Romancing the Vine: Life, Love, and Transformation in the Vineyards of Barolo
368
Romancing the Vine: Life, Love, and Transformation in the Vineyards of Barolo
368eBookFirst Edition (First Edition)
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Overview
In Romancing the Vine, Alan Tardi, former owner of Follonico in New York, describes his life in the Piedmonte district of Italy focusing on the cultivation and harvest of the region's celebrated Barolo wine, and including rare local recipes.
Product Details
| ISBN-13: | 9781466860315 |
|---|---|
| Publisher: | St. Martin's Publishing Group |
| Publication date: | 12/17/2013 |
| Sold by: | Macmillan |
| Format: | eBook |
| Pages: | 368 |
| File size: | 2 MB |
About the Author
Alan Tardi began his cooking career in the kitchens of Manhattan's Chanterelle and Lafayette, with Jean-Georges Vongerichten. His restaurant Follonico opened to critical acclaim in 1992 and closed in the summer of 2001. He divides his time between Castiglione Falletto and New York City.
Alan Tardi began his cooking career in the kitchens of Manhattan’s Chanterelle and Lafayette, with Jean-Georges Vongerichten. His restaurant Follonico opened to critical acclaim in 1992 and closed in the summer of 2001. He divides his time between Castiglione Falletto and New York City.
Read an Excerpt
Romancing the Vine
Life, Love & Transformation in the Vineyards of Barolo
By Alan Tardi, Pierflavio Gallina, FIRST EDITION: NOVEMBER 2006
St. Martin's Press
Copyright © 2006 Alan TardiAll rights reserved.
ISBN: 978-1-4668-6031-5
CHAPTER 1
FIRST PRUNING
WINTER
• FIRST FORAYS
I HAD BEEN to Italy many times before, but this was my first visit to Torino. In many ways this city didn't feel like Italy at all. Wide, straight, portico-lined boulevards, square piazzas, and large traffic circles arranged with ordered symmetry into long vistas punctuated by prominent sculptures or imposing edifices seemed almost Parisian, while immense cafés of gleaming marble, sparkling crystal, and ornate stucco suggested Vienna.
The Salone del Gusto, a massive biennial celebration put on by a Piemonte-based organization called Slow Food, was different too.
Day after day, from 11 A.M. until well after dark, I walked up and down long corridors of stands set up by artisan food producers from all over Italy, Europe, and the world. I tasted sweet red garlic, salty prosciutto from a wild pig you have to slice as if playing a violin, and a dark, funky cheese that had been buried underground for a year. I went to workshops on a myriad of arcane subjects, such as a comparative tasting of four protected species of chicken (each simply boiled and served at room temperature without seasoning so as not to alter the natural flavor of the bird), another describing a traditional practice of raising rabbits in caves, and yet another featuring sheep's milk cheese made by Sardinian shepherds, paired with wines from the island's obscure indigenous grape varieties.
For a break, I strolled along the shopping arcade of the Renzo Piano–designed hotel next door and watched "normal" people devour hot dogs and slices of reheated pizza without giving it a second thought. On several occasions I took the elevator up to the mercifully small and uncrowded Agnelli Museum on the top floor and there gazed silently on the large, soberly precise paintings of Venice by Canaletto, a series of early Matisses from the south of France — warm and busy and gay with bright though somewhat muted colors as if washed out by an abundance of sunlight — and my favorite: the cool, restrained but immensely sensuous Nu, Couché by Modigliani.
In the evenings when I could stand no more of the frenetic fair, I returned to the Centro Storico, the old historic part of town, and wandered through streets and plazas already decked out with a bedazzling array of holiday lights, each installation designed by a different artist.
After the fifth day I had more than enough information to write my story. My stomach was full to capacity with delicious unusual foods, my head was swimming with data, and my psyche was jittery. I was experiencing physical and emotional overload and needed to chill, preferably in a quiet place with someone familiar.
I was not expected in Tuscany for another ten days, so I decided to go visit a friend, Bruna, in the wine country near Alba. It was a mere hour to the southeast and I could stop off there for a day or two before continuing to work my way down to Carmignano.
