Room: A Novel

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Overview

To five-year-old-Jack, Room is the world. . . . It's where he was born, it's where he and his Ma eat and sleep and play and learn. At night, his Ma shuts him safely in the wardrobe, where he is meant to be asleep when Old Nick visits.

Room is home to Jack, but to Ma it's the prison where she has been held for seven years. Through her fierce love for her son, she has created a life for him in this eleven-by-eleven-foot space. But with Jack's ...

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Overview

To five-year-old-Jack, Room is the world. . . . It's where he was born, it's where he and his Ma eat and sleep and play and learn. At night, his Ma shuts him safely in the wardrobe, where he is meant to be asleep when Old Nick visits.

Room is home to Jack, but to Ma it's the prison where she has been held for seven years. Through her fierce love for her son, she has created a life for him in this eleven-by-eleven-foot space. But with Jack's curiosity building alongside her own desperation, she knows that Room cannot contain either much longer.

Room is a tale at once shocking, riveting, exhilarating—a story of unconquerable love in harrowing circumstances, and of the diamond-hard bond between a mother and her child.

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Editorial Reviews

Aimee Bender
Remarkable....Jack's voice is one of the pure triumphs of the novel: in him, she has invented a child narrator who is one of the most engaging in years - his voice so pervasive I could hear him chatting away during the day when I wasn't reading the book....This is a truly memorable novel, one that can be read through myriad lenses - psychological, sociological, political. It presents an utterly unique way to talk about love, all the while giving us a fresh, expansive eye on the world in which we live.
New York Times Book Review
Michael Cunningham
"Room is that rarest of entities, an entirely original work of art. I mean it as the highest possible praise when I tell you that I can't compare it to any other book. Suffice to say that it's potent, darkly beautiful, and revelatory."
Sara Nelson
A novel so disturbing that we defy you to stop thinking about it, days later.
O Magazine
Elle
A bravura performance.
Ron Charles
One of the most affecting and subtly profound novels of the year.
Washington Post
Malcolm Jones
Only a handful of authors have ever known how to get inside the mind of a child and then get what they know on paper. Henry James, Mark Twain, William Faulkner, and, more recently, Jean Stafford and Eric Kraft come to mind, and after that one gropes for names. But now they have company. Emma Donoghue's latest novel, Room, is narrated by a 5-year-old boy so real you could swear he was sitting right beside you.... Room is so beautifully contrived that it never once seems contrived. But be warned: once you enter, you'll be Donoghue's willing prisoner right down to the last page.
Newsweek
Liz Raftery
A riveting, powerful novel....Donoghue's inventive storytelling is flawless and absorbing. She has a fantastic ability to build tension in scenes where most of the action takes place in the 12-by-12 room where her central characters reside. Her writing has pulse-pounding sequences that cause the reader's eyes to race over the pages to find out what happens next....Room is likely to haunt readers for days, if not longer. It is, hands down, one of the best books of the year.
Boston Globe
Anita Shreve
"I loved Room. Such incredible imagination, and dazzling use of language. And with all this, an entirely credible, endearing little boy. It's unlike anything I've ever read before."
Audrey Niffenegger
"Emma Donoghue's writing is superb alchemy, changing innocence into horror and horror into tenderness. Room is a book to read in one sitting. When it's over you look up: the world looks the same but you are somehow different and that feeling lingers for days."
Sara Nelson - O Magazine
"A novel so disturbing that we defy you to stop thinking about it, days later."
Liz Raftery - Boston Globe
"A riveting, powerful novel....Donoghue's inventive storytelling is flawless and absorbing. She has a fantastic ability to build tension in scenes where most of the action takes place in the 12-by-12 room where her central characters reside. Her writing has pulse-pounding sequences that cause the reader's eyes to race over the pages to find out what happens next....Room is likely to haunt readers for days, if not longer. It is, hands down, one of the best books of the year."
Ron Charles - Washington Post
"One of the most affecting and subtly profound novels of the year."
Aimee Bender - New York Times Book Review
"Remarkable....Jack's voice is one of the pure triumphs of the novel: in him, she has invented a child narrator who is one of the most engaging in years - his voice so pervasive I could hear him chatting away during the day when I wasn't reading the book....This is a truly memorable novel, one that can be read through myriad lenses - psychological, sociological, political. It presents an utterly unique way to talk about love, all the while giving us a fresh, expansive eye on the world in which we live."
From the Publisher
"Emma Donoghue's writing is superb alchemy, changing innocence into horror and horror into tenderness. Room is a book to read in one sitting. When it's over you look up: the world looks the same but you are somehow different and that feeling lingers for days."—Audrey Niffenegger, author of The Time Traveler's Wife and Her Fearful Symmetry

"I loved Room. Such incredible imagination, and dazzling use of language. And with all this, an entirely credible, endearing little boy. It's unlike anything I've ever read before."—Anita Shreve, author of The Pilot's Wife and A Change in Altitude

"Room is that rarest of entities, an entirely original work of art. I mean it as the highest possible praise when I tell you that I can't compare it to any other book. Suffice to say that it's potent, darkly beautiful, and revelatory."—Michael Cunningham, author of The Hours and By Nightfall

"Powerful.... Seen entirely through Jack's eyes and childlike perceptions, the developments in this novel—there are enough plot twists to provide a dramatic arc of breathtaking suspense—are astonishing.... Donoghue brilliantly portrays the psyche of a child raised in captivity...will keep readers rapt."—Publishers Weekly

"A novel so disturbing that we defy you to stop thinking about it, days later."—Sara Nelson, O Magazine

"A bravura performance."—ELLE

"Only a handful of authors have ever known how to get inside the mind of a child and then get what they know on paper. Henry James, Mark Twain, William Faulkner, and, more recently, Jean Stafford and Eric Kraft come to mind, and after that one gropes for names. But now they have company. Emma Donoghue's latest novel, Room, is narrated by a 5-year-old boy so real you could swear he was sitting right beside you.... Room is so beautifully contrived that it never once seems contrived. But be warned: once you enter, you'll be Donoghue's willing prisoner right down to the last page."—Malcolm Jones, Newsweek

"One of the most affecting and subtly profound novels of the year."—Ron Charles, Washington Post

"A riveting, powerful novel....Donoghue's inventive storytelling is flawless and absorbing. She has a fantastic ability to build tension in scenes where most of the action takes place in the 12-by-12 room where her central characters reside. Her writing has pulse-pounding sequences that cause the reader's eyes to race over the pages to find out what happens next....Room is likely to haunt readers for days, if not longer. It is, hands down, one of the best books of the year."—Liz Raftery, Boston Globe

"Remarkable....Jack's voice is one of the pure triumphs of the novel: in him, she has invented a child narrator who is one of the most engaging in years - his voice so pervasive I could hear him chatting away during the day when I wasn't reading the book....This is a truly memorable novel, one that can be read through myriad lenses - psychological, sociological, political. It presents an utterly unique way to talk about love, all the while giving us a fresh, expansive eye on the world in which we live."—Aimee Bender, New York Times Book Review

ELLE
"A bravura performance."
Malcolm Jones - Newsweek
"Only a handful of authors have ever known how to get inside the mind of a child and then get what they know on paper. Henry James, Mark Twain, William Faulkner, and, more recently, Jean Stafford and Eric Kraft come to mind, and after that one gropes for names. But now they have company. Emma Donoghue's latest novel, Room, is narrated by a 5-year-old boy so real you could swear he was sitting right beside you.... Room is so beautifully contrived that it never once seems contrived. But be warned: once you enter, you'll be Donoghue's willing prisoner right down to the last page."
Aimee Bender - The New York Times Book Review
"remarkable.... Jack's voice is one of the pure triumphs of the novel: in him, she has invented a child narrator who is one of the most engaging in years - his voice so pervasive I could hear him chatting away during the day when I wasn't reading the book. Donoghue rearranges language to evoke the sweetness of a child's learning without making him coy or overly darling; Jack is lovable simply because he is lovable.... This is a truly memorable novel, one that can be read through myriad lenses - psychological, sociological, political. It presents an utterly unique way to talk about love, all the while giving us a fresh, expansive eye on the world in which we live."
Ron Charles - The Washington Post
"one of the most affecting and subtly profound novels of the year"
Liz Raftery - The Boston Globe
"a riveting, powerful novel.... Donoghue's inventive storytelling is flawless and absorbing. She has a fantastic ability to build tension in scenes where most of the action takes place in the 12-by-12 room where her central characters reside. Her writing has pulse-pounding sequences that cause the reader's eyes to race over the pages to find out what happens next.... Room is likely to haunt readers for days, if not longer. It is, hands down, one of the best books of the year."
John Boyne
"Room is one of the most profoundly affecting books I've read in a long time. Jack moved me greatly. His voice, his story, his innocence, his love for Ma combine to create something very unusual and, I think, something very important. I read the book over two days, desperate to know how their story would end . . . Room deserves to reach the widest possible audience."
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Product Details

  • ISBN-13: 9780316223232
  • Publisher: Little, Brown and Company
  • Publication date: 9/25/2012
  • Format: Mass Market Paperback
  • Pages: 384
  • Product dimensions: 4.25 (w) x 7.00 (h) x 1.00 (d)

Meet the Author

Emma Donoghue

Born in Dublin in 1969, Emma Donoghue is an Irish emigrant twice over: she spent eight years in Cambridge doing a PhD in eighteenth-century literature before moving to London, Ontario, where she lives with her partner and their two children. She also migrates between genres, writing literary history, biography, stage and radio plays as well as fairy tales and short stories. She is best known for her novels, which range from the historical (Slammerkin, Life Mask, Landing, The Sealed Letter) to the contemporary (Stir-Fry, Hood, Landing). Her international bestseller Room was a New York Times Best Book of 2010 and was a finalist for the Man Booker, Commonwealth, and Orange Prizes. For more information, visit www.emmadonoghue.com.

Biography

Emma Donoghue is an award-winning Irish writer who lives in Canada. At 34, she has published six books of fiction, two works of literary history, two anthologies, and two plays.

Born in Dublin, Ireland, on 24 October 1969, Emma is the youngest of eight children of Frances and Denis Donoghue. She attended Catholic convent schools in Dublin, apart from one year in New York at the age of ten. In 1990 she earned a first-class honours B.A. in English and French from University College Dublin, and in 1997 a Ph.D. (on the concept of friendship between men and women in eighteenth-century English fiction) from the University of Cambridge. Since the age of 23, Donoghue has earned her living as a full-time writer. After years of commuting between England, Ireland, and Canada, in 1998 she settled in London, Ontario, where she lives with her lover and their son.

