Sacré Bleu: A Comedy d'Art

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More About This Book

Overview

“Christopher Moore is a very sick man, in the very best sense of that word.”
—Carl Hiassen

“[Moore’s novels] deftly blend surreal, occult, and even science-fiction doings with laugh-out-loud satire of contemporary culture.”
—Washington Post

“If there’s a funnier writer out there, step forward.”
—Playboy

Absolutely nothing is sacred to Christopher Moore. The phenomenally popular, New York Times bestselling satirist whom the Atlanta Journal-Constitution calls, “Stephen King with a whoopee cushion and a double-espresso imagination” has already lampooned Shakespeare, San Francisco vampires, marine biologists, Death…even Jesus Christ and Santa Claus! Now, in his latest masterpiece, Sacré Bleu, the immortal Moore takes on the Great French Masters. A magnificent “Comedy d’Art” from the author of Lamb, Fool, and Bite Me, Moore’s Sacré Bleu is part mystery, part history (sort of), part love story, and wholly hilarious as it follows a young baker-painter as he joins the dapper  Henri Toulouse-Lautrec on a quest to unravel the mystery behind the supposed “suicide” of Vincent van Gogh.

Editorial Reviews

Booklist
“[W]all-to-wall, farcical fornicating and fighting…a jolly good time can be had.”
BookPage
“[H]ilarious, educational, and original. . . . [I]t is difficult to put the book down, for there are astonishing new developments on every page.”
More Reviews (12) Fewer Reviews
Bookreporter.com
“I can’t emphasize enough how funny BITE ME is.”
Christian Science Monitor
“It’s hard to resist so gleeful a tale of murder, witchcraft, treason, maiming, and spanking. . . . Moore’s deft ear for dialogue keeps the pages turning . . . Fool is a wickedly good time.”
Dallas Morning News
“Often funny, sometimes hilarious, always inventive, this is a book for all, especially uptight English teachers, bardolaters and ministerial students of the kind who come to our doorstep on Saturday mornings.”
People
“A vampire comedy that’s witty, bright and funny.”
Playboy
“If there’s a funnier writer out there, step forward.”
Rocky Mountain News
“An instant classic . . . terrific, funny and poignant.
San Francisco Chronicle
“In transforming “King Lear” into a potty-mouthed jape, Moore is up to more than thumbing his nose at a masterpiece. His version of Shakespeare’s Fool, who accompanies Lear on his slide from paternal arrogance to spiritual desolation in the original text, simultaneously honors and imaginatively enriches the character.”
USA Today
“A laugh-a-page novel that’s raunchy and irreverent.”
Valdosta Times (Georgia)
“A page-turner…. Your ‘Lear’ can be rusty or completely unread to appreciate this new perspective on the Shakespearean tragedy. That is if you enjoy a whole lot of silly behind the scenes of your tragedies.”
Washington Post Book World
“Moore has produced eight books that deftly blend surreal, occult and even science-fiction doings with laugh-out-loud satire of contemporary culture. Powered by engines of the abnormal and unlikely, his tales feature eccentric lowlifes who find their desperate existences hilariously remade by intrusions from other spheres.”
Library Journal
Moore (Fool; You Suck) set out to write a book about the color blue. What he ended up with is a surprisingly complex novel full of love, death, art, and mystery. When baker-turned-aspiring artist Lucien Lessard, whose father was friends with some of the preeminent French artists of the late 19th century, receives a special tube of vibrant blue paint from the mysterious Juliette, his amateurish painting becomes masterly and his life becomes a mess. Obsessed with painting and loving Juliette, Lucien must discover the mystery of the blue paint, the origins of Juliette, and the identity of her near-constant companion, the frighteningly sinister Colorman who haunted other artists like Van Gogh, Monet, Pissarro, and Cézanne. In the end, the true question for Lucien is, "At what price art?" VERDICT Don't let Moore's quirky characters and bawdy language fool you. His writing has depth, and his peculiar take on the impressionists will reel you in. One part art history (with images of masterpieces interspersed with the narrative), one part paranormal mystery, and one part love story, this is a worthy read. Considering the large marketing push and Moore's rabid fan base, expect demand. [Nine-city tour; see Prepub Alert, 10/9/11.]—Jennifer Beach, Cumberland Cty. P.L., VA
John Wilwol
[Lucien and Toulouse-Lautrec] make for a splendid dynamic duo. Lucien is a starry-eyed romantic for whom stories about famous paintings "were the fairy tales of his childhood," while Toulouse-Lautrec, when he's not with a French prostitute, is an unfailingly loyal comic hero…Moore's work has tended to fall into what one critic called the "zonked-out comic horror" category, but Sacre Bleu is different. Let's call it a historical comedy, with an emphasis on the comedy. There's even a soupcon of art criticism…
—The Washington Post

Product Details

  • ISBN-13: 9780061779749
  • Publisher: HarperCollins Publishers
  • Publication date: 4/3/2012
  • Pages: 416
  • Sales rank: 1,469
  • Product dimensions: 6.10 (w) x 9.08 (h) x 1.42 (d)

Meet the Author

Christopher Moore
Christopher Moore

Christopher Moore is the author of twelve previous novels: Practical Demonkeeping, Coyote Blue, Bloodsucking Fiends, Island of the Sequined Love Nun, The Lust Lizard of Melancholy Cove, Lamb, Fluke, The Stupidest Angel, A Dirty Job, You Suck, Fool, and Bite Me. He lives in San Francisco, California.

