'Salem's Lot - Illustrated Edition

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Overview

Upon its initial publication in 1975, Salem’s Lot was recognized as a landmark work. The novel has sold millions of copies in various editions, but it wasn’t until Centipede Press published a special limited edition in 2004 that King’s masterpiece was brought to brilliant and eerie life. With the addition of fifty pages of material deleted from the 1975 manuscript as well as material that has since been modified by King, an introduction by him, and two short stories related to the events of the novel, this ...
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Overview

Upon its initial publication in 1975, Salem’s Lot was recognized as a landmark work. The novel has sold millions of copies in various editions, but it wasn’t until Centipede Press published a special limited edition in 2004 that King’s masterpiece was brought to brilliant and eerie life. With the addition of fifty pages of material deleted from the 1975 manuscript as well as material that has since been modified by King, an introduction by him, and two short stories related to the events of the novel, this edition represents the text as the author envisioned it. Centipede’s deluxe edition, of which only 900 copies were printed, features lavishly creepy photographs by acclaimed photographer Jerry Uelsmann, printed interior endpapers, and a stunning page design.

Doubleday is proud to make this volume, printed from the original design of the Centipede Press edition, available to the general reader. No King aficionado’s library will be complete without owning this definitive illustrated edition of the great Salem’s Lot.

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Editorial Reviews

Chattanooga Times
A novel of chilling, unspeakable evil.
Grand Rapids Press
Spine-tingling fiction at its best.
From The Critics
Kirkus Reviews A super exorcism...tremendous.
Library Journal
This edition of King's best-selling 1975 vampire novel restores 50 pages edited from the original release, plus numerous alterations the author has since made. The text is buttressed with a new intro by King, eerie photos, and two short stories concerning the dark doings in the New England town of Jerusalem's Lot. One of King's scariest creepfests; read this one with the lights on. Copyright 2005 Reed Business Information.
From Barnes & Noble
Something strange is going on in Jerusalem's Lot ... but no one dares to talk about it. By day, 'Salem's Lot is a typical modest, New England town; but when the sun goes down, evil roams the earth. The devilishly sweet insistent laughter of a child can be heard echoing through the fields, and the presence of silent looming spirits can be felt lurking right outside your window. Stephen King brings his gruesome imagination to life in this tale of spine tingling horror.
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Product Details

  • ISBN-13: 9780385516488
  • Publisher: Knopf Doubleday Publishing Group
  • Publication date: 11/1/2005
  • Edition description: Illustrated Edition
  • Pages: 600
  • Product dimensions: 6.53 (w) x 9.37 (h) x 1.89 (d)

Meet the Author

Stephen King is the author of more than forty novels and two hundred short stories. In 2003 he received the National Book Foundation Medal for Distinguished Contribution to American Letters. He lives in Maine with his wife, novelist Tabitha King.

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    1. Also Known As:
      Richard Bachman
      Stephen A. King
      Stephen Edwin King
    2. Hometown:
      Bangor, Maine
    1. Date of Birth:
      September 21, 1947
    2. Place of Birth:
      Portland, Maine
    1. Education:
      B.S., University of Maine at Orono, 1970
    2. Website:

Read an Excerpt

Chapter One

Ben (I)

By the time he had passed Portland going north on the turnpike, Ben Mears had begun to feel a not unpleasurable tingle of excitement in his belly. It was September 5, 1975, and summer was enjoying her final grand fling. The trees were bursting with green, the sky was a high, soft blue, and just over the Falmouth town line he saw two boys walking a road parallel to the expressway with fishing rods settled on their shoulders like carbines.

He switched to the travel lane, slowed to the minimum turnpike speed, and began to look for anything that would jog his memory. There was nothing at first, and he tried to caution himself against almost sure disappointment. You were nine then. That's twenty-five years of water under the bridge. Places change. Like people.
In those days the four-lane 295 hadn't existed. If you wanted to go to Portland from the Lot, you went out Route 12 to Falmouth and then got on Number 1. Time had marched on.

Stop that shit.

