Sane Asylum [NOOK Book]

Overview

Welcome to the Sane Asylum, we hope you will enjoy your stay. Please listen to the stories of those who populate these hallways. You will discover enlightenment or madness . . . or both or neither. It is entirely up to you.

Your enjoyment is most likely assured if you are an acolyte of Aristophanes, Ovid, Rabelais, The Brothers Grimm . . . or Rimbaud, Baudelaire, ...
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Sane Asylum

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Overview

Welcome to the Sane Asylum, we hope you will enjoy your stay. Please listen to the stories of those who populate these hallways. You will discover enlightenment or madness . . . or both or neither. It is entirely up to you.

Your enjoyment is most likely assured if you are an acolyte of Aristophanes, Ovid, Rabelais, The Brothers Grimm . . . or Rimbaud, Baudelaire, Lautreamont, Poe . . . or perhaps Simic, Aira, Girondo, Gombrowicz. . . . A brief list, which you may expand or reduce as you choose.

Linguistically exquisite, metaphysically puzzling, poetically concise . . . alternately shocking and endearing . . . you will never quite know how to view this work . . . but over time, you will find yourself, again and again, drawn (inexorably) back to these incendiary pieces. . . . A literary thrill ride for distinguished tastes.

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Pieces from this collection have been published, under different attribution, in 3rd Bed, Twelve Stories, and Anemone Sidecar, among others.

"Two Bits," included in Barge Journal, was nominated for the Pushcart Prize.

"The Pain Painter," included in Abjective, was long-listed for Wigleaf’s Top Fifty [Very] Short Fictions on the Internet in 2010.

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Please enjoy the following sample from SANE ASYLUM:

I ran.

Towns took me in, but never for more than a few days. The townspeople were generous, but they did not wish to harbor a fugitive from the horseman. I did not blame them. I would have done the same, in their position.

I saw slim girls swimming in a shallow pond. Their bright eyes, their angling backs, the archery of their bodies: the scene drew my interest. Their throats emitted shrieks: I thought, Pain! But no, this was not pain. The water grew red. I thought, Save them! Help them! But they refused my assistance even before I offered it, refused without even knowing of my presence in the hedges. I stalked off, and they never saw me. The horseman was quick on my trail. I heard their screams behind me, and I thought, Joy! I did not turn to confirm this; in retrospect I regret the lapse.

I thought, Apocalypse has come! For some of the cities were in ruins. But then there were the thriving metropoli to thwart my theory. Yet--I knew Armageddon was biding,--in the despairless throngs, in the grim mouths of the streets through which throbbed the tired traffic tongues, in the rust squeals of the mayors' bones, in the satisfaction of the winos, in the writhing rainbow skies of twilight. The cities slept by day, and at night arose in hideous bodies, syphilitic, asthmatic, languid and shuddering weak, but strong enough to stroke their organs, to climax in the dawn, to fade (gratefully) into that fitful sunlit slumber. The cities did not take me in, nor expel me. But they answered the horseman's queries as to my whereabouts, to the best of their knowledge: they saw no profit in protecting me, and possibly feared the horseman's reprisal should they be less than honest. I did not blame them. I would have done the same, in their position. . . .

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TABLE OF CONTENTS

We Must Have Faith
Ten
Cherry Soda
Death and Harleys
An Instinct for Beauty
The Final Image
Bone Hotel
Rapture in Stillness
The Pain Painter
The Cat of Unknowing
My Birth’s Revenge
A Siege Mentality
HQ Horizons
Heat Life
Two Bits
A House in the Hills
Humid Thesis
Coda
Encore
Encore Encore
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Editorial Reviews

Kate Onyett (Sein und Werden)
[Altamont's] quest for 'beautiful writing' will admit of no moral boundaries; and when morality is unconsidered, we are into the world of the 'mad.' This is the place of Id; our darkest thoughts and feelings. Altamont wants to be our Pandora and open it a crack and make us admit our own fascination with the 'wrong'. Some of the tales seem to be directly challenging us; not so much metaphorical teaching as outright dives into what should-not, must-not.
Trevor Price (The eNovella Review)
[J]udging by what’s on the screen alone, it’s all very well written and actually, whether I enjoyed a piece or not was not always contingent on whether I understood it.... Sane Asylum did reach me on a visceral level, the way poetry should.
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Product Details

  • BN ID: 2940014275781
  • Publisher: Altamont Alternatives
  • Publication date: 3/21/2012
  • Sold by: Barnes & Noble
  • Format: eBook
  • File size: 83 KB

Meet the Author

Shelley Altamont is a poet of the perverse and Perfectly Sane.

No allegiance is submitted to any value but that of beautiful writing.
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Sort by: Showing 1 Customer Review
  • Anonymous

    Posted March 22, 2012

    What a strange, puzzling collection of personalities... It's bas

    What a strange, puzzling collection of personalities... It's basically a series of monologues from peculiar, insane people. The writing is vivid and disturbing, the language top-notch and precise. A lot of fantastical scenarios. There's something alien about these people, but also deeply human I think, I haven't decided which! Still mulling that one, but I definitely loved the writing! Wish it were longer, however... length of a chapbook, really. Maybe an hour's reading, but I'll certainly be revisiting...

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