Rum Sodomy & The Lash

( 1 )

Editorial Reviews

All Music Guide - Mark Deming
"I saw my task... was to capture them in their delapidated glory before some more professional producer f--ked them up," Elvis Costello wrote of his role behind the controls for the Pogues' second album, Rum Sodomy & the Lash. One spin of the album proves that Costello accomplished his mission; this album captures all the sweat, fire, and angry joy that was lost in the thin, disembodied recording of the band's debut, and the Pogues sound stronger and tighter without losing a bit of their edge in the process. Rum Sodomy & the Lash also found Shane MacGowan growing steadily as a songwriter; while the debut had its moments, the blazing and bitter roar of the opening ...
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Editorial Reviews

All Music Guide - Mark Deming
"I saw my task... was to capture them in their delapidated glory before some more professional producer f--ked them up," Elvis Costello wrote of his role behind the controls for the Pogues' second album, Rum Sodomy & the Lash. One spin of the album proves that Costello accomplished his mission; this album captures all the sweat, fire, and angry joy that was lost in the thin, disembodied recording of the band's debut, and the Pogues sound stronger and tighter without losing a bit of their edge in the process. Rum Sodomy & the Lash also found Shane MacGowan growing steadily as a songwriter; while the debut had its moments, the blazing and bitter roar of the opening track, "The Sick Bed Of Cuchulainn," made it clear MacGowan had fused the intelligent anger of punk and the sly storytelling of Irish folk as no one had before, and the rent boys' serenade of "The Old Main Drag" and the dazzling, drunken character sketch of "A Pair of Brown Eyes" proved there were plenty of directions where he could take his gifts. And like any good folk group, the Pogues also had a great ear for other people's songs. Bassist Cait O'Riordan's haunting performance of "I'm a Man You Don't Meet Every Day" is simply superb it must have especially impressed Costello, who would later marry her, and while Shane MacGowan may not have written "Dirty Old Town" or "And the Band Played Waltzing Matilda," his wrought, emotionally compelling vocals made them his from then on. Rum Sodomy & the Lash falls just a bit short of being the Pogues best album, but was the first one to prove that they were a great band, and not just a great idea for a band.
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Product Details

  • Release Date: 11/7/2006
  • Label: Rhino
  • UPC: 081227415716
  • Catalog Number: 74157
  • Sales rank: 4,491

Album Credits

Performance Credits
The Pogues Primary Artist
Philip Chevron Musician
Dick Cuthell Horn
James Fearnley Musician
Jem Finer Musician
Tommy Keane Pipe
Shane MacGowan Musician
Andrew Ranken Musician
Spider Stacy Musician
Henry Benagh Fiddle
Technical Credits
Elvis Costello Producer
Philip Chevron Arranger, Producer, Contributor
James Fearnley Arranger, Contributor
Jem Finer Arranger, Contributor
Shane MacGowan Arranger, Contributor
Cait O'Riordan Contributor
Andrew Ranken Arranger, Contributor
Nick Robbins Engineer
Paul Scully Engineer
Spider Stacy Arranger, Contributor
Peter Mennim Cover Painting
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Customer Reviews

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