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The Rum Diary

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Overview

Begun in 1959 by a twenty-two-year-old Hunter S. Thompson, The Rum Diary is a brilliantly tangled love story of jealousy, treachery, and violent alcoholic lust in the Caribbean boomtown that was San Juan, Puerto Rico, in the late 1950s. The narrator, freelance journalist Paul Kemp, irresistibly drawn to a sexy, mysterious woman, is soon thrust into a world where corruption and get-rich-quick schemes rule and anything (including murder) is permissible. Exuberant and mad, youthful and energetic, this dazzling ...

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The Rum Diary: A Novel

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Overview

Begun in 1959 by a twenty-two-year-old Hunter S. Thompson, The Rum Diary is a brilliantly tangled love story of jealousy, treachery, and violent alcoholic lust in the Caribbean boomtown that was San Juan, Puerto Rico, in the late 1950s. The narrator, freelance journalist Paul Kemp, irresistibly drawn to a sexy, mysterious woman, is soon thrust into a world where corruption and get-rich-quick schemes rule and anything (including murder) is permissible. Exuberant and mad, youthful and energetic, this dazzling comedic romp provides a fictional excursion as riveting and outrageous as Thompson’s Fear and Loathing books.

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Editorial Reviews

From the Publisher
“Crackling, twisted, searing, paced to a deft prose rhythm . . . A shot of Gonzo with a rum chaser.” San Francisco Chronicle

“Enough booze to float a yacht and enough fear and loathing to sink it.” New York Daily News

“A great and an unexpected joy . . . Reveals a young Hunter Thompson brimming with talent.” The Philadelphia Inquirer

“At the core of this hard-drinking, hard-talking, hard-living man is a moralist, Puritan, even an innocent. The Rum Diary gives us this side of him without apology . . . with a kind of pride." The Washington Post Book World

“Thompson flashes signs of the vitriol that would later be turned loose on society.” USA Today

David Kelly
. . .[T]here is . . .none of the maniacal wit and deranged exuberance that roared through the Fear and Loathing books. . . .If you're looking for the birthplace of gonzo, you won't find it here.
The New York Times Book Review
Vanessa V. Friedman
. . .[I]f you don't have a kind of anthropological interest in Thompson, it's not a must-read.
Entertainment Weekly
Mark Athitakis

"The Rum Diary is the potential high water mark of 20th century literature," Hunter S. Thompson wrote in a 1961 letter to his friend and fellow aspiring novelist William Kennedy, referring to the novel he was working on at the time. "It is a novel more gripping than The Ginger Man, more skillfully rendered than The Sergeant, more compassionate than A Death in the Family, and more important than Lie Down in Darkness." Thompson was a journalist in his early 20s at the time, having left New York City to take a string of reporting jobs in Puerto Rico. Nearly a decade away from the so-called "gonzo" reporting on the Hell's Angels and Las Vegas that would make him a national institution, he was prone to such desperate overstatements. But after spending decades languishing on various publishers' desks (although portions of the novel have appeared elsewhere), a reworked Rum Diary has finally appeared, in its modest but youthful glory. While Joyce and Faulkner -- and even Agee -- might have a bone to pick with that "high water mark of 20th century literature" business, it's a remarkably full and mature first novel. Thompson never did tell a lie that didn't have a hint of the truth to it.

Indeed, the story of The Rum Diary is close to Thompson's own early experience in journalism's ink-stained and liquor-soaked trenches. Paul Kemp, a writer who's grown tired of New York, decides on a lark to take a job with the San Juan Daily News. "Why not?" he tells the staff photographer when he arrives. "A man could do worse than the Caribbean." "You should've kept on going south," the photographer grunts. Slowly, Kemp starts peeling layers off of the sunny, rum-laden myth of his new habitat and discovers what his colleague meant: The government is corrupt, the locals are violently opposed to the yanqui interlopers and the paper itself is rapidly collapsing. The novel catalogs numerous scuffles with the law and bitter editors, but the heart of its story is Kemp's collision with himself, whether falling in love with the unattainably beautiful Chenault, a fellow American refugee, or contemplating his morality (and mortality) while trapped in the snare of one lost weekend after another. "I ... sat there and drank, trying to decide if I was getting older and wiser, or just plain old," he says.

The Rum Diary has little of the manic tension or wordplay that pervades much of Thompson's reporting. Instead, it's a languid, lovingly executed book that reveals its emotional depths slowly, at the same pace that Kemp himself discovers the things he fears and loathes about San Juan. Unfortunately, by the time the book reaches its climax at a massive street festival in St. Thomas, there's nothing particularly compelling about Thompson's narrative of the frazzled and alcoholic events that ensue. More existential than gonzo, Kemp keeps busy contemplating his ugly predicament instead of enthusiastically pursuing whatever happens next. "When the sun got hot enough," he recalls, "it burned away all the illusions and I saw the place as it was -- cheap, sullen, and garish -- nothing good was going to happen here." The Rum Diary ultimately becomes not so much a novel about how to live in a foreign land, but a cautionary tale about why it's worth escaping. -- Salon

Nick Meyer
The Rum Diary dwells in that murky territory between fact and fiction -- except that, unlike most of his writing, this work is presented as fiction. . . . This is the innocuous, introspective Thompson, and compared to the reckless, drug-addled maniac of later years, he's not that much fun. -- New York Magazine
From The Critics
If you've ever wondered what Thompson was like before his brain turned into fried eggs-well, you're going to have to keep wondering. This 40-year-old work, a nightmarish three-month odyssey through San Juan on the cusp of its commercialization in the 1950s, is the same kind of faithfully recorded carousing, brawling and passing out that passes for living in all of Thompson's work-but without any of the wit and energy. In fact, it's hard to imagine why it's being published now, unless Thompson needs the money. He can't be proud of it.
-Nan Goldberg
Library Journal
Yes, Thompson has written a novel, but it got lost many years ago and has just resurfaced. Not surprisingly, it's autobiographical, so expect some pretty wild antics as its journalist hero carouses through the tropics.
David Kelly
. . .[T]here is . . .none of the maniacal wit and deranged exuberance that roared through the Fear and Loathing books. . . .If you're looking for the birthplace of gonzo, you won't find it here. -- The New York Times Book Review
Vanessa V. Friedman
. . .[I]f you don't have a kind of anthropological interest in Thompson, it's not a must-read. -- Entertainment Weekly
Kirkus Reviews
The original Gonzo journalist (Proud Highway) spent a sober afternoon going through his archives to find this unpublished novel (his only fiction), written at the start of his career. He might as well have let it rest in peace. Thompson's great achievement as a writer, of course, has been the role he played in the development of the "new journalism"of the 1960s. Making the most of a vicious wit, sharp tongue, and riotous imagination, Thompson infused his reporting—most famously, Fear and Loathing in Las Vegas with a vigor and depth of personality usually associated more with novels than with newspapers, helping thereby to raise the literary status of nonfiction. It's hardly a surprise, then, to learn that Thompson has had a novel locked away in a desk drawer all these years. What's surprising is how much less compelling it is than his journalism. Paul Kemp, the narrator, is a young New Yorker starting out as a newspaperman in Puerto Rico in the late '50s. Soon after arriving in San Juan, he manages to land a job at the 'Daily News', an English-language rag whose staff, an assortment of has-beens, mad geniuses, drunks, and spongers, would seem more at home in the Foreign Legion. The legendary Thompson manner ("Arriving half-drunk in a foreign place is hard on the nerves") is flourished here, all right, and the typical Thompson high jinks of public misbehavior and private lewdness make up most of the story, which is more portrait than tale. There are fights in bars and trouble with cops. There are crazy chicks from Smith who like to undress in public. There are writers who, though broke, always manage to get an assignment just before their landlady evicts them. Andthrough the whole of it, there is one febrile intelligence noticing and reporting on everything that takes place both inside and outside of himself. A fun drive that takes you nowhere much. Thompson fans won't be disappointed, of course, but most everyone else would be better off going to Henry Miller for that sort of thing.
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Product Details

