'Round M: Monteverdi Meets Jazz

by Roberta Mameli, La Venexiana, Claudio Cavina

Overview

Taken literally, the slyly clever title 'Round M is a pretty accurate description of this album because it includes not only four madrigals by Monteverdi, but pieces by three contemporaries who worked around him in much the same style and aesthetic. There is also one piece by contemporary composer Antonio Eros Negri, an elaboration of Lamento della ninfa, one of Monteverdi's most famous works, which is included on the album. Also included is Giovanni Felice Sances' Usurpator tiranno, which has an almost identical ground bass as Lamento della ninfa, and is melodically awfully close as well. It makes for a Ninfa-heavy album, but Monteverdi's original and the two other pieces are so appealing that listeners may not object at all. Claudio Cavina and his ensemble La Venexiana have irreproachable credentials as Monteverdi experts. Their recordings of the complete Books of Madrigals and the operas Orfeo and Poppea set the standard for technically impeccable, intelligently informed, and devastatingly expressive performances, so when they set their hands to introducing jazz elements into the composer's music, listeners can be confident that they are not approaching it casually or with any lack of respect. One might not agree with all their decisions (the tone of the saxophone is so guttural and grainy that it clashes with the refined sound of the core ensemble, for instance), but it's clear that these treatments were arrived at thoughtfully. The outstanding soprano Roberta Mameli, who was featured on many of La Venexiana's albums, is equally in her element in the freedom she brings to these performances. Her tone, piercingly pure but full-bodied, and her easy feel for jazz immediately command attention and sometimes amazement. Teatro d'Amore, a 2009 album of Monteverdi madrigals featuring Christina Pluhar and L'Arpeggiata, brought a similar jazz feel to several of its tracks, including Ohime ch'io cado. Counter tenor Philippe Jaroussky's riff on it from that album is closely mirrored by Mameli's and Cavina's, but its jaunty walking bass and eccentric vocal line practically cry out for a loosely jazzy interpretation and might easily have inspired similar versions; besides, both performances are terrific. Listeners who enjoy one of these albums (which have three madrigals in common) are likely to also enjoy the other. Glossa's sound is characteristically exceptional: immaculate and vividly present.~Stephen Eddins

Product Details

Release Date:	09/28/2010
Label:	GLOSSA
UPC:	8424562309173

Tracks

1. Lamento della ninfa
2. Ohim¿¿ ch'io cado
3. Usurpator tiranno
4. Canzonetta spirituale sopra la nanna
5. Pianto di Erinna
6. Romanesca - Ohim¿¿ dov'¿¿ il mio ben
7. S¿¿ dolc'¿¿ il tormento
8. Trasfigurazione della ninfa (after Monteverdi)

Album Credits

Performance Credits

Roberta Mameli   Primary Artist,Soprano (Vocal)
Claudio Cavina   Primary Artist,Conductor
La Venexiana   Primary Artist,Ensemble
Fausto Beccalossi   Accordion
Alberto Lo Gatto   Double Bass
Donato Stolfi   Drums
Emanuele Cisi   Sax (Tenor),Sax (Soprano)

Technical Credits

Giovanni Felice Sances   Composer
Matteo Costa   Engineer
Nicolo Fontei   Composer
Maria Diaz   Editorial Assistant
Carlos Cester   Editorial Director,Executive Producer
Pedro Elias   Text Translation
Eva Reichenberger   Text Translation
Stefano Russomanno   Liner Note Translation
Will Power   Text Translation
Mark Wiggins   Text Translation,Liner Note Translation
Pierre Elie Mamou   Text Translation,Liner Note Translation
Tarquinio Merula   Composer
Claudio Cavina   Producer,Liner Notes
Nicola Dal Maso   Photography
Tom Skipp   Text Translation
Antonio Eros Negri   Composer
Elie Mamou   Liner Note Translation
Bernd Neureuther   Text Translation
Susanne Lowien   Text Translation,Liner Note Translation
Alberto Lo Gatto   Arranger
Claudio Monteverdi   Composer