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A veteran of Seattle's rock scene chronicles the darkly comic ups and downs of L.A. foursome Blood Orphans, who've stumbled into Amsterdam to play the last dates of a tour that has gone disastrously wrong. Led by mohawked female manager Joey and male lead singer Darlo, the group had been primed to become the next big thing, but after a rock journalist pegs the band's lyrics as racist, things crumble-a night in jail, a riot, dismal record sales and the band gets dropped as the opener on an Aerosmith tour. Told in retrospective with alternating chapters from Joey's, Darlo's and many other points of view-including eczema-ridden bass player Bobby, drummer and sex addict Shane and nice guy guitar player Adam, who tries to keep the band mates from tearing each other apart-the sometimes predictable Behind the Music retrospective framework is enlivened by characterizations as deep as would seem allowable for such a narcissistic gang and industry, brisk observations about the pitfalls of fame, and often funny banter among the dueling inhabitants of a sinking musical ship. (Jan.)Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.