Sailing Alone around the Room: New and Selected Poems

( 50 )

Overview

Sailing Alone Around the Room, by America’s Poet Laureate, Billy Collins, contains both new poems and a generous gathering from his earlier collections The Apple That Astonished Paris, Questions About Angels, The Art of Drowning, and Picnic, Lightning. These poems show Collins at his best, performing the kinds of distinctive poetic maneuvers that have delighted and fascinated so many readers. They may begin in curiosity and end in grief; they may start with irony and end with lyric transformation; they may, and ...
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Overview

Sailing Alone Around the Room, by America’s Poet Laureate, Billy Collins, contains both new poems and a generous gathering from his earlier collections The Apple That Astonished Paris, Questions About Angels, The Art of Drowning, and Picnic, Lightning. These poems show Collins at his best, performing the kinds of distinctive poetic maneuvers that have delighted and fascinated so many readers. They may begin in curiosity and end in grief; they may start with irony and end with lyric transformation; they may, and often do, begin with the everyday and end in the infinite. Possessed of a unique voice that is at once plain and melodic, Billy Collins has managed to enrich American poetry while greatly widening the circle of its audience.
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Editorial Reviews

From Barnes & Noble
No poet since Robert Frost has managed to combine high critical acclaim with broad popular appeal as successfully as 2001-2003 U.S. Poet Laureate Billy Collins. From four earlier collections, Collins offers some of his best, most memorable works.
From the Publisher
“What Collins does best is turn an apparently simple phrase into a numinous moment.”
The New Yorker

“It is difficult not to be charmed by Collins, and that in itself is a remarkable literary accomplishment.”
The New York Review of Books

“A brilliant comic sally...a wonderful, sly, and moving collection.”
San Francisco Chronicle

“[Collins] takes the mundane thing and shows you its mystery. And he takes the mysterious and strips it naked.”
The Washington Post

John Updike
Billy Collins writes lovely poems—lovely in a way almost nobody's since Roethke's are. Limpid, gently and consistently startling, more serious than they seem, they describe all the worlds that are and were and some others besides.
New York Times
Luring his readers into the poem with humor, Mr. Collins leads them unwittingly into deeper, more serious places, a kind of journey from the familiar or quirky to unexpected territory, sometimes tender, often profound.
New Yorker
What Collins does best is turn an apparently simple phrase into a numinous moment. . . . A poet of plenitude, irony, and Augustan grace.
KLIATT
Collins' extremely popular collection is finally available in paperback. Considering its success in hardcover, this edition is a sure-fire hit at a more attractive price. Collins' selection as America's Poet Laureate served as a public acknowledgment of his position in the contemporary poetry scene, but it also enhanced his popularity through exposure and this collection of his best work is a treasure. Collins' work is enormously appealing. It is comprehensible, universal, clever, original and perceptive. His humor, so pervasive in his public readings, is accessible on the page and his ability to build a poem from the mundane observation to the unexpected and insightful conclusion through shifting scope and focus is unmatched. His approach is unique in its disarming familiarity, its unabashed honesty. For example, Collins opens his poem "Fishing on the Susquehanna in July" with the lines, "I have never been fishing on the Susquehanna / or any river for that matter / to be perfectly honest. / Not in July or any month...." And he ends his poem "Budapest" with "...while I gaze out the window and imagine Budapest / or some other city where I have never been." Both Collins and his work are at once charming and significant. This is the best of the best, a "must" for any serious collection of contemporary American poetry. KLIATT Codes: SA*—Exceptional book, recommended for senior high school students, advanced students, and adults. 2001, Random House, 172p.,
— James Beschta
Library Journal
This new volume from the newly appointed poet laureate of the United States has survived the publishing rights war between Random House and the University of Pittsburgh Press. The wait has been well worth it. The surface structure of these poems appears simplistic, but subtle changes in tone or gesture move the reader from the mundane to the sublime. In an attempt to sleep, the speaker in "Insomnia" moves from counting sheep to envisioning Noah's arc to picturing "all the fish in creation/ leaping a fence in a field of water,/ one colorful species after another." Collins will tackle any topic: his subject matter varies from snow days to Aristotle to forgetfulness. The results are accessible but not trite, comical but not laughable, and well crafted but not overly flamboyant. Collins relies heavily on imagery, which becomes the cornerstone of the entire volume, and his range of diction brings such a polish to these poems that the reader is left feeling that this book "once opened, can never be closed." This volume belongs in everyone's library; highly recommended. Tim Gavin, Episcopa Acad., Merion, PA Copyright 2001 Cahners Business Information.
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Product Details

