Rookwood and the American Indian: Masterpieces of American Art Pottery from the James J. Gardner Collection

Overview

The nation’s premier private collection of Rookwood art pottery featuring American Indian portraiture is on display at the Cincinnati Art Museum from October 2007 to January 2008. Rookwood and the American Indian: Masterpieces of American Art Pottery from the James J. Gardner Collection is a remarkable exhibition catalogue that will be of interest well beyond the exhibition because of its unique subject matter. Fifty-two pieces produced by the Rookwood Pottery Company are showcased, many accompanied by ...

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Overview

The nation’s premier private collection of Rookwood art pottery featuring American Indian portraiture is on display at the Cincinnati Art Museum from October 2007 to January 2008. Rookwood and the American Indian: Masterpieces of American Art Pottery from the James J. Gardner Collection is a remarkable exhibition catalogue that will be of interest well beyond the exhibition because of its unique subject matter. Fifty-two pieces produced by the Rookwood Pottery Company are showcased, many accompanied by black-and-white photographs of the American Indians portrayed by the ceramic artist. In addition, the catalogue includes a brief biography of each artist as well as curators’ comments about the Rookwood pottery and the Indian apparel seen in the portraits.

The catalogue also presents two essays. The first, “Enduring Encounters: Cincinnatians and American Indians to 1900,” by ethnologist and co-curator Susan Labry Meyn, describes American Indian activities in Cincinnati from the time of the first settlers to 1900 and relates these events to national policy, such as the 1830 Indian Removal Act. Rookwood and the American Indian, by art historian Anita J. Ellis, concentrates on Rookwood’s fascination with the American Indian and the economic implications of producing that line.

Rookwood and the American Indian blends anthropology with art history to reveal the relationships between the white settlers and the Native Americans in general, between Cincinnati and the American Indian in particular, and ultimately between Rookwood artists and their Indian friends.

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Editorial Reviews

Library Journal

Cincinnati's Rookwood Pottery Company manufactured art ceramics in the late 19th and early 20th centuries. With pieces reflecting the popular aesthetic values of the arts and crafts movement, the company received wide notice at the 1893 Columbian Exposition in Chicago, and it was between this exposition and the 1904 Louisiana Purchase Exposition that Rookwood concentrated its decorative energies on American Indian portraits adapted directly from photographs. This catalog accompanying a recent exhibition is both a history of a specific subset of a particular company's output and a catalog of the Cincinnati Art Museum's important collection of some 50 vases, pitchers, and ale mugs, all featuring American Indian portraiture. Essays by curator Ellis (Rookwood Pottery) and art historian Meyn (Northern Kentucky Univ.; More Than Curiosities) contextualize the rather arcane pieces, which represent the early stages of the West's fictionalized mythology, a narrative that would later become familiar to future generations of Americans. A good purchase for comprehensive collections in the decorative arts; optional otherwise.
—Douglas F. Smith

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Product Details

  • ISBN-13: 9780821417393
  • Publisher: Ohio University Press
  • Publication date: 10/28/2007
  • Pages: 280
  • Sales rank: 1,138,907
  • Product dimensions: 8.50 (w) x 11.00 (h) x 1.00 (d)

Meet the Author

Director of curatorial affairs and curator of decorative arts at the Cincinnati Art Museum, Anita J. Ellis is the author of Rookwood Pottery: The Glorious Gamble, which won the Florence Roberts Head Book of the Year Award, and Rookwood Pottery: The Glaze Lines.

Susan Labry Meyn is a consulting ethnologist and an adjunct professor at Northern Kentucky University and the College of Mount St. Joseph in Cincinnati, and the author of numerous articles and a book, More Than Curiosities: A Grassroots History of the Indian Arts and Crafts Board, 1920–1942.

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