Roy Orbison: The Invention of an Alternative Rock Masculinity

Roy Orbison: The Invention of an Alternative Rock Masculinity

by Peter Lehman
     
 

ISBN-10: 1592130364

ISBN-13: 9781592130368

Pub. Date: 08/28/2003

Publisher: Temple University Press

Roy Orbison's music-whether heard in his own recordings or in cover versions of his songs-is a significant part of contemporary American culture despite the fact that he died almost a generation ago. Few of today's listeners know or remember how startlingly unique he seemed at the height of his career in the early 1960s. In this book, Peter Lehman looks at the long…  See more details below

Overview

Roy Orbison's music-whether heard in his own recordings or in cover versions of his songs-is a significant part of contemporary American culture despite the fact that he died almost a generation ago. Few of today's listeners know or remember how startlingly unique he seemed at the height of his career in the early 1960s. In this book, Peter Lehman looks at the long span of Orbison's career and probes into the uniqueness of his songs, singing, and performance style, arguing that singer/songwriters no less than filmmakers can be considered as auteurs.

Unlike other pop stars, Orbison was a constant presence on the Top 40, but virtually invisible in the media during his heyday. Ignoring the conventions of pop music, he wrote complex songs and sang them with a startling vocal range and power. Wearing black clothes and glasses and standing motionless on stage, he rejected the macho self confidence and strutting that characterized the male rockers of his time. He sang about a man lost in a world of loneliness and fear, one who cried in the dark or escaped into a dream world, the only place his desires could be fulfilled. This was a man who reveled in passivity, pain, and loss.

Lehman traces Orbison's development of this alternative masculinity and the use of his music in films by Wim Wenders and David Lynch. Widely admired by fellow musicians from Elvis to Jagger, Springsteen and Bono, Orbison still attracts new listeners. As a devoted fan and insightful scholar, Lehman gives us a fascinating account of "the greatest white singer on the planet," and a new approach to understanding individual singer/songwriters.

Read More

Product Details

ISBN-13:
9781592130368
Publisher:
Temple University Press
Publication date:
08/28/2003
Series:
Sound Matters Ser.
Pages:
224
Product dimensions:
5.90(w) x 9.00(h) x 0.80(d)

Table of Contents

Acknowledgments
1There Are Many Roy Orbisons1
2Mystery Man: The Evolution of a Dark, Mysterious Persona28
3"Radical Left Turns": The Voice and the Music44
4In (and Out of) Dreams60
5"Crawling Back": The Masochist Aesthetic86
6In David Lynch's Dreams: Roy Orbison at the Movies108
7"The Finest White Pop Singer on the Planet": "Oh, Pretty Woman," 2 Live Crew, and Discourses of Race135
8Beyond the End: Roy Orbison's Posthumous Career and Legacy160
AppAnalysis of Songs and Recordings175
Notes189
Works Cited193
Song Acknowledgments197
Index201

Read More

Customer Reviews

Average Review:

Write a Review

and post it to your social network

     

Most Helpful Customer Reviews

See all customer reviews >