But it was hard to stop. It was hard to stop when--

A big BSA cycle with jacked handlebars suddenly roared past him in the passing lane, a kid in a T-shirt driving, a girl in a red cloth jacket and huge mirror-lensed sunglasses riding pillion behind him. They cut in a little too quickly and he overreacted, jamming on his brakes and laying both hands on the horn. The BSA sped up, belching blue smoke from its exhaust, and the girl jabbed her middle finger back at him.

He resumed speed, wishing for a cigarette. His hands were trembling slightly. The BSA was almost out of sight now, moving fast. The kids. The goddamned kids. Memories tried to crowd in on him, memories of a more recent vintage. He pushed them away. He hadn't been on a motorcycle in two years. He planned never to ride on one again.

A flash of red caught his eye off to the left, and when he glanced that way, he felt a burst of pleasure and recognition. A large red barn stood on a hill far across a rising field of timothy and clover, a barn with a cupola painted white--even at this distance he could see the sun gleam on the weather vane atop that cupola. It had been there then and was still here now. It looked exactly the same. Maybe it was going to be all right after all. Then the trees blotted it out.

As the turnpike entered Cumberland, more and more things began to seem familiar. He passed over the Royal River, where they had fished for steelies and pickerel as boys. Past a brief, flickering view of Cumberland Village through the trees. In the distance the Cumberland water tower with its huge slogan painted across the side: "Keep Maine Green." Aunt Cindy had always said someone should print "Bring Money" underneath that.

His original sense of excitement grew and he began to speed up, watching for the sign. It came twinkling up out of the distance in reflectorized green five miles later:

ROUTE 12 JERUSALEM'S LOT
CUMBERLAND CUMBERLAND CTR

A sudden blackness came over him, dousing his good spirits like sand on fire. He had been subject to these since (his mind tried to speak Miranda's name and he would not let it) the bad time and was used to fending them off, but this one swept over him with a savage power that was dismaying.

What was he doing, coming back to a town where he had lived for four years as a boy, trying to recapture something that was irrevocably lost? What magic could he expect to recapture by walking roads that he had once walked as a boy and were probably asphalted and straightened and logged off and littered with tourist beer cans? The magic was gone, both white and black. It had all gone down the chutes on that night when the motorcycle had gone out of control and then there was the yellow moving van, growing and growing, his wife Miranda's scream, cut off with sudden finality when--

The exit came up on his right, and for a moment he considered driving right past it, continuing on to Chamberlain or Lewiston, stopping for lunch, and then turning around and going back. But back where? Home? That was a laugh. If there was a home, it had been here. Even if it had only been four years, it was his.

He signaled, slowed the Citroën, and went up the ramp. Toward the top, where the turnpike ramp joined Route 12 (which became Jointner Avenue closer to town), he glanced up toward the horizon. What he saw there made him jam the brakes on with both feet. The Citro‘n shuddered to a stop and stalled.

The trees, mostly pine and spruce, rose in gentle slopes toward the east, seeming to almost crowd against the sky at the limit of vision. From here the town was not visible. Only the trees, and in the distance, where those trees rose against the sky, the peaked, gabled roof of the Marsten House.

He gazed at it, fascinated. Warring emotions crossed his face with kaleidoscopic swiftness.

"Still here," he murmured aloud. "By God."

He looked down at his arms. They had broken out in goose flesh.

TWO

He deliberately skirted town, crossing into Cumberland and then coming back into 'salem's Lot from the west, taking the Burns Road. He was amazed by how little things had changed out here. There were a few new houses he didn't remember, there was a tavern called Dell's just over the town line, and a pair of fresh gravel quarries. A good deal of the hardwood had been pulped over. But the old tin sign pointing the way to the town dump was still there, and the road itself was still unpaved, full of chuckholes and washboards, and he could see Schoolyard Hill through the slash in the trees where the Central Maine Power pylons ran on a northwest to southeast line. The Griffen farm was still there, although the barn had been enlarged. He wondered if they still bottled and sold their own milk. The logo had been a smiling cow under the name brand: "Sunshine Milk from the Griffen Farms!" He smiled. He had splashed a lot of that milk on his corn flakes at Aunt Cindy's house.