Biography courtesy of the author's official web site.

Good To Know

Some outtakes from our interview with Donoghue

"The youngest of eight children, I would never have been conceived if a papal bull hadn't guilt-tripped my poor mother into flushing her pills down the toilet.

"The nearest I've ever got to 'honest toil' was a chambermaiding job in Wildwood, New Jersey, at the age of 18. I got fired for my 'low bathroom standards.' "

"My lover and I have a one-year-old son called Finn, whose favorite thing is to rip books out of my hands and eat them.

"I am clumsy, a late and nervous driver, and despise all sports except a little gentle dancing or yoga.

"I have never been depressed or thrown a plate, which I attribute to the cathartic effects of writing books about people whose lives are more grueling than mine.

"I am completely unobservant and couldn't tell you how many windows there are in our living room.

"I would be miserable in beige; I mostly wear red, purple, and black.

"The way to my heart is through Belgian milk chocolate.

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    1. Hometown:
      London, England and Ontario, Canada
    1. Date of Birth:
      October 24, 1969
    2. Place of Birth:
      Dublin, Ireland
    1. Education:
      B.A. in English and French, University College Dublin, 1990; Ph.D. in English, University of Cambridge, 1998
    2. Website:

Read an Excerpt

Room

A Novel
By Emma Donoghue

Little, Brown and Company

Copyright © 2012 Emma Donoghue
All right reserved.

ISBN: 9780316223232

Presents

Today I’m five. I was four last night going to sleep in Wardrobe, but when I wake up in Bed in the dark I’m changed to five, abracadabra. Before that I was three, then two, then one, then zero. “Was I minus numbers?”

“Hmm?” Ma does a big stretch.

“Up in Heaven. Was I minus one, minus two, minus three—?”

“Nah, the numbers didn’t start till you zoomed down.”

“Through Skylight. You were all sad till I happened in your tummy.”

“You said it.” Ma leans out of Bed to switch on Lamp, he makes everything light up whoosh.

I shut my eyes just in time, then open one a crack, then both.

“I cried till I didn’t have any tears left,” she tells me. “I just lay here counting the seconds.”

“How many seconds?” I ask her.

“Millions and millions of them.”

“No, but how many exactly?”

“I lost count,” says Ma.

“Then you wished and wished on your egg till you got fat.”

She grins. “I could feel you kicking.”

“What was I kicking?”

“Me, of course.”

I always laugh at that bit.

“From the inside, boom boom.” Ma lifts her sleep T-shirt and makes her tummy jump. “I thought, Jack’s on his way. First thing in the morning, you slid out onto the rug with your eyes wide open.”

I look down at Rug with her red and brown and black all zigging around each other. There’s the stain I spilled by mistake getting born. “You cutted the cord and I was free,” I tell Ma. “Then I turned into a boy.”

“Actually, you were a boy already.” She gets out of Bed and goes to Thermostat to hot the air.

I don’t think he came last night after nine, the air’s always different if he came. I don’t ask because she doesn’t like saying about him.

“Tell me, Mr. Five, would you like your present now or after breakfast?”

“What is it, what is it?”

“I know you’re excited,” she says, “but remember not to nibble your finger, germs could sneak in the hole.”

“To sick me like when I was three with throw-up and diarrhea?”

“Even worse than that,” says Ma, “germs could make you die.”

“And go back to Heaven early?”

“You’re still biting it.” She pulls my hand away.

“Sorry.” I sit on the bad hand. “Call me Mr. Five again.”

“So, Mr. Five,” she says, “now or later?”

I jump onto Rocker to look at Watch, he says 07:14. I can skateboard on Rocker without holding on to her, then I whee back onto Duvet and I’m snowboarding instead. “When are presents meant to open?”

“Either way would be fun. Will I choose for you?” asks Ma.

“Now I’m five, I have to choose.” My finger’s in my mouth again, I put it in my armpit and lock shut. “I choose—now.”

She pulls a something out from under her pillow, I think it was hiding all night invisibly. It’s a tube of ruled paper, with the purple ribbon all around from the thousand chocolates we got the time Christmas happened. “Open it up,” she tells me. “Gently.”

I figure out to do off the knot, I make the paper flat, it’s a drawing, just pencil, no colors. I don’t know what it’s about, then I turn it. “Me!” Like in Mirror but more, my head and arm and shoulder in my sleep T-shirt. “Why are the eyes of the me shut?”

“You were asleep,” says Ma.

“How you did a picture asleep?”

“No, I was awake. Yesterday morning and the day before and the day before that, I put the lamp on and drew you.” She stops smiling. “What’s up, Jack? You don’t like it?”

“Not—when you’re on at the same time I’m off.”

“Well, I couldn’t draw you while you were awake, or it wouldn’t be a surprise, would it?” Ma waits. “I thought you’d like a surprise.”

“I prefer a surprise and me knowing.”

She kind of laughs.

I get on Rocker to take a pin from Kit on Shelf, minus one means now there’ll be zero left of the five. There used to be six but one disappeared. One is holding up Great Masterpieces of Western Art No. 3: The Virgin and Child with St. Anne and St. John the Baptist behind Rocker, and one is holding up Great Masterpieces of Western Art No. 8: Impression: Sunrise beside Bath, and one is holding up the blue octopus, and one the crazy horse picture called Great Masterpieces of Western Art No. 11: Guernica. The masterpieces came with the oatmeal but I did the octopus, that’s my best of March, he’s going a bit curly from the steamy air over Bath. I pin Ma’s surprise drawing on the very middle cork tile over Bed.

She shakes her head. “Not there.”

She doesn’t want Old Nick to see. “Maybe in Wardrobe, on the back?” I ask.

“Good idea.”

Wardrobe is wood, so I have to push the pin an extra lot. I shut her silly doors, they always squeak, even after we put corn oil on the hinges. I look through the slats but it’s too dark. I open her a bit to peek, the secret drawing is white except the little lines of gray. Ma’s blue dress is hanging over a bit of my sleeping eye, I mean the eye in the picture but the dress for real in Wardrobe.

I can smell Ma beside me, I’ve got the best nose in the family. “Oh, I forgetted to have some when I woke up.”

“That’s OK. Maybe we could skip it once in a while, now you’re five?”

“No way Jose.”

So she lies down on the white of Duvet and me too and I have lots.

I count one hundred cereal and waterfall the milk that’s nearly the same white as the bowls, no splashing, we thank Baby Jesus. I choose Meltedy Spoon with the white all blobby on his handle when he leaned on the pan of boiling pasta by accident. Ma doesn’t like Meltedy Spoon but he’s my favorite because he’s not the same.

I stroke Table’s scratches to make them better, she’s a circle all white except gray in the scratches from chopping foods. While we’re eating we play Hum because that doesn’t need mouths. I guess “Macarena” and “She’ll Be Coming ’Round the Mountain” and “Swing Low, Sweet Chariot” but that’s actually “Stormy Weather.” So my score is two, I get two kisses.

I hum “Row, Row, Row Your Boat,” Ma guesses that right away. Then I do “Tubthumping,” she makes a face and says, “Argh, I know it, it’s the one about getting knocked down and getting up again, what’s it called?” In the very end she remembers right. For my third turn I do “Can’t Get You out of My Head,” Ma has no idea. “You’ve chosen such a tricky one…. Did you hear it on TV?”

“No, on you.” I burst out singing the chorus, Ma says she’s a dumbo.

“Numbskull.” I give her her two kisses.

I move my chair to Sink to wash up, with bowls I have to do gently but spoons I can cling clang clong. I stick out my tongue in Mirror. Ma’s behind me, I can see my face stuck over hers like a mask we made when Halloween happened. “I wish the drawing was better,” she says, “but at least it shows what you’re like.”

“What am I like?”

She taps Mirror where’s my forehead, her finger leaves a circle. “The dead spit of me.”

“Why I’m your dead spit?” The circle’s disappearing.

“It just means you look like me. I guess because you’re made of me, like my spit is. Same brown eyes, same big mouth, same pointy chin…”

I’m staring at us at the same time and the us in Mirror are staring back. “Not same nose.”

“Well, you’ve got a kid nose right now.”

I hold it. “Will it fall off and an adult nose grow?”

“No, no, it’ll just get bigger. Same brown hair—”

“But mine goes all the way down to my middle and yours just goes on your shoulders.”

“That’s true,” says Ma, reaching for Toothpaste. “All your cells are twice as alive as mine.”

I didn’t know things could be just half alive. I look again in Mirror. Our sleep T-shirts are different as well and our underwear, hers has no bears.

When she spits the second time it’s my go with Toothbrush, I scrub each my teeth all the way around. Ma’s spit in Sink doesn’t look a bit like me, mine doesn’t either. I wash them away and make a vampire smile.

“Argh.” Ma covers her eyes. “Your teeth are so clean, they’re dazzling me.”

Her ones are pretty rotted because she forgetted to brush them, she’s sorry and she doesn’t forget anymore but they’re still rotted.

I flat the chairs and put them beside Door against Clothes Horse. He always grumbles and says there’s no room but there’s plenty if he stands up really straight. I can fold up flat too but not quite as flat because of my muscles, from being alive. Door’s made of shiny magic metal, he goes beep beep after nine when I’m meant to be switched off in Wardrobe.

God’s yellow face isn’t coming in today, Ma says he’s having trouble squeezing through the snow.

“What snow?”

“See,” she says, pointing up.

There’s a little bit of light at Skylight’s top, the rest of her is all dark. TV snow’s white but the real isn’t, that’s weird. “Why it doesn’t fall on us?”

“Because it’s on the outside.”

“In Outer Space? I wish it was inside so I can play with it.”

“Ah, but then it would melt, because it’s nice and warm in here.” She starts humming, I guess right away it’s “Let It Snow.” I sing the second verse. Then I do “Winter Wonderland” and Ma joins in higher.

We have thousands of things to do every morning, like give Plant a cup of water in Sink for no spilling, then put her back on her saucer on Dresser. Plant used to live on Table but God’s face burned a leaf of her off. She has nine left, they’re the wide of my hand with furriness all over, like Ma says dogs are. But dogs are only TV. I don’t like nine. I find a tiny leaf coming, that counts as ten.

