The Sand-Reckoner

The Sand-Reckoner

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by Gillian Bradshaw

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The young scholar Archimedes has just had the best three years of his life at Ptolemy's Museum at Alexandria. To be able to talk and think all day, every day, sharing ideas and information with the world's greatest minds, is heaven to Archimedes. But heaven must be forsaken when he learns that his father is ailing, and his home city of Syracuse is at war with the

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The young scholar Archimedes has just had the best three years of his life at Ptolemy's Museum at Alexandria. To be able to talk and think all day, every day, sharing ideas and information with the world's greatest minds, is heaven to Archimedes. But heaven must be forsaken when he learns that his father is ailing, and his home city of Syracuse is at war with the Romans.

Reluctant but resigned, Archimedes takes himself home to find a job building catapults as a royal engineer. Though Syracuse is no Alexandria, Archimedes also finds that life at home isn't as boring or confining as he originally thought. He finds fame and loss, love and war, wealth and betrayal-none of which affects him nearly as much as the divine beauty of mathematics.

Editorial Reviews

Publishers Weekly - Publisher's Weekly
Armed with just a few antique facts, Bradshaw ably recreates the extraordinary life of Archimedes, the great mathematician and engineer who built sophisticated weapons during the first Punic War. Archimedes lived in the Greek city of Syracuse from 287 to 212 B.C., except for a brief but glorious youthful stint in Alexandria, the hub of intellectual life in the classical age. Surrounded by men who share his genius for geometry, the absentminded Archimedes becomes intoxicated by numbers, often scribbling diagrams on tablecloths and staring for hours into a box of sand to calculate grains. After three years, he begrudgingly returns to his hometown with his slave, Marcus, to find his father dying and his city at war with the Romans. Putting his engineering skills to use for the army, Archimedes builds bigger and better catapults, and he is soon being courted for his talent by the good King Hieron. Jealous co-workers and an unexpected betrayal shadow Archimedes's rise to fame as the Archimechanic. But Syracuse is winning the war because of his inventions, and King Hieron gives him the royal treatment in an effort to keep him from accepting a job offer from King Ptolemy of Egypt. Archimedes sets his sights on Delia, King Hieron's half-sister, with whom he shares a love of music, but he must choose between her and the fair city of Alexandria, between a career as a simple engineer and the siren call of pure mathematics. Bradshaw (Island of Ghosts) is skilled at bringing historical figures to life, and this intriguing and entertaining novel of the boyish dreamer who possessed one of the ancient world's most brilliant minds demonstrates her vivid imagination. (Apr.) Copyright 2000 Cahners Business Information.|
This novel gives us a different look at the famous Greek scholar Archimedes and his work. We see him as a son, a brother, and a family provider. We also see him as a geometric wizard who would prefer to solve complex problems rather than deal with day-to-day issues, including eating or sleeping. Recently back from Alexandria, Archimedes finds his home of Syracuse about to embark on war with the Romans. Because of his engineering skills, the king lures him into his service. Archimedes is a reluctant engineer for war but feels compelled to help his city. He also finds himself involved with the king's sister. Several other characters and plotlines add to the story. The book presents a personal look at everyday Greek life in 200 BC through the main character. Provide some historical context and it will help YA readers get a fuller picture of the era. KLIATT Codes: SA—Recommended for senior high school students, advanced students, and adults. 2000, Tor, Forge, 351p., $14.95. Ages 16 to adult. Reviewer: Robin S. Holab-Abelman; White Plains, NY , September 2001 (Vol. 35 No. 5)
From the Publisher
"Delightful . . . true brilliance arises in a number of places . . . The theme of freedom, exemplified by verses from the Odyssey where more chains, not fewer, keep the hero free from the sirens' song bring The Sand-Reckoner to the timeless level of the best historical fiction."-Historical Novel Society Review

"Bradshaw makes ancient history immediate and thrilling."-The Orlando Sentinel

"Bradshaw is known for atmospheric accuracy, period characterizations, and rousing plots . . . She lends the conventions of the historical novel a rare and unusual depth."-The Boston Globe

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The Sand-Reckoner

By Gillian Bradshaw

Tom Doherty Associates

Copyright © 2000 Gillian Bradshaw
All rights reserved.
ISBN: 978-1-4299-7116-4


The box was full of sand. It was fine, glassy sand, almost white; it was moist, and had been flattened, then scraped smooth to produce a surface as level and firm as the finest parchment. But the sunlight, falling obliquely with the afternoon, glinted here and there on the edges of individual grains, catching on facets too small for the eye to distinguish. Innumerable facets, one would say — only each made a distinct point of brightness, and the young man looking at them suddenly found himself wondering if he could number them.

