Sams Teach Yourself Adobe Photoshop CS3 in 24 Hours

Overview

You can master Photoshop® CS3 faster than you ever thought possible - even if you have no Photoshop or image editing experience at all! In just 24 hands-on, step-by-step lessons, this book will teach you all the core Photoshop skills you need to get great results–in digital photography, graphic design, painting, or anything else!

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Overview

You can master Photoshop® CS3 faster than you ever thought possible - even if you have no Photoshop or image editing experience at all! In just 24 hands-on, step-by-step lessons, this book will teach you all the core Photoshop skills you need to get great results–in digital photography, graphic design, painting, or anything else!

By the Way notes present interesting information related to the discussion.
Did You Know? tips offer advice or show you easier ways to do something.
Watch Out! cautions alert you to possible problems and give you advice on how to avoid them.

Learn how to
-Repair and retouch any black-and-white or color image, from precious family portraits to new digital photos
-Achieve powerful artistry with Photoshop’s filters and effects
-Master digital painting with Photoshop’s paintbrushes and other tools
-Get your colors right, wherever you’re printing your images or displaying them online
-Create super-realistic composites
-Transform your images using tools ranging from Flip to Liquify
-Master professional-level features including layers, channels, and masks
-Add type to your images
-Take advantage of Photoshop CS3’s powerful new features
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Product Details

  • ISBN-13: 9780672329357
  • Publisher: Sams
  • Publication date: 5/10/2007
  • Series: Sams Teach Yourself Series
  • Edition number: 4
  • Pages: 536
  • Product dimensions: 7.11 (w) x 9.22 (h) x 1.12 (d)

Meet the Author

Carla Rose started her photography career at the age of eight with a Brownie Hawkeye. A graduate of the School of the Museum of Fine Arts in Boston, she was a TV news photographer and film editor, as well as an advertising copywriter and graphic artist, before discovering the Macintosh. She wrote all or part of about 30 computer books, including Maclopedia, Adobe InDesign for the Mac, Sams Teach Yourself Digital Photography in 14 Days, Scrapbooking with Adobe Photoshop Elements 3, The Whole Mac, Managing the Windows NT Server, PageMaker 6.5 Complete, Sams Teach Yourself Digital Photography and Adobe Photoshop Elements 3 All in One, Mac Online, The First Book of Macintosh, The First Book of PageMaker 4 for Macintosh, It’s a Mad, Mad, Mad, Mad Mac, Turbocharge Your Mac, and Everything You Ever Wanted to Know About the Mac. She was a contributing editor to Photoshop User magazine and also wrote for publications ranging from the Atlantic Fisherman to Adobe Magazine to The New Yorker. She lived near Boston with her husband, audio guru Jay Rose, and three large, friendly cats. Carla passed away on December 24, 2005, and is keenly missed by all who were fortunate enough to know her.

Kate Binder is a graphics expert who works from her home in New Hampshire, doing design and production for books, magazines, ebooks, and websites. She is the author of several books, including The Complete Idiot’s Guide to Mac OS X, Easy Mac OS X 10.4 Tiger, and Easy Adobe Photoshop Elements 4, and she is the coauthor of several more books, including

Microsoft Office: Mac v.X Inside Out, SVG for Designers, and Get Creative: The Digital Photo Idea Book. To those interested in a successful career as a designer, photographer, or computer book writer, Kate recommends acquiring several retired racing greyhounds (find out more about www.adopt-a-greyhound.org–she finds her four greyhounds extraordinarily inspirational). Kate can be reached via her website at www.prospecthillpub.com.