Bruna is a great cook, especially when it comes to the regional dishes of her native Piemonte, and was one of the original "Mothers" of a restaurant in Manhattan called Le Madri, where I had been the original executive chef. I picked Bruna up at JFK when she first came to New York, helped her get acclimated to her new high-rise home and to working in a big Manhattan restaurant kitchen, took her to the dentist, and translated for her when hand gestures alone weren't sufficient.
We became friends and kept in touch after I left Le Madri. Some months later, Bruna left the restaurant too but stayed on in New York for nearly a decade, cooking in a number of different places. The year before, she had returned home to Piemonte for good and was now working in a restaurant in Castiglione, the town where she was born.
I picked up my rental car in Torino, got myself onto the autostrada, and, about an hour later, left the highway and zigzagged through the countryside to the little village. I met Bruna in the café at the foot of the hill. She brought me up to the hotel to see if they had any rooms available. It wasn't easy — it was still truffle season — but they managed to find me a room, as long as I didn't mind switching the next day.
I didn't mind at all. I was laid back and agenda-free (at least for the next ten days), just taking things as they came. Originally I had thought to stay only a couple nights but kept extending my visit incrementally, changing rooms not once but three times.
I liked Castiglione. It was cozy and quiet; the people were friendly, and, what's more, they seemed to like me too.
RECIPE #1
BICERIN
BICERIN (FROM THE Piemontese dialect diminutive of bicer, referring to the glass in which it is typically served) is a bittersweet concoction of rich chocolate, coffee, and cream. It was invented here in Torino during the heyday of the 1800s and remains the sweet beverage of choice.
This baroque city offers many grand cafés where bicerin may be consumed in elegant surroundings. But my favorite place is a sweet, cozy little tearoom where you are efficiently attended to by the prim proprietress and her staff of female assistants. It is called simply Bicerin and is located on the Piazza della Consolata, right across from the sanctuary of the same name.
Shortly after your order is conveyed to the kitchen, you will hear the sounds of a whisk scraping energetically against a metal bowl (they make each Bicerin to order the old-fashioned way), and before long a glass of dark steaming chocolate and frothy cream will be placed proudly before you. Nobody does it better, and, in my opinion, there is no finer place to enjoy a Bicerin than right here.
The recipe, according to the padrona, is ridiculously simple: "Take 1 cup of the very best hot chocolate you can find, mix it with 1 demitasse of the very best espresso (our private blend is 100 percent Arabica and ground for us especially) and scoop a hefty dollop of freshly whipped cream on top. Serve it in a glass. Et voilà!" (But if the recipe is so simple, why does the bicerin at Bicerin taste so much more delicious than anywhere else?)
RECIPE #2
FINANZIERA
Classic Innards Stew, adapted from Ristorante del Cambio, Torino
THIS RICH STEW is one of the classics of Piemontese cucina borghese (cooking of the urban upper classes), and Ristorante del Cambio in Torino, in continuous operation since 1754, is credited with having invented it.
While Cambio's baroque dining room may seem frozen in time, it shows no sign of fatigue: crystal and gold leaf sparkle in the candlelight, mirrors glimmer, linen is crisp, and flowers fresh and fragrant. Even the table where the first king of Italy, Vittorio Emanuele II, used to have lunch each day is still there and perfectly set as if waiting for him to appear.
Many today might turn up their noses at this old-fashioned dish. But, while it may be predominantly offal, it is not awful. Each of the exotic ingredients has its own distinctive shape and mild taste, which meld together into an altogether inoffensive creamy richness, a subtle symphony of muted flavors and textures. If you can accumulate enough of the ingredients to create a reasonable facsimile — or, better yet, ever find yourself in Torino and can secure a table at Cambio — I would encourage you to try it.