It was an old box. The olive-wood frame was scarred and battered, the dull bronze which bound the corners scratched here and there into new brightness. The young man set his hand against one of those scratched corners, calculating: the box was four finger-breadths high, but there was a groove for the lid, and the sand only filled it halfway. He did not need to measure the length and width: he had long before marked the rim with notches a finger-breadth apart, twenty-four down one side and sixteen down the other. He crouched over the box, which he had carefully placed in the quietest part of the ship's stern deck, out of the way of the sailors. Using one leg of the set of compasses he was holding, he began to scratch calculations in the sand. Say that ten grains of sand could fit in a poppy seed, and twenty-five poppy seeds could sit upon the breadth of a finger. There would then be six thousand by four thousand by five hundred grains of sand in the box. Six thousand by four thousand was two thousand four hundred myriads; multiply that by five hundred ...

He blinked, frowning. His hands slipped nervelessly down his sides, and the point of the compasses scratched his shin. Absentmindedly, he rubbed at the scratch, then raised the compasses to his mouth and sucked their hinge while he continued to stare. This was an interesting problem: the number of grains of sand in the box was a bigger number than he could express. A myriad — ten thousand — was the largest number his language had a name for, and his system of writing contained no symbol for the indefinitely extendable zero. There was no way to write down a number greater than a myriad myriads. What term could he find for the inexpressible?

Start with what he knew. The largest expressible number was a myriad myriads. Very well, let that be a new unit. Myriad was written M, so this could be M with a line under it: M. How many of them did he need?

The blank white surface before him was suddenly covered in shadow, and behind him a voice said wearily, "Archimedes?"

The young man took his compasses out of his mouth and turned, beaming. He was thin, long-limbed, and angular, and the general effect as he twisted about was of a grasshopper preparing to jump. "It's a hundred and twenty myriads-of-myriads!" he exclaimed in triumph, brushing back a tangle of brown hair and regarding his interrupter with a pair of bright brown eyes.

The man behind him — a somewhat older, burly, black- haired man with a broken nose — gave an exasperated sigh. "Sir," he said, "we're coming into the harbor."

Archimedes didn't hear him; he had already turned back to the box of sand. There was no such thing as an inexpressibly large number! If a myriad-of-myriads could be a unit, why stop there? Once you reached a myriad-of-myriads myriads-of-myriads you could call that your new unit, and go on again! His mind soared over the exhilarating reaches of infinity. He put his compasses back into his mouth and bit them excitedly. "Marcus," he said eagerly, "what's the biggest number you can imagine? The number of grains of sand in Egypt — no, in the world! No! How many grains of sand would it take to fill the universe?"

"Can't say," replied Marcus shortly. "Sir, we're in Syracuse. In the Great Harbor. Where we disembark — remember? I need to pack the abacus."

Archimedes put his hands protectively over the tray of sand — called by the same name as the more familiar reckoning machine — and looked around with dismay. He had come up to the ship's stern deck when the vessel had sighted the point of Plemmyrion and Marcus had started packing. Syracuse then had been only a patch of red and gold against green slopes; now a whole stretch of time seemed to have vanished into the sand, and Syracuse lay all around him. Here, in its harbor, the city — richest and mightiest of all the Greek cities of Sicily — appeared as nothing but walls. To his right loomed the citadel of Ortygia, a rocky promontory enclosed by massive battlements, and before him the seawall swept around in a long curve of gray to end in the tower-studded walls of the fort which commanded the approach from the marshes to the south. Two quinqueremes sat at the naval quays ready for sea, their sides feathered white with the triple banks of their shipped oars.

Archimedes shot a longing glance at the clear water of the harbor entrance behind the ship. There the Mediterranean stretched open and unbounded as far as the coast of Africa, brilliantly blue and hazy in the bright June afternoon. "Why the Great Harbor?" he asked unhappily. He was Syracusan-born, and the city's customs were as natural to him as its dialect. Merchant ships like the one on which he and Marcus were passengers usually put into Syracuse's Small Harbor, on the other side of the promontory of Ortygia. The Great Harbor belonged to the navy.

"There's a war on, sir," said Marcus patiently. He squatted down beside Archimedes and put out his hands for the box of sand.

