Room Full of Mirrors: A Biography of Jimi Hendrix

( 17 )

Overview

It has been more than thirty-five years since Jimi Hendrix died, but his music and spirit are still very much alive for his fans everywhere.

Charles R. Cross vividly recounts the life of Hendrix, from his difficult childhood and adolescence in Seattle through his incredible rise to celebrity in London's swinging sixties. It is the story of an outrageous life--with legendary tales of sex, drugs, and excess--while it also reveals a man who struggled to accept his role as idol and ...

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Overview

It has been more than thirty-five years since Jimi Hendrix died, but his music and spirit are still very much alive for his fans everywhere.

Charles R. Cross vividly recounts the life of Hendrix, from his difficult childhood and adolescence in Seattle through his incredible rise to celebrity in London's swinging sixties. It is the story of an outrageous life--with legendary tales of sex, drugs, and excess--while it also reveals a man who struggled to accept his role as idol and who privately craved the kind of normal family life he never had.

Using never-before-seen documents and private letters, and based on hundreds of interviews with those who knew Hendrix--many of whom had never before agreed to be interviewed--Room Full of Mirrors unlocks the vast mystery of one of music's most enduring legends.

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Editorial Reviews

New York Times
"A detailed, engrossing book."
Janet Maslin
Charles R. Cross's Room Full of Mirrors is a good, solid, surprisingly touching version of Hendrix's story. Its ideal reader is someone who doesn't know or remember all the minutiae of Hendrix's career (there have been many other books for that) but would like to see an insightful omnibus version. Mr. Cross conducted more than 300 interviews, many with Hendrix's fellow musicians. His diligence casts light on poignant, little-known parts of the Hendrix family history, too.
— The New York Times
Publishers Weekly
Cross (Heavier than Heaven: A Biography of Kurt Cobain) turns his thoughtful eye toward another Seattle music icon, Jimi Hendrix (1942-1970). With a storyteller's eye, he captures Hendrix's difficult, poverty-stricken childhood with alcoholic and largely absent parents, rendering it as tragic yet not without its happy, tender moments. After a stint as an army paratrooper, Hendrix knocked around playing guitar in blues clubs in the 1960s, winding up in New York and eventually London, where he established himself as a guitar god, even earning the adulation of the Beatles, before exploding onto the U.S. scene with a 1967 appearance at the Monterey Pop Festival. While replete with tales of rock star excess, Cross's narrative, based on more than 300 interviews, describes Hendrix as thoughtful and craving some semblance of order to his life, even as it became steeped in drug use. Of Hendrix's death at age 27, viewed by many as a possible suicide, Cross makes the best case yet for it being accidental, portraying Hendrix as exhausted, unable to sleep and likely taking nine sleeping pills without much thought. There are a number of Hendrix bios already available, but Cross's surpasses them all, both in terms of research and execution. (Aug.) Copyright 2005 Reed Business Information.
Library Journal
While albums with "rare" or "lost" Jimi Hendrix studio tracks pop up annually, the late guitar god's biographers haven't been as revealing-they tend to regurgitate tired facts or reinforce the image of Hendrix as a rock martyr. Cross, who previously tamed Kurt Cobain's legacy in the best seller Heavier Than Heaven, ends that cycle by tackling Hendrix with authority and objectivity to spin a tale that's as compelling as it is illuminating. Readers are introduced to a boy who grew up in astonishing poverty and social dysfunction in Seattle; Cross also highlights the rocker's faults by detailing Hendrix's exploitation of women and the little-known fact that he was discharged from the military after lying about his sexuality. And he teases readers with passages of letters that Hendrix wrote to his father, Al, before and after becoming famous. Not only does this read like the definitive take on Hendrix but it also positions Cross as the next great rock biographer. Highly recommended for all libraries, especially those in the Pacific Northwest. [See the Q&A with Cross on p. 84.-Ed.]-Robert Morast, Argus Leader, Sioux Falls, SD Copyright 2005 Reed Business Information.
Kirkus Reviews
Kurt Cobain's biographer takes on the great rock guitarist's legacy and misses the mark. Cross, former editor of the Seattle alternative weekly The Rocket, reached bestseller lists with his biography of Nirvana's ill-fated front man (Heavier Than Heaven, 2001). In this book he reconsiders another Washington state icon, ‘60s rock superstar Jimi Hendrix. Due on the eve of the 35th anniversary of Hendrix's death at 27 from an accidental overdose, Cross' biography sits somewhat in the shadow of Keith Shadwick's comprehensive Jimi Hendrix Musician (2003), as well as such precursors as Harry Shapiro and Caesar Glebbeek's Jimi Hendrix: Electric Gypsy (1990) and Charles Shaar Murray's Crosstown Traffic (1989). Cross is strongest in his chapters about Hendrix's deprived upbringing in Seattle and the first stirrings of his musical urges, but his tales of Hendrix's apprenticeship on the Southern chitlin' circuit and his artistic development in the hipster cauldron of Greenwich Village in the mid-‘60s feel underreported. Worse, Hendrix's 1966 arrival in London, where he quickly became the toast of English musical society, reads like a twice-told tale. We hear again that Hendrix slept with his guitar, but little attention is paid to exactly how he developed his stunning musical and technical gifts. His prodigious mastery of the studio, still a large part of the guitarist's testament, receives virtually no scrutiny - his sessions are viewed as just part of the blur that accompanied his snowballing fame. While Hendrix's ascent as a black musician playing for white rock ‘n' roll audiences (and viewed in some quarters as a racial sell-out) is contemplated, Cross seems either unwilling or unable to grapplewith this contradiction, which was so central to Hendrix's inexorable rise. One ultimately understands that Hendrix was crushed by the burden of celebrity, but the sources of that celebrity remain vague. Hendrix's story is finally lost in a purple haze.
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Product Details