Spider’s real. I’ve seen her two times. I look for her now but there’s only a web between Table’s leg and her flat. Table balances good, that’s pretty tricky, when I go on one leg I can do it for ages but then I always fall over. I don’t tell Ma about Spider. She brushes webs away, she says they’re dirty but they look like extra-thin silver to me. Ma likes the animals that run around eating each other on the wildlife planet, but not real ones. When I was four I was watching ants walking up Stove and she ran and splatted them all so they wouldn’t eat our food. One minute they were alive and the next minute they were dirt. I cried so my eyes nearly melted off. Also another time there was a thing in the night nnnnng nnnnng nnnnng biting me and Ma banged him against Door Wall below Shelf, he was a mosquito. The mark is still there on the cork even though she scrubbed, it was my blood the mosquito was stealing, like a teeny vampire. That’s the only time my blood ever came out of me.

Ma takes her pill from the silver pack that has twenty-eight little spaceships and I take a vitamin from the bottle with the boy doing a handstand and she takes one from the big bottle with a picture of a woman doing Tennis. Vitamins are medicine for not getting sick and going back to Heaven yet. I never want to go, I don’t like dying but Ma says it might be OK when we’re a hundred and tired of playing. Also she takes a killer. Sometimes she takes two, never more than two, because some things are good for us but too much is suddenly bad.

“Is it Bad Tooth?” I ask. He’s on the top near the back of her mouth, he’s the worst.

Ma nods.

“Why you don’t take two killers all the bits of every day?”

She makes a face. “Then I’d be hooked.”

“What’s—?”

“Like stuck on a hook, because I’d need them all the time. Actually I might need more and more.”

“What’s wrong with needing?”

“It’s hard to explain.”

Ma knows everything except the things she doesn’t remember right, or sometimes she says I’m too young for her to explain a thing.

“My teeth feel a bit better if I stop thinking about them,” she tells me.

“How come?”

“It’s called mind over matter. If we don’t mind, it doesn’t matter.”

When a bit of me hurts, I always mind. Ma’s rubbing my shoulder but my shoulder’s not hurting, I like it anyway.

I still don’t tell her about the web. It’s weird to have something that’s mine-not-Ma’s. Everything else is both of ours. I guess my body is mine and the ideas that happen in my head. But my cells are made out of her cells so I’m kind of hers. Also when I tell her what I’m thinking and she tells me what she’s thinking, our each ideas jump into our other’s head, like coloring blue crayon on top of yellow that makes green.

At 08:30 I press the button on TV and try between the three. I find Dora the Explorer, yippee. Ma moves Bunny around real slow to better the picture with his ears and head. One day when I was four TV died and I cried, but in the night Old Nick brung a magic converter box to make TV back to life. The other channels after the three are totally fuzzy so we don’t watch them because of hurting our eyes, only if there’s music we put Blanket over and just listen through the gray of her and shake our booties.

Today I put my fingers on Dora’s head for a hug and tell her about my superpowers now I’m five, she smiles. She has the most huge hair that’s like a really brown helmet with pointy bits cutted out, it’s as big as the rest of her. I sit back on Bed in Ma’s lap to watch, I wriggle till I’m not on her pointy bones. She doesn’t have many soft bits but they’re super soft.

Dora says bits that aren’t in real language, they’re Spanish, like lo hicimos. She always wears Backpack who’s more inside than out, with everything Dora needs like ladders and space suits, for her dancing and playing soccer and flute and having adventures with Boots her best friend monkey. Dora always says she’s going to need my help, like can I find a magic thing, she waits for me to say, “Yeah.” I shout out, “Behind the palm tree,” and the blue arrow clicks right behind the palm tree, she says, “Thank you.” Every TV person else doesn’t listen. The Map shows three places every time, we have to go to the first to get to the second to get to the third. I walk with Dora and Boots, holding their hands, I join in all the songs especially with somersaults or high-fives or the Silly Chicken Dance. We have to watch out for that sneaky Swiper, we shout, “Swiper, no swiping,” three times so he gets all mad and says, “Oh man!” and runs away. One time Swiper made a remote-controlled robot butterfly, but it went wrong, it swiped his mask and gloves instead, that was hilarious. Sometimes we catch the stars and put them in Backpack’s pocket, I’d choose the Noisy Star that wakes up anything and the Switchy Star that can transform to all shapes.

On the other planets it’s mostly persons that hundreds can fit into the screen, except often one gets all big and near. They have clothes instead of skin, their faces are pink or yellow or brown or patchy or hairy, with very red mouths and big eyes with black edges. They laugh and shout a lot. I’d love to watch TV all the time, but it rots our brains. Before I came down from Heaven Ma left it on all day long and got turned into a zombie that’s like a ghost but walks thump thump. So now she always switches off after one show, then the cells multiply again in the day and we can watch another show after dinner and grow more brains in our sleep.

“Just one more, because it’s my birthday? Please?”

Ma opens her mouth, then shuts it. Then she says, “Why not?” She mutes the commercials because they mush our brains even faster so they’d drip out our ears.

I watch the toys, there’s an excellent truck and a trampoline and Bionicles. Two boys are fighting with Transformers in their hands but they’re friendly not like bad guys.

Then the show comes, it’s SpongeBob SquarePants. I run over to touch him and Patrick the starfish, but not Squidward, he’s creepy. It’s a spooky story about a giant pencil, I watch through Ma’s fingers that are all twice longer than mine.

Nothing makes Ma scared. Except Old Nick maybe. Mostly she calls him just him, I didn’t even know the name for him till I saw a cartoon about a guy that comes in the night called Old Nick. I call the real one that because he comes in the night, but he doesn’t look like the TV guy with a beard and horns and stuff. I asked Ma once is he old, and she said he’s nearly double her which is pretty old.

She gets up to switch TV off as soon as it’s the credits.

My pee’s yellow from the vitamins. I sit to poo, I tell it, “Bye-bye, off to the sea.” After I flush I watch the tank filling up going bubble gurgle wurble. Then I scrub my hands till it feels like my skin’s going to come off, that’s how to know I’ve washed enough.

“There’s a web under Table,” I say, I didn’t know I was going to. “It’s of Spider, she’s real. I’ve seen her two times.”

Ma smiles but not really.

“Will you not brush it away, please? Because she isn’t even there even, but she might come back.”

Ma’s down on her knees looking under Table. I can’t see her face till she pushes her hair behind her ear. “Tell you what, I’ll leave it till we clean, OK?”

That’s Tuesday, that’s three days. “OK.”

“You know what?” She stands up. “We’ve got to mark how tall you are, now you’re five.”

I jump way in the air.

Usually I’m not allowed draw on any bits of Room or furnitures. When I was two I scribbled on the leg of Bed, her one near Wardrobe, so whenever we’re cleaning Ma taps the scribble and says, “Look, we have to live with that forever.” But my birthday tall is different, it’s tiny numbers beside Door, a black 4, and a black 3 underneath, and a red 2 that was the color our old Pen was till he ran out, and at the bottom a red 1.

“Stand up straight,” says Ma. Pen tickles the top of my head.

When I step away there’s a black 5 a little bit over the 4. I love five the best of every number, I have five fingers each hand and the same of toes and so does Ma, we’re our dead spits. Nine is my worst favorite number. “What’s my tall?”

“Your height. Well, I don’t know exactly,” she says. “Maybe we could ask for a measuring tape sometime, for Sunday treat.”

I thought measuring tapes were just TV. “Nah, let’s ask for chocolates.” I put my finger on the 4 and stand with my face against it, my finger’s on my hair. “I didn’t get taller much this time.”

“That’s normal.”

“What’s normal?”

“It’s—” Ma chews her mouth. “It means it’s OK. No hay problema.

“Look how big my muscles, though.” I bounce on Bed, I’m Jack the Giant Killer in his seven-league boots.

“Vast,” says Ma.

“Gigantic.”

“Massive.”

“Huge.”

“Enormous,” says Ma.

“Hugeormous.” That’s word sandwich when we squish two together.

“Good one.”

“You know what?” I tell her. “When I’m ten I’ll be growed up.”

“Oh yeah?”

“I’ll get bigger and bigger and bigger till I turn into a human.”

“Actually, you’re human already,” says Ma. “Human’s what we both are.”

I thought the word for us was real. The persons in TV are made just of colors.

“Did you mean a woman, with a w?”

“Yeah,” I say, “a woman with a boy in an egg in my tummy and he’ll be a real one too. Or I’m going to grow to a giant, but a nice one, up to here.” I jump to touch Bed Wall way high, nearly where Roof starts slanting up.

“Sounds great,” says Ma.

Her face is gone flat, that means I said a wrong thing but I don’t know which.

“I’ll burst through Skylight into Outer Space and go boing boing between each the planets,” I tell her. “I’ll visit Dora and SpongeBob and all my friends, I’ll have a dog called Lucky.”

Ma’s put a smile on. She’s tidying Pen back on Shelf.

I ask her, “How old are you going to be on your birthday?”

“Twenty-seven.”

“Wow.”

I don’t think that cheered her up.

While Bath is running, Ma gets Labyrinth and Fort down from on top of Wardrobe. We’ve been making Labyrinth since I was two, she’s all toilet roll insides taped together in tunnels that twist lots of ways. Bouncy Ball loves to get lost in Labyrinth and hide, I have to call out to him and shake her and turn her sideways and upside down before he rolls out, whew. Then I send other things into Labyrinth like a peanut and a broken bit of Blue Crayon and a short spaghetti not cooked. They chase each other in the tunnels and sneak up and shout Boo, I can’t see them but I listen against the cardboard and I can figure out where they are. Toothbrush wants a turn but I tell him sorry, he’s too long. He jumps in Fort instead to guard a tower. Fort’s made of cans and vitamin bottles, we build him bigger every time we have an empty. Fort can see all ways, he squirts out boiling oil at the enemies, they don’t know about his secret knife-slits, ha ha. I’d like to bring him into Bath to be an island but Ma says the water would make his tape unsticky.

We undo our ponytails and let our hair swim. I lie on Ma not even talking, I like the bang of her heart. When she breathes we go up and down a little bit. Penis floats.