Archimedes looked down sadly at the twelve billion grains of gleaming sand and his own scratched calculations. Of course. Syracuse was at war, and the Small Harbor was sealed off. All the traffic was forced into the Great Harbor, where the navy could keep an eye on it. He knew about the war: it was one of the reasons he had come home. The small farm his family owned lay to the north of the city, well beyond any possible zone of defense, and it was unlikely that there would be any income from it this year. His father was ill and could not practice his usual occupation as a teacher. Archimedes was the only son of the house, and supporting the family and protecting it through what was likely to be a very bad war was now his responsibility. It was time to give up mathematical games and find some real work. Walls, he thought miserably; unbreachable walls, closing in.

Slowly, he took his hands off the notched rim of the abacus. Marcus picked it up, found the lid, and closed the reckoning box away. He slid it into its canvas sack and walked off with it. Archimedes sighed and sat back, hands dangling over his knees. The compasses slipped from his limp fingers and impaled themselves in the deck. He stared at them blankly for a moment, then pulled up one side of the instrument and swept it around, scratching a circle in the rough wood. Let the area of the circle be K —No. He folded the compasses and pressed the cool double bar against his forehead. No more games.

In the cabin below, Marcus slipped the abacus swiftly into the space in the traveling chest he'd reserved for it, then forced the lid shut. A hundred and twenty myriads-of-myriads, he thought, expertly knotting a rope round the chest. Was that a real number?

It was certainly not a sensible one. He paused, however, and contemplated it a moment, as though it were a dubious bargain offered him by some unreliable shopkeeper. A hundred and twenty myriads-of- myriads! Was that the answer to that other new impossible question, "How many grains of sand would it take to fill the universe?" Nobody but Archimedes would ask such an insane question.

Nobody else would come up with such an incomprehensible answer. He had been a slave in the man's household since the young master was nine years old, and he still wasn't sure whether a calculation like that deserved admiration or contempt: both, probably. Just as well that the young lunatic was going to have to give up such questions and turn his mind to more practical matters....

Marcus stopped himself and turned his attention back to the chest, jerking at a knot to ease the sudden apprehension that tightened his throat. Practical matters like the war. For three years he and Archimedes had been away from Syracuse, and for two of those years he had been urging his master to go home. Now they were in the harbor, and he wished that they were anywhere else. Syracuse was at war with the Republic of Rome, and Marcus saw no way that the future could hold for him anything but grief.

~ There was not much sign of the war at the docks, except that everything was quieter than usual. Destruction was still remote, a matter of armies maneuvering far away, a ruinous storm whose approach could be watched, with dread, from a distance. In a concession to its threat, however, the customs official usual to peacetime had been joined at the quayside by two soldiers. The pattern of crimson letter sigmas on the round shields slung over their left shoulders declared them to be Syracusan, but Archimedes recognized neither of them. Syracuse was a big enough city that he couldn't know more than a fraction of his fellow citizens, but he still watched the men apprehensively. They might be foreign mercenaries, and mercenaries, as every citizen knew, had to be handled more cautiously than live scorpions. Under the previous government they would have given a beating to any citizen whose expression offended them. Things were much better under the present ruler, but only a fool would assume that the breed's basic character had altered. At least these men appeared to be Greeks rather than any unpredictable type of barbarian: the body armor they both wore was of the standard Greek type — a cuirass made from layers of linen glued together to form a stiff carapace with a fringe of plates about the hips — and the helmets pushed back on their heads were of the popular Attic Greek design, with hinged cheekpieces and no noseguard. It was impossible to tell more about their origin from their speech, however, for they said nothing, merely stood leaning on their spears, watching with bored expressions while the elderly customs official went about his business.

The customs official spoke first to the ship's captain, while the dozen passengers waited in a knot beside the gangplank. "You've come from Alexandria?" the official asked, and there was no doubt about his origin: he spoke in the broad Doric dialect of the city. Archimedes found himself smiling at the sound. The one thing he'd disliked about Alexandria was the way everyone had made fun of the way he talked. There were, after all, some good things about being home — and the best of them would be to see his family again. He wrapped his arms around himself in an effort to contain his impatience. He hadn't been able to tell his family what ship he would sail on or when it might arrive, and he was eager to surprise them.