  • ISBN-13: 9780375755194
  • Publisher: Random House Publishing Group
  • Publication date: 9/17/2002
  • Edition description: Reprint
  • Pages: 192
  • Sales rank: 130,150
  • Product dimensions: 5.13 (w) x 7.97 (h) x 0.43 (d)

Meet the Author

Billy Collins
Billy Collins has published six collections of poetry, including Questions About Angels, The Art of Drowning, and Picnic, Lightning. He teaches at Lehman College of the City University of New York and at Sarah Lawrence College and was recently appointed named the U.S. Poet Laureate.

From the Hardcover edition.

Biography

In 1985, the humorist Calvin Trillin suggested that Robert Penn Warren would never have been named Poet Laureate if he'd been known as plain Bob Warren. Trillin might be surprised at the 2002 appointment of Billy Collins -- whose laid-back name suits his open-collar-and-blue-jeans appearance, as well as his unpretentious writing style -- to a second term as U.S. Poet Laureate.

But then, Collins himself might be a little surprised. Like most poets, he toiled in obscurity for years, snowed under by rejections from small literary journals. As recently as 1997, he couldn't interest a commercial publisher in his fifth book of poems, Picnic, Lightning. But word of mouth and Collins' appearances on National Public Radio helped push sales of the book, published by the University of Pittsburgh Press, far beyond the usual figures for a volume of poetry from a university press. A previous book was reissued, Random House signed him up for a three-book deal, and Collins was on his way to fame and comparative fortune.

Why is Collins so popular now? One term often applied to his work is "accessible," though he prefers the term "hospitable." "I think accessible just means that the reader can walk into the poem without difficulty," he explained to Elizabeth Farnsworth on the PBS NewsHour. Collins is also very funny -- and that, too, is inviting. For Collins, anything from the barking of a neighbor's dog to the egg-salad stain on a copy of The Catcher in the Rye can be a fit subject for a poem.

But Collins sees accessibility and humor as means to an end. The purpose of a poem, he believes, is to take the reader on an imaginative journey. "Poetry is my cheap means of transportation," he told a New York Times interviewer. "By the end of the poem the reader should be in a different place from where he started. I would like him to be slightly disoriented at the end, like I drove him outside of town at night and dropped him off in a cornfield."

Critics have sometimes charged that Collins' language is too prosaic, his middle-class milieu too smugly comfortable. But many of his contemporaries, including John Updike, Gerald Stern and Edward Hirsch, have admired his originality, wit and intelligence. As Richard Howard put it: "Mr. Collins is funny without being silly, moving without being silly, and brainy without being silly. If only he were silly, we should know how to 'place' him. But he is merely -- merely! -- funny, moving, brainy. That will have to do."

Good To Know

Collins grew up in Jackson Heights, Queens, where his electrician father sometimes brought home issues of Poetry magazine from an office on Wall Street. "He wanted me to go to Harvard Business School," Collins said in a Hope magazine interview. "If he had known the effect of those magazines, he probably would have burned them."

As Poet Laureate, Collins launched a well-received program called Poetry 180, which encourages high schools to read a contemporary poem together each day, preferably by having a student, teacher or staff member read the poem aloud.

Collins is a professor of English at Lehman College of the City University of New York. He lives in Somers, N.Y.

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    1. Also Known As:
      William James Collins
    2. Hometown:
      Somers, New York
    1. Date of Birth:
      March 22, 1941
    2. Place of Birth:
      New York, New York
    1. Education:
      B.A., Holy Cross College, 1963; Ph.D. in Romantic poetry, University of California at Riverside, 1971

Read an Excerpt

from

The Apple That Astonished Paris

(1988)

Another Reason Why I Don’t Keep a Gun in the House

The neighbors’ dog will not stop barking.

