Roundtrip

by Kirk Whalum

Overview

Contemporary jazz saxophonist Kirk Whalum decided to take a little trip back in time on Roundtrip, back to the Memphis club scene that nurtured him early on, and to record some of his earliest compositions -- and ones written expressly for him -- with fresh ears as well as some new ones. Recording in four different places from Memphis to Los Angeles to New York to England, Whalum asked some old pals to pop in, like Earl Klugh, Jeff Golub, Gerald Albright, and Philippe Saisse, as well as some of his stalwart rocksteady bandmates such as Rex Rideout, drummer Michael White, bassist Melvin Davis, guitarist Mark Jaimes, and trumpeter James McMillan. There are a few other surprises as well, such as the appearance of Kim Fields on "In a Whisper," Shanice on "Inside," and sons Kyle, Hugh, and Kevin making appearances as well. Issued on his own Rendezvous Music imprint, this is Whalum at his most relaxed and celebratory. That said, Roundtrip has no less polish than anything recorded over his nearly 30-year career, and the label was his idea. It's a deeply personal offering that is celebratory in nature rather than merely reflective. The pairing with Klugh on "Ruby Ruby Ruby" is on the money. The keen melodic sensibilities both men possess complement one another perfectly, and the mix is skeletal enough to let Klugh's gorgeous guitar playing stand out. Whalum's tenor playing and the light, Latin-kissed composition are sparse and in the pocket. The reading of Nat Adderley, Jr.'s "The Wave" (the original is from 1988's And You Know That LP on Columbia) doesn't work quite so well in that Saisse does all the keyboards and programming and Whalum just blows over the top. The problem is that the synthetic handclaps add nothing; in fact, they detract from what otherwise might have been a nice funkier version of the tune. "Big 'Ol Shoes," which immediately follows, however, gets right down to it. Co-written by Whalum and Rideout, it's funky in all the right places, with one of those transcendent choruses that Whalum slips into his own tunes so often. The Grover Washington, Jr./Creed Taylor/Kudu feel is all over this one, with some killer keyboard work from Rideout and tasty guitars by Darrell Crooks. The vocal performance by Shanice on "Inside" is a beautiful urban soul and nearly gospel performance, and Whalum lets his vocalist get to it without getting in her way. Producer James McMillan (who co-wrote the cut) keeps his star back in the mix until it's time for him to blow a solo. Kim Fields speaks her track, and it works seamlessly. Rideout, who co-wrote the cut, produces it and takes the same approach with Whalum, though the saxophonist plays more fills, allowing his in-the-pocket sense of lyric improvisation to underscore the vocalist's lines. "Back in the Day" is a slick but fruitful hip-hop track with rapper Caleb tha Bridge and Albright on alto. This is positive hip-hop, with plenty of soul casting a reflective and nostalgic look at the past. Whalum and John Stoddart act as a backing chorus. It's innocent but not cloying, the groove is solid, and the saxophonists playfully entwine around one another and do call and response, ending up playing harmony in the solo break. The chorus has "single" written all over it -- if only the square urban and smooth jazz radio programmers would get out of their rut and test it on an actual audience. The set ends with another early Whalum composition in "Afterthought" from his debut album, Floppy Disk, in 1985. The lithe groove shimmers and swirls as White's backbeat kicks the tune just enough in contrast to the deep bassline of Alex Al and the vibes-like percussion of Kevin Ricard; Rideout's keyboards paint Whalum's backdrop brightly and he blows the tune out of memory, from that charmed place of having the gratitude and sheer lyric talent needed to look back. It's not hollow nostalgia here, but rather the quintessential taste to revisit this tune with so much soul over two decades later and play it like he means it -- only there's wisdom here, too: the tune means something a little different now, and his blowing near the cut's end is full of deep swelling emotion and smoking chops he didn't have in 1985. Anybody could play his old tunes, or replay them, or re-record a greatest-hits album, but Whalum didn't do that; he made something new and beautiful out of his past that points to an even brighter, more aesthetically satisfying future now that he -- instead of another record company -- controls it. Highly recommended. ~ Thom Jurek

Product Details

Release Date:	08/28/2007
Label:	Rendezvous Entertainment
UPC:	0881284513222
Rank:	144751

Tracks

1. Courtney
2. Desperately
3. Ruby Ruby Ruby
4. Glow
5. The Wave
6. Big Ol' Shoes
7. Inside
8. In a Whisper
9. Roundtrip
10. Back in the Day
11. Afterthought

Album Credits

Performance Credits

Kirk Whalum   Primary Artist,Sax (Tenor),Sax (Soprano),Vocals (Background)
Julian Crampton   Guitar (Bass),Bass
Peter Murray   Piano,Fender Rhodes
Chris Carter   Organ
Ekpe Abioto   Percussion
Mark Jaimes   Guitar (Bass),Bass,Guitar
Elijah Holt   Drums
Kenneth Whalum   Sax (Tenor)
Caleb tha Bridge   Rap,Rap,Vocals
Michael White   Drums
Hugh "Peanuts" Whalum   Vocals
Kyle Whalum   Guitar (Bass),Bass
Alex Al   Guitar (Bass),Bass
Melvin Davis   Guitar (Bass),Bass
Philippe Saisse   Keyboards
Martin Ditcham   Percussion
Rex Rideout   Keyboards
Gerald Albright   Sax (Alto)
Kim "Blondielocks" Fields   Spoken Word
Simon Phillips   Drums
James McMillan   Piano,Trumpet,Flugelhorn,Fender Rhodes
Priscilla Jones-Campbell   Vocals (Background)
Kevin Whalum   Vocals
Kevin Ricard   Percussion
Shanice Wilson   Vocals
Earl Klugh   Guitar
John Stoddart   Keyboards,Vocals (Background)
Garry Goin   Guitar
Jeff Golub   Guitar
Darrell Crooks   Guitar

Technical Credits

David Westerhout   Audio Engineer
Dennis Moody   Audio Engineer,Engineer
Ray Bardani   Audio Engineer,Engineer
Ralph Sutton   Audio Engineer
Rex Rideout   Audio Engineer,Audio Production,Engineer,Producer,Programming
James McMillan   Audio Engineer,Audio Production,Arranger,Engineer,Producer,Programming
Garry Goin   Audio Engineer,Audio Production,Engineer,Producer
Kirk Whalum   Audio Production,Producer,Liner Notes
Jared Bryans   Audio Engineer,Engineer
Philippe Saisse   Audio Production,Arranger,Producer,Programming
Alex Lowe   Audio Engineer,Engineer
David Rideau   Engineer
Frank Cody   Executive Producer
Hyman Katz   Executive Producer
Greg Ross   Design,Art Direction
Dave Kox   Executive Producer
Michael Wilson   Cover Photo
Jeff Chiang   Product Manager
Ron Boustead   Mastering