INGREDIENTS FOR FINANZIERA
2 tablespoons white wine vinegar
Coarse salt
1 calf's brain (about 3 ounces)
6 ounces veal sweetbreads
2 ounces spleen (bone marrow) from the spinal cord of a
calf (see note below)
3 ounces cockscombs
6 ounces veal testicles
4 ounces butter
3 ½ ounces chicken breast, lightly pounded and cut into ½-inch pieces
3 ounces (1 ¼ -inch slice) calf's liver, cleaned of any cartilage and cut into ½-inch pieces
4 scallions, sliced into thin rounds
2 ounces of small porcini mushrooms marinated in oil and vinegar
1 bay leaf
½ cup dry Marsala
1 teaspoon cider vinegar
1 tablespoon balsamic vinegar
1 tablespoon of veal demi-glace or concentrated chicken broth
FOR THE SEMOLINA
1 pint milk
1 tablespoon sugar
1/3 cup semolina flour
1 egg yolk
3 cups vegetable oil for frying
2 tablespoons flour
1 egg + 1 egg white, beaten
¼ cup bread crumbs
I. PREPARE THE FRIED SEMOLINA
1. Bring the milk to a boil. Add the sugar.
2. Gradually add the semolina flour and cook, stirring constantly, for about 10 minutes.
3. Remove from the heat and stir in the egg yolk.
4. Pour the mixture out onto a small greased cookie sheet or Teflon baking pan (the semolina should be about ½ to 3/4 inch thick) and let cool. (May be made a day or two ahead to this point.)
5. Heat the oil in a high-walled, heavy-bottomed pot. Cut the semolina into diamonds about 1 inch long, dust with the flour, dip in the beaten egg, roll in the breadcrumbs, and fry in the hot oil.
6. When golden brown, remove them from the oil with a slotted spoon and blot on a paper towel.
II. PREPARE THE FINANZIERA
1. Bring a pot of water to boil. Add the white wine vinegar and a pinch of salt. Rinse the calf's brain thoroughly in cold water, add to the boiling water and simmer gently for 6 to 8 minutes. Remove with a slotted spoon and shock under cold water. Put the brain on a plate, cover with plastic wrap, and refrigerate with a light weight (such as a small tray) on top. Repeat with the sweetbreads and spleen.
2. Cook the cockscombs in the simmering acidulated water until tender (about 15 minutes). Remove with a slotted spoon and rinse under cold water. Repeat with the testicles.
3. Cut the sweetbreads, spleen, and brain into 1½-inch pieces. Cut the testicles and cockscombs in half (if the cockscombs are small, leave them whole).
4. Melt half of the butter in a large nonstick sauté pan. On a medium-high heat, add the chicken breast and the liver, and cook until opaque on the outside (about 1 minute). Add the scallions and continue cooking, stirring occasionally, until they are soft and transparent (about 4 minutes).
5. Add the mushrooms and the bay leaf and all of the offal except for the brain, and sauté for about 5 minutes. Add the brain to the pan and toss.
6. Deglaze with Marsala. Add the cider and balsamic vinegar and the demi-glace or stock. Add the remaining chilled butter to thicken the sauce.
Remove the bay leaf, divide onto plates, and serve hot with the fried semolina.
YIELD: SERVES 4 TO 6 AS AN APPETIZER.
NOTE: Some of the ingredients for this recipe — veal testicles, spleen, cockscombs, etc. — may be difficult to find. Ask a good butcher, who may be able to get them for you. Leave something out if you can't get it. Some people in Piemonte consider this a poor man's dish, a way of utilizing available ingredients, and make a Finanziera-like dish with all poultry meat and giblets, others add little meatballs or peas and a touch of cream.
CHAPTER 2• TWIN TOWERS
ALBERGO LE TORRI (The Towers) is a small, quirky, typically Italian operation. Though the name may have a familiar ring with ominous overtones for any New Yorker, in this case it refers innocently to the stone towers of the ancient castle right next door. There are three of them, and they are still standing more or less as they have for hundreds of years.
The hotel occupies a large old building in the center of Castiglione Falletto. It was originally a wealthy merchant's home (some say a monastery) that had been vacated and left to crumble before being purchased by a local construction firm, perfunctorily restored, and turned into a small hotel. It is innocuously furnished; simple but serviceable, comfortable but decidedly not luxurious and not too expensive either. What really sets Le Torri apart are its fantastic views, its excellent position right next to the campanile in the heart of this otherwise tranquil little village, and what was referred to in one write-up as its "eccentric" management.
The hotel is operated by two young women who resemble a real-life version of the Odd Couple.