He is barking the same high, rhythmic bark

that he barks every time they leave the house.

They must switch him on on their way out.

The neighbors’ dog will not stop barking.

I close all the windows in the house

and put on a Beethoven symphony full blast

but I can still hear him muffled under the music,

barking, barking, barking,

and now I can see him sitting in the orchestra,

his head raised confidently as if Beethoven

had included a part for barking dog.

When the record finally ends he is still barking,

sitting there in the oboe section barking,

his eyes fixed on the conductor who is

entreating him with his baton

while the other musicians listen in respectful

silence to the famous barking dog solo,

that endless coda that first established

Beethoven as an innovative genius. Walking Across the Atlantic

I wait for the holiday crowd to clear the beach

before stepping onto the first wave.

Soon I am walking across the Atlantic

thinking about Spain,

checking for whales, waterspouts.

I feel the water holding up my shifting weight.

Tonight I will sleep on its rocking surface.

But for now I try to imagine what

this must look like to the fish below,

the bottoms of my feet appearing, disappearing. Plight of the Troubadour

For a good hour I have been singing lays

in langue d’oc to a woman who knows

only langue d’oïl, an odd Picard dialect

at that.

The European love lyric is flourishing

with every tremor of my voice,

yet a friend has had to tap my shoulder

to tell me she has not caught a word.

My sentiments are tangled like kites

in the branches of her incomprehension,

and soon I will be lost in an anthology

and poets will no longer wear hats like mine.

Provence will be nothing more

than a pink hue on a map or an answer on a test.

And still the woman smiles over at me

feigning this look of sisterly understanding. The Lesson

In the morning when I found History

snoring heavily on the couch,

I took down his overcoat from the rack

and placed its weight over my shoulder blades.

It would protect me on the cold walk

into the village for milk and the paper

and I figured he would not mind,

not after our long conversation the night before.

How unexpected his blustering anger

when I returned covered with icicles,

the way he rummaged through the huge pockets

making sure no major battle or English queen

had fallen out and become lost in the deep snow. Winter Syntax

A sentence starts out like a lone traveler

heading into a blizzard at midnight,

tilting into the wind, one arm shielding his face,

the tails of his thin coat flapping behind him.

There are easier ways of making sense,

the connoisseurship of gesture, for example.

You hold a girl’s face in your hands like a vase.

You lift a gun from the glove compartment

and toss it out the window into the desert heat.

These cool moments are blazing with silence.

The full moon makes sense. When a cloud crosses it

it becomes as eloquent as a bicycle leaning

outside a drugstore or a dog who sleeps all afternoon

in a corner of the couch.

Bare branches in winter are a form of writing.

The unclothed body is autobiography.

Every lake is a vowel, every island a noun.

But the traveler persists in his misery,

struggling all night through the deepening snow,

leaving a faint alphabet of bootprints

on the white hills and the white floors of valleys,

a message for field mice and passing crows.

At dawn he will spot the vine of smoke

rising from your chimney, and when he stands

before you shivering, draped in sparkling frost,

a smile will appear in the beard of icicles,

and the man will express a complete thought. Advice to Writers

Even if it keeps you up all night,

wash down the walls and scrub the floor

of your study before composing a syllable.

Clean the place as if the Pope were on his way.

Spotlessness is the niece of inspiration.

The more you clean, the more brilliant

your writing will be, so do not hesitate to take

to the open fields to scour the undersides

of rocks or swab in the dark forest

upper branches, nests full of eggs.

When you find your way back home

and stow the sponges and brushes under the sink,

you will behold in the light of dawn

the immaculate altar of your desk,

a clean surface in the middle of a clean world.

From a small vase, sparkling blue, lift

a yellow pencil, the sharpest of the bouquet,

and cover pages with tiny sentences

like long rows of devoted ants

that followed you in from the woods. The Rival Poet

The column of your book titles,

always introducing your latest one,

looms over me like Roman architecture.

It is longer than the name

of an Italian countess, longer

than this poem will probably be.

Etched on the head of a pin,

my own production would leave room for

The Lord’s Prayer and many dancing angels.

No matter.