Because of my birthday I get to choose what we wear both. Ma’s live in the higher drawer of Dresser and mine in the lower. I choose her favorite blue jeans with the red stitches that she only puts on for special occasions because they’re getting strings at the knees. For me I choose my yellow hoody, I’m careful of the drawer but the right edge still comes out and Ma has to bang it back in. We pull down on my hoody together and it chews my face but then pop it’s on.

“What if I cut it just a little in the middle of the V?” says Ma.

“No way Jose.”

For Phys Ed we leave our socks off because bare feet are grippier. Today I choose Track first, we lift Table upside down onto Bed and Rocker on her with Rug over the both. Track goes around Bed from Wardrobe to Lamp, the shape on Floor is a black C. “Hey, look, I can do a there-and-back in sixteen steps.”

“Wow. When you were four it was eighteen steps, wasn’t it?” says Ma. “How many there-and-backs do you think you can run today?”

“Five.”

“What about five times five? That would be your favorite squared.”

We times it on our fingers, I get twenty-six but Ma says twenty-five so I do it again and get twenty-five too. She counts me on Watch. “Twelve,” she shouts out. “Seventeen. You’re doing great.”

I’m breathing whoo whoo whoo.

“Faster—”

I go even fasterer like Superman flying.

When it’s Ma’s turn to run, I have to write down on the College Ruled Pad the number at the start and the number when she’s finished, then we take them apart to see how fast she went. Today hers is nine seconds bigger than mine, that means I winned, so I jump up and down and blow raspberries. “Let’s do a race at the same time.”

“Sounds like fun, doesn’t it,” she says, “but remember once we tried it and I banged my shoulder on the dresser?”

Sometimes when I forget things, Ma tells me and I remember them after that.

We take down all the furnitures from Bed and put Rug back where she was to cover Track so Old Nick won’t see the dirty C.

Ma chooses Trampoline, it’s just me that bounces on Bed because Ma might break her. She does the commentary: “A daring midair twist from the young U.S. champion…”

My next pick is Simon Says, then Ma says to put our socks back on for Corpse, that’s lying like starfish with floppy toenails, floppy belly button, floppy tongue, floppy brain even. Ma gets an itch behind her knee and moves, I win again.

It’s 12:13, so it can be lunch. My favorite bit of the prayer is the daily bread. I’m the boss of play but Ma’s the boss of meals, like she doesn’t let us have cereal for breakfast and lunch and dinner in case we’d get sick and anyway that would use it up too fast. When I was zero and one, Ma used to chop and chew up my food for me, but then I got all my twenty teeth and I can gnash up anything. This lunch is tuna on crackers, my job is to roll back the lid of the can because Ma’s wrist can’t manage it.

I’m a bit jiggly so Ma says let’s play Orchestra, where we run around seeing what noises we can bang out of things. I drum on Table and Ma goes knock knock on the legs of Bed, then floomf floomf on the pillows, I use a fork and spoon on Door ding ding and our toes go bam on Stove, but my favorite is stomping on the pedal of Trash because that pops his lid open with a bing. My best instrument is Twang that’s a cereal box I collaged with all different colored legs and shoes and coats and heads from the old catalog, then I stretched three rubber bands across his middle. Old Nick doesn’t bring catalogs anymore for us to pick our own clothes, Ma says he’s getting meaner.

I climb on Rocker to get the books from Shelf and I make a ten-story skyscraper on Rug. “Ten stories,” says Ma and laughs, that wasn’t very funny.

We used to have nine books but only four with pictures inside—

  • My Big Book of Nursery Rhymes

  • Dylan the Digger

  • The Runaway Bunny

  • Pop-Up Airport

Also five with pictures only on the front—

  • The Shack

  • Twilight

  • The Guardian

  • Bittersweet Love

  • The Da Vinci Code

Ma hardly ever reads the no-pictures ones except if she’s desperate. When I was four we asked for one more with pictures for Sundaytreat and Alice in Wonderland came, I like her but she’s got too many words and lots of them are old.

Today I choose Dylan the Digger, he’s near the bottom so he does a demolition on the skyscraper crashhhhhh.

“Dylan again.” Ma makes a face, then she puts on her biggest voice:

“ ‘Heeeeeeeeere’s Dylan, the sturdy digger!

The loads he shovels get bigger and bigger.

Watch his long arm delve into the earth,

No excavator so loves to munch dirt.

This mega-hoe rolls and pivots round the site,

Scooping and grading by day and night.’ ”

There’s a cat in the second picture, in the third it’s on the pile of rocks. Rocks are stones, that means heavy like ceramic that Bath and Sink and Toilet are of, but not so smooth. Cats and rocks are only TV. In the fifth picture the cat falls down, but cats have nine lives, not like me and Ma with just one each.

Ma nearly always chooses The Runaway Bunny because of how the mother bunny catches the baby bunny in the end and says, “Have a carrot.” Bunnies are TV but carrots are real, I like their loudness. My favorite picture is the baby bunny turned into a rock on the mountain and the mother bunny has to climb up up up to find him. Mountains are too big to be real, I saw one in TV that has a woman hanging on it by ropes. Women aren’t real like Ma is, and girls and boys not either. Men aren’t real except Old Nick, and I’m not actually sure if he’s real for real. Maybe half? He brings groceries and Sundaytreat and disappears the trash, but he’s not human like us. He only happens in the night, like bats. Maybe Door makes him up with a beep beep and the air changes. I think Ma doesn’t like to talk about him in case he gets realer.

I wriggle around on her lap now to look at my favorite painting of Baby Jesus playing with John the Baptist that’s his friend and big cousin at the same time. Mary’s there too, she’s cuddled in her Ma’s lap that’s Baby Jesus’s Grandma, like Dora’s abuela. It’s a weird picture with no colors and some of the hands and feet aren’t there, Ma says it’s not finished. What started Baby Jesus growing in Mary’s tummy was an angel zoomed down, like a ghost but a really cool one with feathers. Mary was all surprised, she said, “How can this be?” and then, “OK let it be.” When Baby Jesus popped out of her vagina on Christmas she put him in a manger but not for the cows to chew, only warm him up with their blowing because he was magic.

Ma switches Lamp off now and we lie down, first we say the shepherd prayer about green pastures, I think they’re like Duvet but fluffy and green instead of white and flat. (The cup overflowing must make an awful mess.) I have some now, the right because the left hasn’t much in it. When I was three I still had lots anytime, but since I was four I’m so busy doing stuff I only have some a few times in the day and the night. I wish I could talk and have some at the same time but I only have one mouth.

I nearly switch off but not actually. I think Ma does because of her breath.

After nap Ma says she’s figured out that we don’t need to ask for a measuring tape, we can make a ruler ourselves.

We recycle the cereal box from Ancient Egyptian Pyramid, Ma shows me to cut a strip that’s as big as her foot, that’s why it’s called a foot, then she puts twelve little lines. I measure her nose that’s two inches long. My nose is one inch and a quarter, I write it down. Ma makes Ruler flip slo-mo somersaults up Door Wall where my talls are, she says I’m three feet three inches.

“Hey,” I say, “let’s measure Room.”

“What, all of it?”

“Do we have something else to do?”

She looks at me strange. “I guess not.”

I write down all the numbers, like the tall of Door Wall to the line where Roof starts equals six feet seven inches. “Guess what,” I tell Ma, “every cork tile is nearly a bit bigger than Ruler.”

“Doh,” she says, slapping her head, “I guess they’re a foot square, I must have made the ruler a little too short. Let’s just count the tiles, then, that’s easier.”

I start counting the tall of Bed Wall, but Ma says all the walls are the same. Another rule is, the wide of the walls is the same as the wide of Floor, I count eleven feet going both ways, that means Floor is a square. Table is a circle so I’m confused, but Ma measures her across the middle where she’s the very widest, that’s three feet nine inches. My chair is three feet two inches tall and Ma’s is the exact same, that’s one less than me. Then Ma’s a bit sick of measuring so we stop.

I color behind the numbers all different with our five crayons that are blue, orange, green, red, brown, when I’m all done the page looks like Rug but crazier, Ma says why don’t I use it as my place mat for dinner.

I choose spaghetti tonight, there’s a fresh broccoli as well that I don’t choose, it’s just good for us. I chop the broccoli into pieces with Zigzag Knife, sometimes I swallow some when Ma’s not looking and she says, “Oh, no, where’s that big bit gone?” but she isn’t really mad because raw things make us extra alive.

Ma does the hotting up on the two rings of Stove that go red, I’m not allowed touch the knobs because it’s Ma’s job to make sure there’s never a fire like in TV. If the rings ever go against something like a dish towel or our clothes even, flames would run all over with orange tongues and burn Room to ashes with us coughing and choking and screaming with the worst pain ever.

I don’t like the smell of broccoli cooking, but it’s not as bad as green beans. Vegetables are all real but ice cream is TV, I wish it was real too. “Is Plant a raw thing?”

“Well, yeah, but not the kind to eat.”

“Why she doesn’t have flowers anymore?”

Ma shrugs and stirs the spaghetti. “She got tired.”

“She should go to sleep.”

“She’s still tired when she wakes up. Maybe the soil in her pot doesn’t have enough food left in it.”

“She could have my broccoli.”

Ma laughs. “Not that kind of food, plant food.”

“We could ask for it, for Sundaytreat.”

“I’ve got a long list of things to ask for already.”

“Where?”

“Just in my head,” she says. She pulls out a worm of spaghetti and bites it. “I think they like fish.”

“Who do?”

“Plants, they like rotten fish. Or is it fish bones?”

“Yuck.”

“Maybe next time we have fish fingers, we can bury a bit under Plant.”

“Not one of my ones.”

“OK, a bit of one of mine.”

The why I like spaghetti best is the song of the meatball, I sing it when Ma fills our plates.

After dinner something amazing, we make a birthday cake. I bet it’s going to be delicioso with candles the same number as me and on fire like I’ve never seen for real.

I’m the best egg blower, I make the goo spill out nonstop. I have to blow three for the cake, I use the pin from the Impression: Sunrise picture because I think the crazy horse would get mad if I took down Guernica, even though I always put the pin back right after. Ma thinks Guernica is the best masterpiece because it’s realest, but actually it’s all mixed up, the horse is screaming with lots of teeth because there’s a spear stabbed in him, plus a bull and a woman holding a floppy kid with his head upside down and a lamp like an eye, and the worst is the big bulgy foot in the corner, I always think it’s going to stamp on me.