He turned left onto the Brooks Road, passed the wrought-iron gates and the low fieldstone wall surrounding Harmony Hill Cemetery, and then went down the steep grade and started up the far side--the side known as Marsten's Hill.

At the top, the trees fell away on both sides of the road. On the right, you could look right down into the town proper--Ben's first view of it. On the left, the Marsten House. He pulled over and got out of the car.

It was just the same. There was no difference, not at all. He might have last seen it yesterday.

The witch grass grew wild and tall in the front yard, obscuring the old, frost-heaved flagstones that led to the porch. Chirring crickets sang in it, and he could see grasshoppers jumping in erratic parabolas.

The house itself looked toward town. It was huge and rambling and sagging, its windows haphazardly boarded shut, giving it that sinister look of all old houses that have been empty for a long time. The paint had been weathered away, giving the house a uniform gray look. Windstorms had ripped many of the shingles off, and a heavy snowfall had punched in the west corner of the main roof, giving it a slumped, hunched look. A tattered no-trespassing sign was nailed to the right-hand newel post.

He felt a strong urge to walk up that overgrown path, past the crickets and hoppers that would jump around his shoes, climb the porch, peek between the haphazard boards into the hallway or the front room. Perhaps try the front door. If it was unlocked, go in.

He swallowed and stared up at the house, almost hypnotized. It stared back at him with idiot indifference.

You walked down the hall, smelling wet plaster and rotting wallpaper, and mice would skitter in the walls. There would still be a lot of junk lying around, and you might pick something up, a paperweight maybe, and put it in your pocket. Then, at the end of the hall, instead of going through into the kitchen, you could turn left and go up the stairs, your feet gritting in the plaster dust which had sifted down from the ceiling over the years. There were fourteen steps, exactly fourteen. But the top one was smaller, out of proportion, as if it had been added to avoid the evil number. At the top of the stairs you stand on the landing, looking down the hall toward a closed door. And if you walk down the hall toward it, watching as if from outside yourself as the door gets closer and larger, you can reach out your hand and put it on the tarnished silver knob--

He turned away from the house, a straw-dry whistle of air slipping from his mouth. Not yet. Later, perhaps, but not yet. For now it was enough to know that all of that was still here. It had waited for him. He put his hands on the hood of his car and looked out over the town. He could find out down there who was handling the Marsten House, and perhaps lease it. The kitchen would make an adequate writing room and he could bunk down in the front parlor. But he wouldn't allow himself to go upstairs.

Not unless it had to be done.

He got in his car, started it, and drove down the hill to Jerusalem's Lot.

Chapter Two

Susan (I)

He was sitting on a bench in the park when he observed the girl watching him. She was a very pretty girl, and there was a silk scarf tied over her light blond hair. She was currently reading a book, but there was a sketch pad and what looked like a charcoal pencil beside her. It was Tuesday, September 16, the first day of school, and the park had magically emptied of the rowdier element. What was left was a scattering of mothers with infants, a few old men sitting by the war memorial, and this girl sitting in the dappled shade of a gnarled old elm.

She looked up and saw him. An expression of startlement crossed her face. She looked down at her book; looked up at him again and started to rise; almost thought better of it; did rise; sat down again.

He got up and walked over, holding his own book, which was a paperback Western. "Hello," he said agreeably. "Do we know each other?"

"No," she said. "That is . . . you're Benjaman Mears, right?"

"Right." He raised his eyebrows.
She laughed nervously, not looking in his eyes except in a quick flash, to try to read the barometer of his intentions. She was quite obviously a girl not accustomed to speaking to strange men in the park.

"I thought I was seeing a ghost." She held up the book in her lap. He saw fleetingly that "Jerusalem's Lot Public Library" was stamped on the thickness of pages between covers. The book was Air Dance, his second novel. She showed him the photograph of himself on the back jacket, a photo that was four years old now. The face looked boyish and frighteningly serious--the eyes were black diamonds.