In my revenge daydream I am the one

poised on the marble staircase

high above the crowded ballroom.

A retainer in livery announces me

and the Contessa Maria Teresa Isabella

Veronica Multalire Eleganza de Bella Ferrari.

You are the one below

fidgeting in your rented tux

with some local Cindy hanging all over you. Insomnia

After counting all the sheep in the world

I enumerate the wildebeests, snails,

camels, skylarks, etc.,

then I add up all the zoos and aquariums,

country by country.

By early light I am asleep

in a nightmare about drowning in the Flood,

yelling across the rising water

at preoccupied Noah as his wondrous

ark sails by and begins to grow smaller.

Now a silhouette on the horizon,

the only boat on earth is disappearing.

As I rise and fall on the rocking waves,

I concentrate on the giraffe couple,

their necks craning over the roof,

to keep my life from flashing before me.

After all the animals wink out of sight

I float on my back, eyes closed.

I picture all the fish in creation

leaping a fence in a field of water,

one colorful species after another. Earthling

You have probably come across

those scales in planetariums

that tell you how much you

would weigh on other planets.

You have noticed the fat ones

lingering on the Mars scale

and the emaciated slowing up

the line for Neptune.

As a creature of average weight,

I fail to see the attraction.

Imagine squatting in the wasteland

of Pluto, all five tons of you,

or wandering around Mercury

wondering what to do next with your ounce.

How much better to step onto

the simple bathroom scale,

a happy earthling feeling

the familiar ropes of gravity,

157 pounds standing soaking wet

a respectful distance from the sun. Books

From the heart of this dark, evacuated campus

I can hear the library humming in the night,

a choir of authors murmuring inside their books

along the unlit, alphabetical shelves,

Giovanni Pontano next to Pope, Dumas next to his son,

each one stitched into his own private coat,

together forming a low, gigantic chord of language.

I picture a figure in the act of reading,

shoes on a desk, head tilted into the wind of a book,

a man in two worlds, holding the rope of his tie

as the suicide of lovers saturates a page,

or lighting a cigarette in the middle of a theorem.

He moves from paragraph to paragraph

as if touring a house of endless, paneled rooms.

I hear the voice of my mother reading to me

from a chair facing the bed, books about horses and dogs,

and inside her voice lie other distant sounds,

the horrors of a stable ablaze in the night,

a bark that is moving toward the brink of speech.

I watch myself building bookshelves in college,

walls within walls, as rain soaks New England,

or standing in a bookstore in a trench coat.

I see all of us reading ourselves away from ourselves,

straining in circles of light to find more light

until the line of words becomes a trail of crumbs

that we follow across a page of fresh snow; when evening is shadowing the forest

and small birds flutter down to consume the crumbs,

we have to listen hard to hear the voices

of the boy and his sister receding into the woods. Bar Time

In keeping with universal saloon practice,

the clock here is set fifteen minutes ahead

of all the clocks in the outside world.

This makes us a rather advanced group,

doing our drinking in the unknown future,

immune from the cares of the present,

safely harbored a quarter of an hour

beyond the woes of the contemporary scene.

No wonder such thoughtless pleasure derives

from tending the small fire of a cigarette,

from observing this glass of whiskey and ice,

the cold rust I am sipping,

or from having an eye on the street outside

when Ordinary Time slouches past in a topcoat,

rain running off the brim of his hat,

the late edition like a flag in his pocket. My Number

Is Death miles away from this house,

reaching for a widow in Cincinnati

or breathing down the neck of a lost hiker

in British Columbia?

Is he too busy making arrangements,

tampering with air brakes,

scattering cancer cells like seeds,

loosening the wooden beams of roller coasters

to bother with my hidden cottage

that visitors find so hard to find?

Or is he stepping from a black car

parked at the dark end of the lane,

shaking open the familiar cloak,

its hood raised like the head of a crow,

and removing the scythe from the trunk?

Did you have any trouble with the directions?

I will ask, as I start talking my way out of this. Introduction to Poetry

I ask them to take a poem

and hold it up to the light

like a color slide

or press an ear against its hive.

I say drop a mouse into a poem

and watch him probe his way out,

or walk inside the poem’s room

and feel the walls for a light switch.