  • ISBN-13: 9781451659719
  • Publisher: Simon & Schuster
  • Publication date: 10/4/2011
  • Edition description: Media Tie-In
  • Pages: 224
  • Sales rank: 59,250
  • Product dimensions: 5.40 (w) x 8.30 (h) x 0.60 (d)

Meet the Author

Hunter S. Thompson

Hunter S. Thompson’s books include Fear and Loathing at Rolling Stone, Fear and Loathing in America, Screwjack, Hell’s Angels, Fear and Loathing in Las Vegas, The Proud Highway, Better Than Sex, and Kingdom of Fear. He was contributor to various national and international publications, including a weekly sports column for ESPN.com. He died in February 2005.

Biography

Hunter S. Thompson has always had taste for starting trouble. As an ornery Kentucky kid, he was the undisputed leader of the pack, getting himself and his willing followers into trouble. Not much has changed -- Thompson still has throngs of supporters and fans and is now an icon of outspoken, unapologetic social commentary.

Thompson realized in high school that he didn't fit in with society at large. Seeking direction, he joined the Air Force after graduation, determined to be a pilot. While on the long waiting list for pilot training, Thompson was offered a position as an editor and sportswriter for Elgin Air Force Base's The Command Courier. He jumped at the chance, quickly excelled as a journalist, and even began moonlighting at a local paper. Despite his numerous offenses against military protocol, he was given an honorable discharge in 1957.

Thompson knew that writing was going to be a fixture in his life. He was an avid letter writer, often mixing fact and fantasy. After allegedly stealing a box of carbon paper when he left the Air Force, he began keeping copies every letter he sent. Eventually, his letters would be published in The Proud Highway: Saga of a Desperate Southern Gentleman 1955-1967 (The Fear and Loathing Letters), three books of love letters, correspondence with his family, and scathing complaint letters to companies Thompson deemed bad for society. The collection is considered a must-read for the glimpse it gives of how desperately Thompson wanted to be a writer.

After the Air Force, Thompson bounced through newspaper jobs, barely making ends meet and working on his first novel, the still unpublished Prince Jellyfish. In 1960 Thompson moved to Puerto Rico. It was less than ideal -- paychecks bounced regularly -- but his time in the Caribbean yielded The Rum Diary. Thompson tried to sell the novel to Random House in the 1960s, but they declined (it was eventually published in 1998).

Thompson's first novel, Hell's Angels: A Strange and Terrible Saga, came out in 1966, catapulting him to fame and intriguing readers with his fast-paced writing and mischievous, wicked sense of humor. With the success of Hell's Angels, Random House finally purchased The Rum Diary. However, as legend has it, Hunter felt that it needed more work, so he convinced a Random House secretary to steal his manuscript back for him.

By the time Thompson released Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream in 1971, he had perfected his signature style, Gonzo Journalism: wild and erratic, capturing events as they happen, stripped of motive yet decidedly fictionalized. Thompson isn't a passive observer but is instead another one of his freaked-out characters. In the voice of Thompson's alter ego, Raoul Duke, he and his attorney, Oscar Acosta (Dr. Gonzo), go on a destructive drug binge while traveling to Las Vegas to report on a motorcycle race and crash a district attorneys' convention. Thompson found an artistic counterpart in illustrator Ralph Steadman, who designed this cover and others. It's classic Thompson and in 1998 was made into a movie staring Johnny Depp.

A self-proclaimed political junkie, Thompson gave his readers a glaring testimony of the truth and lies found while following the 1972 presidential race in Fear and Loathing on the Campaign Trail '72. In fact, one of Thompson's grand, recurring themes is the myth of the American Dream. The four-volume Gonzo Papers consists of articles, essays, and fiction. They are a massive attempt to expose the failure of the American Dream and show where hope is still possible. The four volumes, in order, are The Great Shark Hunt: Strange Tales from a Strange Time (1979), Generation of Swine:Tales of Decadence and Degradation in the Eighties (1988), Songs of the Doomed: More Notes on the Death of the American Dream (1990) and Better than Sex: Trapped like a Rat in Mr. Bill's Neighborhood (1994).

In 1980, Running magazine sent Thompson to Hawaii to cover the Honolulu Marathon. Friend and illustrator Ralph Steadman joined Thompson for the trip, and the result was The Curse of Lono, a fully illustrated, colorful, and strange mix of fiction and travelogue. Another oddity in Thompson's collection of works is his notorious 1991 release, Screwjack, a limited-print novella containing three short stories, ostensibly written by alter ego Raoul Duke.

In Thompson's 2003 release, Kingdom of Fear, he seems to have broken the rules one more time and written his own biography. The book tracks the life of a rebel -- the formative experiences of a wisecracking southern boy questioning authority and the unorthodox journalist who came to personify genre-bending, mind-bending outlaw stories.

Thompson's final book, Hey Rube (2004) brings him full circle; it's a sample of his columns from his stint as a sportswriter for ESPN.com. Thompson doles out searing indictments and uproarious rants while providing brilliant commentary on politics, sex, and sports -- at times all in the same column. Proving once again that he's on top of his game, his keen eye for corruption is as sharp and unforgiving as ever.

Fans and friends were shocked and saddened to learn of Thompson's death in February, 2005. While his narratives are often weird and ugly, he will always be respected and hailed as a professional risk taker, legendary agitator, and literary genius.

Good To Know

True to form, Hunter S. Thompson missed his high school graduation because he was in jail at the time, serving a six-week sentence for robbery.

Thompson once ran for sheriff of Aspen, Colorado, under his own Freak Party, whose platform included changing the city's name to Fat City in hopes of scaring off corporate investors.

Thompson was the original inspiration for Uncle Duke, a larger-than-life controlled substances buff created by Doonesbury cartoonist Gary Trudeau.

Mötley Crüe named their Generation Swine album after Volume Two of Thompson's Gonzo Papers. The book dealt with the debauchery and decadence of the era, and they found it perfect for their sleazy, irreverent brand of rock 'n' roll.

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    1. Also Known As:
      Hunter Stockton Thompson (full name)
    1. Date of Birth:
      July 18, 1937
    2. Place of Birth:
      Louisville, Kentucky
    1. Date of Death:
      February 20, 2005
    2. Place of Death:
      Woody Creek, Colorado

Read an Excerpt

San Juan, Winter of 1958

In the early Fifties, when San Juan first became a tourist town, an ex-jockey named Al Arbonito built a bar in the patio behind his house on Calle O'Leary. He called it Al's Backyard and hung a sign above his doorway on the street, with an arrow pointing between two ramshackle buildings to the patio in back. At first he served nothing but beer, at twenty cents a bottle, and rum, at a dime a shot or fifteen cents with ice. After several months he began serving hamburgers, which he made himself.