I get to lick the spoon, then Ma puts the cake into Stove’s hot tummy. I try juggling with the eggshells all up at the same time. Ma catches one. “Little Jacks with faces?”

“Nah,” I say.

“Will we make them a nest of flour dough? If we defrost those beets tomorrow, we could use the juice to make it purple…”

I shake my head. “Let’s add them to Eggsnake.”

Eggsnake is more longer than all around Room, we’ve been making him since I was three, he lives in Under Bed all coiled up keeping us safe. Most of his eggs are brown but sometimes there’s a white, some have patterns on from pencils or crayons or Pen or bits stuck on with flour glue, a foil crown and a yellow ribbon belt and threads and bits of tissue for hairs. His tongue is a needle, that keeps the red thread going right through him. We don’t bring Eggsnake out much anymore because sometimes he tangles and his eggs get cracked around the holes or even fall off, and we have to use the bits for mosaics. Today I put his needle in one of the holes of the new eggs, I have to dangle it till it comes out the other hole all sharp, it’s pretty tricky. Now he’s three eggs longer, I extra gently wind him up again so all of him fits in Under Bed.

Waiting for my cake takes hours and hours, we breathe in the lovely air. Then when it’s cooling we make stuff called icing but not cold like ice, it’s sugar melted with water. Ma spreads it all over the cake. “Now you can put on the chocolates while I’m washing up.”

“But there aren’t any.”

“Aha,” she says, holding up the little bag and shaking it shickety shick, “I saved a few from Sunday treat three weeks ago.”

“You sneaky Ma. Where?”

She zips her mouth shut. “What if I need a hiding place another time?”

“Tell me!”

Ma’s not smiling anymore. “Shouting hurts my ears.”

“Tell me the hidey place.”

“Jack—”

“I don’t like there to be hidey places.”

“What’s the big deal?”

“Zombies.”

“Ah.”

“Or ogres or vampires—”

She opens Cabinet and takes out the box of rice. She points in the dark hole. “It was just in with the rice that I hid them. OK?”

“OK.”

“Nothing scary would fit in here. You can check anytime.”

There’s five chocolates in the bag, pink, blue, green, and two reds. Some of the color comes off on my fingers when I’m putting them on, I get icing on me and suck it every bit.

Then it’s time for the candles but there aren’t any.

“You’re shouting again,” says Ma, covering her ears.

“But you said a birthday cake, it’s not a birthday cake if there’s no five candles on fire.”

She puffs her breath. “I should have explained better. That’s what the five chocolates say, they say you’re five.”

“I don’t want this cake.” I hate it when Ma waits all quiet. “Stinky cake.”

“Calm down, Jack.”

“You should have asked for candles for Sundaytreat.”

“Well, last week we needed painkillers.”

“I didn’t need any, just you,” I shout.

Ma looks at me like I have a new face she’s never seen. Then she says, “Anyway, remember, we have to choose things he can get easily.”

“But he can get anything.”

“Well, yeah,” she says, “if he went to the trouble—”

“Why he went to trouble?”

“I just mean, he might have to go to two or three stores, and that would make him cranky. And what if he didn’t find the impossible thing, then we probably wouldn’t get Sunday treat at all.”

“But Ma.” I laugh. “He doesn’t go in stores. Stores are in TV.”

She’s chewing her lip. Then she looks at the cake. “Well, anyway, I’m sorry, I thought the chocolates would do instead.”

“Silly Ma.”

“Dumbo.” She slaps her head.

“Numbskull,” I say, but not in a nasty way. “Next week when I’ll be six you better get candles.”

“Next year,” says Ma, “you mean next year.” Her eyes are shut. They always do that sometimes and she doesn’t say anything for a minute. When I was small I thought her battery was used up like happened to Watch one time, we had to ask a new battery for him for Sundaytreat.

“Promise?”

“Promise,” she says, opening her eyes.

She cuts me a humongous piece and I swipe all the five onto mine when she’s not looking, the two reds, the pink, the green, the blue, and she says, “Oh, no, another one’s been swiped, how did that happen?”

“You’ll never find it now, ha ha ha,” I say like Swiper when he swipes a thing from Dora. I pick up one of the reds and zoom it in Ma’s mouth, she moves it to her front teeth that are less rotted and she nibbles it smiling.

“Look,” I show her, “there’s holes in my cake where the chocolates were till just now.”

“Like craters,” she says. She puts her fingertop in one.

“What’s craters?”

“Holes where something happened. Like a volcano or an explosion or something.”

I put the green chocolate back in its crater and do ten, nine, eight, seven, six, five, four, three, two, one, boom. It flies up into Outer Space and around into my mouth. My birthday cake is the best thing I ever ate.

Ma isn’t hungry for any right now. Skylight’s sucking all the light away, she’s nearly black. “It’s the spring equinox,” says Ma, “I remember it said on TV, the morning you were born. There was still snow that year too.”

“What’s equinox?”

“It means equal, when there’s the same amount of dark and light.”

It’s too late for any TV because of the cake, Watch says 08:33. My yellow hoody nearly rips my head off when Ma’s pulling it. I get into my sleep T-shirt and brush my teeth while Ma ties up the trash bag and puts it beside Door with our list that I wrote, tonight it says Please, Pasta, Lentils, Tuna, Cheese (if not too $), O.J., Thanks.

“Can we ask for grapes? They’re good for us.”

At the bottom Ma puts Grapes if poss (or any fresh fruit or canned).

“Can I have a story?”

“Just a quick one. What about… GingerJack?”

She does it really fast and funny, Gingerjack jumps out of the stove and runs and rolls and rolls and runs so nobody can catch him, not the old lady or the old man or the threshers or the plowers. But at the end he’s an idiot, he lets the fox carry him across the river and gets eat up snap.

If I was made of cake I’d eat myself before somebody else could.

We do a quick quick prayer that’s hands clicked together, eyes shut. I pray for John the Baptist and Baby Jesus to come around for a playdate with Dora and Boots. Ma prays for sunshine to melt the snow off Skylight.

“Can I have some?”

“First thing tomorrow,” says Ma, pulling her T-shirt back down.

“No, tonight.”

She points up at Watch that says 08:57, that’s only three minutes before nine. So I run into Wardrobe and lie down on my pillow and wrap up in Blanket that’s all gray and fleecy with the red piping. I’m just under the drawing of me I forgot was there. Ma puts her head in. “Three kisses?”

“No, five for Mr. Five.”

She gives me five then squeaks the doors shut.

There’s still light coming in the slats so I can see some of me in the drawing, the bits like Ma and the nose that’s only like me. I stroke the paper, it’s all silky. I go straight so my head is pressing on Wardrobe and so are my feet. I listen to Ma getting into her sleep T-shirt and taking the killers, always two at night because she says pain is like water, it spreads out as soon as she lies down. She spits toothpaste. “Our friend Zack has an itch on his back,” she says.

I think of one. “Our friend Zah says blah blah blah.”

“Our friend Ebeneezer lives in a freezer.”

“Our friend Dora went to the store-a.”

“That’s a cheat rhyme,” says Ma.

“Oh, man!” I groan like Swiper. “Our friend Baby Jesus… likes to eat cheeses.”

“Our friend Spoon sang a song to the moon.”

The moon is God’s silver face that only comes on special occasions.

I sit and put my face up against the slats, I can see slices of TV that’s off, Toilet, Bath, my blue octopus picture going curly, Ma putting our clothes back in Dresser. “Ma?”

“Mmm?”

“Why am I hided away like the chocolates?”

I think she’s sitting on Bed. She talks quiet so I can hardly hear. “I just don’t want him looking at you. Even when you were a baby, I always wrapped you up in Blanket before he came in.”

“Would it hurt?”

“Would what hurt?”

“If he saw me.”

“No, no. Go to sleep now,” Ma tells me.

“Do the Bugs.”

“Night-night, sleep tight, don’t let the bugs bite.”

The Bugs are invisible but I talk to them and sometimes count, last time I got to 347. I hear the snap of the switch and Lamp goes out all at the same second. Sounds of Ma getting under Duvet.

I’ve seen Old Nick through the slats some nights but never all of him close up. His hair has some white and it’s smaller than his ears. Maybe his eyes would turn me to stone. Zombies bite kids to make them undead, vampires suck them till they’re floppy, ogres dangle them by the legs and munch them up. Giants can be just as bad, be he alive or be he dead I’ll grind his bones to make my bread, but Jack ran away with the golden hen and he was slithering down the Beanstalk quick quick. The Giant was climbing down after him but Jack shouted to his Ma for the ax, that’s like our knives but bigger, and his Ma was too scared to chop the Beanstalk on her own but when Jack got to the ground they did it together and the Giant went smash with all his insides coming out, ha ha. Then Jack was Jack the Giant Killer.

I wonder if Ma’s switched off already.

In Wardrobe I always try to squeeze my eyes tight and switch off fast so I don’t hear Old Nick come, then I’ll wake up and it’ll be the morning and I’ll be in Bed with Ma having some and everything OK. But tonight I’m still on, the cake is fizzing in my tummy. I count my top teeth with my tongue from right to left till ten, then my bottom teeth from left to right, then back the other way, I have to get to ten each time and twice ten equals twenty, that’s how many I have.

There’s no beep beep, it must be a lot after nine. I count my teeth again and get nineteen, I must have done it wrong or else one’s disappeared. I nibble my finger just a bit and then another bit. I wait for hours. “Ma?” I whisper. “Is he not coming or yeah?”

“Doesn’t look like it. Come on in.”

I jump up and shove Wardrobe open, I’m in Bed in two secs. It’s extra hot under Duvet, I have to put my feet out so they don’t burn. I have lots, the left and then the right. I don’t want to be asleep because then it won’t be my birthday anymore.

There’s light flashing at me, it stabs my eyes. I look out of Duvet but squinting. Ma standing beside Lamp and everything bright, then snap and dark again. Light again, she makes it last three seconds then dark, then light for just a second. Ma’s staring up at Skylight. Dark again. She does this in the night, I think it helps her get to sleep again.

I wait till Lamp’s off properly. I whisper in the dark, “All done?”

“Sorry I woke you,” she says.

“That’s OK.”

She gets back into Bed colder than me, I tie my arms around her middle.

Now I’m five and one day.

Silly Penis is always standing up in the morning, I push him down.

When we’re scrubbing hands after peeing, I sing “He’s Got the Whole World in His Hands,” then I can’t think of another hands one, but the dickey bird one is about fingers.

