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Roll

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Editorial Reviews

Barnes & Noble - David McGee
A newcomer from Down Under, singer-songwriter Anne McCue makes an auspicious debut with the gripping Roll. While the heavy twang and sludgy sound recall Kim Richey's early albums, McCue's sleepy drawl and cosmic ennui summon the spirit of Lucinda Williams, and the edgy rockers suggest Sheryl Crow. Among McCue's many talents is guitar playing, and her assured, lyrical style is the perfect complement to the dramas unfolding in her diary-like lyrics, which reach for such big ideas as mortality, love, and vengeance. Her six-string work also jibes easily with Roll's captivating soundscapes -- crafted by McCue and producer Dusty Wakeman -- which shapeshift from roiling guitar ...
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Editorial Reviews

Barnes & Noble - David McGee
A newcomer from Down Under, singer-songwriter Anne McCue makes an auspicious debut with the gripping Roll. While the heavy twang and sludgy sound recall Kim Richey's early albums, McCue's sleepy drawl and cosmic ennui summon the spirit of Lucinda Williams, and the edgy rockers suggest Sheryl Crow. Among McCue's many talents is guitar playing, and her assured, lyrical style is the perfect complement to the dramas unfolding in her diary-like lyrics, which reach for such big ideas as mortality, love, and vengeance. Her six-string work also jibes easily with Roll's captivating soundscapes -- crafted by McCue and producer Dusty Wakeman -- which shapeshift from roiling guitar solos and ferocious, pounding drums at one extreme to minimalist instrumentation designed to conjure moody, foreboding mise en scenes at the other. "Hangman" gets by on little more than an insistent, burbling organ figure and McCue's bursts of electric slide, whereas the insinuating, jazzy lilt of her curling guitar figure lends "Milkman's Daughter" a light, carefree feel that's at odds with the lyrics' complex emotions. On "Ghandi," sinister, thumping drums and foreboding, piercing shards of guitar riffs propel McCue's bittersweet musings on good intentions gone horribly awry "I wanted to be like Ghandi / but I turned out like Hitler" -- what the lyrics don't say, the music more than fills in. In an audacious move, McCue closes out the proceedings with a ferocious reading of Jimi Hendrix's "Machine Gun," complete with some crunching guitar work of no small moment. Roll positions McCue in the interesting niche of being both a captivating singer-songwriter probing serious personal issues and an inventive instrumentalist whose voice also demands to be heard.
Entertainment Weekly
She could do worse for role models [than Lucinda Williams... and McCue is] forging a unique voice from the influence. (B+)
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Product Details

  • Release Date: 2/24/2004
  • Label: Messenger Records
  • UPC: 632662101520
  • Catalog Number: 15
  • Sales rank: 135,053

Tracks

Disc 1
  1. 1 I Want You Back
  2. 2 Nobody’s Sleeping
  3. 3 Stupid
  4. 4 Crazy Beautiful Child
  5. 5 Hangman
  6. 6 50 Dollar Whore
  7. 7 Tiny Little Song
  8. 8 Milkman’s Daughter
  9. 9 Roll
  10. 10 Gandhi
  11. 11 Where Darkness Grows
  12. 12 Ballad of an Outlaw Woman
  13. 13 Machine Gun
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Album Credits

Performance Credits
Anne McCue Primary Artist, Acoustic Guitar, Banjo, Electric Guitar, Hammond Organ, Vocals, Lap Steel Guitar
Eric Gardner Drums
David Raven Percussion, Drums, Loops
Dusty Wakeman Bass, Hammond Organ, Background Vocals
Carl Byron Accordion, Hammond Organ, Wurlitzer
Mike Stinson Drums
Technical Credits
Jimi Hendrix Composer
Dusty Wakeman Producer
Jenny Yates Composer
Anne McCue Composer, Producer
Jon DeBaun Engineer
Mark McCue Composer
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Customer Reviews

Average Rating 5
( 1 )
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    Posted November 22, 2009

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