It was a pleasant place to drink, especially in the mornings when the sun was still cool and the salt mist came up from the ocean to give the air a crisp, healthy smell that for a few early hours would hold its own against the steaming, sweaty heat that clamps San Juan at noon and remains until long after sundown.

It was good in the evenings, too, but not so cool. Sometimes there would be a breeze and Al's would usually catch it because of the fine location -- at the very top of Calle O'Leary hill, so high that if the patio had windows you could look down on the whole city. But there is a thick wall around the patio, and all you can see is the sky and a few plantain trees.

As time passed, Al bought a new cash register, then he bought wood umbrella-tables for the patio; and finally moved his family out of the house on Calle O'Leary, out in the suburbs to a new urbanizacion near the airport. He hired a large negro named Sweep, who washed the dishes and carried hamburgers and eventually learned to cook.

He turned his old living room into a small piano bar, and got a pianist from Miami, a thin, sad-faced man called Nelson Otto. The piano was midway between the cocktail lounge and the patio. It was an old baby-grand, painted light grey and covered with special shellac to keep the salt air from ruining the finish -- and seven nights a week, through all twelve months of the endless Caribbean summer, Nelson Otto sat down at the keyboard to mingle his sweat with the weary chords of his music.

At the Tourist Bureau they talk about the cooling trade winds that caress the shores of Puerto Rico every day and night of the year -- but Nelson Otto was a man the trade winds never seemed to touch. Hour after muggy hour, through a tired repertoire of blues and sentimental ballads, the sweat dripped from his chin and soaked the armpits of his flowered cotton sportshirts. He cursed the "goddamn shitting heat" with such violence and such hatred that it sometimes ruined the atmosphere of the place, and people would get up and walk down the street to the Flamboyan Lounge, where a bottle of beer cost sixty cents and a sirloin steak was three-fifty.

When an ex-communist named Lotterman came down from Florida to start the San Juan Daily News, Al's Backyard became the English-language press club, because none of the drifters and the dreamers who came to work for Lotterman's new paper could afford the high-price "New York" bars that were springing up all over the city like a rash of neon toadstools. The day-shift reporters and deskmen straggled in about seven, and the night-shift types -- sports people, proofreaders and make-up men -- usually arrived en masse around midnight. Once in a while someone had a date, but on any normal night a girl in Al's Backyard was a rare and erotic sight. White girls were not plentiful in San Juan, and most of them were either tourists, hustlers or airline stewardesses. It was not surprising that they preferred the casinos or the terrace bar at the Hilton.

All manner of men came to work for the News: everything from wild young Turks who wanted to rip the world in half and start all over again -- to tired, beer-bellied old hacks who wanted nothing more than to live out their days in peace before a bunch of lunatics ripped the world in half.

They ran the whole gamut from genuine talents and honest men, to degenerates and hopeless losers who could barely write a postcard -- loons and fugitives and dangerous drunks, a shoplifting Cuban who carried a gun in his armpit, a half-wit Mexican who molested small children, pimps and pederasts and human chancres of every description, most of them working just long enough to make the price of a few drinks and a plane ticket.

On the other hand, there were people like Tom Vanderwitz, who later worked for the Washington Post and won a Pulitzer Prize. And a man named Tyrrell, now an editor of the London Times, who worked fifteen hours a day just to keep the paper from going under.

When I arrived the News was three years old and Ed Lotterman was on the verge of a breakdown. To hear him talk you would think he'd been sitting at the very cross-comers of the earth, seeing himself as a combination of God, Pulitzer and the Salvation Army. He often swore that if all the people who had worked for the paper in those years could appear at one time before the throne of The Almighty -- if they all stood there and recited their histories and their quirks and their crimes and their deviations -- there was no doubt in his mind that God himself would fall down in a swoon and tear his hair.

Of course Lotterman exaggerated; in his tirade he forgot about the good men and talked only about what he called the "wineheads." But there were more than a few of these, and the best that can be said of that staff is that they were a strange and unruly lot. At best they were unreliable, and at worst they were drunk, dirty and no more dependable than goats. But they managed to put out a paper, and when they were not working a good many of them passed the time drinking in Al's Backyard.

They bitched and groaned when -- in what some of them called "a fit of greed" -- Al jacked the price of beer up to a quarter; and they kept on bitching until he tacked up a sign listing beer and drink prices at the Caribbean Hilton. It was scrawled in black crayon and hung in plain sight behind the bar.

Since the newspaper functioned as a clearing-house for every writer, photographer and neo-literate con man who happened to find himself in Puerto Rico, Al got the dubious benefit of this trade too. The drawer beneath the cash register was full of unpaid tabs and letters from all over the world, promising to "get that bill squared away in the near future." Vagrant journalists are notorious welshers, and to those who travel in that rootless world, a large unpaid bar tab can be a fashionable burden.

There was no shortage of people to drink with in those days. They never lasted very long, but they kept coming. I call them vagrant journalists because no other term would be quite as valid. No two were alike. They were professionally deviant, but they had a few things in common. They depended, mostly from habit, on newspapers and magazines for the bulk of their income; their lives were geared to long chances and sudden movement; and they claimed no allegiance to any flag and valued no currency but luck and good contacts.

Some of them were more journalists than vagrants, and others were more vagrants than journalists -- but with a few exceptions they were part-time, freelance, would-be foreign correspondents who, for one reason or another, lived at several removes from the journalistic establishment. Not the slick strivers and jingo parrots who staffed the mossback papers and news magazines of the Luce empire. Those were a different breed.

Puerto Rico was a backwater and the Daily News was staffed mainly by ill-tempered wandering rabble. They moved erratically, on the winds of rumor and opportunity, all over Europe, Latin America and the Far East -- wherever there were English-language newspapers, jumping from one to another, looking always for the big break, the crucial assignment, the rich heiress or the fat job at the far end of the next plane ticket.

In a sense I was one of them -- more competent than some and more stable than others -- and in the years that I carried that ragged banner I was seldom unemployed. Sometimes I worked for three newspapers at once. I wrote ad copy for new casinos and bowling alleys. I was a consultant for the cockfighting syndicate, an utterly corrupt high-end restaurant critic, a yachting photographer and a routine victim of police brutality. It was a greedy life and I was good at it. I made some interesting friends, had enough money to get around, and learned a lot about the world that I could never have learned in any other way.

Like most of the others, I was a seeker, a mover, a malcontent, and at times a stupid hell-raiser. I was never idle long enough to do much thinking, but I felt somehow that my instincts were right. I shared a vagrant optimism that some of us were making real progress, that we had taken an honest road, and that the best of us would inevitably make it over the top.

At the same time, I shared a dark suspicion that the life we were leading was a lost cause, that we were all actors, kidding ourselves along on a senseless odyssey. It was the tension between these two poles -- a restless idealism on one hand and a sense of impending doom on the other-that kept me going.

Copyright © 1998 by Gonzo International Corp.

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First Chapter

My apartment in New York was on Perry Street, a five minute walk from the White Horse. I often drank there, but I was never accepted because I wore a tie. The real people wanted no part of me.

I did some drinking there on the night I left for San Juan. Phil Rollins, who'd worked with me, was paying for the ale, and I was swilling it down, trying to get drunk enough to sleep on the plane. Art Millick, the most vicious cab driver in New York, was there. So was Duke Peterson, who had just come back from the Virgin Islands. I recall Peterson giving me a list of people to look up when I got to St. Thomas, but I lost the list and never met any of them.

