Salamander Cotton: A Novel

by Richard Kunzmann

Overview

A dark, chilling mystery set in the brooding, atmospheric lands of South Africa
In his debut thriller, Bloody Harvests, Richard Kunzmann gave readers a glimpse into the turbulent South African landscape. Now Detective Inspector Jacob Tshabalala and his former colleague Harry Mason return with another beautifully spellbinding thriller combining murder, revenge, greed, and the classic struggle between good and evil.
A wealthy ex-mining boss has been found beaten and burned to death at his home in suburban Johannesburg. His estranged wife, however, does not seem particularly surprised by this cold-blooded murder, but keeps insisting that the killer will be found in the Northern Cape, where the victim owned a farm with a dark secret. It's a remote and desolate landscape of extreme poverty, burdened with a bleak history as an asbestos-mining community.
When Tshabalala persuades Mason to investigate a link between the man's murder and the disappearance of his daughter thirty years before, Harry has no way of knowing he will soon be plunged into a menacing world of rumored supernatural attacks, corporate cover-ups, ruthless hijackers, and bitter vengeance.
Kunzmann returns with a strong force, capturing the bitter landscape and people of Johannesburg and beyond--captivating readers with his plot twists, dramatic action, and engaging characters. Salamander Cotton is a representation of poverty and a portrait of a country whose values of freedom and justice are only just emerging.

Product Details

ISBN-13:	9781466879737
Publisher:	Minotaur Books
Publication date:	06/25/2025
Series:	Jacob Tshabalala , #2
Sold by:	Barnes & Noble
Format:	eBook
Pages:	319
File size:	789 KB

About the Author

Richard Kunzmann was born in Namibia in 1976 and resides in South Africa. He received his master's in psychology with honors in 2002 and holds a major in criminology--a background that benefits him as a writer of dark crime thrillers set in the violent landscape of South Africa. The myths and legends of Africa have held him in deep fascination, and his novels, including Bloody Harvests, reflect this.