  • ISBN-13: 9781401300289
  • Publisher: Hyperion
  • Publication date: 8/3/2005
  • Pages: 400
  • Sales rank: 570,781
  • Product dimensions: 6.50 (w) x 9.50 (h) x 1.12 (d)

Meet the Author

Charles R. Cross, author of the New York Times bestseller Heavier Than Heaven: A Biography of Kurt Cobain, was editor of The Rocket, the Northwest's highly regarded music and entertainment magazine and the first publication ever to do a cover story on Nirvana. He is the author of three other books: Led Zeppelin: Heaven and Hell; Backstreets: Springsteen, the Man and His Music; and Nevermind: The Classic Album. His writing has appeared in Rolling Stone, Esquire, and Spy, among many other publications. He lives in Seattle.
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Read an Excerpt

ROOM FULL OF MIRRORS

A BIOGRAPHY OF JIMI HENDRIX
By CHARLES R. CROSS

HYPERION

Copyright © 2005 Charles R. Cross
All right reserved.

ISBN: 1-4013-0028-6


Chapter One

BETTER THAN BEFORE

* * *

SEATTLE, WASHINGTON January 1875-November 1942

"Dear Al: Congratulations on your fine son. Mother and son are well. Conditions lots better than before. Lucille sends love." -telegram from DeLores Hall to Al Hendrix

JIMI HENDRIX WAS born the day after Thanksgiving, 1942. The healthy arrival of this eight-pound, eleven-ounce baby was seen by all as a true thanksgiving sign from God. When his aunt wired his father with the news, her short telegram included the line "Conditions lots better than before." That statement could serve as an epigraph for the larger history of the Hendrixes to that point, and, in an even wider context, as a wishful summation of the African American experience in the United States: Things had been bad for a long time, and perhaps this new generation could hope for an improvement and a more righteous world. Relatives on both sides of Jimi's family celebrated his birth as a new beginning. "He was the cutest baby you would ever want to see," recalled his aunt Delores Hall. "He was darling."

