Ruined by Reading: A Life in Books

Overview

A Los Angeles Times Book Review Best Book of 1996

'Without books how could I have become myself?' In this wonderfully written meditation, Lynne Sharon Schwartz offers deeply felt insight into why we read and how what we read shapes our lives. An enchanting celebration of the printed word.

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Overview

A Los Angeles Times Book Review Best Book of 1996

'Without books how could I have become myself?' In this wonderfully written meditation, Lynne Sharon Schwartz offers deeply felt insight into why we read and how what we read shapes our lives. An enchanting celebration of the printed word.

Read More Show Less

Editorial Reviews

Publishers Weekly - Publisher's Weekly
Novelist Schwartz (Disturbances in the Field) learned to read at the age of three, encouraged by parents whom she describes as "people of the book." As a seven-year-old, she was reading every book in her Brooklyn home and remembers being captivated by classics from the Little Leather Library such as "The Little Mermaid," from Andersen's fairy tales; Edward Everett Hale's The Man Without a Country; and The Rubaiyat of Omar Khayyam. In this thought-provoking essay, Schwartz links her sense of self to what she has read over a lifetime. Although she acknowledges that literature has not transformed her life or taught her how to live, reading, to Schwartz, is a pure activity that has made her receptive to the ideas of authors who have enlarged her vision of the world. So intimate is the connection between Schwartz and books that have made an impact upon her emotionally that she cannot bear to see the film version, for example, of A Little Princess, because she does not want to see the author's words transformed visually. Author tour. (May)
Library Journal
When a Chinese scholar recommended not reading in order to keep one's mind free of outside influences, novelist Schwartz (The Fatigue Artist, LJ 4/15/95) was prompted to pen this rambling autobiographical essay on books and reading. At age three, Schwartz was a child prodigy whose reading ability was shown off to guests. In the college catalog, she discovered the interconnectedness of books and ideas. As an adult, she learned that she didn't have to finish every book she started but still couldn't throw away a book, even a bad one. Other readers are sure to find themselves here, getting everything else out of the way in order to finish the day by reading or finding the right book at the right time. Schwartz concludes: "Reading teaches receptivity. Reading gives a context for experience, a myriad of contexts. So much of a child's life is lived for others. All the reading I did behind closed doors...was an act of reclamation. This was the way to make my life my own." Her work will be of interest to school and public libraries.-Nancy Patterson Shires, East Carolina Univ., Greenville, N.C.
Kirkus Reviews
We generally think of potboilers as knocked-off, hack novels meant to bring in some cash and attention ("keep the pot boiling") until the author can come up with another "real" book. How unfortunate, then, to have the word "potboiler" occur to one while reading Scwartz's memoir of her life as a reader.

Schwartz (The Fatigue Artist, 1995, etc.) is known as a novelist whose strong, fiercely felt prose—whose good prose—often fails to cohere in a fully realized novelistic framework. This memoir, alas, is no different. Reading is a great subject. Not nearly enough books or essays (outside academia, anyway) have been devoted to it, and certainly very few have achieved the literary immortality of, say, Walter Benjamin's essay "Unpacking My Library." Because of this, there is a temptation here to be uncritical and lap up the not-insignificant charms of Ruined by Reading—as Schwartz (in a narrative ranging from childhood to success as an author) laps up Heidi, A Little Princess, Martin Pippin in the Daisy Field, etc. The problem is that very little of enduring satisfaction results. Schwartz's reminiscences are centered largely on her child and teenage self—and childhood can be a breeding ground for adult sentimentality and excess. The book will have resonances for many readers—but mainly short- lived ones. Why? Haste (or a sense of it, anyway). Self- indulgence. The good stuff is terrific—as when the college-age Schwartz recommends Kafka to her parents, then receives a phone call from her father reporting a distinct difference in their readings and demanding to know what The Trial was really about. "My heart leaped," she writes. "This was exactly what I wanted. We should theorize this way every waking hour."

Best for an unsophisticated audience of book-lovers: The sophisticates may feel that they could have done it better.

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Product Details

  • ISBN-13: 9780807070833
  • Publisher: Beacon
  • Publication date: 5/30/1997
  • Pages: 119
  • Sales rank: 1,328,612
  • Product dimensions: 5.50 (w) x 8.50 (h) x 0.31 (d)

Meet the Author

Lynne Sharon Schwartz is author of the acclaimed novels The Fatigue Artist, Leaving Brooklyn, and Disturbances in the Field. She lives in New York City.

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  • Posted November 8, 2008

    more from this reviewer

    Ruined by Reading: A Life in Books by Lynne Sharon Schwartz

    As a self-confessed readaholic, I was immediately drawn to "Ruined by Reading: A Life in Books" by Lynne Sharon Schwartz. What did the author mean by this title? What would her story be about? Who could consider reading a ruination of life? After asking myself these questions, I, of course, HAD to get the book. <BR/><BR/>While reading Schwartz's book, I felt wrapped up in a warm blanket. So many times, I thought "Wow. That's me." Without preaching, Schwartz understands and imparts in circular thought how those of us who read almost compulsively and obsessively feel. The story of her love affair with books in some ways reflects how I feel about my reading and it was nice to realize that I'm not alone in my 'illness'.<BR/><BR/>In the end, I think the title is meant to grab the attention of those who will appreciate its sometimes sharp and biting humor and irony. Everything we read changes us in some small or not so small way. And those of us who read in volume do indeed live 'a life in books'.

    2 out of 2 people found this review helpful.

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