Roots is the fictionalized account of Alex Haley's family history and an epic narrative of the African American experience. For many African Americans, the novel and the history-making television miniseries it begot were pivotal in their understanding and appreciation of their origins. The story traces Haley's family history from the imagined birth of his ancestor Kant Kin in an African village in 1750 to the death, seven generations later, of his father in Arkansas. Based on fifteen years of research by Haley, the novel is a combination of fact and fiction—it is often referred to as faction—that puts a human face on the suffering of black people through the ordeal of the Middle Passage, slavery, and Jim Grow. Its combination of compelling, affectionate storytelling and informative history has had a revolutionary effect on the way Americans—black and white—think about the history of a people.
The story, like that of Olaudah Equiano, begins in an idyllic African world destroyed by Europeans. Haley's description of Kinte's journey to America in the hold of a slave ship is harrowing and indelibly memorable. Kinte is enslaved in America but is still proud, refusing to forsake his African name or heritage. He passes on stories of Africa to his daughter, Kizzy, who bears a child, Chicken George. George is a successful cockfighter whose father is also his master—a common situation in the time of slavery but one that is treated with unusual sensitivity here. George passes the stories of his grandfather on to his children, including Tom, who marries a part-Indian woman named Irene. Tom and Irene have eight children, one of whom is Haley's grandmother.
She passes the family stories to her daughter, who passes them on to Haley. Haley, in turn, tells the story, from Kunta Kinte to Chicken George, to his own grandmother, to his children.
Haley has been accused of plagiarism and his book has been criticized for historical inaccuracies, but the novel holds up as a powerful representation of the full African American saga. Haley tells the story of his family—and, by extension, the story of all black people whose family histories are lost in the mists of time—with an immense amount of respect and tenderness. Amidst the undeniable misery of slavery and Jim Crow, he always reveals the outstanding characteristics that sustained his family—spirited resistance, cunning survival instincts, and a will to remember and pass on. James Baldwin captured the book's appeal when he wrote, "Alex Haley's taking us back through time to the village of his ancestors is an act of faith and courage, but this book is also an act of love, and it is this which makes it haunting."
....Roots is a study of continuities, of consequences, of how a people perpetuate themselves, how each generation helps to doom, or helps to liberate, the coming one. -- The New York Times Books of the Century
Praise for Roots
"The book is an act of love, and it is this which makes it haunting."—New York Times
"A gripping mixture of urban confessional and political manifesto, it not only inspired a generation of black activists, but drove home the bitter realities of racism to a mainstream white liberal audience."—Observer
"Groundbreaking"—The Associated Press
"A Pulitzer Prize-winning story about the family ancestry of author Alex Haley…[and] a symbolic chronicle of the odyssey of African Americans from the continent of Africa to a land not of their choosing."—Washington Post
Philadelphia Tribune, 6/7/16
“[A] landmark book.”—Marian Wright Edelman
This is the thirtieth anniversary of this Pulitzer Prize-winning novel. Presenting the life of the captured and enslaved African Kunte Kinte and his American descendants as representative ancestors for contemporary African-Americans, Haley initiated a dialogue on race in America not experienced since the writing of UNCLE TOM’S CABIN. Those audiophiles who have heard Avery Brooks speak extemporaneously are aware of his idiosyncratic speech pattern. Being the consummate actor, Brooks has immersed himself into the role of narrator. In fact, it is difficult to describe what Avery Brooks does in this audiobook. He neither narrates nor performs, rather, he conjures. He brings the plethora of characters to life as memory, as history, as the pawns of diaspora. His narration begins in reverential tones as an homage to a literary masterwork, yet he ends it as a roar against racism. P.R. Winner of AudioFile Earphones Award, AudioFile Best Audiobook of 2007 © AudioFile 2007, Portland, Maine