Jimi was born in the maternity ward of King County Hospital, later called Harborview, in Seattle, Washington. The hospital commanded a majestic view of the large natural harbor of Puget Sound. Seattle was slowly emerging as one of the major American port cities on the Pacific Coast and had a population of 375,000 in 1942. In the wartime years, it was a boomtown where shipyards cranked out navy vessels and the Boeing Airplane Company churned out the B-17 bombers that would win the war for the Allies. In 1942, the factories ran round-the-clock shifts, and a huge influx of laborers expanded the city and forever changed its racial demographics. In the 1900 census, there had been only 406 Seattle residents who reported themselves as black, about one half of 1 percent of the population. In the decade from 1940 to 1950, fueled by the war machine's need for labor and a large migration from the South, the city's population of African Americans ballooned to 15,666, and they became Seattle's largest racial minority.

Neither Jimi's mother nor father was part of the wartime migration, but World War II would nevertheless play a major role in the circumstances of their lives. At the time of Jimi's birth, his father, Al, was a twenty-three-year-old private in the U.S. Army, stationed at Fort Rucker, Alabama. Al had asked his commanding officer for paternity leave to visit Seattle, but he was denied furlough and jailed instead. His superiors told him he'd been imprisoned because they were convinced he would go AWOL to attend the birth. Al was in the stockade when the congratulatory telegram from his sister-in-law arrived. He later complained that white soldiers had been given leave in similar situations, but his complaints fell on deaf ears. Al would not meet his son until the boy was three years old.

Jimi's mother, Lucille Jeter Hendrix, was only seventeen when Jimi was born. Through an inopportune stroke of timing, Lucille found out she was pregnant the same week Al was drafted. They married on March 31, 1942, at the King County, Courthouse in a ceremony performed by a justice of the peace, and they only lived together as man and wife for three days before Al was shipped out. The night before Al left, they partied at the Rocking Chair, a club where Ray Charles would later be discovered. Lucille was under the drinking age, but in the wartime frenzy, that didn't matter to bartenders. The couple toasted an uncertain future and Al's safe return from the service.

The circumstances of fate that gave the newly married couple their first child when Al was three thousand miles away created a wound that would forever fester in the marriage of Al and Lucille. Of course their separation wasn't unusual in the turbulent time of World War II. Once the Japanese attacked Pearl Harbor in December 1941, a harried madness developed in Seattle and other West Coast cities, where fear of a Japanese assault was a backdrop to thousands of families being torn apart. The day before Al and Lucille were married, Seattle became the first city in the nation where Japanese Americans were gathered up and sent to internment camps. Eventually, 12,892 persons of Japanese ancestry from Washington State were imprisoned, including friends and neighbors of the couple.

Yet the relationship between Al and Lucille was strained by more than just the turmoil of the war. Al was short but handsome, while Lucille had an extraordinary youthful beauty that turned heads when she walked down the street. Other than their physical connection and a mutual love of dancing, they shared little to build a marriage on. Both had come from backgrounds of extreme poverty, and Al left Seattle knowing that he would be able to do little to provide for his new wife and child while overseas. Theirs had been a quick romance-a shotgun wedding, really-without the support of friends and family. As a teenage mother-to-be, Lucille faced extreme challenges in the form of her age, race, class, and economic situation. It was Lucille's very poverty that helped breed a deep distrust in Al Hendrix that would cause him to later raise questions of loyalty, fidelity, and paternity.

* * *

PATERNITY AND BLOODLINE had been contentious issues in the Hendrix family tree for centuries. The family history mirrored that of many other slave descendants in that little of it was recorded in the annals of history being written by whites. Jimi Hendrix would become one of the first black rock musicians to appeal to a largely white audience, but his own ethnic ancestry was multiracial and included a complex mix of Native Americans, African slaves, and white slave masters.