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Table of Contents

Downloading the Book’s Source Images . . . . . . . . . . . . . . . . . . .. . . . . . . . 2

Conventions Used in This Book. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2

Part I: Getting Started

HOUR 1: Exploring Photoshop Basics . . . . . . . . . . . . . . . . . . . . . . . . 7

Finding Your Way Around . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7

The Toolbox. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. . . . . . . . . 10

The Tool Options Bar. . . . . . . . . . . . . . . . . . . . . . .. . . . . . . . . . . . . . . . . . . . 17

What’s on the Menus? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17

Setting Preferences . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25

Summary . . . . . . . . . . . . . . . . . . . . . . . . . .. . . . . . . . . . . . . . . . . . 26

Workshop . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26

HOUR 2: Opening and Saving Files . . . . . . . . . . . . . . . . . . . . . . . . 29

Working with Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29

Saving Your Work . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36

Undoing and Redoing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40

Using Version Cue. . . . . . . . . . . . . .. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41

Summary . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42

Workshop . . . . . . . . . . . . . . . . . . . . . . . . . . .. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43

HOUR 3: Making Selections . . . . . . . . . . . . . . . . . . . . . . . . 45

The Selection Tools . . . . . . . . . . . . . .. . . . . . . . . . . . . . . . . . . . . . 45

The Select Menu . . . . . . . . . . . . . . . . . . . . .. . . . . . . . . . . . . . . . 54

Selecting Large Areas . . . . . . . . . . . . . . . . .. . . . . . . . . . . . . . . . . . . . . . . 57

Advanced Selection Techniques . . . . . . . . . . . . . . . . . . . . . . . . . . . 59

Cutting and Copying. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 61

Cropping. . . . . . . . . . . . . . . . . . . . . . .. . . . . . . . . . . . . . . . . . . . . . . 62

Summary . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65

Workshop . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 66

HOUR 4: Specifying Color Modes and Color Models . . . . . . . . . . . . . . . . . . 69

Color Models . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 70

From Models to Modes. . . . . . . . . . . . . . . . . . . . . . . .. . . . . . . . . . . 74

Color Bit Depth and Why It Matters. . . . . . . . . . . . . . . . . . . . . . . . . 82

Summary . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83

Workshop . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 84

HOUR 5: Adjusting Color . . . . . . . . . . . . . . . . . . . . . . . . 87

Evaluating Your Color Adjustment Needs . . . . . . . . . . . . . . . . . . . 88

Adjusting by Eye with Variations . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89

Making Other Adjustments . . . . . . . . . . . . . . . . . . . . . . . . . . .. . . . . 93

Preserving the Original with Adjustment Layers . . . . . . . . . . . . . . . 105

Understanding Channels . . . . . . . .. . . . . . . . . . . . . . . . . . . . . . . . . . . 106

Summary. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107

Workshop . . . . . . . . . . . . . . . . . . . .. . . . . . . . . . . . . . . . . . . . . . . . . . 108

Part II: Painting with Pixels

HOUR 6: Painting with Brushes . . . . . . . . . . . . . . . . . . . . . . . . 113

Making the Most of Brushes . . . . . . . . . . . . . . . . . . . . . . . . . . . . 114

Using Other Painting Tools . . . . . . . . . . . . . . . . . . . . . . . . . . . 119

The Color Replacement Tool . . . . . . . . . . . . . . . . . . . . . . . . .. . . . . 124

Summary. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 129

Workshop . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 129

HOUR 7: Digital Painting . . . . . . . . . . . . . . . . . . . . . . . . 133

Foreground and Background Colors . . . . . . . . . . . . . . . . . . . . . . . . . . . 133

Selecting Colors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 134

Blending Modes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 143

Summary. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 147

Workshop . . . . . . . . . . . . . .. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 148

HOUR 8: Moving Paint . . . . . . . . . . . . . . . . . . . . . . . . 151

Smudges . . . . . . . . . . . . . .. . . . . . . . . . . . . . . . . . . . . . . . . . . . 151

The Focus Tools. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 154

The Toning Tools. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 159

Summary. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. . . . . . . . . 162

Workshop . . . . . . . . . . . . . . . . . . . .. . . . . . . . . . . . . . . . . . . . . 163

HOUR 9: Advanced Painting Techniques . . . . . . . . . . . . . . . . . . . 165

Simulating Different Media. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 166

Summary. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 181

Workshop . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 181

Part III: Photoshop Power Tools

HOUR 10: Using Transformations . . . . . . . . . . . . . . . . . . . . . . . . 187

Resizing. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. . . . . . . . 187

Rotating . . . . . . . . . . . . . . . . . . . . .. . . . . . . . . . . . . . . . . . . . . . . . . . . 190