“ ‘Fly away Peter,

Fly away Paul.’ ”

My two fingers zoom all around Room and nearly have a midair collision.

“ ‘Come back Peter,

Come back Paul.’ ”

“I think they’re actually angels,” says Ma.

“Huh?”

“Or no, sorry, saints.”

“What are saints?”

“Extra-holy people. Like angels with no wings.”

I’m confused. “How come they fly off the wall, then?”

“No, that’s the dickey birds, they can fly all right. I just mean they’re named after Saint Peter and Saint Paul, two of Baby Jesus’ friends.”

I didn’t know he has more friends after John the Baptist.

“Actually, Saint Peter was in jail, one time—”

I laugh. “Babies don’t go in jail.”

“This happened when they were all grown up.”

I didn’t know Baby Jesus grows up. “Is Saint Peter a bad guy?”

“No, no, he was put in jail by mistake, I mean it was some bad police who put him there. Anyway, he prayed and prayed to get out, and you know what? An angel flew down and smashed the door open.”

“Cool,” I say. But I prefer when they’re babies running around all nakedy together.

There’s a funny banging sound and a scrunch scrunch. Brightness is coming in Skylight, the dark snow’s nearly gone. Ma’s looking up too, she’s got a small smile on, I think the prayer did magic.

“Is it still the equals thing?”

“Oh, the equinox?” she says. “No, the light’s starting to win a little bit.”

She lets me have cake for breakfast, I never did that before. It’s gone crunchy, but it’s still good.

TV is Wonder Pets!, pretty fuzzy, Ma keeps moving Bunny but he doesn’t sharpen them up much. I make a bow on his wire ear with the purple ribbon. I wish it was Backyardigans, I haven’t met them in ages. Sundaytreat’s not here yet because Old Nick didn’t come last night, actually that was the best bit of my birthday. What we asked is not very exciting anyway, new pants because my black ones have holes instead of knees. I don’t mind the holes but Ma says they make me look homeless, she can’t explain what that is.

After bath I play with the clothes. Ma’s pink skirt is a snake this morning, he’s having a quarrel with my white sock. “I’m Jack’s best friend.”

“No, I’m Jack’s best friend.”

“I banged you.”

“I zapped you.”

“I’m going to pow you with my shooter flyer pump.”

“Yeah, well, I’ve got a jumbo megatron transformerblaster—”

“Hey,” says Ma, “will we play Catch?”

“We don’t have Beach Ball anymore,” I remember her. He burst by accident when I kicked him against Cabinet super fast. I wanted to ask for another instead of stupid pants.

But Ma says we can make one, we scrunch up all the pages I’ve been practicing my writing on and fill a grocery bag and squeeze it till it’s kind of ball shape, then we draw a scary face on it with three eyes. Wordy Ball doesn’t go as high as Beach Ball did but every time we catch him he makes a loud scrunch. Ma’s the best at catching, only it pings her bad wrist sometimes, and I’m the best at throwing.

Because of cake for breakfast we have Sunday pancakes for lunch instead. There isn’t much mix left so they’re thin ones that spread out, I like that. I get to fold them up, some of them crack. There’s not much jelly, so we mix water in that too.

A corner of mine drips, Ma scrubs Floor with Sponge. “The cork’s wearing away,” she says with her teeth shut, “how are we supposed to keep it clean?”

“Where?”

“Here, where our feet rub.”

I get down under Table, there’s a hole in Floor with brown stuff underneath that’s harder on my nail.

“Don’t make it worse, Jack.”

“I’m not, I’m just looking with my finger.” It’s like a tiny crater.

We move Table over to beside Bath so we can sunbathe on Rug right under Skylight where it’s extra warm. I sing “Ain’t No Sunshine,” Ma does “Here Comes the Sun,” I pick “You Are My Sunshine.” Then I want some, the left is extra creamy this afternoon.

God’s yellow face makes red through my lids. When I open it’s too bright to look. My fingers do shadows on Rug, little squished ones.

Ma is snoozing.

I hear a sound so I get up not waking her. Over by Stove, a tiny scritchy scratchy sound.

An alive thing, an animal, for really real not TV. It’s on Floor, eating something, maybe a crumb of pancake. It’s got a tail, I think what it is is, what it is is a mouse.

I go nearer and whee it’s gone under Stove so I hardly saw it, I never knowed anything could go so fast. “O Mouse,” I say in a whisper so he won’t be scared. That’s how to talk to a mouse, it’s in Alice, only she talks about her cat Dinah by mistake and the mouse gets nervous and swims away. I put my hands praying now, “O Mouse, come on back, please, please, please…”

I wait for hours but he doesn’t come.

Ma’s definitely asleep.

I open Refrigerator, she doesn’t have much inside. Mice like cheese, but we haven’t any left. I get out the bread and crumble a bit on a plate and put it down where Mouse was. I crouch down small and wait for more hours and hours.

Then the wonderfulest thing, Mouse puts his mouth out, it’s pointy. I nearly jump in the air but I don’t, I stay extra still. He comes up to the crumbs and sniffs. I’m only about two feet away, I wish I had Ruler to measure but he’s tidied in Box in Under Bed and I don’t want to move and scare Mouse. I watch his hands, his whiskers, his tail all curly. He’s alive for real, he’s the biggest alive thing I ever saw, millions of times bigger than the ants or Spider.

Then something smashes into Stove, whaaaaaack. I scream and stand on the plate by accident, Mouse is gone, where’s he gone? Did the book break him? She’s Pop-Up Airport, I look in all her pages but he’s not there. The Baggage Claim is all ripped and won’t stand up anymore.

Ma’s got a weird face. “You made him gone,” I shout at her.

She’s got BrushPan, she’s sweeping up the broken bits of plate. “What was this doing on the floor? Now we’re down to two big plates and one small, that’s it—

The cook in Alice throws plates at the baby and a saucepan that almost takes off his nose.

“Mouse was liking the crumbs.”

“Jack!”

“He was real, I saw him.”

She drags Stove out, there’s a little crack at the bottom of Door Wall, she gets the bundle of aluminum foil and starts pushing balls of it into the crack.

“Don’t. Please.”

“I’m sorry. But where there’s one there’s ten.”

That’s crazy math.

Ma puts down the foil and holds me hard by my shoulders. “If we let him stay, we’d soon be overrun with his babies. Stealing our food, bringing in germs on their filthy paws…”

“They could have my food, I’m not hungry.”

Ma’s not listening. She shoves Stove back to Door Wall.

After, we use a little bit of tape to make the Hangar page stand up better in Pop-Up Airport, but the Baggage Claim is too torn to fix.

We sit curled up in Rocker and Ma reads me Dylan the Digger three times, that means she’s sorry. “Let’s ask for a new book for Sundaytreat,” I say.

She twists her mouth. “I did, a few weeks ago; I wanted you to have one for your birthday. But he said to quit bugging him, don’t we have a whole shelf of them already.”

I look up past her head at Shelf, she could fit hundreds more books if we put some of the other things in Under Bed beside Eggsnake. Or on top of Wardrobe… but that’s where Fort and Labyrinth live. It’s tricky figuring out where everything’s home is, Ma sometimes says we have to throw things in the trash but I usually find a spot for them.

“He thinks we should just watch TV all the time.”

That sounds fun.

“Then our brains would rot, like his,” says Ma. She leans over to pick up My Big Book of Nursery Rhymes. She reads me one I choose from every page. My bests are the Jack ones, like Jack Sprat or Little Jack Horner.

Jack be nimble,

Jack be quick,

Jack jump over the candlestick.

I think he wanted to see if he could not burn his nightshirt. In TV there’s pajamas instead, or nighties on girls. My sleep T-shirt is my biggest, it has a hole on the shoulder that I like to put my finger in it and tickle myself when I’m switching off. There’s Jackie Wackie pudding and pie, but when I figured out to read I saw it’s actually Georgie Porgie. Ma changed it to fit me, that’s not lying, it’s just pretending. Same with

Jack, Jack, the piper’s son,

Stole a pig and away he run.

It actually says Tom in the book but Jack sounds better. Stealing is when a boy takes what belongs to some boy else, because in books and TV all persons have things that belong just to them, it’s complicated.

It’s 05:39 so we can have dinner, it’s quick noodles. While they’re in the hot water, Ma finds hard words to test me from the milk carton like nutritional that means food, and pasteurized that means laser guns zapped away the germs. I want more cake but Ma says beets chopped all juicy first. Then I have cake that’s pretty crispy now and Ma does too, a little bit.

I get up on Rocker to find Games Box at the end of Shelf, tonight I pick Checkers and I’m going to be red. The pieces are like little chocolates, but I’ve licked them lots of times and they don’t taste like anything. They stick to the board by magnetic magic. Ma likes Chess best but it aches my head.

At TV time she chooses the wildlife planet, there’s turtles burying their eggs in sand. When Alice gets long with eating the mushroom, the pigeon’s mad because she thinks Alice is a nasty serpent trying to eat her pigeon eggs. Here come the turtle babies out of their shells, but the turtle mothers are gone already, that’s weird. I wonder if they meet sometime in the sea, the mothers and the babies, if they know each other or maybe they just swim on by.

The wildlife ends too quick so I switch over to two men only wearing shorts and sneakers and dripping hot. “Uh-oh, hitting’s not allowed,” I tell them. “Baby Jesus is going to be mad.”

The one in yellow shorts bashes the hairy one on the eye.

Ma groans as if she’s hurting. “Do we have to watch this?”

I tell her, “In a minute the police are going to come weee-ahhh weee-ahhh weee-ahhh and lock those bad guys up in jail.”

“Actually, boxing… it’s nasty but it’s a game, it’s kind of allowed if they have those special gloves on. Now time’s up.”

“One game of Parrot, that’s good for vocabulary.”

“OK.” She goes over and switches to the red couch planet where the puffy-hair woman that’s the boss asks the other persons questions and hundreds of other persons clap.

I listen extra hard, she’s talking to a man with one leg, I think he lost the other in a war.

“Parrot,” shouts Ma and she mutes them with the button.

“Most poignant aspect, I think for all our viewers that’s what’s most deeply moving about what you endured—” I run out of words.

“Good pronunciation,” says Ma. “Poignant means sad.”

“Again.”

“The same show?”

“No, a different.”

