Sargent's Venice by Richard Ormond, Warren Adelson |, Hardcover | Barnes & Noble
Sargent's Venice

Sargent's Venice

5.0 1
by Richard Ormond, Warren Adelson
     
 

John Singer Sargent returned to Venice many times during his life, endlessly fascinated with this enchanting city. In paintings filled with vivid colors and dazzling light, he sought to capture its vitality and unique ambience, often working while afloat in a gondola. This gorgeously illustrated book presents nearly seventy of Sargent’s oil and watercolor

Overview

John Singer Sargent returned to Venice many times during his life, endlessly fascinated with this enchanting city. In paintings filled with vivid colors and dazzling light, he sought to capture its vitality and unique ambience, often working while afloat in a gondola. This gorgeously illustrated book presents nearly seventy of Sargent’s oil and watercolor paintings of Venice, many of them famous but others only rarely seen. The book also contains fascinating new photographs of actual sites depicted in Sargent’s paintings.
Sargent’s early works in Venice were created in 1880-1882, and he undertook a second, larger body of work in the city during visits from 1900 to 1913. His responses to Venice—its local figures, its buildings and waterways, its extraordinary light—reflect his changing interests over time as well as his lifelong ability to extend his own reach as a creative artist. The book considers various aspects of Sargent’s work and milieu in a series of informative essays by international scholars. They discuss the evolution of Sargent’s style, the topography of his work in Venice, his connections with Henry James and other Americans in Venice, Italian artists in Venice in the nineteenth century, and American artists in Venice in the nineteenth century.

Editorial Reviews

Library Journal
Independent art historian Ormond, a great-nephew of the American painter John Singer Sargent (1856–1925), and Adelson (owner, Adelson Galleries, New York) have a prestigious list of works to their credit, including the Sargent catalogue raisonné. Here, they discuss Sargent's scenery and motifs, his stylistic evolution, his artistic friendship with writer Henry James, and the contemporary cultural milieu, allowing readers to see Sargent's Venice through the artist's own eyes. Sargent was encouraged by his teacher, Carolus-Duran, to reject the polished surfaces espoused by the Parisian École des Beaux-Arts and instead to capture everyday life rapidly but accurately. However, knowing he would not get such core skills as perspective and anatomy from Carolus-Duran, Sargent enrolled in the école. This duality in formal education, Sargent's itinerant childhood, and his romantic temperament enabled him to capture the essence of the light, water, air, and architecture that was Venice. The readable text is supplemented by a bibliography, endnotes, an index, a list of brief biographies of personalities who touched Sargent's life, and 200 black-and-white and color illustrations. As a complement to the catalogue raisonné, it is recommended for special and academic libraries as well as for larger public libraries.
—Nancy Mactague

Product Details

ISBN-13:
9780300117172
Publisher:
Yale University Press
Publication date:
01/19/2007
Pages:
223
Product dimensions:
11.00(w) x 10.00(h) x (d)

Meet the Author

Richard L. Ormond, formerly director of the National Maritime Museum, Greenwich, is an independent art historian living in London. He is the coauthor of books on Sargent, Landseer, Winterhalter, and Lord Leighton, and he is a great-nephew of John Singer Sargent. Warren Adelson is owner of Adelson Galleries in New York City.

Customer Reviews

Average Review:

Write a Review

and post it to your social network

     

Most Helpful Customer Reviews

See all customer reviews >

Sargent's Venice 5 out of 5 based on 0 ratings. 1 reviews.
Guest More than 1 year ago
Richard Ormond has collected the watercolors and drawings and oil paintings that were John Singer Sargent's response to that most mystical and romantic of cities - Venice, Italy - from two separate periods of time in Sargent's prolific career. The selected works are from a fecund period from 1880 to 1882 and the second even larger body of works date from his visits there from 1900 to 1913. Comparing the two periods is illuminating on many levels, but despite the separation in time, Sargent's manner of capturing the magic that is Serenissima is unmatched in works of other artists. That Sargent was influenced by his friend and colleague Henry James is patently obvious. Were the reader to read 'The Aspern Papers' along with this picture voyage through the canals and paths of Venice the feeling of actually being there in time and place would be unavoidable. Sargent seems more comfortable in the aqueous métier of watercolor for the views and atmosphere of Venice. He manages to paint the fogs and mists that rise from this water city, to reflect the relaxed tranquility of the people within the island, and he is attuned to the alterations of light as it strikes and reflects off the water, altering the subject matter in a way only those who have been to Venice can appreciate fully. Along with the mood of the works elegantly reproduced in this volume is Ormond's narrative. He has selected photographs of many of the places Sargent painted, allowing the reader to appreciate the interpretation Sargent achieved in his artist impression as well as in his keen observational skills. This is a book of languid beauty, one that will satisfy on many levels. Very Highly Recommended. Grady Harp