It was a rotten night in the middle of January, but I wore a light cord coat. Everyone else had on heavy jackets and flannel suits. The last thing I remember is standing on the dirty bricks of Hudson Street, shaking hands with Rollins and cursing the freezing wind that blew in off the river. Then I got in Millick's cab and slept all the way to the airport.

I was late and there was a line at the reservations desk. I fell in behind fifteen or so Puerto Ricans and one small blonde girl a few places ahead of me. I pegged her for a tourist, a wild young secretary going down to the Caribbean for a two week romp. She had a fine little body and an impatient way of standing that indicated a mass of stored-up energy. I watched her intently, smiling, feeling the ale in my veins, waiting for her to turn around for a swift contact with the eyes.

She got her ticket and walked away toward the plane. There were still three Puerto Ricans in front of me. Two of them did their business and passed on, but the third was stymied by the clerk's refusal to let him carry a huge cardboard box on the plane as hand baggage. I gritted my teeth as they argued.

Finally I broke in. "Hey!" I shouted. "What the hell is this? I have to get on that plane!"

The clerk looked up, disregarding the shouts of the little man in front of me. "What's your name?"

I told him, got my ticket, and bolted for the gate. When I got to the plane I had to shove past five or six people waiting to board. I showed my ticket to the grumbling stewardess and stepped inside to scan the seats on both sides of the aisle.

Not a blonde head anywhere. I hurried up to the front, thinking that she might be so small that her head wouldn't show over the back seat. But she wasn't on the plane and by this time there were only two double seats left. I fell into one on the aisle and put my typewriter on the one next to the window. They were starting the engines when I looked out and saw her coming across the runway, waving at the stewardess who was about to close the door.

"Wait a minute!" I shouted. "Another passenger!" I watched until she reached the bottom of the steps. Then I turned around to smile as she came on. I was reaching for my typewriter, thinking to put it on the floor, when an old man shoved in front of me and sat down in the seat I was saving.

"This seat's taken," I said quickly, grabbing him by the arm.

He jerked away and snarled something in Spanish, turning his head toward the window.

I grabbed him again. "Get up," I said angrily.

He started to yell just as the girl went by and stopped a few feet up the aisle, looking around for a seat. "Here's one," I said, giving the old man a savage jerk. Before she could turn around the stewardess was on me, pulling at my arm.

"He sat on my typewriter," I explained, helplessly watching the girl find a seat far up at the front of the plane.

The stewardess patted the old man's shoulder and eased him back to the seat. "What kind of a bully are you?" she asked me. "I should put you off!"

I grumbled and slumped back in the seat. The old man stared straight ahead until we got off the ground. "You rotten old bastard," I mumbled at him.

He didn't even blink, and finally I shut my eyes and tried to sleep. Now and then I would glance up at the blonde head at the front of the plane. Then they turned out the lights and I couldn't see anything.

It was dawn when I woke up. The old man was still asleep and I leaned across him to look out the window. Several thousand feet below us the ocean was dark blue and calm as a lake. Up ahead I saw an island, bright green in the early morning sun. There were beaches along the edge of it, and brown swamps further inland. The plane started down and the stewardess announced that we should all buckle our safety belts.

Moments later we swept in over acres of palm trees and taxied to a halt in front of the big terminal. I decided to stay in my seat until the girl came past, then get up and walk with her across the runway. Since we were the only white people on the plane, it would seem quite natural.

The others were standing now, laughing and jabbering as they waited for the stewardess to open the door. Suddenly the old man jumped up and tried to scramble over me like a dog. Without thinking, I slammed him back against the window, causing a thump that silenced the crowd. The man appeared to be sick and tried to scramble past me again, shouting hysterically in Spanish.

"You crazy old bastard!" I yelled, shoving him back with one hand and reaching for my typewriter with the other. The door was open now and they were filing out. The girl came past me and I tried to smile at her, keeping the old man pinned against the window until I could back into the aisle. He was raising so much hell, shouting and waving his arms, that I was tempted to belt him in the throat to calm him down.

Then the stewardess arrived, followed by the co-pilot, who demanded to know what I thought I was doing.

"He's been beating that old man ever since we left New York," said the stewardess. "He must be a sadist."

They kept me there for ten minutes and at first I thought they meant to have me arrested. I tried to explain, but I was so tired and confused that I couldn't think what I was saying. When they finally let me go I slunk off the plane like a criminal, squinting and sweating in the sun as I crossed the runway to the baggage room.

It was crowded with Puerto Ricans and the girl was nowhere in sight. There was not much hope of finding her now and I was not optimistic about what might happen if I did. Few girls look with favor on a man of my stripe, a brutalizer of old people. I remembered the expression on her face when she saw me with the old man pinned against the window. It was almost too much to overcome. I decided to get some breakfast and pick up my baggage later on.

The airport in San Juan is a fine, modern thing, full of bright colors and suntanned people and Latin rhythms blaring from speakers hung on naked girders above the lobby. I walked up a long ramp, carrying my topcoat and my typewriter in one hand, and a small leather bag in the other. The signs led me up another ramp and finally to the coffee shop. As I went in I saw myself in a mirror, looking dirty and disreputable, a pale vagrant with red eyes.

On top of my slovenly appearance, I stank of ale. It hung in my stomach like a lump of rancid milk. I tried not to breathe on anyone as I sat down at the counter and ordered sliced pineapple.

Outside, the runway glistened in the early sun. Beyond it a thick palm jungle stood between me and the ocean. Several miles out at sea a sailboat moved slowly across the horizon. I stared for several moments and fell into a trance. It looked peaceful out there, peaceful and hot. I wanted to go into the palms and sleep, take a few chunks of pineapple and wander into the jungle to pass out.

Instead, I ordered more coffee and looked again at the cable that had come with my plane ticket. It said I had reservations at the Condado Beach Hotel.

It was not yet seven o'clock, but the coffee shop was crowded. Groups of men sat at tables beside the long window, sipping a milky brew and talking energetically. A few wore suits, but most of them had on what appeared to be the uniform of the day -- thick-rimmed sunglasses, shiny dark pants and white shirts with short sleeves and ties.

I caught snatches of conversation here and there: "...no such thing as cheap beach-front anymore...yeah, but this ain't Montego, gentlemen...don't worry, he has plenty, and all we need is...sewed up, but we gotta move quick before Castro and that crowd jumps in with..."

After ten minutes of half-hearted listening I suspected I was in a den of hustlers. Most of them seemed to be waiting for the seven-thirty flight from Miami, which -- from what I gathered of the conversations -- would be bulging at the seams with architects, strip-men, consultants and Sicilians fleeing Cuba.

Their voices set my teeth on edge. I have no valid complaint against hustlers, no rational bitch, but the act of selling is repulsive to me. I harbor a secret urge to whack a salesman in the face, crack his teeth and put red bumps around his eyes.

Once I was conscious of the talk I couldn't hear anything else. It shattered my feeling of laziness and finally annoyed me so much that I sucked down the rest of my coffee and hurried out of the place.

The baggage room was empty. I found my two duffel bags and had a porter carry them out to the cab. All the way through the lobby he favored me with a steady grin and kept saying: "Sí, Puerto Rico está bueno...ah, s&#237:, muy bueno...mucho ha-ha, sí..."