She finds a news one that’s even harder. “Parrot.” She mutes it again.

“Ah, with the whole labeling debate coming hard on the heels of health-care reform, and bearing in mind of course the midterms—”

“Any more?” Ma waits. “Good, again. But it was labor law, not labeling.

“What’s the difference?”

Labeling is stickers on tomatoes, say, and labor law—

I do a huge yawn.

“Never mind.” Ma grins and switches the TV off.

I hate when the pictures disappear and the screen’s just gray again. I always want to cry but just for a second.

I get on Ma’s lap in Rocker with our legs all jumbled up. She’s the wizard transformed into a giant squid and I’m Prince JackerJack and I escape in the end. We do tickles and Bouncy Bouncy and jaggedy shadows on Bed Wall.

Then I ask for JackerJackRabbit, he’s always doing cunning tricks on that Brer Fox. He lies down in the road pretending to be dead and Brer Fox sniffs him and says, “I better not take him home, he’s too stinky…” Ma sniffs me all over and makes hideous faces and I try not to laugh so Brer Fox won’t know I’m actually alive but I always do.

For a song I want a funny, she starts, “ ‘The worms crawl in, the worms crawl out—’ ”

“ ‘They eat your guts like sauerkraut—,’ ” I sing.

“ ‘They eat your eyes, they eat your nose—’ ”

“ ‘They eat the dirt between your toes—’ ”

I have lots on Bed but my mouth is sleepy. Ma carries me into Wardrobe, she tucks Blanket around my neck, I pull her looser again. My fingers go choo-choo along her red line.

Beep beep, that’s Door. Ma jumps up and makes a sound, I think she hit her head. She shuts Wardrobe tight.

The air that comes in is freezing, I think it’s a bit of Outer Space, it smells yum. Door makes his thump that means Old Nick’s in now. I’m not sleepy anymore. I get up on my knees and look through the slats, but all I can see is Dresser and Bath and a curve of Table.

“Looks tasty.” Old Nick’s voice is extra deep.

“Oh, it’s just the last of the birthday cake,” says Ma.

“Should have reminded me, I could have brought him something. What’s he now, four?”

I wait for Ma to say, but she doesn’t. “Five.” I whisper it.

But she must hear me, because she comes close to Wardrobe and says “Jack” in a mad voice.

Old Nick laughs, I didn’t know he could. “It speaks.”

Why does he say it not he?

“Want to come out of there and try on your new jeans?”

It’s not Ma he’s saying that to, it’s me. My chest starts to go dung dung dung.

“He’s nearly asleep,” says Ma.

No I’m not. I wish I didn’t whisper five so he heard me, I wish I didn’t anything.

Something else I can’t quite hear—

“OK, OK,” Old Nick is saying. “Can I’ve a slice?”

“It’s getting stale. If you really want—”

“No, forget it, you’re the boss.”

Ma doesn’t say anything.

“I’m just the grocery boy, take out your trash, trek around the kidswear aisles, up the ladder to deice your skylight, at your service ma’am…”

I think he’s doing sarcasm, when he says the really opposite with a voice that’s all twisty.

“Thanks for that.” Ma doesn’t sound like her. “It makes it much brighter.”

“There, that didn’t hurt, did it?”

“Sorry. Thanks a lot.”

“Like pulling teeth sometimes,” says Old Nick.

“And thanks for the groceries, and the jeans.”

“You’re welcome.”

“Here, I’ll get you a plate, maybe the middle’s not too bad.”

There’s some clinks, I think she’s giving him cake. My cake.

After a minute he talks blurry. “Yup, pretty stale.”

His mouth is full of my cake.

Lamp goes off snap, that makes me jump. I don’t mind dark but I don’t like when it surprises me. I lie down under Blanket and I wait.

When Old Nick creaks Bed, I listen and count fives on my fingers, tonight it’s 217 creaks. I always have to count till he makes that gaspy sound and stops. I don’t know what would happen if I didn’t count, because I always do.

What about the nights I’m asleep?

I don’t know, maybe Ma does the counting.

After the 217 it’s all quiet.

I hear the TV switch on, it’s just the news planet, I see bits with tanks through the slats that’s not very interesting. I put my head under Blanket. Ma and Old Nick are talking a bit but I don’t listen.

I wake up in Bed and it’s raining, that’s when Skylight’s all blurry. Ma gives me some and she’s doing “Singing in the Rain” very quietly.

Right doesn’t taste yummy. I sit up remembering. “Why you didn’t tell him before that it was my birthday?”

Ma stops smiling. “You’re meant to be asleep when he’s here.”

“But if you told him, he’d brung me something.”

“Bring you something,” she says. “So he says.”

“What kind of something?” I wait. “You should have remembered him.”

Ma stretches her arms over her head. “I don’t want him bringing you things.”

“But Sundaytreat—”

“That’s different, Jack, that’s stuff we need that I ask him for.” She points to Dresser, there’s a blue folded up. “There are your new jeans, by the way.”

She goes over to pee.

“You could ask him for a present for me. I never got a present in my life.”

“Your present was from me, remember? It was the drawing.”

“I don’t want the dumbo drawing.” I’m crying.

Ma dries her hands and comes to hold me. “It’s OK.”

“It might—”

“I can’t hear you. Take a big breath.”

“It might—”

“Tell me what’s the matter.”

“It might be a dog.”

“What might?”

I can’t stop, I have to talk through the crying. “The present. It might be a dog turned to real, and we could call it Lucky.”

Ma wipes my eyes with the flat of her hands. “You know we don’t have room.”

“Yeah we do.”

“Dogs need walks.”

“We walk.”

“But a dog—”

“We run a long long way on Track, Lucky could go beside us. I bet he’d be faster than you.”

“Jack. A dog would drive us nuts.”

“No he wouldn’t.”

“He would so. Cooped up, with the barking, the scratching…”

“Lucky wouldn’t be scratching.”

Ma rolls her eyes. She goes over to Cabinet to get out the cereal, she pours it in our bowls not even counting.

I do a roaring lion face. “In the night when you’re asleep, I’m going to be awake, I’ll pull the foil out of the holes so Mouse will come back.”

“Don’t be silly.”

“I’m not silly, you’re the silly numbskull.”

“Listen, I understand—”

“Mouse and Lucky are my friends.” I’m crying again.

“There is no Lucky.” Ma’s talking with her teeth shut.

“Yeah there is and I love him.”

“You just made him up.”

“Also there’s Mouse, he’s my real friend and you made him gone—”

“Yeah,” shouts Ma, “so he won’t run over your face in the night and bite you.”

I’m crying so much my breath’s all whoopy. I never knowed Mouse would bite my face, I thought that was only vampires.

Ma drops down on Duvet and doesn’t move.

After a minute I go beside her and lie down. I lift her T-shirt to have some, I have to keep stopping to wipe my nose. The left is good but there’s not much.

Later I try on my new jeans. They keep falling down.

Ma pulls at a sticking-out thread.

“Don’t.”

“It was loose already. Cheap piece of—” She doesn’t say what.

“Denim,” I tell her, “that’s what jeans are made of.” I put the thread in Cabinet in Crafts Tub.

Ma gets down Kit to sew some stitches in the waist, after that my jeans stay up.

We have a pretty busy morning. First we undo Pirate Ship that we made last week and turn it into Tank. Balloon is the driver, she used to be as big as Ma’s head and pink and fat, now she’s small like my fist only red and wrinkly. We only blow up one when it’s the first of a month, so we can’t make Balloon a sister till it’s April. Ma plays with Tank too but not as long. She gets sick of things fast, it’s from being an adult.

Monday is a laundry day, we get into Bath with socks, underwears, my gray pants that ketchup squirted on, the sheets and dish towels, and we squish all the dirt out. Ma hots Thermostat way up for the drying, she pulls Clothes Horse out from beside Door and stands him open and I tell him to be strong. I would love to ride him like when I was a baby but I’m so huge now I might break his back. It would be cool to sometimes go smaller again and sometimes bigger like Alice. When we’ve twisted the water out of everything and hanged them up, Ma and me have to rip off our T-shirts and take turns pushing ourselves into Refrigerator to cool down.

Lunch is bean salad, my second worst favorite. After nap we do Scream every day but not Saturdays or Sundays. We clear our throats and climb up on Table to be nearer Skylight, holding hands not to fall. We say “On your mark, get set, go,” then we open wide our teeth and shout holler howl yowl shriek screech scream the loudest possible. Today I’m the most loudest ever because my lungs are stretching from being five.

Then we shush with fingers on lips. I asked Ma once what we’re listening for and she said just in case, you never know.



Continues...

Excerpted from Room by Emma Donoghue Copyright © 2012 by Emma Donoghue. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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Interviews & Essays

Special message from Emma Donoghue:

Some of my longtime fans were startled when I went from publishing historical novels to ROOM, with its highly contemporary storyline of a child growing up with his kidnapped mother in a locked room. But to me, there seemed a natural link. The premise of ROOM was a way of turning what couldn't possibly be more ordinary (kid games, dinners and bedtimes) deeply strange, and I'm still touched by regular emails from readers who've found that the novel makes them see the stuff of their own lives - especially the daily heroism of parenthood - in a new light. Historical fiction, at its best, does the same thing: it finds stories of ordinary human life in distant settings that don't just add 'local colour' to the stories but make you see these passions and struggles in a strong new light. What draws me back to the past, over and over, is its combination of the universal and the deeply strange; one minute you're feeling that the narrator of a story set in the 1700s is more or less like you, but the next minute, you're startled by the fact that their mindset (on, say, marriage or war) is a world away from yours. Something else that makes the past fertile ground for a writer is that the stakes are high: before the twentieth century, decisions were often literally life-or-death. My new collection, ASTRAY, is all about travel - not tourism, but life-or-death journeys. In my mind's eye all the different characters (from a Puritan of the 1600s, to a runaway slave in the Civll War, to a toddler adopted out West in the 1890s) file past me with the weary but strong-hearted look of migrants in any era: nothing, but nothing, is going to get between them and a better life. It's the American dream, and a timeless human dream; that by changing place you can change everything, including who you are. Some of the research I did for ROOM was into how refugees cope with transitions like the one Jack has to go through when he steps into the long-awaited Outside, and that's the theme that runs through ASTRAY too: the extraordinary challenge of adaptation to a new world.
Thanks for being adventurous enough to come with me on my journeys -Emma Donoghue

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Customer Reviews

Average Rating 4
( 3113 )
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See All Sort by: Showing 1 – 20 of 3131 Customer Reviews
  • Posted September 17, 2010

    I Also Recommend:

    EXCELLENT! FRIGHTENING!

