Round Amen Corner: The Complete Deram Recordings

Editorial Reviews

All Music Guide - Richie Unterberger
Featuring their British hits "Bend Me, Shape Me" and "Gin House Blues," Amen Corner's debut album was the work of a band who didn't either really fit into any of the trends of the late '60s or qualify as one of the era's more innovative or interesting groups. They were accomplished at what they did, however, which was offer a mix of blue-eyed soul-rock and British pop. Built around the distinctive high vocals of Andy Fairweather Low, they also had unlike most British bands a horn section, as well as a distinguished instrumentalist in organist Blue Weaver. The album was an erratic affair, dragged down by a cover of "Love Me Tender," a sort of vaudeville-ska hybrid in ...
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Editorial Reviews

All Music Guide - Richie Unterberger
Featuring their British hits "Bend Me, Shape Me" and "Gin House Blues," Amen Corner's debut album was the work of a band who didn't either really fit into any of the trends of the late '60s or qualify as one of the era's more innovative or interesting groups. They were accomplished at what they did, however, which was offer a mix of blue-eyed soul-rock and British pop. Built around the distinctive high vocals of Andy Fairweather Low, they also had unlike most British bands a horn section, as well as a distinguished instrumentalist in organist Blue Weaver. The album was an erratic affair, dragged down by a cover of "Love Me Tender," a sort of vaudeville-ska hybrid in "Judge Rumpel Crassila," and some rather uninspired choices of material to interpret, like "Let the Good Times Roll" and Andy Williams' "Can't Get Used to Losing You." On the other hand, they ripped through straight-ahead blue-eyed soul like "Our Love Is in the Pocket" with flair, and "Something You Got" was almost like a U.K. equivalent to late-'60s Stax deep soul ballads. It offered barely any original material, a shame as a couple B-sides of the period with Fairweather Low compositions showed the kind of psychedelic pop-influenced writing more akin to a band like the late-'60s Small Faces. Fortunately, the 1990 CD added those B-sides, "Nema" and "I Know," as bonus tracks, along with two other cuts from 1967-1968 singles, "Satisnek the Job's Worth" the B-side of "Bend Me, Shape Me" and the small British hit single "The World of Broken Hearts."
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Product Details

  • Release Date: 6/5/2012
  • Label: Rpm Records Uk
  • EAN: 5013929599109
  • Catalog Number: 2959910
  • Sales rank: 65,497

Album Credits

Performance Credits
Amen Corner Primary Artist
Mike Smith Tenor Saxophone
Andy Fairweather Low Vocals
Dennis Byron Drums, Vocals
Blue Weaver Hammond Organ, Vocals
Neil Jones Guitar
Clive Taylor Bass Guitar, Vocals
Technical Credits
Elvis Presley Composer
Vandenberg Composer
Mort Shuman Composer
Amen Corner Arranger
Andy Fairweather Low Composer
Kenny Gamble Composer
David Hitchcock Liner Notes
Leon Huff Composer
Doc Pomus Composer
Bill Price Engineer
Noel Walker Producer
Traditional Composer
Paschal Byrne Mastering
John Reed Liner Notes
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