In the cab I leaned back and lit a small cigar I'd bought in the coffee shop. I was feeling better now, warm and sleepy and absolutely free. With the palms zipping past and the big sun burning down on the road ahead, I had a flash of something I hadn't felt since my first months in Europe -- a mixture of ignorance and a loose, "what the hell" kind of confidence that comes on a man when the wind picks up and he begins to move in a hard straight line toward an unknown horizon.

We were speeding along a four-lane highway. Stretching off on both sides was a vast complex of yellow housing developments, laced with tall cyclone fences. Moments later we passed what looked like a new subdivision, full of identical pink and blue houses. There was a billboard at the entrance, announcing to all travelers that they were passing the El Jippo Urbanización. A few yards from the billboard was a tiny shack made of palm fronds and tin scraps, and beside it was a hand-painted sign saying "Coco Frío" Inside, a boy of about thirteen leaned on his counter and stared out at the passing cars.

Arriving half-drunk in a foreign place is hard on the nerves. You have a feeling that something is wrong, that you can't get a grip. I had this feeling, and when I got to the hotel I went straight to bed.

It was four-thirty when I woke up, hungry and dirty and not at all sure where I was. I walked out on my balcony and stared down at the beach. Below me, a crowd of women, children and pot-bellied men were splashing around in the surf. To my right was another hotel, and then another, each with its own crowded beach.

I took a shower, then went downstairs to the open-air lobby. The restaurant was closed, so I tried the bar. It showed every sign of having been flown down intact from a Catskill mountain resort. I sat there for two hours, drinking, eating peanuts and staring out at the ocean. There were roughly a dozen people in the place. The men looked like sick Mexicans, with thin little mustaches and silk suits that glistened like plastic. Most of the women were Americans, a brittle-looking lot, none of them young, all wearing sleeveless cocktail dresses that fit like rubber sacks.

I felt like something that had washed up on the beach. My wrinkled cord coat was five years old and frayed at the neck, my pants had no creases and, although it had never occurred to me to wear a tie, I was obviously out of place without one. Rather than seem like a pretender, I gave up on rum and ordered a beer. The bartender eyed me sullenly and I knew the reason why -- I was wearing nothing that glistened. No doubt it was the mark of a bad apple. In order to make a go of it here, I would have to get some dazzling clothes.

At six-thirty I left the bar and walked outside. It was getting dark and the big Avenida looked cool and graceful. On the other side were homes that once looked out on the beach. Now they looked out on hotels and most of them had retreated behind tall hedges and walls that cut them off from the street. Here and there I could see a patio or a screen porch where people sat beneath fans and drank rum. Somewhere up the street I heard bells, the sleepy tinkling of Brahms' Lullaby.

I walked a block or so, trying to get the feel of the place, and the bells kept coming closer. Soon an ice-cream truck appeared, moving slowly down the middle of the street. On its roof was a giant popsicle, flashing on and off with red neon explosions that lit up the whole area. From somewhere in its bowels came the clanging of Mr. Brahms' tune. As it passed me, the driver grinned happily and blew his horn.

I immediately hailed a cab, telling the man to take me to the middle of town. Old San Juan is an island, connected to the mainland by several causeways. We crossed on the one that comes in from Condado. Dozens of Puerto Ricans stood along the rails, fishing in the shallow lagoon, and off to my right was a huge white shape beneath a neon sign that said Caribé Hilton. This, I knew, was the cornerstone of The Boom. Conrad had come in like Jesus and all the fish had followed. Before Hilton there was nothing; now the sky was the limit. We passed a deserted stadium and soon we were on a boulevard that ran along a cliff. On one side was the dark Atlantic, and, on the other, across the narrow city, were thousands of colored lights on cruise ships tied up at the waterfront. We turned off the boulevard and stopped at a place the driver said was Plaza Colón. The fare was a dollar-thirty and I gave him two bills.

He looked at the money and shook his head.

"What's wrong?" I said.

He shrugged. "No change, señor."

I felt in my pocket -- nothing but a nickel. I knew he was lying, but I didn't feel like taking the trouble to get a dollar changed. "You goddamn thief," I said, tossing the bills in his lap. He shrugged again and drove off.

The Plaza Colón was a hub for several narrow streets. The buildings were jammed together, two and three stories high, with balconies that hung out over the street. The air was hot, and a smell of sweat and garbage rode on the faint breeze. A chatter of music and voices came from open windows. The sidewalks were so narrow that it was an effort to stay out of the gutter, and fruit vendors blocked the streets with wooden carts, selling peeled oranges for a nickel each.

I walked for thirty minutes, looking into windows of stores that sold "Ivy Liga" clothes, peering into foul bars full of whores and sailors, dodging people on the sidewalks, thinking I would collapse at any moment if I didn't find a restaurant.

Finally I gave up. There seemed to be no restaurants in the Old City. The only thing I saw was called the New York Diner, and it was closed. In desperation, I hailed a cab and told him to take me to the Daily News.

He stared at me.

"The newspaper!" I shouted, slamming the door as I got in.

"Ah, sí," he murmured. "El Diario, sí."

"No, goddamnit," I said. The Daily News -- the American newspaper -- El News."

He had never heard of it, so we drove back to Plaza Colón, where I leaned out the window and asked a cop. He didn't know either, but finally a man came over from the bus stop and told us where it was.

We drove down a cobblestone hill toward the waterfront. There was no sign of a newspaper, and I suspected he was bringing me down here to get rid of me. We turned a corner and he suddenly hit his brakes. Just ahead of us was some kind of a gang-fight, a shouting mob, trying to enter an old greenish building that looked like a warehouse.

"Go on," I said to the driver. "We can get by."

He mumbled and shook his head.

I banged my fist on the back of the seat. "Get going! No move -- no pay."

He mumbled again, but shifted into first and angled toward the far side of the street, putting as much distance as possible between us and the fight. He stopped as we came abreast of the building and I saw that it was a gang of about twenty Puerto Ricans, attacking a tall American in a tan suit. He was standing on the steps, swinging a big wooden sign like a baseball bat.

"You rotten little punks!" he yelled. There was a flurry of movement and I heard the sound of thumping and shouting. One of the attackers fell down in the street with blood on his face. The large fellow backed toward the door, waving the sign in front of him. Two men tried to grab it and he whacked one of them in the chest, knocking him down the steps. The others stood away, yelling and shaking their fists. He snarled back at them: "Here it is, punks -- come get it!"

Nobody moved. He waited a moment, then lifted the sign over his shoulder and threw it into their midst. It hit one man in the stomach, driving him back on the others. I heard a burst of laughter, then he disappeared into the building.

"Okay," I said, turning back to the driver. "That's it -- let's go."

He shook his head and pointed at the building, then at me. "Sí, estÿ News." He nodded, then pointed again at the building. "Sí," he said gravely.

It dawned on me that we were sitting in front of the Daily News -- my new home. I took one look at the dirty mob between me and the door, and decided to go back to the hotel. Just then I heard another commotion. A Volkswagen pulled up behind us and three cops got out, waving long billyclubs and yelling in Spanish. Some of the mob ran, but others stayed to argue. I watched for a moment, then gave the driver a dollar and ran into the building.

A sign said the News editorial office was on the second floor. I took an elevator, half expecting to find myself lifted into the midst of more violence. But the door opened on a dark hall, and a little to my left I heard the noise of the city room.

