Sahara [Original Motion Picture Score]

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Product Details

  • Release Date: 6/28/2005
  • Label: Rykodisc
  • UPC: 014431081927
  • Catalog Number: 10819


Disc 1
  1. 1 Ironclad (3:55)
  2. 2 Beach Attack! (1:22)
  3. 3 Here We Go! (2:22)
  4. 4 Calliope at Night (1:17)
  5. 5 Mosque (2:43)
  6. 6 Into the Unknown (2:05)
  7. 7 Kazim's Theme (2:31)
  8. 8 Hold Tight! (3:18)
  9. 9 Hold Tighter! (2:56)
  10. 10 Discovery at Asselar (1:57)
  11. 11 Eva Investigates (1:15)
  12. 12 Kazim Arrives (4:25)
  13. 13 Fight in Asselar (2:06)
  14. 14 Death in the Desert (2:55)
  15. 15 Ambush (3:05)
  16. 16 Bonding (2:19)
  17. 17 A Clue (2:22)
  18. 18 Desert Trek (2:40)
  19. 19 All Aboard! (2:38)
  20. 20 Solar Plant (3:07)
  21. 21 Truck Escape (1:18)
  22. 22 Desert Heat (2:02)
  23. 23 Land Yacht (1:15)
  24. 24 Dirk's Got a Plan (1:16)
  25. 25 Burn Tower (6:25)
  26. 26 Bomb Alley / Ironclad Revealed / Victory (9:48)
  27. 27 Celebration (1:29)
  28. 28 Rock On! (Ironclad Remix) (3:52)
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Album Credits

Performance Credits
Clint Mansell Primary Artist
Nicholas Dodd Conductor
Natacha Atlas Voices, Soloist
Joe Legwabe Vocals, Voices
Chris Schleyer Guitar
Paul Clarvis African Percussion
Djeli Moussa Kouyaté Vocals
Sean Sellers Drums
Justin Adams African Percussion
Sibongiseni Chicco Mdima Vocals
Nathan Thomson African Percussion
Natasha Atlas Vocals
Prudence Mampe Vocals
Dawson Miller African Percussion
Simon Edwards African Percussion
Technical Credits
Nicholas Dodd Orchestration
John Bradbury Orchestra Leader
Ralph Sall Executive Producer
Louie Teran Mastering
Clint Mansell Composer, Producer
Simon Rhodes Engineer, Engineering
Chuck Hermes Graphic Design
Nigel Weisehan Programming
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Customer Reviews

Average Rating 5
( 2 )
Rating Distribution

5 Star


4 Star


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1 Star


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Sort by: Showing all of 2 Customer Reviews
  • Anonymous

    Posted October 1, 2010

    Adventure perfected

    And I do mean that. I became interested in the score for this film when I first learned that Brian Tyler was to be composing the music. It was to my disappointment when I learned this was no longer the case. Once this film was released in theatres, I went along with my sister to view it. Within five seconds, I was hooked on the music. Clint Mansell, a composer I had never before heard of, has done a masterful job creating the music for the locales, the pieces for the mystery and danger, and he has completely blown the door down with his theme for Dirk Pitt. You will be very hard pressed to find a more energetic, engaging, and enjoyable adventure score. Hats off to you, Maestro Mansell. Keep it up.

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  • Anonymous

    Posted October 1, 2010

    A fantastic action score...

    "Sahara" is the second film to be based on one of Clive Cussler's best-selling novels featuring the heroic Dirk Pitt. 1980's "Raise The Titanic" was a disaster, so much so that Cussler swore to never again sell any of his novels to Hollywood unless he could have casting, script, and director approval. However, one thing that Cussler was very pleased with was John Barry's score. And as good as the score is, it doesn't capture the spirit of the Dirk Pitt stories (it doesn't help that of Dirk Pitt's many adventures, "Raise The Titanic" happens to be one of the slower ones). With the announcement that another Pitt movie, "Sahara", was on the way, I was thrilled - Cussler's novels, if adapted properly, would make for great adventure films, and I was really excited at the prospect of a rousing, fun adventure score. When Clint Mansell was announced, I was very happy even though I had never really heard any of his music - I found it promising that Mansell had never scored an action/adventure film, and was very optimistic with how it would turn out. When I finally saw the film (delayed over casting issues and lawsuits), I couldn't really have been any happier with Mansell's score. Much of it is rich with an ethnic sound with some very nice, emotional moments, but the highlights are the balls-to-the-wall, David Arnold- esque action cues (as it turns out, this score was conducted by Nicholas Dodd, who also conducts all of Arnold's scores) that feel very "James Bond meets Jerry Goldsmith". Mansell has developed a wonderful theme for the Dirk Pitt character, and should any more Pitt movies get made (although, I find it rather doubtful), I would love to see him develop the theme even more.

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