I want them to water-ski

across the surface of a poem

waving at the author’s name on the shore.

But all they want to do

is tie the poem to a chair with rope

and torture a confession out of it.

They begin beating it with a hose

to find out what it really means. The Brooklyn Museum of Art

I will now step over the soft velvet rope

and walk directly into this massive Hudson River

painting and pick my way along the Palisades

with this stick I snapped off a dead tree.

I will skirt the smoky, nestled towns

and seek the path that leads always outward

until I become lost, without a hope

of ever finding the way back to the museum.

I will stand on the bluffs in nineteenth-century clothes,

a dwarf among rock, hills, and flowing water,

and I will fish from the banks in a straw hat

which will feel like a brush stroke on my head.

And I will hide in the green covers of forests

so no appreciator of Frederick Edwin Church,

leaning over the soft velvet rope,

will spot my tiny figure moving in the stillness

and cry out, pointing for the others to see,

and be thought mad and led away to a cell

where there is no vaulting landscape to explore,

none of this birdsong that halts me in my tracks,

and no wide curving of this river that draws

my steps toward the misty vanishing point. Schoolsville

Glancing over my shoulder at the past,

I realize the number of students I have taught

is enough to populate a small town.

I can see it nestled in a paper landscape,

chalk dust flurrying down in winter,

nights dark as a blackboard.

The population ages but never graduates.

On hot afternoons they sweat the final in the park

and when it’s cold they shiver around stoves

reading disorganized essays out loud.

A bell rings on the hour and everybody zigzags

into the streets with their books.

I forgot all their last names first and their

first names last in alphabetical order.

But the boy who always had his hand up

is an alderman and owns the haberdashery.

The girl who signed her papers in lipstick

leans against the drugstore, smoking,

brushing her hair like a machine.

Their grades are sewn into their clothes

like references to Hawthorne.

The A’s stroll along with other A’s.

The D’s honk whenever they pass another D.

All the creative-writing students recline

on the courthouse lawn and play the lute.

Wherever they go, they form a big circle.

Needless to say, I am the mayor.

I live in the white colonial at Maple and Main.

I rarely leave the house. The car deflates

in the driveway. Vines twirl around the porch swing.

Once in a while a student knocks on the door

with a term paper fifteen years late

or a question about Yeats or double-spacing.

And sometimes one will appear in a windowpane

to watch me lecturing the wallpaper,

quizzing the chandelier, reprimanding the air.

From the Hardcover edition.

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Table of Contents

Another Reason Why I Don't Keep a Gun in the House 3
Walking Across the Atlantic 4
Plight of the Troubadour 5
The Lesson 6
Winter Syntax 7
Advice to Writers 8
The Rival Poet 9
Insomnia 10
Earthling 11
Books 12
Bar Time 14
My Number 15
Introduction to Poetry 16
The Brooklyn Museum of Art 17
Schoolsville 18
American Sonnet 23
Questions About Angels 24
A History of Weather 26
The Death of Allegory 27
Forgetfulness 29
Candle Hat 30
Student of Clouds 32
The Dead 33
The Man in the Moon 34
The Wires of the Night 35
Vade Mecum 36
Not Touching 37
The History Teacher 38
First Reader 39
Purity 40
Nostalgia 42
Consolation 47
Osso Buco 49
Directions 51
Sunday Morning with the Sensational Nightingales 53
The Best Cigarette 55
Days 57
Tuesday, June 4, 1991 58
Canada 61
On Turning Ten 63
Workshop 65
My Heart 68
Budapest 69
Dancing Toward Bethlehem 70
Monday Morning 71
Center 72
Design 73
Pinup 74
Piano Lessons 76
The Blues 78
Man in Space 79
Nightclub 80
Some Final Words 82
Fishing on the Susquehanna in July 87
To a Stranger Born in Some Distant Country Hundreds of Years from Now 89
I Chop Some Parsley While Listening to Art Blakey's Version of "Three Blind Mice" 90
Afternon with Irish Cows 92
Marginalia 94
Some Days 97
Picnic, Lightning 98
Morning 100
Bonsai 101
Shoveling Snow with Buddha 103
Snow 105
Japan 107
Victoria's Secret 109
Lines Composed Over Three Thousand Miles from Tintern Abbey 113
Paradelle for Susan 116
Lines Lost Among Trees 117
Taking Off Emily Dickinson's Clothes 119
The Night House 121
Splitting Wood 123
The Death of the Hat 126
Passengers 128
Where I Live 130
Aristotle 132
Dharma 137
Reading an Anthology of Chinese Poems of the Sung Dynasty, I Pause to Admire the Length and Clarity of Their Titles 138
Snow Day 140
Insomnia 142
Madmen 144
Sonnet 146
Idiomatic 147
The Waitress 148
The Butterfly Effect 151
Serenade 152
The Three Wishes 154
Pavilion 156
The Movies 158
Jealousy 160
Tomes 162
Man Listening to Disc 164
Scotland 166
November 168
The Iron Bridge 169
The Flight of the Reader 171
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Interviews & Essays