Jimi's maternal grandfather was Preston Jeter, born in Richmond, Virginia, on July 14, 1875. His mother had been a slave, and like many former slaves in Richmond, she continued in the same domestic position after the Civil War. Preston's father was his mother's former owner, though whether Preston was the result of rape or a consensual act-if such a thing can be possible in a slave-master relationship-is unknown. As a young man, Preston made the decision to leave the South after he witnessed a lynching. He headed for the Northwest, where he had heard conditions for blacks were better.

Preston was twenty-five when he arrived in Roslyn, Washington, a small mining town eighty miles east of Seattle in the Cascade Mountains. Unfortunately, he found riotous racial violence in Roslyn that mirrored the South, the result of mine management bringing in African Americans to break a strike by white miners. The county sheriff wrote the governor, warning, "There is a bitter feeling against the Negroes and ... I fear there will be bloodshed." A number of racially motivated killings followed. "Murder is a regular thing," one town resident observed.

By 1908, African Americans had become a tolerated, if not an accepted, part of Roslyn's fabric. A photo from that year captures Preston among a group of black miners in front of the only saloon they were allowed to patronize, Big Jim E. Shepperson's Color Club. Still, racial intolerance remained high, and when a mine explosion killed forty-five men, including several African Americans, whites would not allow the black victims to be buried in the town graveyard. Eventually, twenty-four different cemeteries were designated in the town, each devoted to a single ethnicity or fraternal order.

After a decade in Roslyn, Preston left to work mines in Newcastle, Washington. By 1915, he was in Seattle, working as a landscaper. By then in his forties, he entertained hopes of finding a wife. Reading the Seattle Republican, he sported an ad for a young woman looking for a husband.

* * *

THE WOMAN IN the ad was Clarice Lawson, Jimi Hendrix's maternal grandmother. Clarice had been born in Little Rock, Arkansas, in 1894. Like many Arkansas African Americans, her ancestors included both slaves and Cherokees. Clarice would tell her children the U.S. government had hunted down her Cherokee forebears, until slaves hid them and, eventually, intermarried with them.

Clarice had four older sisters, and the quintet of Lawson daughters regularly traveled from their Arkansas home to the Louisiana Delta to pick cotton. On one of these trips, Clarice, who was twenty at the time, was raped. When Clarice later discovered she was pregnant, her sisters decided to take her west and quickly find her a husband. They picked Washington after hearing from railroad workers that the region offered greater opportunity for blacks.

In Seattle, they advertised for a husband, not mentioning Clarice's pregnancy. Preston Jeter responded, and though he was nineteen years older than Clarke, they began to date. When Clarice's sisters pressed him for marriage and gave him a sum of money as a dowry, he grew suspicious and broke off their relationship. Clarice had the child and it was put up for adoption. The sisters offered Preston more money if he would marry the now-grieving Clarice. He agreed, and they were wed in 1915. Though the marriage would last until Preston's death thirty years later, the unusual circumstances of their meeting would strain the relationship.

Both Preston and Clarice had come to the Northwest to start a life in a place where race was less an issue than it was elsewhere. To a degree, this was true in Seattle, which lacked the segregation of the white-only drinking fountains of the Jim Crow South. In the Northwest, however, African Americans encountered a less overt form of discrimination, but one that still limited opportunity. In Seattle, blacks lived almost exclusively in an area called the Central District, four square miles that contained some of the city's oldest, and most decrepit, homes. Outside of this neighborhood, landlords would rarely rent to African Americans, and many townships had laws banning real estate sales to nonwhites.

