Romancing the Shadow: Poe and Race
The nine essays gathered here pursue the provocative implications of Toni Morrison's claim that no early American writer was more important than Poe in shaping a concept of "American Africanism," an image of racialized blackness destined to haunt the Euro-American imagination. As contributors to this volume reveal, Poe's response to the "shadow" of blackness—like his participation in the cultural construction of whiteness—was both problematic and revealing. Born in Boston but raised mostly in Richmond, surrounded by the practices of slaveholding culture, Poe seems to have shared notions of racial hierarchy and Anglo-Saxon supremacy pervasive on both sides of the Mason-Dixon line. That he promulgated racist stereotypes in depicting black servants—his Jupiters and Pompeys—cannot be denied; that he complicated these stereotypes with veiled, subversive implications, however, gives his fiction peculiar relevance to the task of historicizing racial attitudes in antebellum culture. Was Poe an unabashed proslavery apologist, a careerist who avoided racial politics, a "gradualist" who hoped slavery would just disappear, or an ideological chameleon? Were Poe's views on race extreme or unusual? Overtly, in tales such as "The Gold-Bug," "The Journal of Julius Rodman," and The Narrative of Arthur Gordon Pym, and covertly in such works as "The Black Cat" and "Hop-Frog," Poe alternately caricatured and demonized the racial Other, yet he often endowed such figures with shrewdness and resourcefulness, at times portraying their defiance as inevitable and even understandable. In Romancing the Shadow, leading interpreters of nineteenth-century American literature and culture debate Poe's role in inventing the African of the white imagination. Their readings represent an array of positions, and while they reflect some consensus about Poe's investment in racialized types and tropes, they also testify to the surprising ways that race embedded itself in his work—and the diverse conclusions that can be drawn therefrom.
1101392258
Romancing the Shadow: Poe and Race
The nine essays gathered here pursue the provocative implications of Toni Morrison's claim that no early American writer was more important than Poe in shaping a concept of "American Africanism," an image of racialized blackness destined to haunt the Euro-American imagination. As contributors to this volume reveal, Poe's response to the "shadow" of blackness—like his participation in the cultural construction of whiteness—was both problematic and revealing. Born in Boston but raised mostly in Richmond, surrounded by the practices of slaveholding culture, Poe seems to have shared notions of racial hierarchy and Anglo-Saxon supremacy pervasive on both sides of the Mason-Dixon line. That he promulgated racist stereotypes in depicting black servants—his Jupiters and Pompeys—cannot be denied; that he complicated these stereotypes with veiled, subversive implications, however, gives his fiction peculiar relevance to the task of historicizing racial attitudes in antebellum culture. Was Poe an unabashed proslavery apologist, a careerist who avoided racial politics, a "gradualist" who hoped slavery would just disappear, or an ideological chameleon? Were Poe's views on race extreme or unusual? Overtly, in tales such as "The Gold-Bug," "The Journal of Julius Rodman," and The Narrative of Arthur Gordon Pym, and covertly in such works as "The Black Cat" and "Hop-Frog," Poe alternately caricatured and demonized the racial Other, yet he often endowed such figures with shrewdness and resourcefulness, at times portraying their defiance as inevitable and even understandable. In Romancing the Shadow, leading interpreters of nineteenth-century American literature and culture debate Poe's role in inventing the African of the white imagination. Their readings represent an array of positions, and while they reflect some consensus about Poe's investment in racialized types and tropes, they also testify to the surprising ways that race embedded itself in his work—and the diverse conclusions that can be drawn therefrom.
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Romancing the Shadow: Poe and Race

Romancing the Shadow: Poe and Race

Romancing the Shadow: Poe and Race
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Romancing the Shadow: Poe and Race

Romancing the Shadow: Poe and Race

Overview

The nine essays gathered here pursue the provocative implications of Toni Morrison's claim that no early American writer was more important than Poe in shaping a concept of "American Africanism," an image of racialized blackness destined to haunt the Euro-American imagination. As contributors to this volume reveal, Poe's response to the "shadow" of blackness—like his participation in the cultural construction of whiteness—was both problematic and revealing. Born in Boston but raised mostly in Richmond, surrounded by the practices of slaveholding culture, Poe seems to have shared notions of racial hierarchy and Anglo-Saxon supremacy pervasive on both sides of the Mason-Dixon line. That he promulgated racist stereotypes in depicting black servants—his Jupiters and Pompeys—cannot be denied; that he complicated these stereotypes with veiled, subversive implications, however, gives his fiction peculiar relevance to the task of historicizing racial attitudes in antebellum culture. Was Poe an unabashed proslavery apologist, a careerist who avoided racial politics, a "gradualist" who hoped slavery would just disappear, or an ideological chameleon? Were Poe's views on race extreme or unusual? Overtly, in tales such as "The Gold-Bug," "The Journal of Julius Rodman," and The Narrative of Arthur Gordon Pym, and covertly in such works as "The Black Cat" and "Hop-Frog," Poe alternately caricatured and demonized the racial Other, yet he often endowed such figures with shrewdness and resourcefulness, at times portraying their defiance as inevitable and even understandable. In Romancing the Shadow, leading interpreters of nineteenth-century American literature and culture debate Poe's role in inventing the African of the white imagination. Their readings represent an array of positions, and while they reflect some consensus about Poe's investment in racialized types and tropes, they also testify to the surprising ways that race embedded itself in his work—and the diverse conclusions that can be drawn therefrom.

Product Details

ISBN-13: 9780195137118
Publisher: Oxford University Press
Publication date: 06/28/2001
Edition description: New Edition
Pages: 320
Product dimensions: 8.16(w) x 11.02(h) x 0.74(d)
Lexile: 1620L (what's this?)

About the Author

Louisiana State University

University of Pennsylvania

Table of Contents

Introduction: Poe, Race, and Contemporary Criticism, J. Gerald Kennedy and Liliane Weissberg1. Average Racism: Poe, Slavery, and the Wages of Literary Nationalism, Terence Whalen2. The Poetics of Whiteness: Poe and the Racial Imaginary, Betsy Erkkila3. Edgar Allan Poe's Imperial Fantasy and the American Frontier, John Carlos Rowe4. Poe, Persons, and Property, Joan Dayan5. Black, White, and Gold, Liliane Weissberg6. Presence of Mind: Detection and Racialization in "The Murders in the Rue Morgue", Lindon Barrett7. "The Murders in the Rue Morgue": Amalgamation Discourses and the Race Riots of 1838 in Poe's Philadelphia, Elise Lemire8. Poe's Philosophy of Amalgamation: Reading Racism in the Tales, Leland Person9. "Trust No Man": Poe, Douglass, and the Culture of Slavery, J. Gerald KennedyBibliography
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Literary Criticism
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Literature
Literary Criticism
American Literature
General & Miscellaneous Literary Criticism
19th Century American Literature - Literary Criticism
Literary Criticism - General & Miscellaneous
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