Close Examination
From the September/October 2001 issue of Book magazine.

With some help from Looney Tunes, Billy Collins turns his sharp eye to the quotidian -- with sparkling results.

At 60, Billy Collins could look back on his six successful books of poetry and call it a day. Or, as entertaining a performer as he is, he might have chosen to continue on the poetry-reading circuit as an elder observer of life's amusing strangeness. But like a character in one of his own poems, Collins doesn't do the predictable. In June the poet considered the nation's most popular was appointed its next poet laureate.

Dharma
by Billy Collins

The way the dog trots out the front door
every morning
without a hat or an umbrella,
without any money
or the keys to her doghouse
never fails to fill the saucer of my heart
with milky admiration.

Who provides a finer example
of a life without encumbrance --
Thoreau in his curtainless hut
with a single plate, a single spoon?
Gandhi with his staff and his holy
    diapers?

Off she goes into the material world
with nothing but her brown coat
and her modest blue collar,
following only her wet nose,
the twin portals of her steady breathing,
followed only by the plume of her tail.

If only she did not shove the cat aside
every morning
and eat all his food
what a model of self-containment she
would be,
what a paragon of earthly detachment.
If only she were not so eager
for a rub behind the ears,
so acrobatic in her welcomes,
if only I were not her god.

From Sailing Around the Room, copyright © by Billy Collins. Used by permission of Random House, Inc.
Collins is clear about what he considers his most important achievement. "Most gratifying for me," he says, "more than winning this or that poetry prize, is hearing that people have been brought back to poetry by reading my work. I think there are many people who are ready to return to poetry. They had poetry in school, and either their love for it was beaten out of them by bad teachers, or they just marginalized poetry the way many people do. But I think there is a very basic need to get back to it, perhaps in some kind of spiritual sense, but also just as a brief form of verbal engagement and entertainment with another consciousness, and also with your own consciousness."

Collins's poems, which often present a day in the life of a tired, well-meaning regular guy looking at the common events around him, always manage to snag serious ideas. But they represent the exception to the rule that to be serious is to be confessional, difficult, and abstract. In the new Sailing Alone Around the Room, Collins offers a sample of earlier work from The Apple That Astonished Paris (1988), Questions About Angels (1991), The Art of Drowning (1995), and Picnic, Lightning (1998), along with 20 new poems. It's a generous helping, and Random House -- his new publisher, after three books with the University of Pittsburgh Press -- was justifiably excited well before the poet laureate appointment was announced. "I believe if you look at crude sales figures," says Collins's editor, Daniel Menaker, "he may have sold more books than any poet alive, or anyone since [Robert] Frost."

For Collins, the preceding three years were marked by copyright wrangling between the University of Pittsburgh Press and Random House, and no new books of his appeared. "I just have the sense," says Collins, who reports that another entire collection of poems is ready to go, "that the rest of my literary career is a series of airplanes circling the airport, waiting to land." (Stephen Whited)
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See All Sort by: Showing 1 – 20 of 50 Customer Reviews
  • Posted January 18, 2010

    Billy Collins is my favorite, all time poet.