Although their housing options were limited, African Americans found some benefit in Seattle's de facto segregation. In the Central District, they developed a tight-knit community where ethnic pride was strong and neighborhood ties blossomed. "It was a small enough community that if you didn't know someone, you knew their family," recalled Betty Jean Morgan, a lifelong resident. The neighborhood was also home to Native Americans, as well as Chinese, Italian, German, Japanese, and Filipino immigrants; the local schools were filled with a patchwork of ethnicities. There were enough ethnic and religious minorities in the neighborhood-it was also the center of Jewish life in the city-that a multiculturalism developed that was unique at the time not only in Seattle but also in the entire United States. Historian Esther Hall Mumford titled her history of black Seattle Calabash in a nod to the African tradition of cooking in a pot big enough to feed the village, and that metaphor-a neighborhood inclusive and self-sufficient-was apt for Seattle's Central District in the first half of the twentieth century. Those strong social ties and a warm sense of inclusiveness would have a lasting impact on all who grew up within it.

Seattle's black community had its own newspapers, restaurants, shops, and most gloriously, its own entertainment district, centered on Jackson Street. There, nightclubs and gambling dens featured nationally known jazz and blues acts. So vibrant was the scene that one newspaper editor compared it to Chicago's State Street or Memphis's Beale Street. Though the Jackson Street clubs were not common stops for Preston and Clarice Jeter, this colorful and vibrant netherworld would be an important backdrop for their children's young adulthood and, eventually, for grandchild Jimi Hendrix.

* * *

THE BIGGEST CHALLENGE to blacks in Seattle-and the one that threatened to supersede all others-was finding fair employment. African Americans were tolerated by white Seattle society in most situations, but the only professions open to blacks were service jobs as cooks, waiters, or railroad porters. In a pattern that was familiar, Preston Jeter found work as a longshoreman during a strike; it was a job normally held only by whites. Clarice found work as a domestic, a job that 84 percent of Seattle's African American women held in the 1910 census. Clarice, like most black mothers of the day, cared for white babies at the same time as she began to have children of her own.

Over the next ten years, Clarice would have eight children, two of whom would die in infancy and two who would be adopted out. Lucille, the youngest of the Jeter children, was born in 1925, eight weeks premature. Because of complications from a tumor, as well as postpartum depression, Clarice remained in the hospital for six months after Lucille's birth. Preston, then fifty years old and suffering from health problems of his own, couldn't care for the family, so Lucille's three sisters-Nancy, Gertrude, and Delores-initially raised the baby. The nurses brought her home on a day in December that featured a rare Seattle snowstorm. "They had to walk up the hill in front of our house very carefully with her," recalled Delores Hall, who was four at the time. "They put her in my arms and said, 'Be careful because this is your new sister.'"

The Jeters faced enormous challenges over the next few years. Clarice was in and out of the hospital, suffering from physical and mental health problems, and the children were sent to foster care with a big German family that lived on a small farm north of Greenlake. In this predominantly white area, they were frequently mistaken for Gypsies, another ethnic minority that was shunned by white Seattle.

When Lucille turned ten, the family was living together again in the Central District. As an adolescent, Lucille had remarkably beautiful eyes and a lithe frame. "She had long, thick, dark hair, which was straight, and a beautiful wide smile," said her best friend in junior high, Loreen Lockett. Preston and Clarice were particularly protective of Lucille, who was fifteen before they allowed her to go to dances. Pretty and vivacious, Lucille drew attention even then. "She was a nice-looking girl and a very good dancer," recalled James Pryor. "She was very lightskinned with pretty hair. She could have passed." To "pass" was the African American vernacular for someone with a complexion light enough that they could pass in the world as white. To do so meant a con of sorts, but it opened up a world of employment options denied to most blacks. Even within the African American community at the time, lighter skin and straight hair were equated with beauty, and Lucille had both.

According to all accounts, fifteen-year-old Lucille was proper and a bit immature. She was also gifted with musical talent and could sing. Occasionally, she would enter amateur contests, and at one she won a five-dollar prize. Still, her greatest joy in life was to be on the dance floor with a good partner. One night in November 1941, Lucille stopped by a classmate's home on the way to a dance at Washington Hall. She had just turned sixteen and was in junior high. Like any schoolgirl, she was excited to be going to a concert, and the featured act that night was the legendary jazz pianist Fats Waller. A young man from Canada was visiting her friend. "Lucille," her classmate said, "meet Al Hendrix."