The moment I got inside I felt better. There was a friendly messiness about the place, a steady clatter of typewriters and wire machines, even the smell was familiar. The room was so big that it looked empty, although I could see at least ten people. The only one not working was a small, black-haired man at a desk beside the door. He was tilted back in a chair, staring at the ceiling.

I walked over and as I started to speak he jerked around in the chair. "All right!" he snapped. "What the fuck are you after?"

I glared down at him. "I start work here tomorrow," I said. "My name's Kemp, Paul Kemp."

He smiled faintly. "Sorry -- thought you were after my film."

"What?" I said.

He grumbled something about being "robbed blind," and "watching it like a hawk."

I glanced around the room. "They look normal."

He snorted. "Thieves -- packrats." He stood up and held out his hand. "Bob Sala, staff photographer," he said. "What brings you in tonight?"

"I'm looking for a place to eat."

He smiled. "You broke?"

"No, I'm rich -- I just can't find a restaurant."

He dropped back in his chair. "You're lucky. The first thing you learn here is to avoid restaurants."

"Why?" I said. "Dysentery?"

He laughed. "Dysentery, crabs, gout, Hutchinson's Disease -- you can get anything here, anything at all." He looked at his watch. "Wait about ten minutes and I'll take you up to Al's."

I moved a camera out of the way and sat down on his desk. He leaned back and stared again at the ceiling, scratching his wiry head from time to time and apparently drifting off to some happier land where there were good restaurants and no thieves. He looked out of place here -- more like a ticket-taker at some Indiana carnival. His teeth were bad, he needed a shave, his shirt was filthy, and his shoes looked like they'd come from the Goodwill.

We sat there in silence until two men came out of an office on the other side of the room. One was the tall American I'd seen fighting in the street. The other was short and bald, talking excitedly and gesturing with both hands.

"Who's that?" I asked Sala, pointing at the tall one.

He looked. "The guy with Lotterman?"

I nodded, presuming the short one to be Lotterman.

"His name's Yeamon," said Sala, turning back to the desk. "He's new -- got here a few weeks ago."

"I saw him fighting outside," I said. "A bunch of Puerto Ricans jumped him right in front of the building."

Sala shook his head. "That figures -- he's a nut." He nodded. "Probably mouthed off at those union goons. It's some kind of a wildcat strike -- nobody knows what it means."

Just then Lotterman called across the room: "What are you doing, Sala?"

Sala didn't look up. "Nothing -- I'm off in three minutes."

"Who's that with you?" Lotterman asked, eyeing me suspiciously.

"Judge Crater," Sala replied. "Might be a story."

"Judge who?" said Lotterman, advancing on the desk.

"Never mind," said Sala. "His name is Kemp and he claims you hired him."

Lotterman looked puzzled. "Judge Kemp?" he muttered. Then he smiled broadly and held out both hands. "Oh yes -- Kemp! Good to see you, boy. When did you get in?"

"This morning," I said, getting off the desk to shake hands. "I slept most of the day."

"Good!" he said. "That's very smart." He nodded emphatically. "Well, I hope you're ready to go."

"Not right now," I said. "I have to eat."

He laughed. "Oh no -- tomorrow. I wouldn't put you to work tonight." He laughed again. "No, I want you boys to eat" He smiled down at Sala. "I suppose Bob's going to show you the town, eh?"

"Sure I am," said Sala. "Do it on the old expense account, eh?"

Lotterman laughed nervously. "You know what I mean, Bob -- let's try to be civil." He turned and waved at Yeamon, who was standing in the middle of the room, examining a rip in the armpit of his coat.

Yeamon came toward us with a long bow-legged stride, smiling politely when Lotterman introduced me. He was tall, with a face that was either arrogant or something else that I couldn't quite place.

Lotterman rubbed his hands together. "Yessir, Bob," he said with a grin. "We're getting a real team together, eh?" He slapped Yeamon on the back. "Old Yeamon just had a scrape with those communist bastards outside," he said. "They're savage -- they should be locked up."

Sala nodded. "They'll kill one of us pretty soon."

"Don't say that, Bob," said Lotterman. "Nobody's going to be killed."

Sala shrugged.

"I called Commissioner Rogan about it this morning," Lotterman explained. "We can't tolerate this sort of thing -- it's a menace."

"Damn right it is," Sala replied. "To hell with Commissioner Rogan -- we need a few Lugers." He stood up and pulled his coat off the back of the chair. "Well, time to go." He looked at Yeamon. "We're going up to Al's -- you hungry?"

"I'll be up later on," Yeamon replied. "I want to check by the apartment and see if Chenault's still asleep."

"Okay," said Sala. He waved me toward the door. "Come on. We'll go out the back way -- I don't feel like a fight."

"Be careful, boys," Lotterman called after us. I nodded and followed Sala into the hall. At the rear of the building a stairway led down to a metal door. Sala poked at it with a pocket knife and it swung open. "Can't do it from outside," he explained as I followed him into the alley.

His car was a tiny Fiat convertible, half eaten away by rust. It wouldn't start and I had to get out and push. Finally it kicked over and I jumped in. The engine roared painfully as we started up the hill. I didn't think we'd make it, but the little car staggered manfully over the crest and started up another steep hill. Sala seemed unconcerned with the strain, riding the clutch whenever we threatened to stall.

We parked in front of Al's and went back to the patio. "I'm getting three hamburgers," said Sala. "That's all he serves."

I nodded. "Anything -- I need bulk."

He called to the cook and told him we wanted six hamburgers. "And two beers," he added. "Real quick."

"I'll have rum," I said.

"Two beers and two rums," Sala shouted. Then he leaned back in his chair and lit a cigarette. "You a reporter?"

"Yeah," I said.

"What brings you down here?"

"Why not?" I replied. "A man could do worse than the Caribbean."

He grunted. "This isn't the Caribbean -- you should have kept on going south."

The cook shuffled across the patio with our drinks. "Where were you before this?" Sala asked, lifting his beers off the tray.

"New York," I said. "Before that, Europe."

"Where in Europe?"

"All over -- mainly Rome and London."

"Daily American?" he asked.

"Yeah," I said. "I had a fill-in job for six months."

"You know a guy named Fred Ballinger?" he asked.

I nodded.

"He's here," Sala said. "He's getting rich."

I groaned. "Man, what a jackass."

"You'll see him," he said with a grin. "He hangs around the office."

"What the hell for?" I snapped.

"Sucks up to Donovan." He laughed. "Claims he was sports editor of the Daily American."

"He was a pimp!" I said.

Sala laughed. "Donovan threw him down the stairs one night -- he hasn't been around for a while."

"Good," I said. "Who's Donovan -- the sports editor?"

He nodded. "A drunkard -- he's about to quit."

"Why?"

He laughed. "Everybody quits -- you'll quit. Nobody worth a shit can work here." He shook his head. "People dropping out like flies. I've been here longer than anybody -- except Tyrrell, the city editor, and he's going soon. Lotterman doesn't know it yet -- that'll be it -- Turrell's the only good head left." He laughed quickly. "Wait till you meet the managing editor -- can't even write a headline."

"Who's that?" I said.

"Segarra -- Greasy Nick. He's writing the governor's biography. Any time of the day or night he's writing the governor's biography -- can't be disturbed."

I sipped my drink. "How long have you been here?" I asked him.