Biography

A 100-year-old ex-seminarian and a demon set off together on a psychotic road trip...

Christ's wisecracking childhood pal is brought back from the dead to chronicle the Messiah's "missing years"...

A mild-mannered thrift shop owner takes a job harvesting souls for the Grim Reaper...

Whence come these wonderfully weird scenarios? From the fertile imagination of Christopher Moore, a cheerfully demented writer whose absurdist fiction has earned him comparisons to master satirists like Kurt Vonnegut, Terry Pratchett, and Douglas Adams.

Ever since his ingenious debut, 1992's Practical Demonkeeping, Moore has attracted an avid cult following. But, over the years, as his stories have become more multi-dimensional and his characters more morally complex, his fan base has expanded to include legions of enthusiastic general readers and appreciative critics.

Asked where his colorful characters come from, Moore points to his checkered job resume. Before becoming a writer, he worked at various times as a grocery clerk, an insurance broker, a waiter, a roofer, a photographer, and a DJ -- experiences he has mined for a veritable rogue's gallery of unforgettable fictional creations. Moreover, to the delight of hardcore fans, characters from one novel often resurface in another. For example, the lovesick teen vampires introduced in 1995's Bloodsucking Fiends are revived (literally) for the 2007 sequel You Suck -- which also incorporates plot points from 2006's A Dirty Job.

For a writer of satirical fantasy, Moore is a surprisingly scrupulous researcher. In pursuit of realistic details to ground his fiction, he has been known to immerse himself in marine biology, death rituals, Biblical scholarship, and Goth culture. He has been dubbed "the thinking man's Dave Barry" by none other than The Onion, a publication with a particular appreciation of smart humor.

As for story ideas, Moore elaborates on his website: "Usually [they come] from something I read. It could be a single sentence in a magazine article that kicks off a whole book. Ideas are cheap and easy. Telling a good story once you get an idea is hard." Perhaps. But, to judge from his continued presence on the bestseller lists, Chris Moore appears to have mastered the art.

Good To Know

In researching his wild tales, Moore has done everything from taking excursions to the South Pacific to diving with whales. So what is left for the author to tackle? He says he'd like to try riding an elephant.

One of the most memorably weird moments in Moore's body of work is no fictional invention. The scene in Bloodsucking Fiendswhere the late-night crew of a grocery store bowls with frozen turkeys is based on Moore's own experiences bowling with frozen turkeys while working the late shift at a grocery store.

    1. Hometown:
      Hawaii and San Francisco, California
    1. Date of Birth:
      August 5, 1958
    2. Place of Birth:
      Toledo, Ohio
    1. Website:
      http://www.chrismoore.com

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Sort by: Showing all of 4 Customer Reviews

  • Posted April 8, 2012

    more from this reviewer

    Christopher Moore's latest novel SACRE BLEU is an extremely well

    Christopher Moore's latest novel SACRE BLEU is an extremely well researched off the wall romp through Paris' art nobility, taking place immediately after the death of Vincent Van Gogh. And some time before that. And during the time period shortly after the dinosaurs died...

    No, I'm not crazy. What starts as two friends (one a baker, the other a drunk, whoring aristocrat) trying to solve the death of their friend and fellow painter Vincent Van Gogh turns into a delving into the supernatural as the two meet a model (Juliette) and her odd, surly, dwarfish companion known only as "the Colorman." Along the way, the two interact with many from Paris' art scene, as well as numerous art patrons, prostitutes, a donkey named Etienne, and a genuine mad scientist.

    Anyone who has read Christopher Moore knows he has a wickedly warped sense of humor, and that shines through almost from the start in this book. But this book isn't just funny, it's so well researched it's almost educational. I am non-artsy, don't care a bit about Monet or Impressionalism, and still feel like I learned a ton about painters and styles of the day. On top of that, I had a pretty great time doing it!

    Some of Moore's other stories took place in a world he created. But here he proves his ability to paint on someone else's canvas (wow, I learned more than I thought!), and in doing so adds another dimension to his work.

    Christopher Moore fans, indeed fans of the comic novel in general, will thoroughly enjoy this book.

    If you do not find this review helpful, please leave a comment so that I know how I may improve my reviews.

    14 out of 14 people found this review helpful.

    Was this review helpful? Yes  NoThank you for your feedback.   Report this reviewThank you, this review has been flagged.

  • Posted April 24, 2012

    more from this reviewer

    I hate art. I hate art history. I’m not a big fan of the

    I hate art. I hate art history. I’m not a big fan of the French. I knew all this going in and I still loved Christopher Moore’s latest hilarious novel. He does such a fantastic job of taking the plain and making it absurd, then making it fascinating. His imagination and humor are attributes that other writes should drool over. The time jumping and overall plot here made me scratch my head at times but it came to together well and I thoroughly enjoyed this book! Really good stuff!

    Was this review helpful? Yes  NoThank you for your feedback.   Report this reviewThank you, this review has been flagged.

  • Anonymous

    Posted April 20, 2012

    Totally disappointed - loved all his other books, I mean loved t

    Totally disappointed - loved all his other books, I mean loved them.
    This one was hard to read, and disappointing.......I will give it one star
    just because it's Christopher Moore

    0 out of 2 people found this review helpful.

    Was this review helpful? Yes  NoThank you for your feedback.   Report this reviewThank you, this review has been flagged.

  • Anonymous

    Posted April 18, 2012

    No text was provided for this review.

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