(Continues...)



Excerpted from ROOM FULL OF MIRRORS by CHARLES R. CROSS Copyright © 2005 by Charles R. Cross.
Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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Customer Reviews

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( 17 )
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Sort by: Showing all of 17 Customer Reviews
  • Anonymous

    Posted November 11, 2006

    So Helpful

    For my class project we had to write a 3 page paper on any subject, only using print rescources. Although I didn't buy this book, I checked it out at the JMRL library. This was book was so helpful and interesting I had a hard time making it only 3 pages. I learned so much about Jimi Hendrix that I really understand his music and have an even more compelling feeling to meet him. If you love music, books, biographys, great writing, interesting little nuggets about something, or Jimi Hendrix, you'll defenitely love this book. It's completely outrageously fantastic.

    2 out of 2 people found this review helpful.

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  • Anonymous

    Posted July 27, 2005

    SUPERB HENDRIX BOOK!!

    My absolute favorite Hendrix book of all time. This book is so well written and interesting, that once I started reading it, I could not put it down. It was so full of new or corrected information on Jimi that I felt I was in the Hendrix 'inner circle'. I have read over 30 books on Jimi and I am certain that this is the best one. If I die famous, I hope that Charles Cross does my biography because I know that he will spend the time to get it right.

    2 out of 2 people found this review helpful.

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  • Posted October 10, 2010

    A amazing biography of Hendrix life

    This is a great book for anyone who's a fan of music or Jimi Hendrix. In this book you learn about many of the people that were in Jimi's life, as well as the places in Jimi's life. In the book you learn about his poor childhood to his rich adulthood. You will be able to know about his whole family, all of the bands he was in and his history of guitars. You'll also find out how he moved back and forth when he was a child, how he moved to join the military to how he went to England and after that went everywhere else.

    This is an amazing book that I just couldn't put down. Everybody should read this book even if there not into music because its still a very interesting book. Many of Hendrix biography's had been boring and full of rumors but no facts. In this book you will learn about the rumors and the facts all in one chapter. Anyone who reads it will more then likely instantly like it. This book was a great biography that had a lot of detail in it.
    Student at Hewitt-Trussville High School in Alabama

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted December 24, 2008

    Room Full of Mirrors a revealing read

    I purchased this book for my son for Christmas who chose Hendrix to play when learning the guitar at age 15, the same age Jimi did. Now I know why he chose to play only Hendrix then. He is 29 now and just bought a Stratocaster (how coincidental). I finished reading it last night so I could wrap it and put it under the tree. I couldn't put this book down. It was well written with terrific insight into a legend who still keeps us wondering if he had lived, what creative and prophetic music would he be giving us today. An angel flying too close to the ground. Read this book and transform yourself back to the day when you too slept with your guitar. Because my son did, I know he is going to enjoy this book.<BR/><BR/>Thanks Charles R. Cross for a great read. Please do a follow-up book on the later music publishing of the Hendrix Experience following Jimi's death and combine it into a collective biography on all those remaining 60's American and British rock legends who are still living. I'm sure their individual music journeys would be additionally insightful to music lovers and offer a great Christmas read. No wonder we all love angels at Christmas.

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted May 31, 2007

    WOW!

    I think that a good book needs to grip you and of course you need to be interested in what you are reading. The biography of Jimi Hendrix, Room Full of Mirrors took hold of the way I am a fan of music. To know how Jimi went through so much and how dedicated he was it was really outstanding to learn. The book made me feel energized to go out and accomplish my goals. The book jumped around a little to much at least for me to understand because there were so many different characters it was hard to read in the beginning. Then I got into the later part of the book where it was about Jimi and that is where I couldn't put the book down. I think any book that makes you motivated to accomplish your dreams in life should be read. If you are a music fan and especially when it comes to the guitar or better yet the famous Jimi,I reccomend this book to you. You will not be let down, guarenteed. You have to have interest in the music though and the want to know how Jimi played like a magic man.