The captain agreed that yes, the ship had come from Alexandria by way of Cyrene, and that the cargo was linen and glass and some spices. He produced the bill of lading, and the customs official began to go over it. Archimedes' attention wandered. A dead fish was floating in the water beside the ship. It lay on its side, its tail slightly raised. Live fish swam belly-down: why did dead ones always float on their sides? He imagined a piece of wood of approximately the same length and breadth as the fish. It would float on its side, too. What about a wider piece of wood, a box-shaped one? Would it float with one of its flat sides down, or with a long edge down?

The customs official had started to gossip with the captain. There was obviously going to be a long wait before the joyful reunion. Archimedes rubbed the dirty stone of the quay with a sandal, then squatted and pulled the set of compasses out of his belt. It was lucky he'd forgotten to give them to Marcus to be packed.

He was deep in the equilibrium of cuboids when a hand tapped him on the shoulder and a voice demanded, "Well?" He looked up from his sketches and realized that the customs official was talking to him. The two soldiers were staring and grinning and the sun was noticeably lower. Marcus was sitting patiently on the luggage chest at the foot of the gangplank, but all the other passengers had gone.

Archimedes sprang to his feet, his face hot with embarrassment. "What did you say?" he asked, still struggling to force floating cuboids from his mind.

"I asked you your name!" repeated the customs official in annoyance.

"Sorry. Archimedes, son of Phidias. I'm a citizen of Syracuse." He waved vaguely at Marcus. "That's my slave and my things."

The official softened at the discovery that he was dealing with a fellow citizen. Archimedes: an unusual name, particularly in a city where half the male population was named Hieron, Gelon, or Dionysios, after great leaders of the past. The name Phidias was vaguely familiar, though, linked with a couple of stories the official had heard of intellectual eccentricity. "Your father's the astronomer, isn't he?" he asked. "I've heard of him." He glanced at the geometrical figures scratched over the quay and snorted. "Got a son of his own breed, it seems. What were you doing in Alexandria?"

"Studying," said Archimedes, and swallowed a knot of irritation. It was no insult to be told that he was a true son of his father. "Studying mathematics."

One of the soldiers nudged the other and whispered something; the second man laughed. But the official ignored them. "You've come home because of the war?" he said approvingly, and when Archimedes nodded, he went on, still more approvingly, "That's the brave young fellow, to come back to fight for your city!"

Archimedes gave him a false smile. He was loyal to his city, as any man ought to be, but he had no intention of enlisting in the army if he could possibly avoid it. He was certain that he'd be far more use to Syracuse building war machines — and besides, he'd had the usual military training at school, and had comprehensively detested it. Drilling and hurling the javelin, wrestling and races in armor: exhaustion and blistered hands; humiliation by glamorous champions on the field and even more humiliating sexual advances in the bathhouse afterward. When his year with the state-issue javelin was finally over, he'd chopped the miserable weapon into sections and used the the bits to make a surveying instrument. He had no plans to buy a new spear now. But he knew better than to disagree with a customs official.

The customs official smiled back obliviously and walked over to inspect Marcus and the luggage. "The slave's your own man?" he asked, calling the question over his shoulder. Marcus politely slid off the chest.

"Yes," Archimedes called back, relaxing. "My father bought him here in the city, years ago, and gave him to me when I left for Alexandria."

"There's no duty to pay on him, then. And the goods are your own, for your private use? Nothing you plan to sell?" The official looked them over with a practiced eye: a large, coffin-shaped chest of wood and leather, very battered, and a new wicker basket lashed to it with rope. The chest had undoubtedly carried all the owner's luggage out to Egypt, and the basket had been purchased for the inevitable surplus which had been discovered when it was time to come back. "What's in the basket?"

"A, um, machine," Archimedes said awkwardly.

The official glanced at him with a lift of the eybrows, and for the first time the two soldiers showed some interest. "Machine" in those days meant, first and foremost, "war machine."

"What sort of machine?" asked the official.

"It's for lifting water," said Archimedes, and the soldiers lost interest.

The nudger whispered again, and this time Archimedes overheard his comment: "What non-mathematicians would call a bucket!" His face went hot.

"You planning to sell it?"

"Well, um, not that one. That one's the prototype. It's just a model. I brought it back so I could show people how it works. If somebody wants one, I'll build a bigger one." He spread his arms in a vague indication of the real machine's unbucketlike size.

The customs official considered the concept of a prototype. He could not recollect ever having encountered one before. "It's not dutiable," he decided. "No need to trouble you, then. You're free to go." He nodded toward the nearest gate.