Read an Excerpt

Chapter 1
Bernard Klamm sits in the sumptuous study of his Parkview home, deeply engrossed in a book by Sir Laurens van der Post. He is not expecting any visitors, least of all expecting his life to end this night.
The large stuffed armchair he is sitting in is upholstered in polished oxblood leather, secured to its heavy wooden frame with brass studs. On a small table by his left hand stands a snifter of cognac beside a green banker’s reading light angled to cast its full glow over Klamm’s lap. A quilted blanket, thrown over his seventy-nine-year-old knees, provides some comfort against the cold May wind that blasts autumn leaves over the lawn outside. Blue flames whisper amongst fake coals in the large open fireplace, which is flanked by red-oak shelves filled with books. Two of the other walls are lined with numerous black and white photographs.
The man’s brow is furrowed and under bushy white eyebrows his expression is one of either anger or scorn. He inhales regularly in shallow whistles, although he quit pipe smoking more than twenty years ago.
As something in the fireplace crackles loudly, Klamm looks up and glances at the window, noticing how raindrops are collecting on the glass. It is unusual weather for May, indeed.
He does not notice a face staring at him from the darkness beyond, and turns his attention back to the volume he is reading: a detailed study of the Khoisan, who were not only master hunters and survivors but also great historians who documented on cave walls their everyday activities and encounters with other tribes and cultures.
From the kitchen door there is the faint sound of duct tape being torn from a roll. Four strips are neatly applied to one door pane, before an elbow smashes through the glass without any fragments spilling over the floor. This break-in goes unnoticed by the old man in his study. Moments later the door behind Bernard Klamm opens, and soundlessly a figure approaches him over the thick beige carpet.
Reaching for his snifter, the old man suddenly realizes he is not alone. His glass raised halfway to his lips, Klamm fixes his gaze on the mantelpiece. ‘I thought I already told you to bugger off. I’ve nothing more to say to you.’
‘Really?’ replies a deep voice.
Klamm glances sharply over his shoulder.
‘How—?’ His eyes widen as his book slips to the floor.
The first heavy blow hits Klamm square in the mouth, breaking teeth and rupturing lips and gums. He slides helplessly out of his chair, sprawling close to the fireguard. Klamm spits out a mouthful of blood on the carpet, then slides an arm under his torso and tries to push himself upright, but the intruder quickly moves around the armchair and sharply boots him twice in the ribs. The old man tumbles back again, his legs caught underneath him at an awkward angle.
Kneeling down beside him, the assailant is panting heavily. ‘What goes around comes around, you old son of a bitch.’
The green dressing gown Klamm wears has come loose, exposing his bony chest covered in scraggy tufts of white hairs. Roughly shoving the two armchairs aside to make more space in front of the fireplace, the intruder goes to fetch the petrol can and coil of rope he has left ready outside the study door. On his way back, he picks up a straight-backed chair from in front of the bureau.
Klamm’s eyes widen in horror as he tries to get words out of his slack jaw.
‘No,’ growls his assailant. ‘I don’t want to hear it.’ Pinning his victim to the floor under his knee, the intruder yanks Klamm’s arms back and up, and binds them tightly with duct tape. Next, the weakened old man is quickly strapped with cord to the upright chair then doused with petrol all over till the green robe is soaked through. Klamm yelps pitifully as the pink liquid splashes into his eyes.
An ugly smile suddenly spreads over the assailant’s face as he detaches the petrol can’s funnel. ‘Open your mouth,’ he orders.
Klamm’s eyes bulge as he tries to clamp his injured jaw shut. Tears well up in his eyes as he bobs his head this way and that in an effort to evade the other man’s hands.
‘Open your fucking mouth.’ Finally the attacker manages to clamp a hand over Klamm’s cheeks. Squeezing them under his fingers and thumb, he forces Klamm to open his mouth. The funnel is rammed deep down his throat, partially blocking a scream. Holding the plastic cone firmly in place, the intruder stoops for the container of petrol and pours the rest of it down his victim’s throat. The elderly prisoner bucks violently in the chair, his nose flaring as he gasps for breath. A Lion match is struck and sent tumbling into Bernard Klamm’s lap.
The flames blossom like a rare blue rose opening up its petals. Klamm jerks this way and that, till the funnel jammed in his mouth is thrown clear. Screams now escape him and resound in the confines of the study. His green robe steadily turns black; his facial skin blisters and cracks. Grabbing hold of the chair, the intruder heaves it with all his might straight into the fireplace.
Finally, as silently as he arrived, the intruder departs—fading into the cold rainy night like a bad memory.  Copyright © 2006 by Richard Kunzmann. All rights reserved.

Editorial Reviews

The young South African novelist Richard Kunzmann's second novel is nothing if not ambitious. If anything, it's too ambitious, too complicated, but that's an easy fault to forgive when the writing is this vivid. In this and other novels, South Africa looms before us as a big, beautiful, troubled, violent land (not unlike our own) that inspires panoramic books that try to reconcile all the elements that can make its children both love and fear it. At times, Salamander Cotton recalls No Country for Old Men and other Cormac McCarthy novels that focus a literary sensibility on bloodcurdling events.
—The Washington Post

Patrick Anderson

In "the New South Africa," a rich man's murder rekindles interest in a half-forgotten crime. South Africa is sunk in apartheid in 1965 when Jose Cauto, a black man, is accused of raping and killing Claudette Klamm, 19, the pampered daughter of a white mining boss and his race-conscious wife. Despite the fact that there's no sign of Claudette, dead or alive, Cauto is tried, convicted and jailed. Thirty-nine years later, black Inspector Jacob Tshabalala of the Johannesburg police must deal with the brutal slaying of Bernard Klamm, Claudette's father. Since the allegedly vengeful Cauto is no longer imprisoned, he's naturally a prime suspect. But there are others. Bernard Klamm was detested by everyone, including his estranged wife. With a high-profile homicide on his hands, Tshabalala finds the absence of his former partner increasingly burdensome. In the aftermath of an emotionally shattering case, Harry Mason (Bloody Harvests, 2006) left the force four years ago. But he's begun to heal, and he misses the work and his old partner so much that he's easily lured back. The partnership restored, the salt-and-pepper pair buckles down to cope with a case that twists, turns and ends up far from any end they could have foreseen. Despite some overplotting, two strong characters-and South Africa amounting to a third-make this young series one to watch.

Kirkus Reviews