Rock Me on the Water: 1974--the Year Los Angeles Transformed Movies, Music, Television and Politics

Rock Me on the Water: 1974--the Year Los Angeles Transformed Movies, Music, Television and Politics

by Ronald Brownstein
Rock Me on the Water: 1974--the Year Los Angeles Transformed Movies, Music, Television and Politics

Rock Me on the Water: 1974--the Year Los Angeles Transformed Movies, Music, Television and Politics

by Ronald Brownstein

Paperback

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Overview

"An electric story filled with gripping personalities, compelling backstage histories, and a clear message for the divided America of today: the forces that fear change can win for a time, but in America the future always gets the last word. A lyrical recreation of a magical moment.”—Jake Tapper

Now in paperback, an exceptional cultural history from Atlantic Senior Editor Ronald Brownstein—“one of America's best political journalists” (The Economist)—tells the kaleidoscopic story of one monumental year that marked the city of Los Angeles’ creative peak, a glittering moment when popular culture was ahead of politics in predicting what America would become. 

Los Angeles in 1974 exerted more influence over popular culture than any other city in America. Los Angeles that year, in fact, dominated popular culture more than it ever had before, or would again. Working in film, recording, and television studios around Sunset Boulevard, living in Brentwood and Beverly Hills or amid the flickering lights of the Hollywood Hills, a cluster of transformative talents produced an explosion in popular culture which reflected the demographic, social, and cultural realities of a changing America. At a time when Richard Nixon won two presidential elections with a message of backlash against the social changes unleashed by the sixties, popular culture was ahead of politics in predicting what America would become. The early 1970s in Los Angeles was the time and the place where conservatives definitively lost the battle to control popular culture.

Rock Me on the Water traces the confluence of movies, music, television, and politics in Los Angeles month by month through that transformative, magical year. Ronald Brownstein reveals how 1974 represented a confrontation between a massive younger generation intent on change, and a political order rooted in the status quo. Today, we are again witnessing a generational cultural divide. Brownstein shows how the voices resistant to change may win the political battle for a time, but they cannot hold back the future.


Product Details

ISBN-13: 9780062899224
Publisher: HarperCollins
Publication date: 03/22/2022
Pages: 448
Sales rank: 247,076
Product dimensions: 5.20(w) x 7.70(h) x 1.00(d)

About the Author

Ronald Brownstein, a two-time finalist for the Pulitzer Prize for his coverage of presidential campaigns, is a senior editor at The Atlantic, and a senior political analyst for CNN. He also served as the national political correspondent and national affairs columnist for the Los Angeles Times and covered he White House and national politics for the National Journal. He is the author of six previous books, most recently, The Second Civil War: How Extreme Partisanship Has Paralyzed Washington and Polarized America.

Table of Contents

Prologue: Magic Hour in Los Angeles 1

1 January Hollywood's Fall and Rise 11

2 February The Republic of Rock and Roll 40

3 March The Greatest Night in Television History 76

4 April Already Gone 100

5 May The Ballad of Tom and Jane 131

6 June From Chinatown to Jerry Brown 165

7 July Hollywood's Generational Tipping Point 196

8 August The Icarus of Los Angeles 229

9 September Three Roads to Revolution 258

10 October The (White) Boys' Club 291

11 November Breakthrough 325

12 December Transitions 352

Acknowledgments 391

Notes 397

Index 429

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