    Billy Collins has truly mastered the art of the English Language. He somehow discovers a new and exciting way to masterfully describe in vivid detail the experiences many of us can only dream of having. What an amazing body of work. I especially loved "Advice to Writers", which gave me insight into how to become a better writer myself. From the bottom of my heart, I thank you, Mr. Collins for your insightful observations. You are the prime time example of what it means to be an everyman. I can't wait until the follow up of Ballistics!

    1 out of 1 people found this review helpful.

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  • Posted September 5, 2009

    A treat to be savored

    Delving into Billy Collins' poetry is akin to sampling the treats at a sumptuous buffet. There is something for every taste, and each morsel provides a delightful moment - some humorous, some mellow, some insightful, others spicey and piquant. Like the master chef who makes boning a whole chicken while leaving it all intact, Collins makes it all look so easy. "Oh, I could have written this," you think. But you didn't. And when you try, you realize just how difficult good writing really is. I keep my copy of this book by my bed and when I need a little before-bed treat, I browse around the book and before I know it, it is well past midnight and my eyelids are heavy. But I am smiling as I turn out the light.

    1 out of 1 people found this review helpful.

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  • Posted June 29, 2009

    poetry for the people

    if you love to laugh and marvel at beautiful insights into the everyday world, then you will love this book.

    billy's poetry is accessible and clever. you never find yourself wondering, "what is he talking about."

    1 out of 1 people found this review helpful.

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  • Posted April 13, 2009

    more from this reviewer

    A reason to bring back reading aloud

    The comfortable, intelligent humor stays with you, the observations are accessible and thought provoking. Especially good when read aloud to/by friends -- even non-poetry types.

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted January 23, 2014

    Bella's bio

    Name: Bella Everdeen. Age: 17. Looks: long aburun hair that is always in a dutch braid, sparkling green eyes. Godly parent: Apollo. Personality: shy, sarcastic, likes the color black. Siblings: Katniss Everdeen, and Peeta Mellark ( half ). Powers: Perfect aim in archery, I guess. Weapon:A penny that turns into a golden bow with a mockingjay and arrows that shoot flaming mockingjays. Hobbies: has a very pretty voice, is excellent at archery and loves hunting. Relationship: none. Outfit: black skinny jeans with a black tank top and a hunting jacket with hunting boots, is slightly attractive. Anything else: ask i guess. Theme song (s) : Demons by Imagine Dragons, The Hanging Tree - Bella

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  • Anonymous

    Posted November 6, 2013

    Person

    Person.... meep!!!

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  • Anonymous

    Posted October 22, 2013

    Krono

    Nam:Krono gender: boy father:Hades mess with me and i will make sure you feel pain

    0 out of 1 people found this review helpful.

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  • Anonymous

    Posted October 22, 2013

    Mercy

    Name: Mercy no last name. Age: 13 Description: Small thin frame with long shiny brown hair and deep green eyes framed by long thick lashes. High cheeck bones and soft pink lips that are intensifed by her porclin skin. Sweet smile. Parent: sadly Aphrodite goddess of love an beauty. But dont think i cant kick your as<_>s if I want to. Wears: because of the curse er i mean gift of Aphrodite shes now dressed in a white dress with gold arm bands but normally wears ratty street clothes. Other: ask

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  • Anonymous

    Posted October 20, 2013

    Clara

    Name: Look up---Age: 16---Godly Parent: Unclaimed---Looks: Long brown hair with golden eyes, considered pretty in sort of a scary way, lightly tanned skin---Powers: Undiscovered---History: Was the only daughter from a very wealthy family and was trapped in the labyrinth on the night of her prom. Wandered for 20 years and came across her real dad. He told her everything, but accidentally wiped her memory. He transported her to Camp

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  • Anonymous

    Posted October 20, 2013

    Lynx

    Name: Lynx (other names unknown) <br>
    Gender: GIRL <br>
    Age: 13 <br>
    Appearance: Mottled hair with colors ranging from the lightest ginger to the darkest brown and everything in between. Eyes are a light leafy color. Wears an old soccer shirt and jeggings. Usually barefoot. <br>
    Godly Parent: Pan, but downright REFUSES to be stuffed into the Hermes cabin! <br>
    History: I'd rather not say that. <br>
    Themes: Tiptoe by Imagine Dragons, It's Time by Imagine Dragons, Long Live the Queen by Frank Turner, and Viva la Vida by Coldplay.

