Savage Art: A Biography of Jim Thompson

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1996 Trade paperback Vintage Books ed. Good. Some dirty on outside of the book but pages are clean. Has a little water sploaches to corner. Trade paperback (US). Glued binding. ... 560 p. Contains: Illustrations. Audience: General/trade. Read more Show Less

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Vintage Crime, 1995. 543 pages. Trade paperback. Illustrated with black and white photographs. Notes and Sources. Index. Very Good. Light soiling to fore-edge. ISBN: 0679733523.

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1996 Softcover New 8vo 543 pp; Excellent book.; ALWAYS WITH DELIVERY CONFIRMATION. 34 YEARS OF FAST/RELIABLE SERVICE. MEMBER ABAA.

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Overview

Robert Polito recounts Thompson's relationship with his father, a disgraced Oklahoma sheriff, with the women he adored in life and murdered on the page, with alcohol, would-be censors, and Hollywood auteurs. Unrelenting and empathetic, casting light into the darker caverns of our collective psyche, Savage Art is an exemplary homage to an American original. A National Book Critics Circle Award winner. 57 photos.

Polito gives readers the man and his worlds and the real people behind his fictional creations. He addresses Thompson's Wobblie and Communist Party life, his involvement with the "true crime" magazines of the thirties, the pulp fiction houses of the fifties, ...

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Overview

Robert Polito recounts Thompson's relationship with his father, a disgraced Oklahoma sheriff, with the women he adored in life and murdered on the page, with alcohol, would-be censors, and Hollywood auteurs. Unrelenting and empathetic, casting light into the darker caverns of our collective psyche, Savage Art is an exemplary homage to an American original. A National Book Critics Circle Award winner. 57 photos.

Polito gives readers the man and his worlds and the real people behind his fictional creations. He addresses Thompson's Wobblie and Communist Party life, his involvement with the "true crime" magazines of the thirties, the pulp fiction houses of the fifties, and Hollywood where he worked with Stanley Kubrick, among others. Photos.

Editorial Reviews

Publishers Weekly
A series of Vintage reprints and Hollywood films like The Getaway and The Grifters have helped develop a wider popular and critical following for crime author Jim Thompson (1906-1977) than he sustained while alive. More twisted, sadistic and nihilistic than Chandler or Caine, Thompson's trademarks were his fiendish first-person psychopaths and lowlifes and his grim tales of failed lives and thwarted crimes. Polito, director of the writing program at Manhattan's New School, here untangles the man from his two-volume autobiography (Bad Boy and Roughneck), revealing a maverick alcoholic who was dogged by spells of depression and missed opportunities throughout his hand-to-mouth career. The son of a corrupt Oklahoma sheriff who lost his money speculating in oil, Thompson had his first alcohol-induced nervous breakdown as a hotel busboy in Ft. Worth while still in high school. He oscillated between low-wage jobs, hack journalism and literary circles for the rest of his life; joined the Communist Party in 1936; briefly became director of the Oklahoma Writer's Project; and struggled to publish novels that were often either too dark or slapdash for the mainstream. He enjoyed his most prolific period under editor Arnold Halo at Lion Books in the 1950s, eventually landing in Hollywood as a part-time film and television writer. This meticulous study adroitly evokes the rise of pulp adventure and crime magazines like Saga and True Detective, where Thompson honed his style, and the seedy underworld of hoboes and grifters who formed the models for his ``savage art.'' Photos. (Oct.)
Library Journal
Polito, who directs the writing program at New York City's New School for Social Research and who edited and wrote the introduction for the Thompson anthology Fireworks (Donald I. Fine, 1988), presents an intimate, meticulously researched portrait of the author of such classic noir novels as The Killer Inside Me, Pop 1280, and The Grifters. Polito interviewed members of Thompson's family, researched historical records, and carefully combed Thompson's own autobiographical writing to provide insight into his character and development as a writer. Thompson's readers will recognize here the wellspring of his art: his peripatetic childhood, his tormented young manhood, and his ultimately disappointing adulthood. Polito described Thompson's struggles with alcohol and his associations with an amalgamation of grifters and hobos, but he also presents fond reminiscences from people who knew Thompson as a loving brother, mentor, and friend. Thompson's life, like his book, makes wrenching reading. Recommended where biographies or crime fiction are collected.-Denise Johnson, Bradley Univ. Lib., Peoria, Ill.

Product Details

  • ISBN-13: 9780679733522
  • Publisher: Knopf Doubleday Publishing Group
  • Publication date: 10/28/1996
  • Pages: 560
  • Sales rank: 693,179
  • Series: Vintage Series
  • Product dimensions: 5.12 (w) x 8.00 (h) x 1.25 (d)

Meet the Author

Robert Polito
Robert Polito

Robert Polito is director of the Graduate Program in Creative Writing and professor of writing at The New School. He is the author of Doubles, also published by the University of Chicago Press.

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