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted October 9, 2006

    The complete account of Jimi Hendrix

    Room Full of mirrors: A Biography of Jimi Hendrix by Charles Cross gives a complete account into the life of Jimi Hendrix spanning from his childhood, early struggles as a musician, life in the army, drug usage, life as a world renowned superstar and death. The biography starts out with Jimi as a baby it describes the difficulties Jimi faced with his two dysfunctional parents Al and Lucille. Al rarely treated Jimi with love he was regularly drunk and abused Jimi at the drop of a hat. However Lucille was very nurturing and always made her love known to Jimi. Next, the biography highlights Jimi's early stages of playing guitar and being in a band. His first guitar had only one string, but Jimi managed figure out and play simple melodies using only his ear. After that, Jimi's experience in the army and struggles as a budding musician were depicted. During this time, Jimi had just got out of school and began honing his skills for a quest of pure musical expression. Then finally the biography delves into Jimi¿s superstardom and the events surrounding his untimely death. Throughout the biography, themes of perseverance and determination are very evident. For example when Jimi started out, he had a very long battle with finding work as a musician he constantly starved and went without basic necessities such as clothing that provided warmth and shoes that were worn past the soles in order to pursue a career as a professional musician. Cross highlighted how Jimi never gave up and never took no for an answer. I really enjoyed how Cross gave such a microscopic view of the life of Jimi Hendrix and made reading the biography a sensory experience. I felt that Cross poured his heart and soul into creating such a complete account of the life of Jimi Hendrix. His attention to the minutest of details sets this biography apart from other Hendrix biographies. However, I disliked the fact that some of the details Cross gave were reiterated multiple times where they did not have to be. I would recommend reading this biography because I feel that it gives an indisputably complete and unbiased view into the life of Jimi Hendrix. However more importantly, it is a real life account of someone who started out with nothing and created something so universal and monumental regardless of the numerous setbacks he faced.

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted December 9, 2011

    Highly Recommend

    This book was great because it was short and it went in depth about Jimi Hendrix and his life. This book highlights the highs of overcoming poverty and becoming an immortal in the Rock and Roll industry and lows of his very short life. It was a quick read even though the book is a little over four-hundred pages since I like to play guitar since it was relatable.

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  • Posted December 20, 2010

    Awwwwwww A BIOGRAPHY OF JIMI HENDRIX!! &lt;3

    WOW, GREAT DETAILS, LOTS OF QUOTES, VERY EXPLAINED.. EVERYTHING YOU NEED TO KNOW ABOUT JIMI HENDRIX. IF YOU ARE LOOKING FOR A BOOK REGARDING TO JIMI, THIS IS THE GREATEST CHOICE!