Flipping. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 196

Transforming Parts of an Image . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 198

Warp and Liquify . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 201

Summary. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. . . . . . .. . . 202

Workshop . . . . . . . . . . . . . . . . . . . . . . . . . .. . . . . . . . . . . . . . 203

HOUR 11: Using Layers . . . . . . . . . . . . . . . . . . . . . . . . 205

Using the Layers Palette . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 206

Working with Multiple Layers . . . . . . . . . . . . . . . . . . . . . . . . . . . . 213

Summary. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 221

Workshop . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 222

HOUR 12: Using Masks . . . . . . . . . . . . . . . . . . . . . . . . 225

Applying Masks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 226

Using Quick Mask . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 227

Layer Masks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. . . . . . . . . . . . 230

Summary. . . . . . . . . . . . . . . . . . . . . . . . .. . . . . . . . . . . . . . . . . . . . . . 237

Workshop . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 238

HOUR 13: Using Paths . . . . . . . . . . . . . . . . . . . . . . . . 241

Creating Paths . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 242

Editing Paths . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 252

Using Paths . . . . . . . . . . . . . . . . . . . .. . . . . .. . . . . . . . . . . . . . . 254

Summary. . . . . . . . . . . . . . . . . . . . . . . .. . . . . . . . . . . . . . . . . . . . . 260

Workshop . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. . . . . . . . . . . . . . . . 260

Part IV: Fantastic Filters

HOUR 14: Getting Started with Filters . . . . . . . . . . . . . . . . . . . . . . . . 265

The Filter Gallery . . . . . . . . . . . . . . . . . . . . . .. . . . . . . . . . . . . . . . . . . . . . 265

Applying and Editing Smart Filters. . . . . . . . . . . . . . . . . . . . . . . . . . . . 267

Combining and Fading Filters . . . . . . . . . . . . . . . .. . . . . . . . . . . . . . . . . . . . 270

Summary. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 275

Workshop . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 275

HOUR 15: Applying Filters That Improve Your Picture . . . . . . . . . . . . . . . . . . . 279

Sharpen Filters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 279

Blur Filters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 285

Summary. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 293

Workshop . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. . . . . . . . . . . . . . . . . . . . 293

HOUR 16: Applying Filters to Turn Your Picture into Art . . . . . . . . . . . . . . . . . . . . . . . . 295

Artistic Filters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. . . . . . . . . . . . 296

Brush Strokes Filters. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 308

Sketch Filters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 313

Summary. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 318

Workshop . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 319

HOUR 17: Applying Filters to Make Your Picture Funky . . . . . . . . . . . . . . . . . . . . . . . . 321

Distort Filters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 321

Pixelate Filters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 329

Stylize Filters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 332

Summary. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. . . . . . . . . . . . . . 337

Workshop . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. . . . . . . . . . . . . . . 337

Part V: Using Text and Special Effects

HOUR 18: Adding Type to Pictures . . . . . . . . . . . . . . . . . . . . . . . . 343

The Type Tools . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 344

Setting Type . . . . . . . . . . . . . . . . . . . . . . . . . .. . . . . . . . . . . . . . . . . . 348

Creating Drop Shadows . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 351

Cutting and Filling Type. . . . . . . . . . . . . . . . . .. . . . . . . . . . . . . . . . . . . . . . . . . . . 357

Adding Glows. . . . . . . . . . . . . . . . . . . . . . . . . . .. . . . . . . . . . . . . . . . . . . . . . . 359

Creating Bevel and Emboss Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 361

Warping Text . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 361

Setting Type on a Path . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 363

Checking Your Spelling . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 364

Summary. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. . . . . . . . . . . . . . . . . 365

Workshop . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 365

HOUR 19: Taking Advantage of Useful Tricks . . . . . . . . . . . . . . . . . . . . . . . . 369

Glows . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. . . . . . . . . 370

Lighting Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. . . . . . . . . . . 372

Reflections . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 375

Extracting Selections . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. . . . . 381

Notes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. . . . . . . . . . . . 382

Contact Sheets and Picture Packages . . . . . . . . . . . . . . . . . . . . . .. . . . . . 382

