Roll On [Australia]

Editorial Reviews

All Music Guide - MacKenzie Wilson
Taking note from their number one Australian debut in 1998, the ARIA awards, and spots on Vans' Warped Tour, The Living End grow up, but continue to rampage on with their rowdy punkabilly on Roll On. Not entirely relying on the spirit of 1977 punk rock, their sophomore effort pulls toward their Aussie rock roots AC/DC, Rose Tattoo and a touch of British class for an eager modification, and it's a smart move. The trio's momentous energy remains the same, and the fever exuded through spiraling guitar cuts and rebellious lyrical chants illustrates The Living End's pinch-hitting desire to make their punk-oriented sound less commercial, less kitschy, and more stripped. ...
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Editorial Reviews

All Music Guide - MacKenzie Wilson
Taking note from their number one Australian debut in 1998, the ARIA awards, and spots on Vans' Warped Tour, The Living End grow up, but continue to rampage on with their rowdy punkabilly on Roll On. Not entirely relying on the spirit of 1977 punk rock, their sophomore effort pulls toward their Aussie rock roots AC/DC, Rose Tattoo and a touch of British class for an eager modification, and it's a smart move. The trio's momentous energy remains the same, and the fever exuded through spiraling guitar cuts and rebellious lyrical chants illustrates The Living End's pinch-hitting desire to make their punk-oriented sound less commercial, less kitschy, and more stripped. Frontman/guitarist Chris Cheney is vocally sharp, the spunk and snarl on songs like "Don't Shut the Gate" and "Riot on Broadway" are lyrically tighter, consciously aware and almost wishful. The Living End don't hold back, but explore musical chaos for a tangled hybrid of sounds. Elements of Oi! and ska placates the post-pubescent attitude found on the band's eponymous debut, and the band looks beyond the simplicity of most three-cord riffs. The souped-up "Dirty Man" could have been a Smiths song, humorously tapping into the softer side of The Living End, while tailoring toward the Ritalin-reliant spool of pop kids. "Revolution Regained" has the same effect, and Scott Owen's upright bass and Trav Dempsey's thunderous percussion takes shape as Roll On's rambunctious staple song. The majority of the album is slightly that way, the whole battle cry and infliction of defeat is old-school regardless of The Living End striving for such raw power and self-independence. It's far more fashionable than Green Day's typical quick rants.
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Product Details

  • Release Date: 1/9/2001
  • Label: Emi Import
  • UPC: 724353017224
  • Catalog Number: 530172

Tracks

Disc 1
  1. 1 Roll On (3:08)
  2. 2 Pictures in the Mirror (3:18)
  3. 3 Riot on Broadway (2:56)
  4. 4 Staring at the Light (4:06)
  5. 5 Carry Me Home (3:12)
  6. 6 Don't Shut the Gate (3:04)
  7. 7 Dirty Man (3:35)
  8. 8 Blood on Your Hands (4:14)
  9. 9 Revolution Regained (2:45)
  10. 10 Silent Victory (3:35)
  11. 11 Read About It (3:15)
  12. 12 Killing the Right (4:21)
  13. 13 Astoria Paranoia (3:04)
  14. 14 Uncle Harry (3:18)
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Album Credits

Performance Credits
The Living End Primary Artist
Jack Howard Trumpet
Jeremy Smith French Horn
Johnny Toogood Background Vocals
Tom Larkins Background Vocals
Chris Cheney Guitar, Vocals
Butch Lee Percussion
Scott Owen Vocals, Upright Bass
Matt Aberle Hand Clapping, Hand Clapping
Cameron Baines Background Vocals
Grant Relf Background Vocals
Tom Read Background Vocals
Tom Larkin Background Vocals
Technical Credits
David Davis Engineer
Jack Howard Horn Arrangements
Nick Launay Producer, Engineer
Frank Maddocks Artwork
Tom Baker Mastering
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