Silvy is short and robust with thin brown hair that, when not tied up in a ponytail or barrette, falls just below her thick shoulders. Her speech is articulate and sometimes tinged with sarcasm or exasperation. She eats boiled vegetables and organic rice cakes, compulsively watches an American soap called Beautiful each afternoon and smokes light cigarettes whenever possible. On her nights off she attends a belly-dancing class in Torino, but at work her movements display the utmost control.
Silvy is intelligent, organized, and detail-oriented, and usually prefers dealing with the account books to the public. She would do just about anything for a friend, but puts up a stiff wall of formality with strangers and practically cringes each time the reception door opens and a new guest walks in. Silvy is not a people-person — at least not until you get to know her.
"Hmm. So. You would like a room?" she said when I first met her, barely deigning to look up from the reservation book. "Well, I do have one available, but it is not very nice," indicating a door just off the reception area. "It is dark and noisy — you hear all the sounds of people coming in and out — and you'll have to change in a day or so. But you can have it if you wish." I took it.
Renata is the exact opposite. She is tall, big-boned, and bleached blond. Her movements are as large and broad (one might even say clumsy) as she is good-natured. She is a collector and a consumer; she loves to accumulate things, and she does so naturally as if by gravitational pull. I went to her apartment in Alba once, and it was literally packed floor to ceiling with stuff, so packed you had to move a pile off the couch in order to sit down. Even the bathtub, I couldn't help noticing, was occupied. Her car is the same way; it contains books, tapes, boots, two umbrellas, underwear, a toothbrush, an empty wooden wine crate, and several cans of Coke — and that was after she cleaned it up!
Renata eats continuously (she is especially fond of hard salami, soft Gorgonzola, and pizza with onions) and especially enjoys eating with others. Renata loves to have people around her — friends or hotel guests, it really doesn't seem to matter — and people, in turn, are drawn to her like bees to a flower. At the most casual tourist inquiry, she will pull out maps and books of the region and create detailed (though impossible) itineraries of everything you absolutely must see; if she can, she will sweep you up and drag you all over the place herself. Or give her half a chance and she will flip through tall stacks of photos of her annual month-long trip to a mission in Kenya and gladly accept a small donation to the humanitarian cause. She is open and friendly and generous to a fault but helplessly disorganized: she often has to call herself to find out where she misplaced her cell phone and is as unable to clean up, keep track of accounts, or handle reservations as she is incapable of saying no.
(Continues...)
Excerpted from Romancing the Vine by Alan Tardi, Pierflavio Gallina, FIRST EDITION: NOVEMBER 2006. Copyright © 2006 Alan Tardi. Excerpted by permission of St. Martin's Press.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Table of Contents
Contents
Title Page,Copyright Notice,
Dedication,
Acknowledgments,
Maps,
Prelude,
Part I: First Pruning (Winter),
1. First Forays,
2. Twin Towers,
3. Guess Who's Coming to Dinner,
4. Francesco,
5. Vines and Wines,
6. Into the Vineyard,
7. Blendings,
8. Ivana,
9. Tongues,
10. Tying the Knot,
Part II: Spring Cleaning,
11. Rites of Spring,
12. Roots,
13. Better Late Than Never,
14. Beating Heart,
15. Renza's,
16. Irrepressible Urges,
17. Bearings,
18. A Tale of Two Cities,
19. King of the King of Wines,
20. Vanishing Species,
21. War and Peace,
Part III: Summer Interlude,
22. Inferno,
23. Party On!,
24. Green Harvest,
25. Turning of the Tide,
Part IV: Autumn Bounty,
26. Harvest,
27. Tasting Terroir,
28. Realm of the Senses,
29. Stripped Bare,
30. Into the Cantina,
31. Subterranean Treasures,
32. Distillation,
33. Trials and Tribulations,
Part V: Dormancy,
34. Winter Waning,
35. Cycles Old and New: Beauty and the Beast,
36. Local Landmarks: The Cedar and the Cube,
37. Destiny,
38. Shining Stars,
39. Day of the Fat Bulls,
40. Night of the Wise Kings,
41. Infusions,
42. Working Lunch,
43. Clandestino/Cittadino,
Part VI: Flowering Again,
44. Renaissance,
Notes,
Glossary of Viticultural Terms,
List of Recipes,
Index,
Copyright,