detective series, the novels featuring Police Chief Jesse Stone, and the acclaimed Virgil Cole–Everett Hitch westerns, as well as the Sunny Randall novels. Winner of the Mystery Writers of America Grand Master Award and long considered the undisputed dean of American crime fiction, he died in January 2010.
 
Robert Knott is an actor, writer, and producer, as well as the author of Robert B. Parker’s Blackjack, Robert B. Parker’s The Bridge, Robert B. Parker’s Bull River, and Robert B. Parker’s Ironhorse. His extensive list of stage, television, and film credits include the feature film Appaloosa, based on the Robert B. Parker novel, which he adapted and produced with actor and producer Ed Harris.

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Robert B. Parker's Revelation 2 out of 5 based on 0 ratings. 1 reviews.
Anonymous 9 days ago
I think Cole and Hitches character and adventures are great and have enjoyed every book. This new book I can't even begin to explain how it went south in every way. Truly disappointed.