    0 out of 1 people found this review helpful.

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  • Anonymous

    Posted October 18, 2013

    Avery

    Name: Avery ** Looks: dirty blonde hair with thin bangs, gray-green eyes. ** Age: 16 ** Godly Parent: Nike, goddess of Victory ** Personality: depends on who you are, but has a Nike obsession ** Powers: I can and will win in sports, I can make whoever I want win whatever, I will successfully do something small (music or socializing or something) on the first try, and if theres a small amount of bronze, gold, or silver, I can make more and create something out of it. ** Boyfriend: none ** Crush: none ** History: I almost got run over by some monster at a track meet when I was 13, and eventually, my dad told me to come here, he wasnt very specific. So I followed his directions, meeting Nike, who claimed me, Athena, Artemis, who tried to convince me to join the Hunters, and Tyche going on my own quest for like 3 years to try and come here. ** Pets: I have a pegasus named Reyna I met on the way here. ** Other: ask.

    0 out of 1 people found this review helpful.

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  • Anonymous

    Posted October 26, 2013

    Mags' NEW AND IMPROVED!!! Bio

    Name: *facepalm*
    Age: 17
    Gender: F
    Godly Parent: Hecate, grandfather on dads side was son of Ares
    Powers: Ummm... I still haven't fighured all of them out. I do have magic though
    Weapon of Choice: Twin imperial gold katanas. Also likes daggers too.
    Description: long black hair in ringlets, sequinned silver shirt, leather jacket, AEO jeggings, combat boots, darkish makeup, blue gray eyes
    Personality: Kind, brave, sarcastic, if the gods get on her bad side she will like, explode, and other than that meet her

    0 out of 1 people found this review helpful.

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  • Anonymous

    Posted October 18, 2013

    Piper's bio&hearts

    Is at demi res one. Im not posting it again.<p>&#9825Piper&#9825

    0 out of 1 people found this review helpful.

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  • Anonymous

    Posted October 17, 2013

    David bio AGAIN

    Name: ugh... oh gods.... look up! Gender: um... male duh appearance black hair with lean body and blue eyes. Uses elemental magic (almost too op) and sometimes channels it into arrows or swords.

    0 out of 1 people found this review helpful.

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  • Anonymous

    Posted November 8, 2013

    James

    Age:17 <br>
    Parent:Hades <br>
    Appearence:wears black skinny jeans a navy blue shirt and a black leather hoodie. Has a imperial gold sword strapped on his side and has spiked up brown hair and a gokd ring haped like a skeleton. <Br>
    <Br>
    Crush:n/a <br>
    Pet:a skeleton wolf that can turn into a normal wolf. Its name is spike <br>
    <Br>
    Battle appearence: Has pure golden armor and a imperial gold shield with a black skull with green eyes on it. He has daggers strapped on his leg and a bunch of diferrent potions and stuff in a bag on his back.

    0 out of 1 people found this review helpful.

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  • Anonymous

    Posted October 16, 2013

    Annabeth

    Name: really? Age: honestly. Looks: blonde golden hair with cloudy grey eyes. Godly parent: Athena Personality: loving smart and strong.

    0 out of 1 people found this review helpful.

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  • Anonymous

    Posted October 16, 2013

    Is this the bio place??????

    IS IT???

    0 out of 1 people found this review helpful.

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  • Anonymous

    Posted October 16, 2013

    Magik's bio

    Name illyana Rasputin. Call me Magik... gender.. girl..... parent... Hades... appearance... blonde hair. Blue eyes.. other. Is a master enchantress. Part demon. Part corrupted soul so has no cry for mercy. Can teleport through dimentions and time.....

    0 out of 1 people found this review helpful.

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  • Anonymous

    Posted October 16, 2013

    Percy

    You know me.

    0 out of 1 people found this review helpful.

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  • Anonymous

    Posted May 12, 2013

    Sam

    Sorry fatty. Missed u by an hour and a half

    0 out of 1 people found this review helpful.

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