"Of such inconsequential beginnings dynasties are begun," he said, and although it was a joking throwaway remark, it hung oddly in the air, like prophecy spoken in jest. Behind them, a number of toddlers were splashing happily in the wading pool and a mother was telling Roddy not to push his sister so high. The sister went soaring up on her swing regardless, dress flying, trying for the sky. It was a moment he remembered for years after, as though a special small slice had been cut from the cake of time. If nothing fires between two people, such an instant simply falls back into the general wrack of memory.

Then she laughed and offered him the book. "Will you autograph it?"

"A library book?"

"I'll buy it from them and replace it."

He found a mechanical pencil in his sweater pocket, opened the book to the flyleaf, and asked, "What's your name?"

"Susan Norton."

He wrote quickly, without thinking: For Susan Norton, the prettiest girl in the park. Warm regards, Ben Mears. He added the date below his signature in slashed notation.

"Now you'll have to steal it," he said, handing it back. "Air Dance is out of print, alas."

"I'll get a copy from one of those book finders in New York." She hesitated, and this time her glance at his eyes was a little longer. "It's an awfully good book."

"Thanks. When I take it down and look at it, I wonder how it ever got published."

"Do you take it down often?"

"Yeah, but I'm trying to quit."

She grinned at him and they both laughed and that made things more natural. Later he would have a chance to think how easily this had happened, how smoothly. The thought was never a comfortable one. It conjured up an image of fate, not blind at all but equipped with sentient 20/20 vision and intent on grinding helpless mortals between the great millstones of the universe to make some unknown bread.

"I read Conway's Daughter, too. I loved that. I suppose you hear that all the time."

"Remarkably little," he said honestly. Miranda had also loved Conway's Daughter, but most of his coffeehouse friends had been noncommittal and most of the critics had clobbered it. Well, that was critics for you. Plot was out, masturbation in.

"Well, I did."

"Have you read the new one?"

"Billy Said Keep Going? Not yet. Miss Coogan at the drugstore says it's pretty racy."

"Hell, it's almost puritanical," Ben said. "The language is rough, but when you're writing about uneducated country boys, you can't . . . look, can I buy you an ice-cream soda or something? I was just getting a hanker on for one."

She checked his eyes a third time. Then smiled, warmly. "Sure. I'd love one. They're great in Spencer's."

That was the beginning of it.

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Table of Contents

Prologue 1
Part I The Marsten House 13
Part II The Emperor of Ice Cream 183
Part III The Deserted Village 327
Epilogue 443
Read More Show Less

First Chapter

Chapter One: Ben (I)

1

By the time he had passed Portland going north on the turnpike, Ben Mears had begun to feel a not unpleasurable tingle of excitement in his belly. It was September 5, 1975, and summer was enjoying her final grand fling. The trees were bursting with green, the sky was a high, soft blue, and just over the Falmouth town line he saw two boys walking a road parallel to the expressway with fishing rods settled on their shoulders like carbines.

He switched to the travel lane, slowed to the minimum turnpike speed, and began to look for anything that would jog his memory. There was nothing at first, and he tried to caution himself against almost sure disappointment. You were seven then. That's twenty-five years of water under the bridge. Places change. Like people.

In those days the four-lane 295 hadn't existed. If you wanted to go to Portland from the Lot, you went out Route 12 to Falmouth and then got on Number 1. Time had marched on.

Stop that shit.

But it was hard to stop. It was hard to stop when —

A big BSA cycle with jacked handlebars suddenly roared past him in the passing lane, a kid in a T-shirt driving, a girl in a red cloth jacket and huge mirror-lensed sunglasses riding pillion behind him. They cut in a little too quickly and he overreacted, jamming on his brakes and laying both hands on the horn. The BSA sped up, belching blue smoke from its exhaust, and the girl jabbed her middle finger back at him.

