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Kevin BakerIt's a haunting story in which Sturm's text poignantly conveys the quiet bitterness of his hero, and Tommaso's spare, two-tone drawings brilliantly contrast the physical beauty of the old, rural South with the savagery of its social institutions. An abiding air of menace hangs over the story like a gathering storm cloud. The authors refuse to look away from anything, not even lynching, although the material remains suitable—even vital—for most children. Paige himself is as elusive here as he was in real life, but Sturm and Tommaso, along with an excellent introduction by Gerald Early, provide a telling glimpse of this consummate showman, entrepreneur and competitor, who pitched into his mid-60s and against all odds managed to rise above both the black game and the white one.
—The New York Times