Working Efficiently . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. . . . 386

Summary. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. . . . . 388

Workshop . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. . . . . . . . . . . . . 388

Part VI: Repairing and Enhancing Your Photos

HOUR 20: Compositing Images . . . . . . . . . . . . . . . . . . . . . . . . 393

Image Sources . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. . . . . . . . . . .. . . . . . 393

Making One Picture from Two. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 395

Realistic Composites . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. . . . . . . . . 398

Replacing a Background . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 402

Making Composites from Nothing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 407

Putting the Pieces Together with Photomerge . . . . . . . . . . . . . . . . . . . . . . . . 410

Summary. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 415

Workshop . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. . . . . . . . . . . . 415

HOUR 21: Repairing Black-and-White Photos . . . . . . . . . . . . . . . . . . . . . . . . 419

Easy Fixes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. . . . . . . . . . . . . . . . . . . . . . . 419

Using the Eyedropper. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 424

Using the Clone Stamp . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 425

Using the Healing Brush and Patch Tools . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 426

Cleaning Up a Picture, Step by Step . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 428

Applying Tints . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. . . . . . . . . . . . . . . . . 434

Vignetting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 438

Summary. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 438

Workshop . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 439

HOUR 22: Repairing Color Photos . . . . . . . . . . . . . . . . . . . . . . . . 443

Color Retouching . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 443

Removing Objects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 453

Summary. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 457

Workshop . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 457

Part VII: Publishing Your Pictures

HOUR 23: Printing and Publishing Your Images . . . . . . . . . . . . . . . . . . . . . . . . 461

Choosing a Printer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 462

Preparing to Print . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 464

Printing the Page . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. . . . . . 470

Preparing the Image . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 473

Picking the Paper . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. . . . . . . . . 477

Placing Photoshop Images in Other Programs . . . . . . . . . . . . . . . . . . . . . . . . 478

Summary. . . . . . . . . . . . . . . . . . . . . . . . . . . . .. . . . . . . . . . . . . . . . . . . . . . 480

Workshop . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. . . . . . . . . . . . . . . . . . . 481

HOUR 24: Going Online with Photoshop . . . . . . . . . . . . . . . . . . . . . . . . 483

File Formats and File Size . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. . . . . . . . . 484

Preparing Backgrounds . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. . . .. . . . . . . . . 489

Building Animations . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 492

Making a Web Photo Gallery . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 495

Creating Slices . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. . . 498

Preparing Text for the Web . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 499

Emailing Your Pictures . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. . . . . . . . . . . . 500

Making Web Pages Load Faster . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 500

Sharing Photos via PDF Presentations. . . . . . . . . . . . . . . . . . . . . . .. . . . . . . . . . . 501

Creating Images for Phones and More . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 502

Summary. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 503

Workshop . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 504

Part VIII: Appendixes

APPENDIX A: Photoshop CS3 Palette Quick Reference . . . . . . . . . . . . . . . . . . . . . . . . 509

Actions Palette . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 509

Animation Palette . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 510

Brushes Palette . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 511

Channels Palette. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 511

Character Palette . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. . . . . . . . . . . . . . . 512

Clone Source Palette . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 512

Color Palette . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 513

Histogram Palette . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. . . . . . . 513

History Palette . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. . . . .. . . 514

Info Palette . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 515

Layer Comps Palette . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 515

Layers Palette . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 516

Navigator Palette . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. . . . . . . . . . . . . . . . 516

Paragraph Palette . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 517

Paths Palette . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 517

Styles Palette . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. . . . . 518

Swatches Palette . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 518

Tool Presets Palette . . . . . . . . . . . . . . . . . . . . . . .. . . . . . . . . . . . . . . . . . . 519

APPENDIX B: A Quick Walk on the Extended Side . . . . . . . . . . . . . . . . . . . . . . . . 521

Working in 3D and Video . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 521

Taking Measurements, Counting Objects, and Analyzing Data. . . . . . . . . . . . . . . . . . 522

Exploring New Frontiers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. . . . . . . . . . 522

Index . . . . . . . . . . . . . . . . . 523

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