He resumed speed, wishing for a cigarette. His hands were trembling slightly. The BSA was almost out of sight now, moving fast. The kids. Thegoddamned kids. Memories tried to crowd in on him, memories of a more recent vintage. He pushed them away. He hadn't been on a motorcycle in two years. He planned never to ride on one again.

A flash of red caught his eye off to the left, and when he glanced that way, he felt a burst of pleasure and recognition. A large red barn stood on a hill far across a rising field of timothy and clover, a barn with a cupola painted white — even at this distance he could see the sungleam on the weather vane atop that cupola. It had been there then and was still here now. It looked exactly the same. Maybe it was going to be all right after all. Then the trees blotted it out.

As the turnpike entered Cumberland, more and more things began to seem familiar. He passed over the Royal River, where they had fished for steelies and pickerel as boys. Past a brief, flickering view of Cumberland Village through the trees. In the distance the Cumberland water tower with its huge slogan painted across the side: "Keep Maine Green." Aunt Cindy had always said someone should print "Bring Money" underneath that.

His original sense of excitement grew and he began to speed up, watching for the sign. It came twinkling up and out of the distance in reflectorized green five miles later:

ROUTE 12 JERUSALEM'S LOT
CUMBERLAND CUMBERLAND CTR

A sudden blackness came over him, dousing his good spirits like sand on fire. He had been subject to these since (his mind tried to speak Miranda's name and he would not let it) the bad time and was used to fending them off, but this one swept over him with a savage power that was dismaying.

What was he doing, coming back to a town where he had lived for four years as a boy, trying to recapture something that was irrevocably lost? What magic could he expect to recapture by walking roads that he had once walked as a boy and were probably asphalted and straightened and logged off and littered with tourist beer cans? The magic was gone, both white and black. It had all gone down the chutes on that night when the motorcycle had gone out of control and then there was the yellow moving van, growing and growing, his wife Miranda's scream, cut off with sudden finality when —

The exit came up on his right, and for a moment he considered driving right past it, continuing on to Chamberlain or Lewiston, stopping for lunch, and then turning around and going back. But back where? Home? That was a laugh. If there was a home, it had been here. Even if it had only been four years, it was his.

He signaled, slowed the Citroën, and went up the ramp. Toward the top, where the turnpike ramp joined Route 12 (which became Jointner Avenue closer to town), he glanced up toward the horizon. What he saw there made him jam the brakes on with both feet. The Citroën shuddered to a stop and stalled.

The trees, mostly pine and spruce, rose in gentle slopes toward the east, seeming to almost crowd against the sky at the limit of vision. From here the town was not visible. Only the trees, and in the distance, where those trees rose against the sky, the peaked, gabled roof of the Marsten House.

He gazed at it, fascinated. Warring emotions crossed his face with kaleidoscopic swiftness.

"Still here," he murmured aloud. "By God."

He looked down at his arms. They had broken out in goose flesh.


2

He deliberately skirted town, crossing into Cumberland and then coming back into 'salem's Lot from the west, taking the Burns Road. He was amazed by how little things had changed out here. There were a few new houses he didn't remember, there was a tavern called Dell's just over the town line, and a pair of fresh gravel quarries. A good deal of the hardwood had been pulped over. But the old tin sign pointing the way to the town dump was still there, and the road itself was still unpaved, full of chuckholes and washboards, and he could see Schoolyard Hill through the slash in the trees where the Central Maine Power pylons ran on a northwest to southeast line. The Griffen farm was still there, although the barn had been enlarged. He wondered if they still bottled and sold their own milk. The logo had been a smiling cow under the name brand: "Sunshine Milk from the Griffen Farms!" He smiled. He had splashed a lot of that milk on his corn flakes at Aunt Cindy's house.

He turned left onto the Brooks Road, passed the wrought-iron gates and the low fieldstone wall surrounding Harmony Hill Cemetery, and then went down the steep grade and started up the far side — the side known as Marsten's Hill.

At the top, the trees fell away on both sides of the road. On the right, you could look right down into the town proper — Ben's first view of it. On the left, the Marsten House. He pulled over and got out of the car.

It was just the same. There was no difference, not at all. He might have last seen it yesterday.

