The New York Times
Sacred Gamesby Vikram Chandra
Set in present-day Mumbai, Sacred Games tells the story of a notorious Hindu gangster and a police inspector whose lives unfold and eventually intersect with cataclysmic consequences. Reaching back in time to Partition and bringing to vivid life a profusion of characters and milieus, Chandra's extraordinary work depicts India with an unsurpassed richness of/i>… See more details below
Set in present-day Mumbai, Sacred Games tells the story of a notorious Hindu gangster and a police inspector whose lives unfold and eventually intersect with cataclysmic consequences. Reaching back in time to Partition and bringing to vivid life a profusion of characters and milieus, Chandra's extraordinary work depicts India with an unsurpassed richness of detail: its complexity and violence, the worlds of the poor and the wealthy, the heroes of Bollywood movies and the striving of human beings from every walk of life. As the story unfolds with surprising twists at every turn, the great game takes shape, confounding everyone's expectations. Winning is an illusion, and characters powerful and humble find themselves mere pawns, struggling to regain control of their destinies.
Quintessentially Indian yet surprisingly universal, Chandra's book evokes brilliantly and with devastating realism the way we live now. A gripping epic saga, Sacred Games is filled with humour, tragedy and characters who prove to be all too human.
The New York Times
- Faber and Faber
- Publication date:
- Product dimensions:
- 6.46(w) x 9.49(h) x 1.42(d)
Read an Excerpt
Sacred GamesA Novel
By Vikram Chandra
HarperCollinsCopyright © 2007 Vikram Chandra
All right reserved.
Chapter OnePoliceman's Day
A white Pomeranian named Fluffy flew out of a fifth-floor window in Panna, which was a brand-new building with the painter's scaffolding still around it. Fluffy screamed in her little lap-dog voice all the way down, like a little white kettle losing steam, bounced off the bonnet of a Cielo, and skidded to a halt near the rank of schoolgirls waiting for the St Mary's Convent bus. There was remarkably little blood, but the sight of Fluffy's brains did send the conventeers into hysterics, and meanwhile, above, the man who had swung Fluffy around his head by one leg, who had slung Fluffy into the void, one Mr Mahesh Pandey of Mirage Textiles, that man was leaning on his windowsill and laughing. Mrs Kamala Pandey, who in talking to Fluffy always spoke of herself as 'Mummy', now staggered and ran to her kitchen and plucked from the magnetic holder a knife nine inches long and two wide. When Sartaj and Katekar broke open the door to apartment 502, Mrs Pandey was standing in front of the bedroom door, looking intensely at a dense circle of two-inch-long wounds in the wood, about chest-high. As Sartaj watched, she sighed, raised her hand and stabbed the door again. She had to struggle with both hands on the handle to get the knife out.
'Mrs Pandey,' Sartaj said.
She turned to them, the knife still in a double-handed grip, held high. She had a pale, tear-stained face and tinybare feet under her white nightie.
'Mrs Pandey, I am Inspector Sartaj Singh,' Sartaj said. 'I'd like you to put down that knife, please.' He took a step, hands held up and palms forward. 'Please,' he said. But Mrs Pandey's eyes were wide and blank, and except for the quivering of her forearms she was quite still. The hallway they were in was narrow, and Sartaj could feel Katekar behind him, wanting to pass. Sartaj stopped moving. Another step and he would be comfortably within a swing of the knife.
'Police?' a voice said from behind the bedroom door. 'Police?'
Mrs Pandey started, as if remembering something, and then she said, 'Bastard, bastard,' and slashed at the door again. She was tired now, and the point bounced off the wood and raked across it, and Sartaj bent her wrist back and took the knife quite easily from her. But she smashed at the door with her hands, breaking her bangles, and her last wiry burst of anger was hard to hold and contain. Finally they sat her down on the green sofa in the drawing room.
'Shoot him,' she said. 'Shoot him.' Then she put her head in her hands. There were green and blue bruises on her shoulder. Katekar was back at the bedroom door, murmuring.
'What did you fight about?' Sartaj said.
'He wants me not to fly any more.'
'I'm an air-hostess. He thinks ...'
She had startling light-brown eyes, and she was angry at Sartaj for asking. 'He thinks since I'm an air hostess, I keep hostessing the pilots on stopovers,' she said, and turned her face to the window.
Katekar was walking the husband over now, with a hand on his neck. Mr Pandey hitched up his silky red-and-black striped pyjamas, and smiled confidentially at Sartaj. 'Thank you,' he said. 'Thanks for coming.'
'So you like to hit your wife, Mr Pandey?' Sartaj barked, leaning forward. Katekar sat the man down, hard, while he still had his mouth open. It was nicely done. Katekar was a senior constable, an old subordinate, a colleague really - they had worked together for almost seven years now, off and on. 'You like to hit her, and then you throw a poor puppy out of a window? And then you call us to save you?'
'She said I hit her?'
'I have eyes. I can see.'
'Then look at this,' Mr Pandey said, his jaw twisting. 'Look, look, look at this.' And he pulled up his left pyjama jacket sleeve, revealing a shiny silver watch and four evenly spaced scratches, livid and deep, running from the inside of the wrist around to the elbow. 'More, I've got more,' Mr Pandey said, and bowed low at the waist and lowered his head and twisted to raise his collar away from the skin. Sartaj got up and walked around the coffee table. There was a corrugated red welt on Mr Pandey's shoulder blade, and Sartaj couldn't see how far down it went.
'What's that from?' Sartaj said.
'She broke a Kashmiri walking stick on my back. This thick, it was,' Mr Pandey said, holding up his thumb and forefinger circled.
Sartaj walked to the window. There was a group of uniformed boys clustering around the small white body below, pushing each other closer to it. The St Mary's girls were squealing, holding their hands to their mouths, and begging the boys to stop. In the drawing room, Mrs Pandey was gazing brightly at her husband, her chin tucked into her chest. 'Love,' Sartaj said softly. 'Love is a murdering gaandu. Poor Fluffy.'
'Namaskar, Sartaj Saab,' PSI Kamble called across the station house. 'Parulkar Saab was asking after you.' The room was some twenty-five feet across, with four desks lined up across the breadth of it. There was a six-foot poster of Sai Baba on the wall, and a Ganesha under the glass on Kamble's desk, and Sartaj had felt impelled to add a picture of Guru Gobind Singh on the other wall, in a somewhat twisted assertion of secularism.
Five constables came jerkily to attention, and then subsided into their usual sprawl on white plastic chairs.
'Where is Parulkar Saab?'
'With a pack of reporters. He's giving them tea and telling them about our new initiative against crime.'
Excerpted from Sacred Games by Vikram Chandra Copyright © 2007 by Vikram Chandra. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
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