Excerpted from The Sand-Reckoner by Gillian Bradshaw. Copyright © 2000 Gillian Bradshaw. Excerpted by permission of Tom Doherty Associates.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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Sand-Reckoner 4.5 out of 5 based on 0 ratings. 8 reviews.
Guest More than 1 year ago
Gillian Bradshaw has the ability to transport the reader to Ancient lands in such a way that you can smell the sea and feel the dust on your sandals. The Sand -Reckoner depicts a time is history when life was cruel and unjust for many;however, Ms. Bradshaw's ancient tale allows the reader to witness the barbaric warfare, and to know the thoughts of characters that have no control over their lives(women and slaves) without tainting their dialogue and thoughts with politically correct views and ideas. This enlightening novel gave me a glimpse as to what it must have been like to live in this glorious age when mankind was just beginning to understand the wonders of the universe. I can't wait to begin the next thrilling adventure!
Guest More than 1 year ago

None of the novels I've started reading recently really caught fire with me (I currently have 4 half-read novels sitting in various places around my condo). Then I picked up Gillian Bradshaw's latest, The Sand Reckoner and read it in one shot.


Gillian Bradshaw moved onto my auto-buy list with her previous novels, The Beacon at Alexandria and Island of Ghosts. The Sand Reckoner proves that she's only getting better and better with each book. A work of historical fiction about Archimedes, her novel includes a strong romantic element and she provides an emotionally satisfying ending.

The Sand Reckoner is filled with sympathetic characters, high stakes, fabulous historical detail, witty dialogue, a sweet romance, and lovely, lovely writing. I saved this book as a reward for completing some unpleasant chores, and then read it all in one sitting, happily absorbed in the world of ancient Syracuse.

This novel is really the story of two men: one a boy genius slowly coming to terms with the magnitude of his gifts; the other, his slave, a proud man torn between his affection for his master and his hatred of his slavery. Along the way, we get glimpses into the restricted lives of Greek women, early Roman warfare, the Museum at Alexandria, and some breathtaking works of engineering genius.

Ms Bradshaw has the rare gift of truly making the past come alive. Her settings are always unusual and her characters are a delight.

I eagerly look forward to reading her next book. Whatever she chooses to write about next, I'm sure I'll enjoy it.

Karin Welss

harstan More than 1 year ago
Archimedes loves his time in Alexandria where he shares his intellectual pursuits with fellow-minded individuals. He sits for hours pondering and studying sand contained inside a box because he loves math, especially geometry. The world floats around him, but nothing seems capable of distracting Archimedes from his pursuit of knowledge. There is no thought of returning home to Syracuse until he learns his father is dying. Archimedes ends his three-year sojourn in the intellectual capital of the ancient world to come home.

Syracuse is at war with the Romans and the newly arrived Archimedes is drafted to use his mechanical skills to defeat the enemy. He builds superior war machines that that help his city-state come closer to victory. King Hieron wants Archimedes to exclusively work for him and not the Egyptian monarch who has made an offer for the now famous engineer's services. However, Hieron's regal support and nurturing lead to jealousy and betrayal from Archimedes peers and rivals. Still Archimedes falls in love with Hieron's sister, which forces him to choose between his love for math in Alexandria and his love for Delia in Syracuse.

THE SAND-RECKONER is an incredible and breath-taking work of historical fiction that vividly brings to life the world of Archimedes and the Classical Age of the Ancients. Using the limited information known about the great mathematician-engineer, Gillian Bradshaw paints a fabulous story that shows why she is recognized as an extraordinary author, one who uses fiction to make history fun while unfolding the past as if it is occurring today. Fans of historical fiction will want to read this superb depiction and Ms. Bradshaw's previous works such as ISLAND OF GHOSTS.

Harriet Klausner

Anonymous More than 1 year ago
Anonymous More than 1 year ago
A friend recommended this book to me because he knew I was into both math and history. You really don't need to know ANY math to love this book, but identifying with Archimedes takes a small amount of math-love. The book is based on historical accounts of the time and pieces together a one-year time period during the First Punic War from the standpoint of Archimedes and those around him. It's written mostly from his perspective, but also follows the surrounding characters as well. I finished it in a few days and it reads really well. Couldn't put it down. For $10 as an eBook, I think it's a steal.
Anonymous More than 1 year ago
Guest More than 1 year ago
I hate reading something that I'm not interested in but this book was amazing. I was so great I could not put the book down. I highly recommend it.
Anonymous More than 1 year ago
A book about sand ? Are you serious? Worst book ever!