The witch grass grew wild and tall in the front yard, obscuring the old, frost-heaved flagstones that led to the porch. Chirring crickets sang in it, and he could see grasshoppers jumping in erratic parabolas.

The house itself looked toward town. It was huge and rambling and sagging, its windows haphazardly boarded shut, giving it that sinister look of all old houses that have been empty for a long time. The paint had been weathered away, giving the house a uniform gray look. Windstorms had ripped many of the shingles off, and a heavy snowfall had punched in the west corner of the main roof, giving it a slumped, hunched look. A tattered no-trespassing sign was nailed to the right-hand newel post.

He felt a strong urge to walk up that overgrown path, past the crickets and hoppers that would jump around his shoes, climb the porch, peek between the haphazard boards into the hallway or the front room. Perhaps try the front door. If it was unlocked, go in.

He swallowed and stared up at the house, almost hypnotized. It stared back at him with idiot indifference.

You walked down the hall, smelling wet plaster and rotting wallpaper, and mice would skitter in the walls. There would still be a lot of junk lying around, and you might pick something up, a paperweight maybe, and put it in your pocket. Then, at the end of the hall, instead of going through into the kitchen, you could turn left and go up the stairs, your feet gritting in the plaster dust which had sifted down from the ceiling over the years. There were fourteen steps exactly fourteen. But the top one was smaller, out of proportion, as if it had been added to avoid the evil number. At the top of the stairs you stand on the landing, looking down the hall toward a closed door. And if you walk down the hall toward it, watching as if from outside yourself as the door gets closer and larger, you can reach out your hand and put it on the tarnished silver knob —

He turned away from the house, a straw-dry whistle of air slipping from his mouth. Not yet. Later, perhaps, but not yet. For now it was enough to know that all of that was still here. It had waited for him. He put his hands on the hood of his car and looked out over the town. He could find out down there who was handling the Marsten House, and perhaps lease it. The kitchen would make an adequate writing room and he could bunk down in the front parlor. But he wouldn't allow himself to go upstairs.

Not unless it had to be done.

He got in his car, started it, and drove down the hill to Jerusalem's Lot.

Copyright © 1975 by Stephen King

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Customer Reviews

Average Rating 4.5
( 12 )
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Sort by: Showing all of 12 Customer Reviews
  • Posted April 20, 2011

    more from this reviewer

    I Also Recommend:

    amazing book to bad this version of salems lot is now out of print

    amazing book by the one and only stephen king!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted October 8, 2007

    A reviewer

    has got to be the best stephen king ive read! totally love the story! kept me in suspense...made me a little paranoid even! LUV IT!

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted December 12, 2006

    the favorite

    My favorite Stephen King Novel!!!

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted March 15, 2006

    nightmares

    I remeber one part that I read before bed I had horrible nightmares about vampires chasing me.The bookis very good it keeps you hooked in it till the very end!

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted December 28, 2005

    CLASSIC GOTHIC HORROR IN A SMALL TOWN

    NEITHER MOVIE TRANSLATION DID THIS STORY ANY JUSTICE. THIS IS CLASSIC GOTHIC HORROR AS ONLY STEVEN KING COULD WRITE. VERY EASY TO READ AND A REAL PAGE TURNER.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted December 20, 2005

    excellent

    This is one of my favorites. Stephen King keeps you reading his books. They are so well written, and descriptive..you feel as if you know the characters, and the town.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted November 9, 2005

    A Great Book

    This is an awesome book by stephen king, which should come as a surprise because he is a great author. This book is filled with suspence and tragedy. Some parts are confusing at times but the book is still great.

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  • Anonymous

    Posted October 26, 2008

    No text was provided for this review.

  • Anonymous

    Posted September 18, 2012

    No text was provided for this review.

  • Anonymous

    Posted October 28, 2008

    No text was provided for this review.

  • Anonymous

    Posted March 16, 2010

    No text was provided for this review.

  • Anonymous

    Posted April 30, 2009

    No text was provided for this review.

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