"Too long, more than a year."

"Couldn't be too bad," I said.

He smiled. "Hell, don't let me throw you off. You may like it -- there's a type that does."

"What type is that?" I asked.

"Bagmasters," he replied. "The wheelers and the dealers -- they love it here."

"Yeah," I said. "I got that feeling at the airport." I looked over at him. "What keeps you here? It's only forty-five dollars to New York."

He snorted. "Hell, I make that much in an hour -- just for punching a button."

"You sound greedy," I said.

He grinned. "I am. There's nobody on the island greedier than me. Sometimes I feel like kicking myself in the balls."

Sweep arrived with our hamburgers. Sala grabbed his off the tray -- and opened them up on the table, throwing the lettuce and tomato slices into the ashtray. "You brainless monster," he said wearily. "How many times have I told you to keep this garbage off my meat?"

The waiter stared down at the garbage.

"A thousand times!" Sala shouted. "I tell you every stinking day!"

"Man," I said with a smile. "You should leave -- this place is getting to you."

He gobbled one of his hamburgers. "You'll see," he muttered. "You and Yeamon -- that guy's a freak. He won't last. None of us will last." He slammed his fist on the table. "Sweep -- more beer!"

The waiter came out of the kitchen and looked at us. "Two beers!" Sala yelled. "Hurry!"

I smiled and leaned back in the chair. "What's wrong with Yeamon?"

He looked at me as if it were incredible that I should have to ask. "Didn't you see him?" he said. "That wild-eyed sonofabitch! Lotterman's scared shitless of him -- couldn't you see it?"

I shook my head. "He looked okay to me."

"Okay?" he shouted. "You should have been here a few nights ago! He flipped this table for no reason at all -- this very table." He slapped our table with his palm. "No damn reason," he repeated. "Knocked all our drinks in the dirt and flipped the table on some poor bastard who didn't know what he was saying -- then threatened to stomp him!" Sala shook his head. "I don't know where Lotterman found that guy. He's so scared of him that he lent him a hundred dollars and Yeamon went out and blew it on a motorscooter." He laughed bitterly. "Now he's brought some girl down here to live with him."

The waiter appeared with the beers and Sala snatched them off the tray. "No girl with any brains would come here," he said. "Just virgins -- hysterical virgins." He shook his finger at me. "You'll turn queer in this place, Kemp -- mark my words. This place will turn a man queer and crazy."

"I don't know," I said. "A fine young thing came down on the plane with me." I smiled. "I think I'll look around for her tomorrow. She's bound to be on the beach somewhere."

"She's probably a lesbian," he replied. "This place is full of them." He shook his head. "It's the tropic rot -- this constant sexless drinking!" He slumped back in his chair. "It's driving me wild -- I'm cracking up!"

Sweep came hurrying out with two more beers and Sala grabbed them off the tray. Just then Yeamon appeared in the doorway; he saw us and came over to the table.

Sala groaned miserably. "Oh god, here he is," he muttered. "Don't stomp me, Yeamon -- I didn't mean it."

Yeamon smiled and sat down. "Are you still bitching about Moberg?" He laughed and turned to me. "Robert thinks I mistreated Moberg."

Sala grumbled something about "nuts."

Yeamon laughed again. "Sala's the oldest man in San Juan. How old are you, Robert -- about ninety?"

"Don't give me your crazy shit!" Sala shouted, springing up from his chair.

Yeamon nodded. "Robert needs a woman," he said gently. "His penis is pressing on his brain and he can't think."

Sala groaned and shut his eyes.

Yeamon tapped on the table. "Robert, the streets are full of whores. You should look around sometime. I saw so many on the way up here that I wanted to grab about six and fall down naked and let them crawl all over me like puppies." He laughed and signaled for the waiter.

"You bastard," Sala muttered. "That girl hasn't been here a day and you're already talking about having whores crawl on you." He nodded wisely. "You'll get the syphilis -- you keep on whoring and stomping around and pretty soon you'll stomp in shit."

Yeamon grinned. "Okay, Robert. You've warned me."

Sala looked up. "Is she still asleep? How long before I can go back to my own apartment?"

"Soon as we leave here," Yeamon replied. "I'll take her on out to the house." He nodded. "Of course I'll have to borrow your car -- too much luggage for the scooter."

"Jesus," Sala muttered. "You're a plague, Yeamon -- you'll suck me dry."

Yeamon laughed. "You're a fine Christian, Robert. You'll get your reward." He ignored Sala's snort and turned to me. "Did you come in on the morning plane?"

"Yeah," I said.

He smiled. "Chenault said there was some young guy beating up an old man on the plane with her -- was that you?"

I groaned, feeling the web of sin and circumstance close down on the table. Sala eyed me suspiciously.

I explained that I'd been sitting next to an aged lunatic who kept trying to crawl over me.

Yeamon laughed. "Chenault thought you were the lunatic -- claimed you kept staring at her, then ran amok on the old man -- you were still beating him when she got off the plane."

"Jesus Christ!" Sala exclaimed, giving me a disgusted look.

I shook my head and tried to laugh it off. The implications were ugly -- a crazed masher and a slugger of old men -- not the kind of introduction a man wants to make for himself on a new job.

Yeamon seemed amused, but Sala was plainly leery. I called for more drinks and quickly changed the subject.

We sat there for several hours, talking, drinking lazily, killing the time while a sad piano tinkled away inside. The notes floated out to the patio, giving the night a hopeless, melancholy tone that was almost pleasant.

Sala was sure the paper was going to fold. "I'll ride it out," he assured us. "Give it another month." He had two more big photo assignments and then he was off, probably to Mexico City. "Yeah," he said, "figure about a month, then we start packing."

Yeamon shook his head. "Robert wants the paper to fold so he'll have an excuse to leave." He smiled. "It'll last a while. All I need is about three months -- enough money to take off down the islands."

"Where?" I asked.

He shrugged. "Anywhere -- find a good island, someplace cheap."

Sala hissed. "You talk like a caveman, Yeamon. What you need is a good job in Chicago."

Yeamon laughed. "You'll feel better when you get humped, Robert."

Sala grumbled and drank his beer. I liked him, in spite of his bitching. I guessed he was a few years older than I was, maybe thirty-two or -three, but there was something about him that made me feel like I'd known him a long time.

Yeamon was familiar too, but not quite as close -- more like a memory of somebody I'd known in some other place and then lost track of. He was probably twenty-four or -five and he reminded me vaguely of myself at that age -- not exactly the way I was, but the way I might have seen myself if I'd stopped to think about it. Listening to him, I realized how long it had been since I'd felt like I had the world by the balls, how many quick birthdays had gone by since that first year in Europe when I was so ignorant and so confident that every splinter of luck made me feel like a roaring champion.

I hadn't felt that way in a long time. Perhaps, in the ambush of those years, the idea that I was a champion had been shot out from under me. But I remembered it now and it made me feel old and slightly nervous that I had done so little in so long a time.

I leaned back in the chair and sipped my drink. The cook was banging around in the kitchen and for some reason the piano had stopped. From inside came a babble of Spanish, an incoherent background for my scrambled thoughts. For the first time I felt the foreignness of the place, the real distance I had put between me and my last foothold. There was no reason to feel pressure, but I felt it anyway -- the pressure of hot air and passing time, an idle tension that builds up in places where men sweat twenty-four hours a day.

Copyright © 1998 by Gonzo International Corp.

