Robert Ward's the Crucible : Creating an American Musical Nationalism

Overview

In Robert Ward's The Crucible: Creating an American Musical Nationalism, Robert Paul Kolt explores the life of the American composer Robert Ward through an examination of his most popular and enduring work, The Crucible. Focusing on the musical-linguistic relationships within the opera, Kolt demonstrates Ward's unique synthesis of text and music, one that lends itself to the perception of American musical nationalism. This book contains the most thorough and in-depth biography of Ward yet in print. Based on ...

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Robert Ward's The Crucible: Creating an American Musical Nationalism

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Overview

In Robert Ward's The Crucible: Creating an American Musical Nationalism, Robert Paul Kolt explores the life of the American composer Robert Ward through an examination of his most popular and enduring work, The Crucible. Focusing on the musical-linguistic relationships within the opera, Kolt demonstrates Ward's unique synthesis of text and music, one that lends itself to the perception of American musical nationalism. This book contains the most thorough and in-depth biography of Ward yet in print. Based on interviews with the composer, Kolt presents new information about Ward's life and career, focusing on his opera and examining the formation and construction of The Crucible's libretto and score, in turn offering new insights into the process of composing an opera. Kolt observes how the libretto's linguistic aspects helped Ward formulate the opera's melodic and rhythmic musical material. A detailed and unique analysis of the opera, particularly the musical and linguistic techniques Ward employed, demonstrates how these techniques lend themselves to the opera's reception as a work of American musical nationalism. The book also provides yet unpublished information on Arthur Miller's play, examining how it came to be written and soon after became the basis for Ward's work. Several appendixes provide a fuller picture, including a deleted scene from Miller's play and Ward's version of the scene, a chronological overview of the Salem Witchcraft Trials, and illustrations and photo reproductions from Ward's manuscript.

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Editorial Reviews

Robert Ward
Robert Kolt has faithfully revealed the complicated process of distilling a satisfactory libretto and musical score from a powerful drama in this account and analysis of Bernard Stambler's and my collaboration with Arthur Miller in our opera based on The Crucible.
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Product Details

  • ISBN-13: 9780810863507
  • Publisher: The Scarecrow Press, Inc.
  • Publication date: 1/15/2009
  • Pages: 266
  • Product dimensions: 5.90 (w) x 8.90 (h) x 0.90 (d)

Meet the Author

Robert Paul Kolt is Associate Professor and Head of Musicology at Indiana University South Bend.

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Table of Contents

List of Manuscript and Score Examples and Illustrations

Pt. 1 Robert Ward: A Biography

Ch. 1 The Life and Works of an American Operatic Philosopher

Pt. 2 Forging The Crucible: Play to Opera Libretto

Ch. 2 Arthur Miller, Robert Ward, and Bernard Stambler

Ch. 3 Reducing the Play's Text: Creating the Libretto

Pt. 3 Nationalism

Ch. 4 Nationalism and Reception

Ch. 5 Perception and Reality: The Crucible and Musical Nationalism - A Synthesis of Text and Music

Appendix A The Salem Witchcraft Trials: A Chronological Overview

Appendix B Arthur Miller's Deleted Scene: Act II, Scene 2; Proctor and Abigail Meet in the Woods

Appendix C Ward's and Stambler's Version of Miller's Deleted Scene

Appendix D The Opera: Synopsis, Scene Structure, Characters, and Voice Parts

Appendix E Original Production Personnel: The Play, The Opera

Appendix F Photo Reproductions of Robert Ward's Manuscript Examples Used in Chapter 5

Bibliography

Index

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