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  • Anonymous

    Posted April 2, 2007

    A reviewer

    Room Full of Mirrors by Charles R. Cross , if you really like Jimi hendrix and want to find out infomation on him you should read this book. But if your not up for the read I dont think you should read this book.This book was good and entertaining but that may just be me because I think jimi hendrix was great and he could play good but this book was really good . On November 27, 1942 in seattle washingtong jimi hendrix was born, Ever since Jimi was a child he wanted to be a rock star but his father wouldnt let him allso in school his grades didnt cutt it he would bring home F's in everything. He lived with his aunt dolores his mother was a alcholic and his father was in the army thats why he would live with his aunt then his father came back from the army then jimi and his younger brother . Jimi and his father al and brother kept on moving places unable to keep a home Al stayed with one of his friends and then when jimi was 14 they got the news that his mother died jimi would allways go in his room and cry according to dolores when they had his mothers funeral they couldnt go and jimi asked why and the father said he didnt have enough money to go but said heres bus money and said you can go but jimi didnt want to and so this was the first time his father gave him alcohol but not the last .He was not altheltic also he played football but was the weakest. Jimi was derpressed from his mothers death for a while. Al bought jimi his first guitar and jimi had to re wire it to to right because he was left handed his friends and family said he would never put it down .He thought him self how to play the guitar but got some ideas from friends and how to play differnt notes. One day he got his guitar stolen and he played gigs and he played for a bang and i guess they put money for him and bought him a new guitar and for sure he wouldnt put this one down then he begain to ask kids around the block if they could teach him some new things then acouple of years later he became famous. Jimi needed glasses but never wrote them because he said he looked nerdy and things like that , that was some of the reasons of him crashin his cars and he was introduced to marijuana bye his band members be played with . Jimi had some conflicts on his way to fame first his mothers death then when he was in the army he had thought he was gay then he went to see a doctor and they said nothing was wrong so they shiped him home they say it was an excuse just to go home but we dont know . He also thought he would become good friends with other famous guitar artest and he did on September 18, 1970 Jimi hendrix died he drowned in his own vomet he was drunk and wanted to go to sleep bout couldnt so he took some sleeping pills but took to many so when he trew up he couldnt move like anyone else and he just drowned in his own vomet. I think this book was really good i give it thumbs up because it was interesting ive learned new things about him and how he grew up and how he grew up and what he had to deal with and some things where sad but seemed like he had a good life but yeah id you want to read a good book you should get this book it is very intertaining.

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  • Anonymous

    Posted October 18, 2006

    The Actual Jimi Hendrix

    Room Full of Mirrors: A Biography of Jimi Hendrix by Charles R. Cross is a beautiful, detailed, and complete account of one of the greatest guitarist¿s of all time and answers much of the mystery surrounding his life. The book gives very detailed accounts throughout Jimi Hendrix¿s life, from his poverty stricken childhood, his problems and experiences with drugs, his struggles and triumphs to becoming one of music¿s greatest performers, and finally to his sudden, mysterious death. It begins with Jimi¿s poverty stricken childhood, with his dysfunctional parents trying to find work, many of his siblings given up for adoption because of birth defects and they could not support them. After his mother¿s death, Jimi was mostly taken care of by other family members, and on and off with his father. His musical side came around when he got his first guitar when he was fourteen that only had one string, trying to make as many sounds as possible and eventually got a real guitar trying to learn by watching others whenever he could. Later, after flunking out of high school, Jimi got involved with the law about a stolen car. This led into having to go into the army and after only little into his service time, he wanted out, and faked being a homosexual and was discharged. Out of the military, he pursued his musical interests and played in many bands, struggled for food and clothing, earing little or no money, and during this time found his style and fine tuned his skills as a guitar player. Then eventually depicts his life when he was discovered, taken and worshiped in Europe and eventually America with The Experience and all the other bands he ever was in. Then suddenly out of nowhere he died at the age of twenty seven from an overdose on sleeping pills and other substances. The story of the life that the biography depicts shows many instances of determination, with even Jimi¿s past of poverty, he was determined to make his living with music and after all his struggles with trying to become famous he eventually became one of its greatest performers and showing that with enough perseverance that anyone can do anything they set their mind to. Another theme present in his biography is his commitment to music and his perfectionism in making his music, and the energy he hade to do all the shows with the intensity that he presented to his audiences. There are many things that I liked about the book, mostly just how detailed it dwells into the life of one my and many others music idols. One of only the few things I didn¿t like about the book was just the sheer length of it and how detailed and much information was presented on some small incidents in the biography. I really enjoyed this biography about one of my greatest musical icons, and I think that people with a real desire and interest in older musical styles, and really want a extremely detailed and unbiased depiction of Jimi Hendrix should read this because it will be remembered by anyone who reads it.

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