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See All Sort by: Showing 1 – 20 of 111 Customer Reviews
  • Anonymous

    Posted January 12, 2012

    Not recommended if you want a story with a purpose.

    I like Thompson's writing, however, this one didn't have much of a story.

    1 out of 1 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted January 4, 2012

    Sorry - Didn't care for it

    I was a little bored right from the beginning. Paul moves to San Juan, drinks a lot of rum, eats a lot of hamburgers and works at a crappy newspaper. ok...... now what? I kept reading hoping something big would happen, but it never did. I guess HST's writing made me long for a drink and a beach, but I don't get the hype.. And it's going to be a movie? Really?

    1 out of 1 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Posted December 5, 2011

    A story about a long drunk and searching for a place where the grass is greener.

    I enjoyed the book I did identify with how the characters felt after a hard night of drinking as I once lived like that before I grew up. The characters try to live their lives like they are constantly on vacation and constantly looking for something to bring them happiness. They all left their homes looking for the easy ride or a place where the grass is greener. One problem that I did have was that I really couldn't find a character to root for. They were all self-centered and kind of despicable.

    I enjoy reading books that are set in exotic places because I like reading about life there. I like to travel too. For me the book was entertaining enough and moved fast enough to keep my interest but it wasn't excellent. In a way I thought I was reading a story written by some one who had gone on a long drunk. It was a little depressing at times. Overall though it was worth reading.

    1 out of 1 people found this review helpful.

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  • Posted October 4, 2011

    LOVE IT!!!!!

    When I read any of his books I hear Hunters voice..
    RIP.. I LOVE YOU

    1 out of 1 people found this review helpful.

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  • Posted April 9, 2010

    "novel" work by HST

    While differing from his usual, non-fiction, gonzo-journalism, Rum Diary consists of the same trademark hypnotic HST prose. You can see a lot of what a young Thompson must have been like through this book. While it is a novel, the main character clearly echoes a twenty-something, hopeful HST, already becoming jaded by the society he's trapped in (regardless of what country he's in or continent he's on). A quick, enjoyable read.

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted January 19, 2007

    The Heart of Hunter

    One of MY favorite seductively savage.

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted July 31, 2005

    The American Dream in San Juan

    Good books dont just appear out of thin air. They are created and cared for like children. Even if that book's beginning started in the middle of some wild sexual rum driven backseat action. Life comes at you from all angles and to capture those few important instances that matter in pure essence coherently on paper is a skill few can maintain like our good freind Hunter. If there is any suggestion to be made to you fine people who enjoyed fear and loathing it is this. Don't start reading this book expecting Fear and Loathing in Las Vegas. You will not be satisfied. Just imagine a whole new scenario with limitless possabilities, but still maintaining that which made our freind Hunter famous. That pursuit for the American dream, and Gonzo along for the ride.

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted October 7, 2004

    pretty good

    The back cover of the book tells us that Thompson wrote this when he was twenty and it was sitting in some crate in his house for years before it was brought out to be published. For some reason I doubt it, because the narrator is in his late twenties or early thirties and really knowledgable of the journalism racket. Anyway- the book is pretty decent, but not as good as Fear and Loathing. No drugs here- just lots and lots... and lots! of booze, especially rum... and blue waters and tropical sands. The writing is short and straightforward, not as much sarcasm as F&L, only when he writes about the native Puerto Ricans, who he describes as savages who run around the streets and burn and loot. Haven't read anything like that since 'heart of darkness'- but Thompson does it on purpose of course, tongue in cheek. Would recommend this book to the Thompson fan, otherwise just pick up F&L

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted September 14, 2004

    a paradise in hell

    In this novel, a young Thompson really portrays how care- free, yet terribly complex and brutal a young man's life can be at times. H.S.T. sucked me in from the moment i opened the book to the moment i turned the last page. This novel really paints a beautiful picture of how paradise can easily take a turn for the worst and leave one in the bowels of hell. If you are looking for a good read and piece of mind, please consider reading this beautifully written novel.

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted September 19, 2014

    I Also Recommend:

    Not seen as the typical Gonzo written book, but just as entertai

    Not seen as the typical Gonzo written book, but just as entertaining. A bit more of an old school Kerouac like vain to it. Great stuff.

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  • Anonymous

    Posted August 14, 2014

    J

    &hearts
    <br>

    &hearts&hearts
    <br>

    &hearts&hearts&hearts
    <br>

    &hearts&hearts
    <br>

    &hearts

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  • Posted December 26, 2012

    This is the first book I've read by Thompson. Don't base your d

    This is the first book I've read by Thompson. Don't base your decision to read it on the description on the back of the book as the description makes you believe there is alot more to the story than there really is. This is one of those novels where you're just along for the ride and are kind of a &quot;fly on the wall&quot; as the character, Paul Kemp, lives in San Juan. Overall though, it's a pretty easy read and one of those books you don't really need to think too much about to understand.

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  • Anonymous

    Posted July 30, 2012

    hated it

    Started reading this book because i am puerto rican but find it a complete bore & total waste of money i just couldnt get into it and didnt connect with the author or the words on the page

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  • Anonymous

    Posted July 13, 2012

    Im crying

    I just fought with my grandma she thibks i dont try but i do she yells and says i cant go swimming she calls me bad names woerds i would never usw im sick pf beomg called a brat she says she cant wIt till i go back to s chool im just ready to grow up if it gonna be lie this

    0 out of 1 people found this review helpful.

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  • Anonymous

    Posted May 16, 2012

    Pointless...

    Descriptive but no plot or story...just ramblimgs...

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  • Posted April 6, 2012

    Drink up!

    In a distinct change from the normally charged “gonzo journalism” approach, Hunter Thompson takes on a novel. This semi-autobiographical book, delves into the warm tropical heat of Puerto Rico. Struggling journalist Paul Kemp seeks to find a home and a voice with the backdrop and mystique of Puerto Rico.
    What seems as the perfect job, turns to be a series of adventures of the mystery laden underworld of the profitable real estate sector. All the while this crew struggles to keep the renegade group of writers seeking to maintain a failing newspaper afloat.
    In Hunter’s view this was his attempt to write the great American novel, but it is a fascinating peek into his writings before he became known for his own style of “gonzo” journalism. The only failing of this book is that it will leave you with a craving thirst for a bit of good ‘ole rum. Drink up!

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  • Anonymous

    Posted March 27, 2012

    Leopardheart

    Hey.

    0 out of 2 people found this review helpful.

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  • Anonymous

    Posted January 19, 2012

    Waiting for a plot

    A guy comes to PR to write for a newspaper, meets some people, drinks a lot of rum, goes to carnival one night, loses his job, the end. Not sure how they made a movie? Maybe just see it instead.

    0 out of 1 people found this review helpful.

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  • Posted January 16, 2012

    A Good Book That Was Well Written- 3 1/2 Stars!

    This book was not wildly suspenseful or did not have daring twists and turns. This was the first book I read by Hunter S. Thompson and I was impressed by his cleverness and the honesty in his writing of how petty human nature leads us to be at times. If I could give an extra 1/2 a star I believe that would be a better justified but I was not given that option. A good book to pass the time and well worth the read!

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  • Posted January 29, 2011

    Gripping and intense

    I liked it alot it had such a good feel to it. After reading it i couldn't wait for summer and go swimming in the ocean

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