Murder by poison! Love or greed ... or both?
Elinor Carlisle, a sensible, well educated young woman, and her distant cousin, Roddy Welman, a somewhat less well focused amiable gentleman - perhaps even a bit of a dandy - are happily engaged. They both know they are living somewhat beyond their means but they take comfort in their expectation of the inheritance of a very sizable fortune from their elderly aunt, Laura Welman. When they receive an anonymous mean-spirited letter suggesting that someone is cozying up to their aunt and worming their way into her affections, Elinor suspects young Mary Gerrard, her aunt's lodge-keeper's daughter. Rationalizing with one another that they really ought to be making a greater effort to see their aunt more frequently, Elinor and Roddy quickly pack up for a visit to Mrs Welman with a concerned view to protecting their interests in the estate.
During the course of their visit, when Roddy's head is turned by Mary Gerrard's stunning good looks and he becomes hopelessly infatuated with her, Elinor breaks off their engagement. When Mary Gerrard is murdered by the administration of a fatal dose of morphine in a sandwich and, shortly afterward, Aunt Laura dies intestate leaving Elinor as the sole heir of the entire estate by virtue of being the only surviving blood relative, Elinor quickly finds herself in the dock for Mary's murder. As the only suspect with both the means and the motive to dispose of Mary Gerrard, her conviction is all but certain.
But "Sad Cypress" is a complex mystery with many motivational twists and turns. Roddy Welman's head wasn't the only head turned with new found love. Peter Lord, the Welman's family physician, has fallen behind over tea kettle into love with Elinor Carlisle. When she is arrested, although even he is uncertain as to her guilt, he retains Hercule Poirot and charges him with finding the evidence to acquit her at any cost.
"Sad Cypress", a subtle, complex purely character driven mystery told virtually entirely through the device of dialogue, has an interesting three part structure. In the first part, told from Elinor Carlisle's perspective, we see the background of the entire story up to Mary Gerrard's murder. In the second part, we are witness to Poirot's subtle probing and investigation of the murder and, in the final third section, we sit in court as witness to Elinor's trial and prosecution for the murder. In a marvelous twist on the cozy mystery's usual climactic drawing room confrontation with all of the suspects, Poirot's findings are revealed to the reader by Elinor's defense lawyer during the proceedings of her trial.
While "Sad Cypress" is a marvelously entertaining mystery, I'm unwilling to accord it a full five star rating because I believe it violates what I always felt to be an unwritten set of rules governing the genre. The mystery in "Sad Cypress" is simply not solvable by an astute reader no matter how carefully one might read the story. Ultimately, the mystery is solved and revealed by virtue of information to which only Poirot is privy. The superb surprise ending is no less entertaining as a result but one does feel a little cheated.
On a historical note, I was interested to discover that this was Agatha Christie's first use of the courtroom setting in a Poirot mystery.
Highly recommended.
Paul Weiss
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