    THE ROOM is about the special strength, determination and splendor of a Mother's love and of a woman's will to survive against all odds. This was a fantastic story! It is imaginative, creative, unique and beautifully written. This is narrated and seen through the eyes of a five year old boy, Jack. Imagine seeing the world from the perspective of a child, experiencing life for the first time, his innocent thoughts that adults could actually learn something from. Jack's mother had been kidnapped and placed inside a stifling small space, a bathroom, some basic cooking equipment, and a TV. Over a period of years, she gives birth to Jack, and he too is kept locked inside, so his view of "the world" is so limited, not even to have seen daylight. What imagination it had to have taken to create this realistic view of such horror and innocence. This is an experience to behold and nightmares maybe experienced long after.

    62 out of 67 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted November 23, 2010

    I do not recommend this

    While this was an interesting concept, the novel feel short on many levels. It did not have enough to really keep it going and the voice of jack while often cute, was frankly at times annoying and ever so trite. I was disturbed to the many references to nursing a five year old. Jack's "I want some" was grating. Much of the time the novel seemed voyeuristic.

    There was so much that could have been explored with both Jack and the mother, but it was left out. The book felt gimmicky and since it was based on a real event that defeats the purpose of the story.

    32 out of 76 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Posted September 8, 2010

    more from this reviewer

    Learn to see the world anew!

    In this warped tale of a ma and her 5 yr. old son, everything you know about the world is taken in to question. The child's perspective is unique as he has only ever known Room and when he is let on on to to world for the first time ever you will be saddened and overjoyed as he overcomes the obstacles of this big and different place. Not long in to the story I was truly captivated by the characters and rooting for their triumphs! This book should be read by everyone! Definitely worth your while..

    26 out of 27 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted October 1, 2012

    M

    Here goes harriet klausner again revealing everything. Her along with these other long winded posters needs to be banned and fined. They ruin a book by telling everything that happens. You plot revealers need to stop and realize that other ppl would like to read the book and be surprised, but thanks to your vain, god complex, there is no need to read the book. Look at other reviews, they simply state if they liked the book or not, they dont dissect every plot point. If you want to debate a book, start a web site, go to facebook, BUT STOP RUINING BOOKS FOR OTHERS!!!!!!

    24 out of 45 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Posted October 21, 2010

    A Fascinating Story

    Wow. Really, just wow. This book is, by far, my favorite read of 2010. I admit that coming into it, I was skeptical. SO much hype, so much buzz, so much chatter about how wonderful and fantastic and lovely this book is.could it really hold up to that? Could it deliver as promised? Oh yes.yes it could. It does. It did. Room is -spectacular- on so many levels.

    The story is told from the point of view of Jack, a 5 year old little boy who has never seen the world beyond that of the single room in which he and his mother live. His world consists of that room, his Ma, and the fantasy land inside the television. It's amazing how spot on the author was able to portray a curious, intelligent, and yet very socially handicapped young child. His voice was so plaintive, so real, that it makes the reader want to reach into the pages and hug him close.

    I could just go on and on about every tiny little thing that I absolutely loved about this book, but I still don't think that I could really do it justice. The novel just packs such a huge emotional punch that you really have to read it yourself to experience the beauty of the author's story. Read Room. You will absolutely not regret it.

    23 out of 23 people found this review helpful.

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  • Posted March 2, 2011

    rotten

    Reading an entire book written in the voice of a five year old is challenging, disturbing and annoying. I rarely abandon books I start, but this was an exception. Loathed it.

    12 out of 26 people found this review helpful.

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  • Posted September 16, 2010

    more from this reviewer

    Interesting. That's all.

    Little can be said of the tragic kidnapping and imprisonment from a child's point of view. The ROOM was an interesting and imaginative idea, but not enough for a novel.

    11 out of 29 people found this review helpful.

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  • Posted June 12, 2011

    Not that great...

    I thought the plot of this story was very compelling but the characters were lacking in depth. Responses and clarity could have been better. I chose this book because of the high rating but was very disappointed. I kept reading hoping that it would redeem itself but no such luck. Waste of time.

    7 out of 11 people found this review helpful.

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  • Posted March 9, 2011

    more from this reviewer

    Unique Narrator

    Of all the books that I have ever reviewed, I think that this one is the toughest to do without any spoilers. I was very tempted to plaster a warning on my write-up and go for it, quotes and all, but have decided in the end for a quick, unrevealing version. Due to its celebrity, this was a novel which I approached with some caution. When a book is over-hyped, I tend to walk away disappointed because it didn't live up to my expectations. This was certainly not the best novel I ever read, but it stands out in several respects by virtue of sheer originality. Room is, in brief, the story of a nineteen year old woman who is abducted and held captive in an eleven by eleven foot square modified shed, where she spends seven years in captivity and bears a son, Jack. We see their minuscule world through the eyes of Jack, at the age of five. Jack as narrator was an amazing device for author Emma Donoghue to use and one she pulls off with astonishing aplomb. As I read her stream of conscience type prose, I could hear the voice of a young child in my head. Some reviewers have had difficulty adjusting to the style, but to me it was flawless and perfect for setting the tone of the book, especially in the second half. The second thing that really stood out for me was Ms. Donoghue's amazing attention to the smallest details. She thought of things that never would have even occurred to me, and as a result, the narrative was completely believable throughout. These two factors, the choice and deft handling of the narrator, and her incredible consideration of every possible element of setting and characterization, earn this novel five stars from

    7 out of 9 people found this review helpful.

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  • Posted January 28, 2011

    Excellent Book

    This book gave me great insight as to what its like to be a child....to experience everything for the first time...the demands that adults expect of children...how heinous some people in this world can be... Emma Donohue did a wonderful job with imagining what it must have been like to be locked away for 7 years. My imagination could never have fathomed the circumstances that occur in dwellings like that. (Sigh) Just a great book.

    7 out of 9 people found this review helpful.

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  • Posted October 15, 2010

    HIghly Highly Recommended!!!!!!!!!!!

    Just finished this emotional book...I must say one of the best books I have ever ever had the pleasure of reading. Dont read too much of what it is about, just know it is about a women and child held in captivity...if you dont know Anything else makes this book even more worthy!!!!!!! Im so sad Im done with it!!!!!!!!!!!!

    7 out of 8 people found this review helpful.

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  • Anonymous

    Posted March 23, 2012

    Not a good read

    I didn't enjoy this book at all. The concept was interesting, but telling the story in the voice of a five year old quickly became very annoying. I wouldn't recommend this book to anyone.

    6 out of 7 people found this review helpful.

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  • Posted June 30, 2011

    Please, No More Five-Year-Old Narrators

    I purchased this book because of all the positive reviews it received. I found it difficult to get interested in because of the lack of ability of a five year-old to describe effectively the horror of the situation in which he and his mother were living. The child was unable to capture this reader, and likewise, develop empathy for the characters. Just like listening to a child of this age telling an oral story, a little goes a long way. The sentence fragments, limited vocabulary, and repetition made this novel very tiresome to read. To each his or her own, but I had to force myself to the finish line.

    6 out of 7 people found this review helpful.

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  • Posted September 23, 2010

    Eye Opening!!!

    This book has become one of my all time favorites. The first few pages were a little difficult to adjust due being from a five year old point of view, but after page 5 you were truly captivated.
    Donoghue leaves no detail unmentioned and tells this sad story from a different light. When you normally hear of stories in captivity you always here about the negative, this story is unique in that it tells the true love between a mother and her son.
    A must read!!!

    5 out of 6 people found this review helpful.

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  • Anonymous

    Posted September 21, 2010

    This book crushed me!

    I read this book during my first business trip away from my baby son - big mistake! It's so moving and well-written, clearly based on the Elizabeth Smart story, but not sensationalist. The perspective of Jack as the narrator rings true throughout the book, which is remarkable given the emotional complexity of the issues and characters. It made me want to run home and nurse my son so badly it hurt! This would be a great book club book.

    5 out of 7 people found this review helpful.

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  • Anonymous

    Posted October 1, 2011

    A chore

    This book grabs you and makes you want to read to the end in hopes that it gets better, but it is complete false hope. The book drags on and feels like a chore to read. It is a waste of time.

    4 out of 7 people found this review helpful.

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  • Anonymous

    Posted March 17, 2011

    I wanted to like this book but just could not do it

    I rarely write bad reviews on books because I think the act of writing a book in itself is something that should be praised. However, I could not bring myself to like this book as much as I tried.

    Why?

    The main character "Jack" was utterly annoying! Even though he is five years old and the subject matter was serious, I could not stand the annoying little five year old. Telling the story through his voice, and all his mispronounced English made this book unbearable. There was nothing cutesy about his manner of speech. It was overkill.

    The only person I felt any sympathy for was his mom because she had to put up with being locked in a room with this kid for so long. I also found his whole "I want some" or "can I have some" utterly disturbing!

    3 out of 3 people found this review helpful.

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  • Posted January 16, 2011

    more from this reviewer

    ummmm....

    The narration told via a 5 year old was difficult to get into. The story was worth while, but in the end went on way too long. It's almost as if Ms. Donoghue was attempting to put too much story here and drifted off into territory that was boring and difficult to understand the need for.

    3 out of 9 people found this review helpful.

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  • Posted January 12, 2014

    more from this reviewer

    Interesting and Moving

    Room was a very interesting read. I honestly thought that I wouldn't be able to get into it because it was told from a 5 year old's perspective. I was dead wrong!

    Jack and Ma's relationship was detailed beautifully. Seeing the world from Jack's point of view was very honest. From the moment I began reading, up until the last page, I was intrigued. There are parts that are uncomfortable to read, but very important to the stories progression.

    I am very glad that I've read this book. :)

    2 out of 2 people found this review helpful.

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  • Posted December 24, 2013

    A touching story of a mother-son venture and told from a view-po

    A touching story of a mother-son venture and told from a view-point of a five year old, Room proves to be one of the most peculiar and moving books I have ever read. Never have I encountered or heard of a situation similar to theirs. This proved to be a decent and “disturbing” read.

    2 out of 2 people found this review helpful.

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